Arts & Media❯Film❯Documentaries

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Experience an unforgettable night of blues-infused rock as Joanne Shaw Taylor and Robert Jon and The Wreck bring their powerhouse performances to the stage. Renowned for her blistering guitar work and soulful vocals, Joanne Shaw Taylor will perform fan favorites from her acclaimed Billboard-charting album Black and Gold alongside new music from her forthcoming release, The Trouble With Love. Joining her are Robert Jon & The Wreck, celebrated for their driving Southern rock sound, rich harmonies, and electrifying live shows, featuring standout songs from their latest album, Heartbreaks & Last Goodbyes. Blending blues roots, fiery musicianship, and high-octane rock energy, this dynamic lineup promises a night of incredible live music.

Gram Jam is a celebration of the music of Gram Parsons. A seminal figure at the roots of what is now referred to as Americana. A mix of traditional country, rock n roll, blues and soul. Gram called that mix Cosmic American Music. Gram Parson’s efforts with The International Submarine Band, The Byrds, The Flying Burrito Brothers and his two solo albums, GP and Grievous Angel were not commercial successes but his songs and style influenced all that came after. The Eagles, Little Feat, Workingman’s Dead by the Grateful Dead, The New Riders of The Purple Sage, Linda Ronstadt and Emmylou Harris are just a short list. Cosmic American Music is still alive and well in Portland and many other places around the world.

Shorty and The Mustangs have organized five Gram Jam benefit concerts for the Jeremy Wilson Foundation https://www.thejwf.or since 2016. So why do a sixth now?

In November, Gram Parsons would be turning 80 within two days of Gram Jam VI and will also be inducted into The Rock n Roll Hall of Fame within a few weeks of the show. In addition, Shorty and The Mustangs are celebrating their 30 th Anniversary in 2026. Too many dates have aligned. It’s meant to happen.

A stellar list of local musicians are donating their time and talent to this benefit show. Get your tickets, you don’t want to miss this!

Soul'd Out Presents: Down in the Delta with Ms Vee and Yella P
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

You won't want to miss this Annual Birthday Celebration with the Bad Girl of the Blues! Harp/Guitar Extraordinaire Yella P joins Portland's Bad girl of the Blues, Ms Vee and a Badass Band. Damion “Yella P” Pearson is a Memphis-born harmonica virtuoso, multi-instrumentalist, and educator whose sound blends blues, soul, jazz, funk, and hip-hop, shaped by influences ranging
from Marvin Gaye, John Coltrane, Stevie Wonder, Billie Holiday, and George Clinton to Southern rap icons like 8Ball & MJG and Playa Fly.

A fixture in the Memphis music scene, he has collaborated and shared stages with artists including Eric Gales, The Bar-Kays, Kirk Whalum, Eddie Floyd, Bobby Rush, and Robert Finley, and co-founded the award-winning duo Memphissippi Sounds with Cam Kimbrough—whose debut album Welcome to the Land charted internationally and fueled tours across the U.S.,
Europe, and Canada. Now fully dedicated to his art, Yella P continues to release new music while delivering powerful, genre-bending performances that honor tradition and boldly push it forward.

Ms. Vee Singer, Musician, Writer, and Comedienne; 2023 Muddy Awards Nominee for Best Female Vocalist, 2021 Band & 2019 Solo Granite State Blues Challenge Winner & International Blues Challenge Semifinalist: Ms Vee's style of Soul Blues is infused with black southern gospel and a lot of soul! In 2018, Ms Vee launched her own music project, founding Ms Vee and a Badass Band.

Hailing from Arkansas by way of Memphis Tennessee, the award-winning Ms Vee brings powerhouse vocals and a razor sharp wit to every show.In January 2023, Ms Vee launched a Pacific Northwest configuration of Ms Vee and a Badass Band. Backed by some of the most accomplished musicians in Portland, including Chance Hayden, Jake Koprowski, Terrell "Peanut" Reed, and Ron Solomon, Ms Vee and her Badass Band has been rocking houses since their 2022 debut. They’ve quickly risen to the top of the PDX music scene.
------

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Down in the Delta with Ms Vee and Yella P

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

Allison Russell is a compelling singer, songwriter, and multi-instrumentalist with strong ties to the folk community. She first made her name in the 2000s as a member of the eclectic Canadian roots group Po' Girl before forming the duo Birds of Chicago in 2012 with her husband and creative partner JT Nero. Taking inspiration from a wide array of sources, Russell's songs have threaded through jazz, country, folk, Celtic, klezmer, and blues to become a distinctive amalgam of her own making. Not unlike fellow Renaissance woman and Our Native Daughters bandmate Rhiannon Giddens, her musical versatility has made her difficult to pigeonhole while also helping to establish her as a linchpin of roots music in general. In 2021, after two decades of musical exploration, Russell made her solo debut with the Juno Award-winning Outside Child. Her solo follow-up, the joyful, Grammy-winning The Returner, arrived two years later. She also made her Broadway debut in 2024, returning a year later with the protest-fueled Annie Lennox collaboration "Superlover" and "Comes a Time" with the Doobie Brothers. Russell's guest-heavy third album, In the Hour of Chaos, arrived in 2026, featuring appearances from artists like Norah Jones and Ruby Amanfu.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

21+/ No Cover, Please tip the band and waitstaff!

Popular demand - Second Night Added!

OZ NOY
Virtuoso guitarist and composer Oz Noy has carved out a distinctive niche within the contemporary music landscape by creating an electrifying fusion of jazz, funk, rock, blues, and R&B. His innovative approach, described succinctly by Noy himself as “Jazz—it just doesn’t sound like it,” has captivated audiences worldwide and earned him widespread acclaim among fans, critics, and fellow musicians alike.

Born in Israel, Oz embarked on his professional music career at the remarkably young age of 13, swiftly distinguishing himself across multiple genres. By age 16, he had already established himself as a leading guitarist, performing alongside many of Israel’s most prominent artists. By age 24, Oz had become one of the most in-demand session guitarists in the country and held a pivotal role as a member of the house band on Israel’s top-rated television show for over two years.

Oz’s artistic journey took a transformative leap when he relocated to New York City in 1996. His arrival in the vibrant music scene of New York marked the beginning of a prolific career, characterized by an infectious groove and genre-defying sonic explorations. Quickly making his mark, he began collaborating with some of the most revered musicians in the industry, including drummers Keith Carlock, Anton Fig, Vinnie Colaiuta, and Dave Weckl, as well as bassists Will Lee, James Genus, and Reggie Washington.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

**Atlantis Lounge is All Ages until 9:00 PM, at that time any minors will be asked to leave the space. Thanks for your understanding!

Soul'd Out Presents: Stop Light Observations
Doors: 7:00pm
Show: 8:00pm
Ages 21+
https://www.stoplightobservations.com/

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

---

Stop Light Observations is a dynamic four-piece group hailing from Charleston, South Carolina. Their versatile sound is a unique blend of blues, pop, and indie rock infused with electronic beats and the soulful vocals of Will Blackburn. From songs like “2young” to “Security” their music is a true reflection of their unique personalities, and their live shows are a testament to their authenticity and raw talent.

SLO is Will Blackburn (vocals), Oleg Terentiev (drums), David Beam (guitar) and Jeremiah King (keys).

Notes on Seating: Open seating, may be limited or standing room only. First come, first seated. Open dance floor may obscure sightlines. Stop Light Observations

Kevin Selfe’s Blues Jam is a high-energy Sunday afternoon session kicking off at 5 PM, led by acclaimed guitarist and vocalist Kevin Selfe. Featuring a rotating lineup of top Portland musicians, the jam delivers spontaneous collaborations, extended grooves, and plenty of room for musical surprises.

Band members: Kevin Selfe (guitar, harmonica, vocals), Jimi Bott (drums), Allen Markel (bass), and friends.

Doors open at 4 PM for dinner & drinks
Music kicks off at 5 PM

Here’s the quick rundown so everyone has a blast:

• No reservations needed — first come, first served. Grab a good spot early!
• There’s a $6 cover
• 21+ show

Tickets available at the door Fundraiser for Snowday’s Foundation; raffle ticket included! LIFEFORM broadcasts the exploits of 10 riders on the vangaurd of gritty, urban riding as they seek out spots, stack shots, and travel the globe in order to bring their regimen of style and progression to screens everywhere. Directed by Justin Meyer.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Award-winning vocalist, instrumentalist and songwriter Curtis Salgado, the man NPR calls “an icon” with “a huge voice,” is revered worldwide for his ability to wring every ounce of soul out of every song he performs. Salgado is famed not only for his powerhouse live shows and eleven previous albums, but also for his passionate and insightful original songs. He has been nominated three times for the Blues Music Award for Song Of The Year, winning in 2018 for Walk A Mile In My Blues from The Beautiful Lowdown. In total, he has won eleven Blues Music Awards, including the B.B. King Entertainer Of The Year. DownBeat calls his songwriting skills “an impressive gift.” Billboard says Salgado’s music is “inspired and powerful.”

Now, Salgado is back with Fine By Me, the latest evidence of Salgado wielding his impressive songwriting and vocal skills to a wide variety of styles. His music has dashes of blues, gospel, R&B, jazz, funk, rock ’n’ roll and soul at any given moment.

$10 at the door Cash Only, 21+, 7PM Doors/8PM Music

__________________________________

Emotion Entertainment Presents

https://linktr.ee/Emotionent444

https://www.instagram.com/emotionent444/

B R Y 4 4 4 N

https://linktr.ee/BRY444N

https://www.instagram.com/emotion_isnt_weakness/

MAJOR PAIN

https://emotionent.net/

LOCALBOYJOJO

https://soundcloud.com/user-38125941

https://linktr.ee/LocalBoyJojo_official

https://www.instagram.com/official_localboyjojo/

OZ

https://www.ozblues.com/

https://www.instagram.com/actualoz

XZETRA

https://xzetra.bandcamp.com/

https://xzetra.dimensions.fm/

https://www.instagram.com/mrxzetra/

Formed in 2018, The Gibbons are an all original, stripped down, blues influenced rock n' roll band. Their music features locked in drum and bass grooves provided by bassist Schuyler Dinsdale and drummer Greg Montplaisir, complimented by the dual Les Paul guitar attack of Peter Boone and Nathan Zito. They released a self titled album available on Spotify, Apple Music, and BandCamp.

Trails End Boys feat Jason (JT) Thomas, Marty Henninger, Jim Solberg, Drew Baird

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

Formed by musicians with a passion for the Northwest outdoors, Jawbone Flats takes its name from the ghost town of the same name nestled deep in the Opal Creek Wilderness of Oregon. Since 2008 JBF has traveled throughout Oregon, Washington, Idaho, and Northern California playing an eclectic blend of original and cover songs drawing from the influences of bluegrass, country, alternative country, blues, and rock music led by five alternating lead singers backed by lush harmonies. Interlocking melodies from B-bender Telecaster and acoustic guitars, mandolin, harmonica, and pedal steel guitar are woven into the solid rhythmic fabric of fretless bass and drums to produce a wonderfully entertaining, irresistibly danceable, and downright “flatifying” sound.

Picture a Sunday night with family and friends around watching a movie and playing games. Come to our Soulful Sundays at Albina! Play Spades, Dominos, Uno and more! Happening every 1st and 2nd Sunday of the month through November! All ages are welcome.

Featured Film: MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND (running time 1Hr 10min)

Leading a stellar six-piece ensemble, Ms. Rudolph belts, caresses and struts

her way through the music of Etta James, Aretha Franklin and Blondie: three

DIVA DELUXE spans Etta’s blues-drenched sass, Aretha’s sanctified soul and

Blondie’s downtown rock-and-roll cool, with iconic hits, hidden treasures and

Rudolph’s own songs woven through the night: music shaped by love,

swagger and tenderness. Shelly Rudolph is a Portland-based vocalist, songwriter and poet known for her “honey-glazed throat” and “powerfully romantic” originals. Her music moves freely between jazz, blues and soul. Her international single “I Love

LOVE,” featuring guitarist Charlie Hunter, has reached radio playlists in 17

countries; her multidisciplinary jazz myth suite Orfea Rising premiered at the

OR Music Hall of Fame saxophonist Renato Caranto has performed with

Soul-fire guitarist Dan Gildea, praised by O ArtsWatch for his “sizzling yet sensitive” playing, has performed with jazz legends Ron Carter and Leroy Vinnegar.

Trumpeter Paul Mazzio is a veteran of the Woody Herman Orchestra who has

performed with Tony Bennett, Larry Carlton and The Moody Blues.

Keyboardist Joe Bagg, hailed by DownBeat as “a highly refined player with a

light touch who listens,” is a longtime member of Jeff Goldblum’s Mildred

Bassist Bill Athens has a beautifully eclectic résumé stretching from Seamus

Blake and Ben Wendell to Stephen Malkmus and Sleater-Kinney.

Muddy Award-winning drummer Edwin Coleman III is a deeply

rooted blues-and-soul player whose credits include LaRhonda Steele and

DRESS to EXPRESS: Feeling fabulous is encouraged! Channel your own inner

diva with sequins, boas, wigs, leather... you do YOU

------------------
JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Rock out at the Open Musician's Jam. Join these jam sessions, where music meets fun and friends meet rock 'n roll. It's gonna be a blast. Bring your instruments, your voice, and your A-game.

• Gear Galore: Pianos, electric/acoustic guitars, tube amps, bass (4 or 5 string), drum set, ukulele, ready for you. Plus, extra mics for singers and whatever else you want to bring.
• Covers welcome: Bring your band, or team up with fellow jammers. There are often lots of blues, rock, pop, and funk, plus a load of awesome covers from all decades, especially the '90s. This is a jam of any genre, tends to be rock/soul/bluesy pop/fusion/jazzy funk, but whatever you play, that's what it'll be.
• Game On: Ping Pong tables and arcade machines for friendly competition.
• No Limits: Bring your musical mojo, and get wild. Whether you're a pro or just here for the good times, it's all about the music and the good vibes.

This venue is 21+

The JT Wise Band performs high energy good time music. They have found a special calling to perform the music of the Grateful Dead with authentic jams and guitarist JT Wise channeling Jerry Garcia. Also performing is bassist Maggie Wise, drummer Ken Woodside and on piano Byron Ady.

"JT Wise sounds like no one else on the planet"-Mary Flower

"JT Wise Band performs American roots music with an expertise rarely heard"- journalist Daniel Curran

"Best Grateful Dead in the area"- Portland Notes Notable performance, Paul Lankow

Pacific University and the Indigenous Student Alliance is partnering with OPB to bring the film “First Descent: Kayaking the Klamath” to the Forest Grove Campus on Thursday, Nov. 5

21 & Over | $15 Advance, $20 Day of Show | The night before Thanksgiving is ALWAYS a great party night and AITK brings the funk! Ants In The Kitchen is a group of accomplished Portland, Oregon musicians performing high-energy Rock, Soul, Blues, and Funk covers…from Tina Turner to Beastie Boys to AC/DC to Bruno Mars! Come get down and do some pre-emptive turkey day calorie burning!

– – – – –

Reserved Seating Available

Roadless follows three adventurers as they set out on foot through the Alaskan wilderness with a goal: to follow the entire 211-mile length of the proposed Ambler Mining Road. 160 miles north of the Arctic Circle, the team crosses vast tundra, wild rivers, and pristine forests, bringing audiences directly into one of the most remote and ecologically intact landscapes in North America.

As the miles accumulate, so do the challenges — injuries, exhaustion, hunger, relentless mosquitoes, and the harsh reality of traveling difficult terrain without roads or trails. But the expedition also reveals a landscape few people will ever experience firsthand. Encounters with wildlife, 24-hour sunlight, and the vast Arctic ecosystem offer a glimpse into a remarkable environment that has remained largely untouched by human development.

Roadless is an adventure film about endurance and natural beauty, while exploring what could be lost if the Ambler Road is built.

62 minutes | 2026 | Rated G

21 & OVER | $20 Advance / $25 DAY OF SHOW | Soul Vaccination is one of the tightest Funk & Soul Bands in the PNW. This high-energy, 12-piece band has been infusing Northwest stages with the greatest soul standards for over 20 years.

Lloyd Jones joins the band as special guest. Lloyd Jones has toured relentlessly, building enthusiastic crowds who can’t get enough of his swampy blues, backporch picking, serious-as-anthrax funk/ soul/roadhouse/two-beats/old-school rhythm and blues. He may be the most invisible, best-kept roots/blues/Americana secret on the contemporary scene.

– – – –

Reserved Seating Available

The Northwest’s Premier Vocal Rock Band, GENERATOR is a high energy 5-piece group playing popular rock, blues and pop songs. The band’s hallmarks are dazzling vocals, brilliant 5-part harmonies, and a rock-solid groove. Generator keeps dance floors packed, and audiences mesmerized. They genuinely have fun playing together, and are a delight to watch.

Bottleneck Blues Band was voted Best New Blues Act in 2015 and nominated for the Best CD of the Year by the Cascade Blues Association. The band is a featured act this year at the Waterfront Blues Festival, Cathedral Park Jazz Festival, Illwaco Seafood and Blues Festival, The Taste of Tacoma, the Wallace Idaho Blues Festival and the Crawdad Festival.

Bottleneck is fronted by Noah Bell and is backed up by an all-star lineup with Randy Monroe on the bass guitar, Pete Moss on saxophone, Franklin Spicer on keys and Devon Shazier kickin' the drums. Bottleneck plays red-hot funky blues designed to make your body move. They are currently debuting new material to be featured on their second album. Their first CD "Twenty First Century Blues" was warmly received and the band is looking forward to their next recording project.