Music❯Choral

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

Norman Huynh, Conductor
Steiger Butte Drum and Singers, Native American ensemble
Members of Portland State University Chamber Choir, Ethan Sperry, Conductor
Oregon Symphony

STRAVINSKY Symphonies of Wind Instruments
Michael GORDON Natural History
Grace MIEDZIAK New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)
BEETHOVEN Symphony No. 1 in C major, Op. 21

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

A joyful community sing-along led by Portland’s own Thomas Lauderdale of Pink Martini with many of Portland’s finest musical artists and chorale singers. Portland’s Tree Lighting Ceremony is the highlight of the holiday season in downtown. Join in this holiday tradition as Santa Claus ‘flips the switch’ to illuminate nearly 10,000 colorful lights on our City’s Tree that will shine bright throughout the holiday season.

The Low Bar Chorale is thrilled to welcome internationally acclaimed multi-instrumentalist, singer-songwriter, and producer Laura Gibson as a special guest. To celebrate the 20th Anniversary of her debut album, If You Come To Greet Me, Laura is re-releasing her first four records on vinyl. Sing together and learn harmony parts for some of her best-loved songs from these albums, as well as some favorite covers and guilty pleasures. Come sing with one of the defining voices of Portland's musical legacy.

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

Acclaimed tenor Nathan Pacheco joins the Portland Choir and Orchestra for a breathtaking evening of holiday music. The festive concert features soaring orchestral arrangements, cherished seasonal favorites, and magnificent vocal performances.

SHOW TIMES:

November 27 at 7:30pm

November 28 at 2pm

the tudor choir
+ doug fullington

Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

• Sacred Masterworks from Tudor England

One of the most beloved operas ever composed, La Traviata combines sweeping emotion with some of the most recognizable music in the operatic repertoire. Giuseppe Verdi’s masterpiece tells the story of Violetta Valéry, a woman determined to live freely and authentically despite the rigid social expectations that surround her. When she falls deeply in love, she is forced to confront the painful realities of class, reputation, sacrifice, and the cost of pursuing happiness on her own terms.

Adapted from Alexandre Dumas fils’ La Dame aux camélias, the opera broke new ground in its portrayal of a contemporary woman whose emotional life is treated with dignity, complexity, and compassion. Verdi’s luminous score captures both the exhilaration of love and the devastating consequences of societal judgment, moving seamlessly from moments of intimacy and joy to heartbreaking tragedy.

More than a romantic drama, La Traviata remains a powerful reflection on personal freedom, vulnerability, and the tension between public expectation and private truth. Its enduring resonance lies in its humanity: the opera asks what it means to truly live according to one’s own values in a world eager to define worth through convention, status, and appearance.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Norman Huynh, Conductor

Steiger Butte Drum and Singers, Native American ensemble

Members of Portland State University Chamber Choir, Ethan Sperry, Conductor

Oregon Symphony

Stravinsky Symphonies of Wind Instruments

Michael Gordon Natural History

Grace Meidziak New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)

Beethover Symphony No. 1 in C major, Op. 21

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

The Vancouver Symphony Orchestra USA’s 2026-2027 season continues Nov. 7-8 with Verdi’s choral-orchestral masterpiece, “Messa da Requiem.” Conductor Salvador Brotons will lead the orchestra, Portland Symphonic Choir and soloists Abigail Krawson, Hannah Penn, Brian Cheney and Anton Belov in bringing Verdi’s score to life at 7 p.m. Nov. 7 and 3 p.m. Nov. 8 at Skyview Concert Hall, 1300 N.W. 139th St., Vancouver. Both performances will also be available via livestream. Tickets are $15 for children and students, adult standard seating is $50 and premium seats are $53. Get tickets at vancouversymphony.org.

Join a lively game of chess and put your skills to the test. Whether you’re brand new or a seasoned player, there’s a spot for you. Instructor Victor will be on hand to guide beginners, while experienced players can jump right in and enjoy the challenge. Amplified holiday jazz from KMHD will play in the background to enhance the experience.

Special Dickens Carolers performances on Dec. 6th and 13th at 2 p.m.

Join us for a Cantor Shabbat! Cantor Green, guest Cantor Marshall Portnoy, and our congregational choirs will lead us in prayer on Friday, November 6.

Marshall Portnoy is the Cantor Emeritus of Main Line Reform Temple in Wynnewood, Pennsylvania. He has served two congregations full-time in his career: Congregation Adath Jeshurun in Louisville, Kentucky, from 1971 to 1994; and Main Line Reform Temple from 1994 to 2018. A graduate of Yale, Cantor Portnoy was invested both by the Jewish Theological Seminary and the Hebrew Union College. His two-volume work, The Art of Cantillation, now in its third edition, has for more than twenty-five years brought the skill and the joy of reading Torah and Haftarah to tens of thousands throughout the globe, and regularly remains among the most popular volumes of Behrman House Publications. His musical works are widely performed throughout the United States, and he is the recipient of frequent commissions. Of his CD Songs of Renewal, Debbie Friedman wrote, “Thoughtful and gentle, mindful and kind, this loving soul takes the listener, with every note he sings, to a place of hope and calm.” This is the only CD by another composer for which Debbie Friedman wrote liner notes.

The Marshall Portnoy Anthology was recently published by Transcontinental Music Publications. It contains thirty-four pieces, many familiar but in new arrangements for solo voice and duets (including “Meditation”,“I Still Believe” “God Bless This House” and “Birth is a Beginning”), many previously unpublished (“Reckoning,” “Od Yishama,” and “Miracles”), as well as songs for children (“Our Sukkah is a Little Hut,” “The Four Questions,” “Eitz Yafeh” and many others)..

Cantor Portnoy is the founder and President of the Bloom Jewish Music Foundation, which dispenses funds each year for the composition and performance of new Jewish music. He is also widely acknowledged as the music scholar who “cracked the code” to Edward Elgar’s Enigma Variations.

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Langston Hughes’ Black Nativity tells the story of the Nativity from an African-American perspective through a combination of scripture, poetry, dance, and song with griot-style narration.

Written by Langston Hughes, directed by Jerry Foster, music directed by JerMichael Riley PhD, choreography by Kemba Shannon.

A roof-raising, spirit-catching, musical tour-de-force that will bring you to your feet. Pure joy for the season. Bring the whole family. Make it a block party.

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Pacific University and the Indigenous Student Alliance is partnering with OPB to bring the film “First Descent: Kayaking the Klamath” to the Forest Grove Campus on Thursday, Nov. 5

A joyful community sing-along led by Portland’s own Thomas Lauderdale of Pink Martini, with many of Portland’s finest musical artists and chorale singers. Portland’s Tree Lighting Ceremony is the highlight of the holiday season in downtown. Join in this holiday tradition as Santa Claus ‘flips the switch’ to illuminate nearly 10,000 colorful lights on the City’s Tree that will shine bright throughout the holiday season.

Join Blueprint for a trip into two worlds: distinguished masterpieces and Disney. Featuring the Topaz ensemble, the first half includes both classic and modern classical standards, including…

• Purcell’s Hear My Prayer
• Gjeilo’s Sancus
• Allegri’s Miserere Mei, Deus
• Mealor’s Locus Iste

The second half is a fully choreographed half with new arrangements of animated favorites, both old and new, including selections from:

• The Hunchback of Notre Dame
• Anastasia
• Aladdin
• Frozen
• Mulan
• and featuring a mashup of songs from five different films.

So take a trip through both the classical and the Disney classic with Blueprint for a solemn and yet magic-making good time.

Nathan Pacheco is a classical crossover tenor, composer, and recording artist whose powerful voice and uplifting performances captivate audiences around the world.

He began his recording career with Disney Music Group and appeared in multiple PBS and ABC television specials, both as a solo artist and alongside internationally renowned performers including Yanni, Katherine Jenkins, and Olga Tañón. As a featured vocalist with Yanni Voices, Nathan performed throughout North America and was featured in two PBS concert specials before launching his solo career.

Nathan has performed with orchestras, choirs, and symphonies across the United States, including the San Diego Symphony and The Tabernacle Choir at Temple Square. His recordings have earned multiple Billboard #1 rankings in the Classical Crossover categories.

Portland’s Singing Christmas Tree is back to bring the magic of Christmas to audiences of all ages. Get ready for an unforgettable Christmas experience! Our spectacular 90-minute show is packed with excitement, featuring an immersive nativity, a special visit from Santa and his dancing elves, and a non-stop extravaganza of music, dance, and pageantry that will kickstart your holiday season with joy and wonder.

Special Guest Performers: We’re thrilled to have renowned talents such as Georgene Rice, Timothy Greenidge, and Courtney Temple join us, adding their magic to the festivities.

Incredible Choir: Our adult and youth choirs, along with these guest stars, will serenade you with beloved classics and new favorites, filling the air with the spirit of Christmas.

New Show, New Songs: While our show is steeped in tradition, we’re excited to bring you fresh elements and new songs that will make this year’s celebration even more memorable by joining us for this magical event that captures the true spirit of Christmas.

Pacific Northwest’s Premier Christmas Event: We’re not just a show; we’re a cherished tradition in the Pacific Northwest. Families have been making us a part of their holiday season for over six decades.

Saturday November 28 – 2 PM
Saturday November 28 – 6 PM
Sunday November 29 – 2 PM
Sunday November 29 – 6 PM
Friday December 4 – 7 PM
Saturday December 5 – 2 PM
Saturday December 5 – 6 PM
Sunday December 6 – 2 PM
Sunday December 6 – 6 pm

Blue $48-$55
Red $38-$45
Green $28-$35
ALL TICKETING FEES INCLUDED IN PRICES

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Critical Mass Big Band and Sugartime Trio unite powerhouse instrumentation with dazzling vocal harmonies to create an unforgettable live music experience. For nearly 25 years, Critical Mass Big Band has stood as a cornerstone of contemporary jazz in the Pacific Northwest, captivating audiences with electrifying performances and a rich, full-bodied sound. Featuring an expansive lineup of saxophones, trombones, trumpets, and a driving rhythm section, the ensemble delivers high-energy big band jazz with precision, passion, and undeniable swing.
Sugartime Trio, joining forces with this dynamic orchestra, adds a fresh and stylish vocal dimension. Since 2016, this acclaimed female jazz/pop ensemble has charmed audiences with their tight three-part harmonies, blending hot swing with lush ballads. Their repertoire spans from the golden age of the 1930s to modern favorites, all delivered with a signature blend of sophistication, charisma, and polish.
Together, these standout acts create a vibrant fusion of classic big band power and sleek vocal artistry-offering audiences a timeless yet contemporary musical experience that is as exhilarating as it is truly unforgettable.

Speed Dating Tonight!
Music & Libretto by Michael Ching
Based on a concept by Dean Anthony

Portland State University’s Opera program kicks off its 50th anniversary season with Michael Ching’s “Speed Dating Tonight!” (2013). Set over the course of a single evening at a local bar, this clever, heartwarming opera follows a revolving cast of singles searching for that elusive spark. There's the dreamer, the hopeless romantic, the bashful, the over-sharer, the chronically distracted, and everyone in between, each getting their moment in the spotlight through music that is equal parts tender, heartbreaking, and hilarious.

Written with duets and ensembles for up to 45 voices, “Speed Dating Tonight!” has a flexible modular structure that can be customized to fit any cast size, voice type, or gender identity. PSU Opera’s version of “Speed Dating Tonight!” features 35 song selections and arrangements specifically chosen to reflect the unique assortment of voices in the 12-member cast.

At its heart, this is a show about the universal human longing to be seen and cherished by another person. Woven through the interactions is another question: can a genuine connection actually happen in five minutes or less? With Michael Ching’s delightful opera, the answer is decidedly yes.

Visit the Speed Dating Tonight! web page to learn more about this production, including additional dates, cast and crew information, photos, and more as we get closer to opening night.

Learn more about the Opera program at Portland State University's School of Music & Theater.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

A joyful community sing-along led by Portland’s own Thomas Lauderdale of Pink Martini with many of Portland’s finest musical artists and chorale singers. Portland’s Tree Lighting Ceremony is the highlight of the holiday season in downtown. Join in this holiday tradition as Santa Claus ‘flips the switch’ to illuminate nearly 10,000 colorful lights on our City’s Tree that will shine bright throughout the holiday season.

Tudor England (c. 1485–1603) was deeply unstable—yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant served as the basis for devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program—among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

Selected chants from Tudor England

In Buddhist thought, the Tree of Life is a symbol of awakening, wisdom, and the interconnectedness of all life. Its roots reach deep into the earth while its branches extend toward the sky, reminding us that each generation grows from those that came before and that our lives are shaped by the communities and traditions that sustain us.

Opening the PSU Choirs' concert season, "Tree of Life" explores these themes through music that spans continents and centuries. Performed by the PSU Chamber Choir, Rose Choir and Thorn Choir, the program pairs cherished works from the Classical choral tradition with music by a new generation of Southeast Asian composers. At its center is Indonesian composer Bagus Utomo's Gayatri, inspired by the legendary queen whose wisdom and spiritual devotion remain an enduring part of Indonesian cultural heritage. The concert also features works by Budi Susanto Yohanes, Ily Matthew Maniano and Matthew Lyon Hazzard. Several of these pieces will be recorded later this year by the internationally acclaimed PSU Chamber Choir at Skywalker Sound, offering audiences an opportunity to hear this music before it is released.

Get ready for a night of music, comedy and incredible a cappella music as Vocalocity brings We’re Halfway There. Vocalocity takes some of the biggest songs from the ’60s to today and completely reimagines them using only the human voice. From Bon Jovi, Whitney Houston and Michael Jackson to Coldplay and more, their fun show is packed with songs you know and love, Vocalocity’s signature harmonies and plenty of unexpected moments along the way.

This isn’t your traditional a cappella concert. Vocalocity combines powerful vocals, beatboxing, comedy and six distinct personalities into a fast-moving show designed to keep you entertained from beginning to end.

Come laugh, sing along and experience your favorite songs in a whole new way.

Roadless follows three adventurers as they set out on foot through the Alaskan wilderness with a goal: to follow the entire 211-mile length of the proposed Ambler Mining Road. 160 miles north of the Arctic Circle, the team crosses vast tundra, wild rivers, and pristine forests, bringing audiences directly into one of the most remote and ecologically intact landscapes in North America.

As the miles accumulate, so do the challenges — injuries, exhaustion, hunger, relentless mosquitoes, and the harsh reality of traveling difficult terrain without roads or trails. But the expedition also reveals a landscape few people will ever experience firsthand. Encounters with wildlife, 24-hour sunlight, and the vast Arctic ecosystem offer a glimpse into a remarkable environment that has remained largely untouched by human development.

Roadless is an adventure film about endurance and natural beauty, while exploring what could be lost if the Ambler Road is built.

62 minutes | 2026 | Rated G

Tickets available at the door Fundraiser for Snowday’s Foundation; raffle ticket included! LIFEFORM broadcasts the exploits of 10 riders on the vangaurd of gritty, urban riding as they seek out spots, stack shots, and travel the globe in order to bring their regimen of style and progression to screens everywhere. Directed by Justin Meyer.

When Santa turns up missing, the Wonderettes use their talent and creative ingenuity to save the holiday party! Featuring great ’60s versions of holiday classics such as “Santa Claus Is Comin’ to Town,” “Jingle Bell Rock,” “Run, Rudolph, Run,” and “Winter Wonderland,” the result is, of course, marvelous! This energetic and glittering holiday musical package is guaranteed to delight audiences of all ages.

Directed by Shanae Tullis

Tickets $36 (This is a Musical)

Tickets Available to Season Pass Holders October 13, 2026

Tickets Available to the Public October 20, 2026

Performance dates and times:

Friday, November 27 at 7:30 (SOLD OUT)

Saturday, November 28 at 7:30

Sunday, November 29 at 2:00 (MATINEE)

Friday, December 4 at 7:30

Saturday, December 5 at 2:00 (MATINEE)

Sunday, December 6 at 2:00 (MATINEE)

Thursday, December 10 at 7:30

Friday, December 11 at 7:30

Saturday, December 12 at 2:00 (MATINEE)

Sunday, December 13 at 2:00 (MATINEE)

Thursday, December 17 at 7:30

Friday, December 18 and 7:30

Saturday, December 19 at 7:30pm

Sunday, December 20 at 2:00 (MATINEE)

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Portland Sage Singers are excited to light up your holiday season before the rush. With concerts at the end of November, we get to add Thanksgiving to the expected December holiday highlights. Gratitude will take center stage. This show has every ingredient needed to brighten your spirits. The 100+ member chorus will fill the stage with delight and palpable joy. It will be like putting on a well-worn robe with a brand-new pair of slippers. You’ll be warmed by familiar songs and wowed by the new ones. The chorus will be accompanied by the amazing Synergy String Quartet and our own Sage Ringers bell choir. As has become a calling card for Portland Sage Singers, the evening will be filled with surprises, humor, and some dancing. Help us turn the lights on for the entire holiday season.

DATE: November 22 at 7:30pm, November 23 at 7:30pm

Join us for an evening of fun and festive music to kick off the holiday season! Fun for the whole family!

Featuring our special guests Portland Daytime Singers

And Guest Quartets!

Monday, November 30

7:00 PM

Vancouver United Church of Christ

FREE ADMISSION

Picture a Sunday night with family and friends around watching a movie and playing games. Come to our Soulful Sundays at Albina! Play Spades, Dominos, Uno and more! Happening every 1st and 2nd Sunday of the month through November! All ages are welcome.

Featured Film: MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND (running time 1Hr 10min)