Learning & Tech❯Courses

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Rick Bartow (1946–2016) was an artist of deep complexity, and his work reflects a complicated, passionate person who still found space for lightness and humor. Bartow’s gift as a visual storyteller takes the viewer on a narrative journey: his self-portraits tell stories of pain, memory, and self-discovery; others reflect on his Wiyot identity, Native history and culture; and his portrayals of beings who walk on four legs, swim, or fly deftly capture their essence.

This exhibition provides a glimpse into Rick Bartow’s extensive body of work, including paintings, works on paper, mixed-media sculpture, and his less well-known work as a musician. Short films produced by the Bartow Trusts are included to demonstrate his continuing legacy and influence within his home community.

The Museum’s collection of work by Bartow only scratches the surface of an artist recognized as an iconic Native American, Oregon, and Northwest artist. PAM is grateful for generous loans from local collectors, planned gifts, and the Bartow Trusts.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

Learn how to create brick stitch & fringe style beaded earrings using seed beads, thread and a beading needle. Natalie Mitchell will briefly discuss the history of seed beads in the Native American community and their uses in regalia, jewelry and art. Registration required and opens October 18. Both sessions are required, please be able to attend 11/8 and 11/15.

Gateway to Adventure is a premium D&D learning experience. Been interested in trying out Dungeons & Dragons but didn't know where to find a group or how to get started? Let us take care of that for you!

You (and your friends) can embark on a curated adventure, played out over 3 weekly sessions. You will learn all the basics from character generation to combat and roleplaying in a safe space with pro Dungeon Master Jordan (aka @gendergolemdm ).

Sessions require a minimum of 4 players to run and can accommodate up to 6 players.

If you have any questions at all about the experience or how to book please give us a call or shoot us an email at [email protected]

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

DevonWood will once again host the USDF/FEI Youth Clinic Series in Sherwood, Oregon, with clinician Sabine Schut-Kery. Applications will be available online. The series receives funding support from The Dressage Foundation and the United States Equestrian Federation, and The Dressage Foundation provides grant opportunities for these clinics.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Learn essential computer skills in this beginner-friendly class, from logging in to personalizing settings. In the second hour, focus on how to protect yourself from email scams, malicious software, and identity theft. Perfect for first-time users.

Vanessa Grace of Soul Amplified will lead a workshop about the spiritual aspects of autumn from 6:30-8 p.m. Nov. 4 at Self Balance Massage, 8301 N.E. Hazel Dell Ave., Vancouver. Autumn is the transition between the outward-focused, fast pace of summer and inward-focused, slow pace of winter. Students will learn how to “live the autumn life” in preparation for winter, the art of releasing and the significance of endings. Grace will lead participants in a guided mediation, leaf release ritual and journaling. The cost is $30, including a digital workbook. For details, email [email protected].

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

PLUS PLUS Bizarre Bazaar is a brand new market bringing together a curated group of artists, publishers, exhibitors, game designers, community organizations, indie distributors, and creative collectives. It is free and open to the public. Stop by to browse and shop artist editions, books, comics, zines, physical media, prints, apparel, games, and more- then stick around to connect with the people who make it all happen!

• Video.Store.Age (indie film distributor)
• Midslumber Media (horror film shop and also books!)
• Cryptic Trinket Studio (animation / stop motion)
• Spencer Garland (VR Artist)
• Hungry Mantis (VR Artist)
• Fumerie Parfumerie (scent+film)
• Mind Marrow (scent + book + film)
• MENOPUNKS (doc + podcast)
• Estella Tse (VR/AR)
• Women In FIlm (film org /collective for women)
• NW Docs (doc org)
• Open Signal (community media center)
• AE PDX (motion design and animation community org)

• LIMINAL Music (record and music shop inspired by japan + more)
• KOOP radio (community radio hub)
• Tape Op Magazine (music recording magazine)

• Buckman Journal (publisher of artists and illustrators)
• Floating World Comics (comics shop)
• Nathan Mckee (paper cut/ layered images and screen prints)
• Sketchy People (illustrators)
• Kory Bing Illustration (risographs, zines, mostly about animals alive and extinct)
• Studio Mantissa (comics)
• S Mirk Comics (queer/nonbinary zines and comics maker/teacher)

• MADRE Linen (artisen linens/hometextiles)
• Mai Ide (the art of mending, sewing and kintsugi)

• Grilka Press (screen printers)
• Broccoli (art magazine)
• Storyboard Books + Art Supplies (book and art supplies for storytellers)
• Selected Stories (book store)
• Microcosm Publishing (beloved indie publisher)
• Sous les pavés la page (secondhand books and periodicals)

• Pink Tiger Games (founder/creator of former XOXO festival, pink tiger is primarily card games)
• PIGSquad (coming with three tables and an interactive projector)

• Nucleus Portland (contemporary art gallery)
• Mardeluna (art prints, apparel, plushies, giant mascot costumes)
• Lil Planets (360 photography art)
• Lauren Johnson Fine Art (cyanotypes, film+digital+watercolor images)
• Indui (fantasy art)
• Art Headliner (has murals all over NE portland that are rad!)
• Hustle Home Decor (electric colored sun catchers and mirror art)
• Swana Rose Center (Southwest Asia +North African art/culture community org)

• Portland Art Museum
• PAM CUT // Center for an Untold Tomorrow
• Kickstarter
• Portland Films and Events

This eye-opening exhibition introduces North American audiences to the diverse and distinct visual iconographies of Indigenous Australia, which is made up of more than 250 distinct Indigenous nations. Explore this rich and living history of creativity through over 200 works made by more than 130 artists. Drawn exclusively from the collection of Melbourne’s National Gallery of Victoria, The Stars We Do Not See offers a rare opportunity to experience some of the most significant examples of modern and contemporary Australian Indigenous art. Charting watershed moments in Indigenous art from the late 19th century to the present, this exhibition reveals a rich history of creativity that predates the arrival of the British.

Learn about your tenant and survivor rights as renters with YWCA Clark County and Clark County Volunteer Lawyers Program’s Housing Justice Project during a workshop from 6-7:30 p.m. Nov. 4 at YWCA Clark County, 3609 Main St., Vancouver. Participants will learn about their rights and responsibilities as tenants, common housing issues and available legal resources. The workshop will also provide information specifically for survivors of domestic violence, including housing protections and considerations and resources to support housing stability. Register at eventbrite.com/e/tenant-rights-workshop-tickets-2002166313340.

Art in the Burbs was purposefully and creatively designed to weave local artists with student artists. During the show, 20% of each artist’s sales will be retained to benefit The Foundation for Tigard Tualatin Schools’ Art in the Burbs Grant program. Grants are awarded to each of the district’s schools to use only in their arts programs – writing, music, fine art, and performing arts. The Foundation is a 501(c)3 organization.

Art in the Burbs provides a financial vehicle to enrich students’ lives through the arts. Click the button below to see how proceeds from last year’s show were used at your local school.

First Friday – November 6th: “Thankful for YOU (and pie :)) Multicultural Celebration!” We love the fall and we are SO thankful for you! We all come from different places and have different heritages and we want to celebrate that. Our diversity makes us special and interesting! Bring your friends and family downtown for pie tastings, pie raffles, a pie walk dance party, multicultural displays and so much more!

• Ribbon Cutting at 6pm for the new expansion at Evergreen Vinyl! 321 NE 4th Ave.
• Enter Pie Raffles all around town!
• Yummy pie tastings at Fuel donated by Lore Tea + Coffee
• “Pie Walk Dance Party”–try to win a delicious pie! at 7:30pm inside of Journey, 304 NE 4th Ave. The Pie Walk is generously sponsored by Synkwise!
• Complete the “Gratitude Passport” throughout downtown businesses & be entered to win!
• Learn about your neighbors and our diverse backgrounds, cultures and histories!
• Drop off your unwrapped toys at registration at Fuel Medical for the Toys for Tots drive!
• Kids’ autumn art, crafts, games and treats
• S’mores roasting, weather permitting
• Art Shows and Receptions in Attic Gallery, 419 NE Cedar; Gallery 408, 408 NE 4th; RedDoor Gallery, 411 NE Dallas; and Second Story Gallery, 625 NE 4th Ave, upstairs at the Camas Library.
• After hours shopping, dining, live music, more!

Start your evening at the DCA tables in the Fuel Medical lobby, 314 NE Birch St. See you in beautiful Downtown Camas for all the fall fun!

Master Gardener and Master Melittologist Anne Bulger on native mason bees: why they’re such good pollinators, what’s hiding inside their nesting tubes, and how to harvest and clean cocoons so your bees make it through winter healthy. Good for total beginners and people already hosting bees. Part of the Community Workshop Series. Sign up ahead.

The Portland Art Museum is pleased to present the recently acquired two-channel video installation, Do I Look Like a Lady? (Comedians and Singers), by internationally renowned artist Mickalene Thomas. Thomas’s work addresses themes of beauty and identity expressed through the myriad subjectivities of African-American women. Her multidisciplinary practice reconsiders Black womanhood and desire through a queer lens.

In recent years, Thomas has turned to video production as a way to expand her critical investigation into how mass media and entertainment distill the experiences of African-American women into a handful of archetypes. Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of Black women in the United States.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

The Teen Table is a relaxed, hands-on cooking experience for teens who want to feel more comfortable in the kitchen, learn to cook for themselves, and spend time with other teens who enjoy good food.

Whether they’re brand new to cooking or already have some experience, we’ll focus on building practical skills and confidence. Rather than following strict recipes, teens will learn how to think like a home cook—how to make decisions, work with what they have, adjust as they go, and turn simple ingredients into food they’re excited to eat.

We’ll also cover meal planning, kitchen organization, time management, using ingredients thoughtfully, making adjustments, and cleaning up. Most importantly, teens will gain the confidence to cook without needing a recipe to tell them exactly what to do.

Every class ends with everyone sitting down together to enjoy what we’ve made—because cooking is more fun when it’s shared, and learning how to feed yourself well is a pretty great skill to have.

The goal is simple: to help teens feel at home in the kitchen, make food they enjoy, and learn how to take care of themselves through cooking.

November Menu:

• Herb Roasted Chicken

• Seasonal Vegetable Sides

December Menu:

• Veggie Chili

• Cornbread

What to expect:

• Price is per person and includes the class, all ingredients, and dinner.

• Each class is hands-on and centered around preparing a meal together. We’ll cook, talk, experiment, ask questions, make mistakes, and figure things out along the way. There’s no pressure to already know what you’re doing or to be a “chef”— just a welcoming space to learn at your own pace.

• Some food allergies and intolerances can be accommodated, but please note that we may cook with eggs, dairy, nuts, poultry, beef, pork, and fish. If you’re unsure whether the class will be a good fit for your dietary needs, please inquire before registering.

• This series is for kids aged 13-18

About our Instructor:

Chef Leta Merrill is the founder and Pasta Maia, a seasoned culinary instructor, and also a mom of teens. She loves cooking with families and teaching young cooks in a fun, hands-on environment. Inspired by the Cucina Povera philosophy of simple, resourceful cooking made with love, Leta brings old-world Italian warmth and a love of gathering around the table to every class.

In rating Small Things Like These 41st on its list of the 100 Best Books of the 21st Century, the New York Times said: “Not a word is wasted in Keegan’s small, burnished gem of a novel, a sort of Dickensian miniature….”

This is an important novella in the vein of Dickens’s A Christmas Carol, but with an ending that packs a different punch. At its center is a man torn between family, community, church, and one young woman in a terrible predicament. He must make a choice, and Keegan’s exquisite, concise writing reveals that agonizing choice. It’s a perfect story to ponder and discuss: What would you choose in his situation?

Keegan’s other work, “Foster,” is a long short story with a big impact. No word is wasted as Keegan tells the story of a young girl sent to live with another family when her own mother is fraught with problems of her own. Again, in the New York Times’s glowing review they say: “Keegan makes us complicit in what her characters want, setting us up for utter heartbreak when they don’t get it.”

Foster’s is already considered canonical and is taught as a required text for Comparative Literature in the curriculum for Ireland’s secondary schools.

Join us in this two-week exploration of these incredible short works by an Irish writer of spare prose and mmense talent.

Access Program
We want our writing classes and seminars to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and seminar tuitions at a reduced rate. Most writing classes have at least one access spot available.

Please apply here for access rate tuition. Contact Susan Moore at [email protected] if you have questions.

Liaison position
Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform specific duties for each class meeting. If you are a liaison for a class or seminar, the full amount of your tuition is covered by Literary Arts.

Apply here for the liaison position.

The Curio | Exhibition & Sale, a collaboration between The Reser and City of Beaverton celebrates the creativity and diversity of regional Northwest artists and craftspeople. Whether looking for a gift or a unique work of art to adorn your home or office, The Curio features dozens of artists in this exhibition and sale. Forging connections between artists and the broader community, The Curio provides the perfect setting to discover creativity during the giving season.

Join us as we celebrate the fourth year of our tradition at our Artist Reception Friday, November 6th from 6 – 9 pm. Spotlighting the creative works of nearly 40 local and regional artists, guests will have an opportunity to browse a collection of unique works of art, functional and decorative wares, and numerous wearable pieces.

IMAGE: Justine Vanderpool

Here we are surveys contemporary art from the Portland Art Museum’s collection. Featuring work across a range of media, the exhibition showcases recent acquisitions alongside signature works and reflects on the constant change and shifting narratives that mark the contemporary world and networked lives.

In the current globalized, digitized ecology, contemporary artists observe, document, and reflect. Their voices and visions imagine what is possible and tell stories that expand knowledge. They question, prompt, and call to action, while creating both beauty and criticism. The exhibited artworks invite the viewer to ponder the real, virtual, and imagined spaces humanity currently inhabits, alongside the moments, thoughts, and experiences that define selfhood and purpose. Highlights in this gallery include works about our sense of self and identity such as Sentinel IV (Gold) by Simone Leigh, Fred Wilson’s black glass mirror I Saw Othello’s Visage in His Mind, and Maja Ruznic’s painting Daughter (Red). Large scale works by Chiho Aoshima, Carrie Mae Weems, and Wolfgang Tillmans consider relationships to place, another prominent theme. Others, including Jeppe Hein’s Please Participate, Katherine Bradford’s Ritual, and Jeffry Mitchell and Tivon Rice’s Panda speak to the human connection and the creative process.

Gallery 408, 408 N.E. Fourth Ave., Camas, will feature an exhibit of tiny art by noted local miniaturist Lara Blair, host of the podcast Tiny Worlds, Big Stories. Blair creates detailed, story-driven miniature art displayed in shadow boxes and as small-scale scenes. This past spring, Blair appeared on NPR’s Think Out Loud to share her work and perspective on the world of miniatures. She is also the co-creator of the Tiny Gallery at Gallery 408, a miniature gallery featuring tiny art by local artists, which will also be on display with new art. Meet Blair and other artists at the exhibit’s opening reception from 5-8 p.m. Nov. 6.

Why does one artist's drawing of a vase look mesmerizing while another artist's drawing of the same thing looks, well, boring? Composition has a lot to do with it, as does the idea of taking artistic license. In this class, we'll learn about how to use both composition and artistic license to find your own artistic style.

Artist and Church of Art founder, Erika Halperin, will start the workshop by leading the group in a discussion of selected artworks, with a particular focus on composition and artistic license. She will then guide the group through a series of hands-on drawing exercises, working with each student individually to answer questions and provide feedback.

This workshop is for anyone new to drawing or looking to strengthen their drawing skills.

All supplies and materials included. Using graphite and charcoal primarily on a variety of drawing papers.

Includes:

• 3.5 hours of instruction and drawing in a supportive, friendly environment
• Doughnut holes and non-alcoholic beverages
• That wonderful feeling of joy and connectedness that comes from a few hours of creative, artistic play with other adults.

Located in NW Portland, Church of Art is an art-centered community space offering approachable, low-pressure workshops for adults. Come as you are, spend a few hours making art, meet some new people, and enjoy a creative Portland experience—no need to “be an artist.”

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

Strengthen your household readiness through the "Be 2 Weeks Ready" program, presented by PrepLO. Learn how to prepare for disasters like earthquakes, storms, and wildfires. This essential training includes hands-on CPR/AED instruction provided directly by the Lake Oswego Fire Department (LOFD).

Fee: FREE (Pre-registration is required)

Thursday, September 10 • 5:30–8:30 p.m.
Course ID: 33840 • Register Online

Thursday, December 10 • 5:30–8:30 p.m.
Course ID: 33841 • Register Online

Saturday, September 5 • 9 a.m.–12 p.m.
Course ID: 33842 • Register Online

Saturday, December 5 • 9 a.m.–12 p.m.
Course ID: 33844 • Register Online

Tuesday, October 20 • 10 a.m.–12 p.m.
Course ID: 35016
Fee: FREE

Join clinical experts from Providence Health & Services to learn how age-related changes in balance, physical strength, and general medical health affect daily mobility. Discover concrete ways to minimize risks by modifying everyday medications, assessing footwear choice, and addressing common home environment hazards. Includes a short, participatory tai chi balance demonstration.

Presented by: Providence Health Leaders
Register Online

Thursdays, October 22 – November 12 • 12–1:30 p.m.
Course ID: 34887
Fee: Resident $36 / Non-Resident $54 (4-week course)

This structural, evidence-based series features weekly presentations by Providence clinical directors focused on optimizing physiological health as you age. Learn actionable, science-backed lifestyle habits designed to promote everyday brain fitness, strengthen emotional resilience, and maximize lifetime physical vitality rooted in the latest senior medical research.

Presented by: Providence Clinical Directors
Register Online

Tuesday, November 3 • 10–11:30 a.m.
Course ID: 34823
Fee: FREE

Join representatives from the National Alliance on Mental Illness (NAMI) for an invaluable QPR (Question, Persuade, Refer) suicide prevention training session. Participants will learn how to recognize early situational warning signs, ask supportive, compassionate direct questions, and safely guide neighbors, friends, and family toward life-saving community crisis resources.

Presented by: NAMI NW Advisors
Register Online

Tuesdays • 9:30–11:30 a.m.
Fee: Resident $20 / Non-Resident $25 per multi-week section

Elevate your card game in a supportive, structured environment! Curated for enthusiasts who possess standard background play experience, this community class weaves short, technical lessons with real-time coached table play. Refine card play execution, clarify bidding options on the fly, and share the friendly table camaraderie of fellow players.

Section A (Sept 8 – Oct 27): Course ID: 35364 • Register Online
Section B (Nov 3 – Dec 15): Course ID: 35365 • Register Online

Thursday, October 29 • 2–4 p.m.
Course ID: 35370
Fee: FREE

Learn how to optimize your living space to be safer, energy-efficient, and structurally accessible using public county support systems. Experienced case managers from Clackamas County will detail application criteria for free residential weatherization upgrades, low-cost deferred maintenance home improvement loans, and localized senior accessibility renovation grants.

Presented by: Clackamas County Program Coordinators
Register Online

• Life’s Final Chapter Series (May/June): A thoughtful practical exploration covering end-of-life logistics, medical directives, and grief support, facilitated alongside Death Doulas NW and End of Life Choices Oregon.
• Estrangement & Reunion Workshops (May/June): Multi-session mental health family guidance led by the licensed marriage and family therapists of Family Ties Counseling Center.
• Caregiver Support & Resilience Intensives (May/June): Specialized, four-hour professional workshops covering dementia communication habits and chronic caregiver burnout prevention, led by Dr. Andrea Holzner.
• Healthy Legs as You Age (May 6): A cardiovascular educational forum addressing vein health, modern treatment options, and leg circulation, led by Dr. Toshio Nagamoto of Inovia Vein.
• Estate Planning Basics (May 20): A legal resource class reviewing wills, asset protection vehicles, and common probate filing pitfalls, presented by Michael Rose, Attorney at Rose Elder Law.
• Paying for Long-Term Care (June 10): A community seminar providing legal guidance on qualifying for public Medicaid benefits and managing long-term institutional residential costs, presented by Rose Elder Law.

In Tenderhead, Lisa Jarrett weaves together her interest in migration and tracing lost familial histories to Beauty Supply stores and salons—critical intersections of Black life. The artist’s first solo museum exhibition in Oregon features new works and site-responsive installations that activate the abundant patterns, colors, images and textures found at the Beauty Supply. She says, “The Beauty Supply is my art supply store.” It is a site where she accesses physical materials as well as the less tangible memories activated by these materials, so important to her work.

Jarrett suggests that the Beauty Supply, salon, and kitchen sink are places undeniably linked to migration and diaspora as surrogate homelands. The geographic locations, aesthetics, layout, products, customers, and economies of the Beauty Supply locate it firmly in this “in-between” place, setting it apart as a complicated site of joy, nostalgia, desire, and unmet need. Jarrett investigates how these relatively mundane places and objects function as dynamic living archives in Black communities and families that accompany us from generation to generation. Places like the Beauty Supply (as well as the people, objects, ideas, and experiences contained therein) are the foundation of the work in this exhibition. Tenderhead refers to a question that she (and many others) vividly remember being asked while getting their hair done as children: “Are you tenderheaded?” Jarrett says, “It’s a loaded question,” and this exhibition offers windows into her reply.

In her first solo show, Cathy Aster explores the public and private layers women wear at different life stages. Using image transfer and cut-collage techniques, she creates formal and metaphorical transparencies across a series of 14 images. She bathes the scenes in the autumnal glow provided by vintage magazines, then excavates the images for tenderness, risk and danger. She hooks the viewer with nostalgic images, then transforms the image by revealing unseen psychic realms. The women in Aster’s work look away even as they look directly at you; they look directly at you even as they look away.

Cathy Aster is a cut paper collage artist based in Portland, Oregon. After years of experience working in rare book conservation and digital library settings, she spends her time making art and creating community for collage artists. She has shown work at Alberta Street Gallery, Art at the Cave and Taylor Street Kitchen. She is part of the organizing group of the Pacific Northwest Collage Collective.

Portland Art Museum invites the community to join a Free First Thursday event featuring free museum admission for all. This unique day includes a chance to explore the special exhibitions and PAM’s transformed campus and reinstalled permanent collection galleries.

October’s Free First Thursday features a special free film program presented in conjunction with The Stars We Do Not See: Australian Indigenous Art. The screenings celebrate film and video work by and about Aboriginal and Torres Strait Island people, offering another way to explore the stories, histories, and perspectives at the heart of The Stars We Do Not See.

Mondays, November 2nd, 9th, 16th, 23rd, 30th, and Dec 7th from 6-8 pm (with exception on Nov 9th— start time will be 7 pm due to a private event prior.) 15 spots available. Select dates have a limited number of drop-in seats! $200 for six 2 hour sessions across six weeks on Mondays. All materials included. Rotating craft each week— giftable and practical items, perfect for bringing cheer to your home in winter, or knocking out some christmas gifts and stocking stuffers early. We will start with some icebreaker activites to build friendship and connection, but no stereotypical, topical, awkward stuff. I’d love it if some of you remained friends after you left me, and I will facilitate building lasting connections. :) Photo Samples coming soon. Monday, November 2nd, 6-8 pm, Session 1: 1” and 2” Buttons and magnets (make 6+ each using collage, watercolor, or personal photos) GUEST COHOST: AFISHFORTHEO Monday, November 9th, 7-9 pm, Session 2: on Nov 9th— start time will be 7 pm due to a private event prior.) Mini block printing (make five 1” x 2” stamps and one 2×3” stamp, then stamp tradeable and giftable mini prints, cards, bookmarks, and more) Monday, November 16th, 6-8 pm, Session 3: USB “Magic Charm” Lantern Monday, November 23rd, 6-8 pm, Session 4: Beaded crystal suncatcher dangles (make as many as you want in session) Monday, November 30th, 6-8 pm, Session 5: Poetry writing session, draft a few poems with guided inspiration prompts, then take turns typing on the typewriter and framing them Monday, December 7th, 6-8 pm, Session 6: Framed multimedia trinket bricolage— arrange colorful and nostalgic trinkets in a frame, adding accents of sparkle, paint, etc to taste. GUEST COHOST: ISPYJUNK

One Grand Gallery is delighted to welcome back Portland-based Ashley Anson for her second solo exhibition with the gallery. Home Sweet Home expounds on Anson’s fondness for found textiles and materials and processes historically associated with feminine domestic labor. Drawing on traditionally gendered art forms such as quilting and embroidery, she combines textiles with painting and small sculpture to create narratives about the unseen worlds within people’s homes. Home is central to her work, a place that can hold peace, chaos, and danger all at once.

Anson transforms personal family folklore into layered narratives, exploring how stories imagined in childhood are remembered, exaggerated, and reinterpreted across generations. Her work also examines gender roles in art, asking what gives a painting masculine or feminine attributes and whether an artist’s gender can be sensed in the work. By combining the historically male-dominated practice of painting with embroidery and textiles, she challenges conventional distinctions between artistic mediums.

Join the opening reception on Friday, Oct. 30 from 6- 9 p.m. In the spirit of the Halloween season, the opening will transition into a party as the evening approaches. Costumes are strongly encouraged.

This installation celebrates prints by Black artists of the twentieth and twenty-first centuries, including many recent acquisitions shown for the first time at the Portland Art Museum. The work offers stories of the Black experience in the United States, allowing visitors to trace serious issues as brutal labor practices, as in Kara Walker’s Cotton, and lynching, in Hale Woodruff’s harrowing By Parties Unknown, as well as leisure and joy, evident in the bathers of Emma Amos and Derrick Adams.

Artistic production is another throughline. Viewers can trace the broad influence of Robert Blackburn, the founder of the influential Blackburn Print Workshop, who taught Romare Bearden, among others. Ron Adams honors Blackburn with a portrait. Although working across various printmaking media, including etching, lithography, and screen printing, the artists share a commitment to graphic expression and bearing witness to the breadth of Black representation in America.

Enjoy Leslie McMillan’s one-of-a-kind handcrafted jewelry and painter bd dombrowsky’s visual explorations of the mischievous silver night and the many insights the capricious muse offers.

Painter bd dombrowsky's visual style is derived from an interest in vintage illustrated books — encyclopedias, primers, comics, and stories — all the simple visual devices used as a culture to educate and socialize. Much of their work is informed by myths and folklore, as they retell old stories and weave them into new ones. Drawing on a background in drama, sculpture and printmaking, bd dombrowsky's goal is to craft a resonant space in which these stories can unfold, drawn from a shared mythos but reimagined by the artist and narrated by the viewer.

Jewelry Artist Leslie McMillan

As a jewelry smith, Leslie McMillan is all over the place. To begin with, they have ADHD, so their mind is manic. Leslie roams from fusing gold on steel to traditional silversmithing to bonding Japanese silver leaf. When working with steel and gold, Leslie is drawn to the truth that you cannot control the outcome. When heated high enough to fuse with the steel, the gold takes on a life of its own and travels where it wants to go. When working with sterling silver and natural stones, Leslie follows a more traditional approach. Creating hand-forged settings and sourcing stones from First Nation lapidary artists are fundamental to the work. No matter the process, Leslie relies on inspiration from the great Pacific Northwest and all its natural beauty to influence the final piece.

Last Thursday Opening Reception, Oct. 29, 6–9 p.m.

The Chronic Pain Project is holding its next exhibition in the Aubrey R. Watzek Library at Lewis and Clark College. CPP showcases art by anyone with experiences relating to chronic pain. Some of the artists have been creating for decades, and others have only just begun. Through art, these artists make visible what millions live with but few understand.

This exhibition asks one to consider what embodiment means while living with an invisible condition. CPP seeks to shift dominant narratives, educate the broader public, and create community. What does embodiment mean to you? We invite you to consider our theme as you peruse "Embodied Existence."

Designed for adults with little to no prior knowledge of English. This class focuses on the English alphabet, basic phonics, numbers and survival vocabulary. Preparing students for Beginner ESL Class.
No class on September 16 or November 11.

This exhibition features a concise, chronological display of works by the renowned American artist Mark Rothko. The Museum’s new entrance pavilion is named in honor of the artist, who, along with his family, emigrated from Russia (present-day Latvia) in 1913 and grew up in Portland. Rothko graduated from Portland’s Lincoln High School and took his first art classes at the Museum’s school. He left Portland to attend Yale University, eventually leaving college in 1923 to settle in New York City and pursue art full time. Today, Rothko is celebrated for his important contribution to the evolution of abstract art in the mid-twentieth century.

In this presentation, visitors will take an in-depth look at eight artworks from different periods in Rothko’s career. Early representational work demonstrates his interest in representing the figure as a means to communicate universal human experiences. Paintings from the 1940s reveal his transition to abstraction, starting with Surrealism, before leaving the referential behind for good. Rothko’s embrace of color as an evocative material reaches its peak in two large scale, classic works from the 1950s. At this time, he arrives at his signature style: layered blocks of color that complicate visual perception while heightening emotion and psychological responses.

Grief Holiday represents both an artistic experiment and a community commitment: a way to be present with grief and connection through the power of art. By presenting art in a nontraditional venue dedicated to community care, cultural access is expanded beyond typical gallery audiences. This project affirms art’s power to serve urgent human needs while honoring Portland’s diverse communities. Grief Holiday invites participants to step away from daily life and enter an immersive environment designed to support reflection and community in the face of grief. Guests will move through artist-created spaces, soundscapes, ritual installations, visual works, and participatory storytelling, each encouraging different ways of engaging with loss.

Developed by artists Miche McCausey, Kendra Roberts, Alice Christine Walker, and Emily Fusaro the project transforms grief from an isolated burden into a collective experience. The intent is to provide a supportive setting where participants can acknowledge grief openly, share stories, and engage with tools for connection. Unlike traditional exhibitions, Grief Holiday places the audience at the center of the work, blending art, ritual, and community care into an active journey of presence.

The Grief Holiday team was assembled to combine artistic vision with practical expertise. Emily Fusaro is a design strategist, musician, and songwriter; Miche McCausey is a master carpenter, muralist, and certified death doula; Kendra Roberts is an artist, curator and producer with experience managing large-scale public art; and Alice Christine Walker is a photographer and multimedia installation artist. In partnership and individually, we have organized land art exhibitions, curated community-driven shows, and produced immersive experiences in Portland. This blend of independent and collective work ensures we bring both diverse expertise and proven capacity to Grief Holiday.

Due to the sensitive nature of this experience, all participants are encouraged to be mindful and respectful when entering the space.

The venue is ADA-accessible, and the event will include ASL interpretation, bilingual materials, and trauma-informed facilitators. Spaces will accommodate varied sensory needs, with both quiet reflection and participatory areas. Groups of 25 guests will enter on the hour and move through the experience for approximately 1 hour. Participants will encounter multiple immersive spaces designed to honor and process loss. The program offers a rare opportunity to engage with grief collectively in an art-centered setting.