Crafts events in Portland

WEDNOV 11

5:00 PM

💰 $61+CraftsMuseumsGalleriesWine TastingsWorkshops

Harvest Celebration: Where Wine and Art Meet

Portland Art Museum1219 Southwest Park Avenue

Join the Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland. Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to design a custom wine label and blend a personalized spice mix to take home. Guests can further extend their experience by exploring works available through the Portland Art Museum’s Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Join the Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland. Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to design a custom wine label and blend a personalized spice mix to take home. Guests can further extend their experience by exploring works available through the Portland Art Museum’s Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Website ↗

🎟️ Tickets ↗

SATNOV 7

12:30 PM – 3:30 PM

💰 $10 per participantRegistration requiredWorkshopsCraftsMuseumsTeensCivic & Government

How We Show Up: A Zine-Making Workshop for Civic Action

OJMCHE724 NW Davis Street

How We Show Up: A Zine-Making Workshop for Civic Action November 7, 2026 Admission: $10 per participant Share × " class="share-btn"> Share on Facebook &text=How We Show Up: A Zine-Making Workshop for Civic Action" class="share-btn"> Share on Twitter Email Saturday, November 7 | 12:30-3:30pm Inspired by OJMCHE’s How We Show Up exhibition, this hands-on workshop invites high school and college students to make zines as a way to show up and create change in our community. Zines are a small but mighty form of self-publishing: Anyone can make, print, and share them to amplify ideas and inspire change. We’ll provide everything you need to get started, including creative supplies, templates, paper, pens, and a traveling zine library for inspiration. Every participant will make and take home a zine—no previous experience required. Just bring an interest in civic engagement and enthusiasm for creating something new. This program is intended for teens through college level participants. Registration is required due to limited space and closes on Thursday, November 5. The workshop will be facilitated by designer, artist and zine enthusiast Kelsey Snook . Kelsey has worked with local non-profit OK YOU to develop a not-so-secret zine society and spent more than 15 years creating participatory environments that bring people together. Tickets The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. How We Show Up: A Zine-Making Workshop for Teens | Saturday, November 7 | 12:30-3:30pm $ 10.00 20 available Decrease ticket quantity for How We Show Up: A Zine-Making Workshop for Teens | Saturday, November 7 | 12:30-3:30pm - Quantity Increase ticket quantity for How We Show Up: A Zine-Making Workshop for Teens | Saturday, November 7 | 12:30-3:30pm + Quantity: 0 Total: $ 0.00 Get Tickets back

Website ↗

SUNNOV 29

2:00 PM – 4:30 PM

💰 PaidFilmCraftsMuseumsTeensWorkshops

Cinema Paradiso (1988) x ScreenPLAY!

Portland Art Museum1219 SW Park Ave

Cinema Paradiso (1988) Directed by Giuseppe Tornatore. 2hr 35min. Rated PG.

This November at PAM CUT @ The Whitsell, catch the ultimate cinematic love letter to the magic of the movies, Cinema Paradiso (1988)—as part of our teen + family programming, ScreenPLAY! The film is a beautiful, nostalgic, and enchanting coming-of-age portrait of a young boy’s childhood home, his love for movies, and his bond with the local projectionist.

As part of ScreenPLAY! @ The Whitsell, films will be accompanied by art making in the Finley Learning Studio. Artmaking is free and open to the public.

Related events

Classes & camps Frame by Frame: Painted Film Strips Artmaking General accessibility
Nov 29, 2026

1219 SW Park Ave

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Cinema Paradiso (1988) Directed by Giuseppe Tornatore. 2hr 35min. Rated PG.

This November at PAM CUT @ The Whitsell, catch the ultimate cinematic love letter to the magic of the movies, Cinema Paradiso (1988)—as part of our teen + family programming, ScreenPLAY! The film is a beautiful, nostalgic, and enchanting coming-of-age portrait of a young boy’s childhood home, his love for movies, and his bond with the local projectionist.

As part of ScreenPLAY! @ The Whitsell, films will be accompanied by art making in the Finley Learning Studio. Artmaking is free and open to the public.

Related events

Classes & camps Frame by Frame: Painted Film Strips Artmaking General accessibility
Nov 29, 2026

1219 SW Park Ave

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Website ↗

SUNNOV 29

11:00 AM – 1:00 PM

CraftsMuseumsWorkshopsKids (5-11)

Forest Crafts

Discovery Museum, World Forestry Center4033 SW Canyon Road

Join us once a month and explore your creative nature here at World Forestry Center’s Discovery Museum with our friend at RAD Creative. From Forests in a Bottle to paper snails, seed shares, and fairy houses – tap into your creative side and make something memorable.

This event is family-friendly, and crafts are geared toward kids who can independently use scissors, glue sticks, and basic school supplies or with parental assistance. All crafts vary in presentation. Adult supervision at all times is required. Craft supplies, tools, and guidance are included with museum admission and do not require pre-registration.

Join us once a month and explore your creative nature here at World Forestry Center’s Discovery Museum with our friend at RAD Creative. From Forests in a Bottle to paper snails, seed shares, and fairy houses – tap into your creative side and make something memorable.

This event is family-friendly, and crafts are geared toward kids who can independently use scissors, glue sticks, and basic school supplies or with parental assistance. All crafts vary in presentation. Adult supervision at all times is required. Craft supplies, tools, and guidance are included with museum admission and do not require pre-registration.

Website ↗

SUNNOV 1

10:00 AM – 5:00 PM

+13 dates

MuseumsCraftsGalleries

Inkling Studio: Community and Printmaking in Portland, 1981–2009

Portland Art Museum1219 Southwest Park Avenue

For more than twenty-five years, Inkling Studio, a cooperative printmaking workshop, operated out of a storefront on SW Corbett Avenue. Liza Jones was the organizing force and spirit of the atelier, which soon attracted artists eager to practice their craft in a supportive, vibrant environment, who were welcome to join the group via application and portfolio review. Over the decades, Inkling Studio served more than 100 members working in a variety of printing methods.

A collaborative spirit animated Inkling Studio. It was not a teaching studio–artists were expected to be fully competent printmakers before they joined–but creative cooperation permeated the atmosphere. Members fondly recall the warm environment and the opportunities to watch and learn from some of the best talents in Portland. The esprit de corps is perhaps best illustrated by the six portfolios published by Inkling Studio in which members and closely allied printmakers contributed their designs.

This exhibition celebrates the incredible contribution of Inkling Studio and its members to the vibrant art scene of Portland. Membership changed over the years, but a lasting commitment to printmaking and community endured. The Museum is proud to offer a selection of the hundreds of prints made at Inkling Studio.

For more than twenty-five years, Inkling Studio, a cooperative printmaking workshop, operated out of a storefront on SW Corbett Avenue. Liza Jones was the organizing force and spirit of the atelier, which soon attracted artists eager to practice their craft in a supportive, vibrant environment, who were welcome to join the group via application and portfolio review. Over the decades, Inkling Studio served more than 100 members working in a variety of printing methods.

A collaborative spirit animated Inkling Studio. It was not a teaching studio–artists were expected to be fully competent printmakers before they joined–but creative cooperation permeated the atmosphere. Members fondly recall the warm environment and the opportunities to watch and learn from some of the best talents in Portland. The esprit de corps is perhaps best illustrated by the six portfolios published by Inkling Studio in which members and closely allied printmakers contributed their designs.

This exhibition celebrates the incredible contribution of Inkling Studio and its members to the vibrant art scene of Portland. Membership changed over the years, but a lasting commitment to printmaking and community endured. The Museum is proud to offer a selection of the hundreds of prints made at Inkling Studio.

🎟️ Tickets ↗

SUNNOV 15

12:00 PM – 5:00 PM

All ages💰 PaidDrop-inMuseumsCraftsBilingual EventsWorkshopsTalks & LecturesTours

Art in ASL + Look With Me

Portland Art Museum1219 SW Park Ave

Portland Art Museum celebrates the Deaf Community with Art in ASL on the 3rd Sunday of every month. Deaf Community members and their companions enjoy complimentary admission all day and are invited to participate in guided Look with Me sessions in the galleries between 12-3pm. Visitors of all ages are welcome.

Some Look with Me sessions will be led in ASL and some will be led in English. All sessions will have interpretation. Look for signs in the galleries to find locations of each session.

Join us for slow looking sessions from 12-3 pm then come to the Finley Studio for artmaking and social time from 3-5 pm.

Look With Me does not require special tickets. Museum tickets can be purchased online or at the box office.

Accessibility:
The museum galleries are wheelchair, mobility device, and stroller accessible. Complimentary stools, folding chairs, manual wheelchairs, and assistive technology are available upon request. All museum accessibility info is available here. Please contact us with any additional access needs at [email protected] or leave a videophone message at 503-420-3169.

Art in ASL is presented in partnership with the Deaf Look Club, a program of Bridge City Montessori.

Portland Art Museum celebrates the Deaf Community with Art in ASL on the 3rd Sunday of every month. Deaf Community members and their companions enjoy complimentary admission all day and are invited to participate in guided Look with Me sessions in the galleries between 12-3pm. Visitors of all ages are welcome.

Some Look with Me sessions will be led in ASL and some will be led in English. All sessions will have interpretation. Look for signs in the galleries to find locations of each session.

Join us for slow looking sessions from 12-3 pm then come to the Finley Studio for artmaking and social time from 3-5 pm.

Look With Me does not require special tickets. Museum tickets can be purchased online or at the box office.

Accessibility:
The museum galleries are wheelchair, mobility device, and stroller accessible. Complimentary stools, folding chairs, manual wheelchairs, and assistive technology are available upon request. All museum accessibility info is available here. Please contact us with any additional access needs at [email protected] or leave a videophone message at 503-420-3169.

Art in ASL is presented in partnership with the Deaf Look Club, a program of Bridge City Montessori.

🎟️ Tickets ↗

WEDNOV 18

10:00 AM – 11:00 AM

RSVP requiredMuseumsCraftsTours

“Meet Me at the Museum”

Clark County Historical Museum1511 Main St.

HOPE Dementia Support presents “Meet Me at the Museum” from from 10 to 11 a.m. on the third Wednesday once a quarter at the Clark County Historical Museum, 1511 Main St., Vancouver. Participants will explore Clark County’s history with interactive exhibits, guided tours and engaging activities. Register at www.eventbrite.com . Admission is free.

🎟️ Tickets ↗

SUNNOV 1

4:00 PM – 5:30 PM

Hiking & WalkingHolidays & SeasonalMuseums

Bora Yoon Witch’s Castle Soundwalk Meet-up

2960 NW Upshur St, Portland, OR 972102960 NW Upshur St

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

REGISTER FOR THE SOUND WALK

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

REGISTER FOR THE SOUND WALK

Website ↗

🎟️ Tickets ↗

SUNNOV 29

11:00 AM – 1:00 PM

CraftsMuseumsWorkshopsKids (5-11)

Forest Crafts

World Forestry Center4033 SW Canyon Rd, Portland, OR 97221

Join us once a month and explore your creative nature here at World Forestry Center’s Discovery Museum with our friend at RAD Creative. From Forests in a Bottle to paper snails, seed shares, and fairy houses – tap into your creative side and make something memorable. This event is family-friendly, and crafts are geared toward kids who can independently use scissors, glue sticks, and basic school supplies or with parental assistance. All crafts vary in presentation. Adult supervision at all times is required. Craft supplies, tools, and guidance are included with museum admission and do not require pre-registration. — 10

View Listing ↗

THUNOV 5

4:00 PM – 5:00 PM

Talks & LecturesMuseums

The Colorful Chemistry of Art: Lecture with Dr. Mas Subramanian

Jordan Schnitzer School of Art + Art History + Design1981 SW Broadway

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Website ↗

🎟️ Tickets ↗

SATNOV 7

11:00 AM – 11:15 AM

ReadingsBooksMuseumsTalks & Lectures

Pop-up: Julián Delgado Lopera

Portland Art Museum: Main Building1219 SW Park Ave

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

About Pretend You’re Dead and I Carry You:

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

About Pretend You’re Dead and I Carry You:

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Website ↗

SUNNOV 1

10:00 AM – 12:00 PM

💰 $65+WorkshopsCraftsGalleriesMeditation

Giant Collaborative Neurographic Art

Church of Art1801 Northwest Upshur Street

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
Light snacks and non-alcoholic beverages are included.
That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
Light snacks and non-alcoholic beverages are included.
That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

🎟️ Tickets ↗

SUNNOV 29

11:00 AM – 2:00 PM

💰 PaidDrop-inKids & FamilyCraftsFilmMuseumsWorkshops

Frame by Frame: Painted Film Strips Artmaking

Portland Art Museum1219 SW Park Ave

Join us before the film for artmaking in conjunction with this Saturday’s ScreenPlay family programming, Cinema Paradiso! Visitors are invited to drop in to the studio to paint and collage directly on existing film strips. Join us in creating new, hybrid scenes! All materials provided!

ScreenPLAY! is PAM CUT @ The Whitsell’s kids, teens, and family monthly program – sharing cinematic art for all ages.

Related events

PAM CUT @ The Whitsell x Screenings & experiences Cinema Paradiso (1988) x ScreenPLAY! General accessibility
Nov 29, 2026

1219 SW Park Ave

Join us before the film for artmaking in conjunction with this Saturday’s ScreenPlay family programming, Cinema Paradiso! Visitors are invited to drop in to the studio to paint and collage directly on existing film strips. Join us in creating new, hybrid scenes! All materials provided!

ScreenPLAY! is PAM CUT @ The Whitsell’s kids, teens, and family monthly program – sharing cinematic art for all ages.

Related events

PAM CUT @ The Whitsell x Screenings & experiences Cinema Paradiso (1988) x ScreenPLAY! General accessibility
Nov 29, 2026

1219 SW Park Ave

Website ↗

SUNNOV 8

9:00 AM – 2:00 PM

Hiking & WalkingParks & NatureBooksCraftsStorytimesTalks & LecturesHolidays & SeasonalKids (5-11)

Mushroom Mania

Friends of Tryon Creek11321 South Terwilliger Boulevard

Website ↗

SUNNOV 22

2:00 PM – 4:00 PM

💰 $65Advance ticket requiredWorkshopsWineCiderCrafts

Wander & Whisk Cookie Class at Windy Hills Winery

Windy Hills Winery1346 S 38th Ct

Calling all cookie artists! What’s better than wine and cookies? Join us for an afternoon of “Sip” & “Decorate” at our Cookie Decorating Class.

Learn step by step instructions on how to make these beautiful designs. Don’t miss out on this fun, tasty, and memorable event — grab your tickets now before they disappear!

DATES:

Sunday, October 18th at 2:00 PM. Registration closes on October 11th at 5:00 pm.

Sunday, November 22nd at 2:00 PM. Registration closes on November 15th at 5:00 pm.

Sunday, December 20th at 2:00 PM. Registration closes on December 13th at 5:00 pm.

Tickets are sold as a bundle ($65), including 6 cookies paired with your choice of a glass of wine, beer, cider, or soda. Must pre-pay to reserve your spot. Spots are limited. What’s included?

Step-by-Step Guided Instruction, Six Royal Icing Sugar Cookies, A Glass Of Wine, Take-Home Cookie Tray, One Complimentary Decorated Cookie, Photo Booth Moment, Recipes & Resources

Calling all cookie artists! What’s better than wine and cookies? Join us for an afternoon of “Sip” & “Decorate” at our Cookie Decorating Class.

Learn step by step instructions on how to make these beautiful designs. Don’t miss out on this fun, tasty, and memorable event — grab your tickets now before they disappear!

DATES:

Sunday, October 18th at 2:00 PM. Registration closes on October 11th at 5:00 pm.

Sunday, November 22nd at 2:00 PM. Registration closes on November 15th at 5:00 pm.

Sunday, December 20th at 2:00 PM. Registration closes on December 13th at 5:00 pm.

Tickets are sold as a bundle ($65), including 6 cookies paired with your choice of a glass of wine, beer, cider, or soda. Must pre-pay to reserve your spot. Spots are limited. What’s included?

Step-by-Step Guided Instruction, Six Royal Icing Sugar Cookies, A Glass Of Wine, Take-Home Cookie Tray, One Complimentary Decorated Cookie, Photo Booth Moment, Recipes & Resources

🎟️ Tickets ↗

SUNNOV 1

2:00 PM – 4:00 PM

💰 PaidFilmMuseums

What’s Up Doc? (1972) – 35mm

Portland Art Museum1219 SW Park Ave

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Website ↗

WEDNOV 11

5:00 PM – 9:00 PM

💰 USD 61Wine TastingsMuseums

Harvest Celebration: Where Wine & Art Meet | PAM + WVWA

Portland Art Museum Venues1119 Southwest Park Avenue

Join us for Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland.

Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 54 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to participate in creative activities. Guests can further extend their experience by exploring works available through the Portland Art Museum's Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Guests Will Enjoy

Tastings from 54 premier Willamette Valley wineries
Pinot-friendly grazing boards and seasonal bites
Six featured artist and winery pairing experiences
Live art demonstrations
Hands-on interactive experiences throughout the event
Opportunities to connect with featured artists and winemakers
Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Raise a glass, discover something new, and experience the harvest season through a fresh lens—where every bottle tells a story, and every work of art sparks a connection.

Ticket Options

VIP Admission – $135

5:00 - 9:00pm

Includes one hour of exclusive early access, premium tasting opportunities, passed hors d’oeuvres, and more intimate opportunities to connect with featured artists and winery representatives before general admission begins.

General Admission – $105

6:00 - 9:00pm

Includes event entry, wine tastings, seasonal culinary offerings, access to artist experiences, live demonstrations, and interactive activations throughout the evening.

Alcohol-Free General Admission (No Wine Tasting) – $55

5:00 - 9:00pm

Includes event entry, access to artist experiences and interactive activations, non-alcoholic beverage offerings, and seasonal culinary selections.

*Please note: this event will take place in Portland Art Museum's Grand Ballroom, and does not include access to the Museum galleries.

Participating Wineries

Adelsheim Vineyard
Alexana Estate
Amaterra
Ambar Estate
Approachment Wine Company
Balsall Creek
Bellingar Estates
Bergström Wines
Boedecker Cellars
Burton Bittman Wines
Brick House Vineyards
Chehalem Winery
Chosen Family Wines
Cooper Mountain Vineyards
Cristom Vineyards
Dobbes Family Winery
Domaine Divio
Domaine Serene
Dominio IV
Durant Vineyards
Dusky Goose
Erath
Evesham Wood & Haden Fig
Eyrie Vineyards
Gran Moraine
Holocene Wines
J. Christopher & Appassionata Estate
Jachter Family Wines
Knudsen Vineyards
La Biblioteca
Lachini Vineyards
Lange Estate Winery
Left Coast Estate
Lingua Franca
Lundeen Wines
Lytle-Barnett & Aubaine
Matzinger Davies
Nicolas-Jay
Nysa Vineyard
Olive Hamilton Russell
Open Claim Vineyard
Raptor Ridge Winery
Résonance
REX HILL
Ridgecrest
ROCO
Roots Wine Co
Saffron Fields Vineyard
Stoller Family Estate
Terra Vina Wines
Trout Lily Ranch
White Rose Estate
Willamette Valley Vineyards
Winderlea

Join us for Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland.

Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 54 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to participate in creative activities. Guests can further extend their experience by exploring works available through the Portland Art Museum's Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Guests Will Enjoy

Tastings from 54 premier Willamette Valley wineries
Pinot-friendly grazing boards and seasonal bites
Six featured artist and winery pairing experiences
Live art demonstrations
Hands-on interactive experiences throughout the event
Opportunities to connect with featured artists and winemakers
Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Raise a glass, discover something new, and experience the harvest season through a fresh lens—where every bottle tells a story, and every work of art sparks a connection.

Ticket Options

VIP Admission – $135

5:00 - 9:00pm

Includes one hour of exclusive early access, premium tasting opportunities, passed hors d’oeuvres, and more intimate opportunities to connect with featured artists and winery representatives before general admission begins.

General Admission – $105

6:00 - 9:00pm

Includes event entry, wine tastings, seasonal culinary offerings, access to artist experiences, live demonstrations, and interactive activations throughout the evening.

Alcohol-Free General Admission (No Wine Tasting) – $55

5:00 - 9:00pm

Includes event entry, access to artist experiences and interactive activations, non-alcoholic beverage offerings, and seasonal culinary selections.

*Please note: this event will take place in Portland Art Museum's Grand Ballroom, and does not include access to the Museum galleries.

Participating Wineries

Adelsheim Vineyard
Alexana Estate
Amaterra
Ambar Estate
Approachment Wine Company
Balsall Creek
Bellingar Estates
Bergström Wines
Boedecker Cellars
Burton Bittman Wines
Brick House Vineyards
Chehalem Winery
Chosen Family Wines
Cooper Mountain Vineyards
Cristom Vineyards
Dobbes Family Winery
Domaine Divio
Domaine Serene
Dominio IV
Durant Vineyards
Dusky Goose
Erath
Evesham Wood & Haden Fig
Eyrie Vineyards
Gran Moraine
Holocene Wines
J. Christopher & Appassionata Estate
Jachter Family Wines
Knudsen Vineyards
La Biblioteca
Lachini Vineyards
Lange Estate Winery
Left Coast Estate
Lingua Franca
Lundeen Wines
Lytle-Barnett & Aubaine
Matzinger Davies
Nicolas-Jay
Nysa Vineyard
Olive Hamilton Russell
Open Claim Vineyard
Raptor Ridge Winery
Résonance
REX HILL
Ridgecrest
ROCO
Roots Wine Co
Saffron Fields Vineyard
Stoller Family Estate
Terra Vina Wines
Trout Lily Ranch
White Rose Estate
Willamette Valley Vineyards
Winderlea

🎟️ Tickets ↗

SUNNOV 15

2:00 PM – 3:30 PM

💰 PaidMuseumsCultural HeritageHistory Talks

York Panel

Portland Art Museum, Mark Building1119 SW Park Ave

Overview

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

About the panelists Photo credit: Jonathan Echevarria

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Photo credit: Jason Hill

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Photo credit: Nic Latulippe

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Photo credit: Scott Anger

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Photo credit: Jason Hill

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

Related events

Exhibitions Todd McGrain: Debut of York General accessibility
Mar 31, 2026 – Jan 31, 2027

1219 SW Park Ave

Overview

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

About the panelists Photo credit: Jonathan Echevarria

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Photo credit: Jason Hill

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Photo credit: Nic Latulippe

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Photo credit: Scott Anger

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Photo credit: Jason Hill

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

Related events

Exhibitions Todd McGrain: Debut of York General accessibility
Mar 31, 2026 – Jan 31, 2027

1219 SW Park Ave

Website ↗

SATNOV 7

11:00 AM – 12:15 PM

WorkshopsMuseumsTeens

Youth Writing Workshop: Quick-n-Dirty Spec Fic

Portland Art Museum: Rental Sales Gallery1237 SW 10th Ave

Wanna play in alternate worlds? It’s challenging but glorious here! Join us for an Intro to Spec-Fic. Learn what is considered Speculative Fiction. Get ideas down using artwork as inspiration to explore spec-fic lines of thinking: “What if..”, “If only…” and “If this goes on…” Walk away with writing to possibly expand or refine later.

Register here!

Website ↗

🎟️ Tickets ↗

SUNNOV 1

1:00 PM – 3:30 PM

+3 dates

FilmMuseumsKids & Family

Wildwood at OMSI

OMSI1945 SE Water Ave

About the Film

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

About the Film

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

🎟️ Tickets ↗

SUNNOV 1

10:00 AM – 5:00 PM

+20 dates

MuseumsFilmGalleries

Pipilotti Rist: 4th Floor to Mildness

Portland Art Museum1219 Southwest Park Avenue

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

🎟️ Tickets ↗

SUNNOV 1

9:00 AM – 5:00 PM

Drop-inMusicCultural HeritageCraftsHolidays & SeasonalStreet FestivalsPerforming Arts

Gresham Day of The Dead

Futbarrio2919 NW Division Street

Celebrate and learn the history of the Day of the Dead at this free community event.

The event runs from 9:00am - 5:00 pm and will have:

Food carts
Crafts
Live music and performers from 11:00 am - 1:00 pm
Face painting
Community altar where you can bring pictures of your loved ones who have passed. Printings will be made available on site.

This event is open to everyone.

For more information please email [email protected].

Celebrate and learn the history of the Day of the Dead at this free community event.

The event runs from 9:00am - 5:00 pm and will have:

Food carts
Crafts
Live music and performers from 11:00 am - 1:00 pm
Face painting
Community altar where you can bring pictures of your loved ones who have passed. Printings will be made available on site.

This event is open to everyone.

For more information please email [email protected].

Website ↗

SUNNOV 8

11:00 AM – 1:00 PM

Cultural HeritageCraftsHolidays & SeasonalKids & FamilyWorkshopsDance

Northwest Children’s Theater Presents: Diwali Festival

The Judy1000 SW Broadway #T-100

Diwali, “the festival of lights”, is a holiday that is celebrated all across India. In collaboration with the Indian-American community, NWCT is excited to bring the festivities to The Judy. Decorate Rangoli, make a lantern, learn a Diya (lamp) dance, and more! Plus, there will be savory and sweet Indian treats to enjoy. All are welcome! The Diwali Festival is FREE to attend with a suggested donation of $10 per family. RSVP’s are strongly encouraged.

🎟️ Tickets ↗

THUNOV 5

10:00 AM – 4:30 PM

+17 dates

DanceHolidays & SeasonalCultural HeritageCraftsGalleriesParks & NatureWorkshopsWorld Music

Chrysanthemum Festival

Lan Su Chinese Garden239 Northwest Everett Street

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

Website ↗

SUNNOV 8

2:00 PM – 3:30 PM

💰 PaidDocumentariesMuseumsReadingsLGBTQ+

Mary Oliver: Saved by the Beauty of the World (2026)

Portland Art Museum1219 SW Park Ave

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Website ↗

SUNNOV 1

10:00 AM – 3:30 PM

+25 dates

💰 $23+Cultural HeritageMuseumsGalleries

Weaving Time: NUNO – Textiles of Tradition and Transformation

Portland Japanese Garden611 Southwest Kingston Avenue

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

🎟️ Tickets ↗

SUNNOV 1

5:30 PM – 8:00 PM

LGBTQ+CraftsStorytimesKids & Family

Trans Parent Day with Family Friend + little folx

Always Here BookstoreMap

You've heard of Mother's Day and Father's Day, but the first Sunday of November is Trans Parent Day!

Trans parents take many different shapes and forms – parents of trans kids, one or more trans-identifying parents, and every constellation in between! And to celebrate Trans Parent Day 2026, Always Here Bookstore is partnering with steadfast allies of queer families in Portland and beyond, Family Friend and little folx!

Join us at AHB on November 1st at 5:30pm for an evening of trans joy, community care, and solidarity.

Queer families of all shapes, sizes, and constellations are welcome! 🏳️‍🌈🏳️‍⚧️❤️‍🔥

✂️ Zine folding!

📖 Storytime!

🖍️ Arts and crafts!

📢 More details TBA!

You've heard of Mother's Day and Father's Day, but the first Sunday of November is Trans Parent Day!

Trans parents take many different shapes and forms – parents of trans kids, one or more trans-identifying parents, and every constellation in between! And to celebrate Trans Parent Day 2026, Always Here Bookstore is partnering with steadfast allies of queer families in Portland and beyond, Family Friend and little folx!

Join us at AHB on November 1st at 5:30pm for an evening of trans joy, community care, and solidarity.

Queer families of all shapes, sizes, and constellations are welcome! 🏳️‍🌈🏳️‍⚧️❤️‍🔥

✂️ Zine folding!

📖 Storytime!

🖍️ Arts and crafts!

📢 More details TBA!

Website ↗

WEDNOV 4

10:00 AM – 2:00 PM

+1 dates

ToursMuseums

Marshall House Tour

Marshall House1301 Officer's Row

Free — Duration: 30 Minutes Tours Wednesday-Friday from 10am-2pm Book a tour time here. Please check in for your tour at the front entrance of the Marshall House.

Please be aware that tour availability is subject to change due to private reservations of the venue. If you are looking to rent the Marshall House or any of our other historic venues, please visit Event Venues | Event Space Rentals | Historic Properties in Vancouver WA (historictrustproperties.org)

The Marshall House is named in honor of General George C. Marshall, who lived there from 1936 to 1938, serving as Commander of the Barracks and the regional Civilian Conservation Corps (CCC). This home’s Queen Anne architecture serves a striking example of late 19th century American architecture, with ornate features including stained glass, decorative woodwork, and a round turret. The museum-like setting features period furnishings, military memorabilia, and an interpretation of Marshall’s study.

Some historians credit Marshall’s stay here and experience directing thousands of young CCC workers across the Pacific Northwest with his later success integrating an estimated eight million draftees into a cohesive, motivated fighting force in World War II.

Some of the public areas in our buildings may not be fully accessible to visitors with limited mobility. Please call in advance for more specific information: 360-992-1800.

Public parking is available on Evergreen Blvd, across the street from the Marshall House. For guests using public transportation C-Tran Route 32 serves the Historic Reserve and stops adjacent to Marshall House. For more information visit: https://www.c-tran.com/

Free — Duration: 30 Minutes Tours Wednesday-Friday from 10am-2pm Book a tour time here. Please check in for your tour at the front entrance of the Marshall House.

Please be aware that tour availability is subject to change due to private reservations of the venue. If you are looking to rent the Marshall House or any of our other historic venues, please visit Event Venues | Event Space Rentals | Historic Properties in Vancouver WA (historictrustproperties.org)

The Marshall House is named in honor of General George C. Marshall, who lived there from 1936 to 1938, serving as Commander of the Barracks and the regional Civilian Conservation Corps (CCC). This home’s Queen Anne architecture serves a striking example of late 19th century American architecture, with ornate features including stained glass, decorative woodwork, and a round turret. The museum-like setting features period furnishings, military memorabilia, and an interpretation of Marshall’s study.

Some historians credit Marshall’s stay here and experience directing thousands of young CCC workers across the Pacific Northwest with his later success integrating an estimated eight million draftees into a cohesive, motivated fighting force in World War II.

Some of the public areas in our buildings may not be fully accessible to visitors with limited mobility. Please call in advance for more specific information: 360-992-1800.

Public parking is available on Evergreen Blvd, across the street from the Marshall House. For guests using public transportation C-Tran Route 32 serves the Historic Reserve and stops adjacent to Marshall House. For more information visit: https://www.c-tran.com/

🎟️ Tickets ↗

THUNOV 5

10:00 AM – 7:00 PM

Live Podcasts & RadioVarietyStand-UpMuseumsPoetryAuthor TalksHip-HopTalks & Lectures

Free First Thursday with Live Wire Radio

Portland Art Museum1219 SW Park Ave

Overview

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

Free First Thursday + Museum pop-ups

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

tickets for free first thursday Live Wire Evening Recording

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

tickets for 7pm Live Wire recording Performers

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

About Free First Thursdays

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Learn more about other discounted and free opportunities.

Overview

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

Free First Thursday + Museum pop-ups

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

tickets for free first thursday Live Wire Evening Recording

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

tickets for 7pm Live Wire recording Performers

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

About Free First Thursdays

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Learn more about other discounted and free opportunities.

Website ↗

THUNOV 5

4:30 PM – 6:30 PM

💰 $15+Drop-inMuseumsPoetryAuthor TalksLive Podcasts & RadioVarietyStand-UpHip-Hop

Live Wire: Dessa, Mac Barnett, Ed Park, and Mx. Dahlia Belle

Portland Art Museum1219 Southwest Park Avenue

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

Website ↗

🎟️ Tickets ↗

THUNOV 19

7:00 PM – 8:00 PM

💰 $20+History TalksMuseums

Look Back Lectures: 175 Years of the Oregonian

Museum of the Oregon Territory211 Tumwater Drive

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Website ↗

SATNOV 7

11:30 AM – 11:45 AM

PoetryBooksMuseumsTalks & LecturesCultural Heritage

Pop-up: Tina Chang

Portland Art Museum: Main Building1219 SW Park Ave

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

About Lion:

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

About Lion:

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

Website ↗

THUNOV 12

1:00 PM – 4:00 PM

CraftsAuthor TalksTalks & Lectures

Lace History & Technique Demonstration

Beaverton City Library12375 SW Fifth St

Anna Guillemot, a member of the Portland Lace Society, has been making lace for almost nine years. Her goal is to become comfortable with half a dozen techniques and to demonstrate them, and to spend the rest of her energy admiring the many others in existence in various parts of the world. She loves to teach, thereby encouraging new people to pursue an art that is very far from becoming extinct!

Website ↗

MONNOV 2

1:30 PM – 3:00 PM

+4 dates

18+Registration requiredCoursesCraftsGames

Bricks for Better Brains©

Gladstone Library525

Explore creativity, history, and connection through a hands-on program for adults. Participants will learn about a variety of quilting traditions, then use interlocking bricks to create their own unique compositions. This is a six-class series, and participants will attend all six classes. Classes meet Mondays from 1:30–3:00 p.m.: October 5, 12, and 19; no class October 26; then November 2, 9, and 16. Call 503-655-8540 to register or join the wait list.

Website ↗

TUENOV 3

11:00 AM – 5:00 PM

+15 dates

MuseumsGalleries

Anish Kapoor: Dissolving Margins

Jordan Schnitzer Museum of Art at Portland State University1855 Southwest Broadway

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Website ↗

🎟️ Tickets ↗

SATNOV 7

11:15 AM – 11:30 AM

ReadingsBooksMuseumsTalks & Lectures

Pop-up: Hannah Lillith Assadi

Portland Art Museum: Main Building1219 SW Park Ave

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

About Paradiso 17:

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

About Paradiso 17:

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Website ↗

WEDNOV 4

6:00 PM

All agesScience PubsMuseums

OMSI Science Pub: Nature’s Copycat: Convergent Evolution Throughout Time

Mission Theater1624 NW Glisan St, Portland, OR 97209

We've all heard the phrase, "If it ain't broke, don't fix it." Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We'll explore how it happens, why evolution keeps repeating itself, and what these evolutionary "reruns" can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Science Pub Mission Theater is a monthly event that is open to anyone and everyone. No scientific background required. Just bring your curiosity, sense of humor, and appetite for food, drinks and knowledge! For more information or to sign up for our mailing list, email: [email protected].

We've all heard the phrase, "If it ain't broke, don't fix it." Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We'll explore how it happens, why evolution keeps repeating itself, and what these evolutionary "reruns" can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Science Pub Mission Theater is a monthly event that is open to anyone and everyone. No scientific background required. Just bring your curiosity, sense of humor, and appetite for food, drinks and knowledge! For more information or to sign up for our mailing list, email: [email protected].

Website ↗

🎟️ Tickets ↗

WEDNOV 11

11:00 AM – 1:00 PM

MuseumsMusic

38th Annual Lough Legacy Veterans Parade presented by Gesa Credit Union

Evergreen Blvd. & E. Reserve Street (parade start)Evergreen Blvd. & E. Reserve Street

[vc_row][vc_column][vc_column_text css=”.vc_custom_1788471655300{margin-bottom: 0px !important;}”] Wednesday, November 11, 2026 • 11:00 a.m.
Fort Vancouver National Historic Site, Vancouver, Washington [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator border_width=”3″ css=”.vc_custom_1788472839667{margin-top: 30px !important;margin-bottom: 30px !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313703426{margin-bottom: 0px !important;}”]

Join us in honoring our nation’s heroes at the 38th Annual Lough Legacy Veterans Parade presented by Gesa Credit Union. We are excited to continue this community tradition of honoring and celebrating America’s veterans. This free event is open to everyone in the community. Bring a chair and a blanket, get settled in, and enjoy the festivities! Volunteers will be handing out free American flags to the first 1000 guests courtesy of the Salmon Creek American Legion.

The parade will take place RAIN or SHINE, so please dress for the weather. Entries include veterans’ organizations, military vehicles, festive marching bands, ROTC units, equestrian groups, youth organizations, and so much more!

While you are at the parade, we invite you to stop by the Gesa Credit Union sponsor booth for free giveaways!

Additional celebration and veteran support organizations can be found at the Community Military Appreciation Committee (CMAC) Veterans Day Open House, happening 11 a.m.– 3 p.m. at Pearson Air Museum.

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Parade Route:

Begins at Evergreen Blvd. & E. Reserve Street (east end of Officers Row) and winds through the Fort Vancouver National Site, ending near Pearson Air Museum.

Parking:

Free parking is available at the Clark Public Utilities building off Mill Plain and Fort Vancouver Way, the open lot south of the O. O. Howard House, and in the Fort Vancouver parking lot on E 5th Street.

Accessible parking:

Located on the west side of the O.O. Howard House, 750 Anderson Street in the staff parking lot.

Parade Map

View the full parade map to view additional information for accessible parking, restrooms, and more. You may also download a map below.

2026 Veterans Parade Map 8.5″ x 11″

2026 Veterans Parade Map 11″ x 17″[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator border_width=”3″ css=”.vc_custom_1788472825842{margin-top: 30px !important;margin-bottom: 30px !important;}”][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793388711349{margin-bottom: 0px !important;}”]

THANK YOU TO OUR 2026 SPONSORS

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Presenting Sponsor

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With Thanks To

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Supporting Sponsor

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Supporting Sponsor

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Supporting Sponsor

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Supporting Sponsor

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Route Promotion Sponsor

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Route Promotion Sponsor

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Media Sponsor

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Flag Sponsor

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Salmon Creek Post 176

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Media Sponsor

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[vc_row][vc_column][vc_column_text css=”.vc_custom_1788471655300{margin-bottom: 0px !important;}”] Wednesday, November 11, 2026 • 11:00 a.m.
Fort Vancouver National Historic Site, Vancouver, Washington [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator border_width=”3″ css=”.vc_custom_1788472839667{margin-top: 30px !important;margin-bottom: 30px !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313703426{margin-bottom: 0px !important;}”]

Join us in honoring our nation’s heroes at the 38th Annual Lough Legacy Veterans Parade presented by Gesa Credit Union. We are excited to continue this community tradition of honoring and celebrating America’s veterans. This free event is open to everyone in the community. Bring a chair and a blanket, get settled in, and enjoy the festivities! Volunteers will be handing out free American flags to the first 1000 guests courtesy of the Salmon Creek American Legion.

The parade will take place RAIN or SHINE, so please dress for the weather. Entries include veterans’ organizations, military vehicles, festive marching bands, ROTC units, equestrian groups, youth organizations, and so much more!

While you are at the parade, we invite you to stop by the Gesa Credit Union sponsor booth for free giveaways!

Additional celebration and veteran support organizations can be found at the Community Military Appreciation Committee (CMAC) Veterans Day Open House, happening 11 a.m.– 3 p.m. at Pearson Air Museum.

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Parade Route:

Begins at Evergreen Blvd. & E. Reserve Street (east end of Officers Row) and winds through the Fort Vancouver National Site, ending near Pearson Air Museum.

Parking:

Free parking is available at the Clark Public Utilities building off Mill Plain and Fort Vancouver Way, the open lot south of the O. O. Howard House, and in the Fort Vancouver parking lot on E 5th Street.

Accessible parking:

Located on the west side of the O.O. Howard House, 750 Anderson Street in the staff parking lot.

Parade Map

View the full parade map to view additional information for accessible parking, restrooms, and more. You may also download a map below.

2026 Veterans Parade Map 8.5″ x 11″

2026 Veterans Parade Map 11″ x 17″[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator border_width=”3″ css=”.vc_custom_1788472825842{margin-top: 30px !important;margin-bottom: 30px !important;}”][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793388711349{margin-bottom: 0px !important;}”]

THANK YOU TO OUR 2026 SPONSORS

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Presenting Sponsor

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With Thanks To

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Supporting Sponsor

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Supporting Sponsor

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Supporting Sponsor

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Supporting Sponsor

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Route Promotion Sponsor

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Route Promotion Sponsor

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Media Sponsor

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Flag Sponsor

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Salmon Creek Post 176

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Media Sponsor

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Website ↗

SATNOV 21

2:00 PM – 3:30 PM

Talks & LecturesFilmMuseums

Truthiness: Featuring Sterlin Harjo & Reginald Dwayne Betts

Portland Art Museum1219 SW Park Ave

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Website ↗

SUNNOV 1

3:30 PM – 4:30 PM

CraftsWorkshopsKids & FamilyParks & Nature

Science Sunday: Pinecone Bird Feeders

Hillsboro Public Library, Brookwood2850 NE Brookwood Pkwy

Make life a little easier on our Oregon winter birds with some crafty edible artistry for all ages.

Website ↗

SUNNOV 1

2:00 PM

MuseumsTours

Public Tour of One Nation

Main Gallery724 NW Davis Street

Public Tour of One Nation November 1, 2026 Admission: Free, RSVP encouraged Location: Main Gallery Share × " class="share-btn"> Share on Facebook &text=Public Tour of One Nation" class="share-btn"> Share on Twitter Email Sunday, November 1 | 2pm One Nation brings together contemporary artists who explore the ideals and contradictions embedded in the American promise through painting, photography, sculpture, textile, and mixed media. Join for a free guided tour that reflects on how a diverse society strives toward unity while confronting social, political, and cultural divisions. This program is presented as part of One Nation . Public Docent-Led Tour of One Nation | Sunday, November 1 | 2pm 13 Going 2 remaining, Last day to RSVP RSVP Here Going back

Website ↗

SUNNOV 8

7:00 PM – 9:00 PM · Doors 6:15 PM

Free ticket requiredFilmMuseumsTalks & Lectures

A Proclamation for Peace: Film preview and celebration

Portland Art Museum1219 SW Park Ave

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Website ↗

SATNOV 28

2:00 PM – 7:30 PM

All ages💰 $49Registration requiredKids & FamilyHolidays & SeasonalMuseums

Santa Experience at Chicky Play Museum

Chicky Play Museum8109 NE Vancouver Mall Dr Suite A

Enjoy free hot cocoa and cookies for everyone! ☕🍪
Every child will receive a special 1:1 moment with Santa — don’t forget your camera to capture the magic. ❤️🎅
(Professional photos are optional and available for $20 each.)

Must Register for a time slot!

Admission
• Adults: Free (up to 2 adults per child). Additional adults may join with a purchased full-priced ticket.
• Infants younger than 12 months: Free with a paying sibling; otherwise, a ticket is required.
• All ages welcome!

Enjoy free hot cocoa and cookies for everyone! ☕🍪
Every child will receive a special 1:1 moment with Santa — don’t forget your camera to capture the magic. ❤️🎅
(Professional photos are optional and available for $20 each.)

Must Register for a time slot!

Admission
• Adults: Free (up to 2 adults per child). Additional adults may join with a purchased full-priced ticket.
• Infants younger than 12 months: Free with a paying sibling; otherwise, a ticket is required.
• All ages welcome!

🎟️ Tickets ↗

SUNNOV 1

Hours not provided

+3 more

FilmMuseumsKids & Family

Wildwood

OMSI (Oregon Museum of Science and Industry)1945 Southeast Water Avenue

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl's desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Raqting: PG-13 | CC and AD Available | Accessible Entrance Available

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl's desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Raqting: PG-13 | CC and AD Available | Accessible Entrance Available

Website ↗

SATNOV 7

11:00 AM – 11:15 AM

ReadingsBooksMuseumsTalks & LecturesCultural Heritage

Pop-up: Alicia Jo Rabins

Portland Art Museum: Main Building1219 SW Park Ave

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

About When We’re Born We Forget Everything:

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

About When We’re Born We Forget Everything:

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Website ↗

SUNNOV 1

10:00 AM – 5:00 PM

+13 dates

MuseumsFilmGalleries

Marco Brambilla: Maximalist Dreamscapes

Portland Art Museum1219 Southwest Park Avenue

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

🎟️ Tickets ↗

THUNOV 5

5:30 PM · Doors 5:00 PM

MusicMuseumsBeer

November First Thursday with Kiki & The Cuties

Portland Center Stage128 NW 11th Ave

Our final First Thursday of the calendar year is going to be a special one! Enjoy live music from local act Kiki & The Cuties, our gallery exhibit Then. Now. Next. 20 Years at The Armory, and of course grab yourself a complimentary beer courtesy of Deschutes Brewery. Doors at 5PM, see ya there!!

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WEDNOV 4

3:00 PM

CeramicsCraftsWorkshops

Makerspace x pFriem: Handbuilt Mugs

pFriem Milwaukie Tasting Room10722 SE MAIN ST

Tuesday, July 21st: Both Tasting Room locations will be closing at 3pm. Gather at the pFriem Milwaukie Tasting Room for an evening of hand building mugs and beverages. Each attendee will build a mug from scratch and apply glaze, guided by Alison. The ticket price includes one drink, but stick around for dinner from pFriem's delicious kitchen. This is great for a date night or larger group. Cost includes all materials and firing. Mugs ready to be picked up 3 weeks later at Makerspace Sellwood. We use cookies on our site to give you the best experience. To continue using our site, please accept cookies.

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SATNOV 14

2:00 PM – 3:30 PM

💰 PaidDocumentariesMuseums

Ornette: Made In America (1985)

Portland Art Museum1219 SW Park Ave

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Website ↗

SATNOV 7

11:00 AM – 11:15 AM

ReadingsBooksMuseumsTalks & Lectures

Pop-up: Julia Wertz

Portland Art Museum: Main Building1219 SW Park Ave

Julia Wertz reads from her new memoir Bury Me Already (It’s Nice Down Here) at Portland Art Museum in the Prints & Drawings gallery (Level 0, Room 007), paired with Mary Kay Nitchie, Jump, from the portfolio Wayzgoose.

About Bury Me Already (It’s Nice Down Here):

Raw, honest, and hilarious, Bury Me Already (It’s Nice Down Here) chronicles the joy and horror of becoming a mother during challenging times.

In this follow-up to the acclaimed memoir Impossible People—a book about getting sober and becoming a professional artist in New York City—cartoonist Julia Wertz returns home to Northern California where she reunites with her family and rekindles a relationship with an ex-boyfriend. After a surprise pregnancy and a marriage proposal, Julia settles (somewhat reluctantly) into a quiet life in a small town. But as 2020 approaches, her world, and the world at large, takes a sharp turn toward unexpected chaos. Through comic vignettes, essays, and diary doodles, Julia recounts the events of her pregnancy and its attendant body horror, a miscarriage, family trauma, marriage, a life-altering accident, and the joy and surprises of parenthood as it all unfolds against the backdrop of local wildfires and a global pandemic. The result of this unconventional collection is a heart-wrenching and hilarious story of adversity, resilience, and, ultimately, love.

Julia Wertz reads from her new memoir Bury Me Already (It’s Nice Down Here) at Portland Art Museum in the Prints & Drawings gallery (Level 0, Room 007), paired with Mary Kay Nitchie, Jump, from the portfolio Wayzgoose.

About Bury Me Already (It’s Nice Down Here):

Raw, honest, and hilarious, Bury Me Already (It’s Nice Down Here) chronicles the joy and horror of becoming a mother during challenging times.

In this follow-up to the acclaimed memoir Impossible People—a book about getting sober and becoming a professional artist in New York City—cartoonist Julia Wertz returns home to Northern California where she reunites with her family and rekindles a relationship with an ex-boyfriend. After a surprise pregnancy and a marriage proposal, Julia settles (somewhat reluctantly) into a quiet life in a small town. But as 2020 approaches, her world, and the world at large, takes a sharp turn toward unexpected chaos. Through comic vignettes, essays, and diary doodles, Julia recounts the events of her pregnancy and its attendant body horror, a miscarriage, family trauma, marriage, a life-altering accident, and the joy and surprises of parenthood as it all unfolds against the backdrop of local wildfires and a global pandemic. The result of this unconventional collection is a heart-wrenching and hilarious story of adversity, resilience, and, ultimately, love.

Website ↗

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