Arts & Media❯Film❯Documentaries

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

From the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre and The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines. When she falls under the spell of the roguish Anatole, it is up to Pierre, a family friend in the middle of an existential crisis, to pick up the pieces of her shattered reputation. Following a critically exalted premiere at Ars Nova in New York City, a subsequent off-Broadway transfer and an acclaimed run on Broadway, this award-winning musical expands the possibilities for the genre with its daring score and bold storytelling.

Music and Lyrics By Dave Malloy

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Step into a slippery world where the line between truth and fiction is all in the packaging. It’s 1936, and a pair of passionate filmmakers has landed their next big project: a sweeping Spanish Civil War film with the potential to change American hearts and minds. It just happens to be bankrolled by the KGB. Spain by Jen Silverman is a seductive and tense thriller about the power of art to change the world — for better and for worse.

by Jen Silverman, directed by Josh Hecht

One of the most ambitious productions in recent Profile history, Spain is a grand cross-disciplinary spectacle featuring multiple partnerships with arts organizations throughout Portland, including live opera developed in partnership with Portland Opera, and both recorded and live music performed by musicians with 45th Parallel.

Trans-Siberian Orchestra is back with a spectacular new production of The Ghosts of Christmas Eve: The Best of TSO and More – featuring the fan-favorite holiday rock opera alongside TSO classics, and rarely performed gems.

Shows:

November 28 at 3:30pm & 8pm

Join Portland Opera for an hour of story and song from their latest production, La Traviata.

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

Tickets $15. Are you ready to time travel back to the year 1990?! We're thrilled to present a documentary about a TV show called BUZZ, which aired in 1990 for one season on MTV as a "current affairs" show. Following the screening, there will be a moderated conversation and Q&A with Mark Pellington and Lance Bangs.

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Join a very special Portland premiere of director Chad Brown’s new documentary Unseen: Invisible Wounds, Invincible Spirit. Taking place the week of Veterans Day, this film follows five veterans as they bike through two hundred miles of raw, unforgiving wilderness on a trail that asks everything of you and gives back something no clinic or desk job ever could. Following the film, director Chad Brown will be joined on stage for a Q&A about the film.

They came to Lakeview, Oregon, carrying things that don’t fit in a pack. Five veterans. Two hundred miles of raw, unforgiving wilderness. One trail that asks everything of you and gives back something no clinic or desk job ever could. Unseen begins at the edge of what most people call the end of the map Lakeview, Oregon, the last frontier, the quiet gateway to the Oregon Timber Trail; from that threshold, it launches something that can only be called a reckoning. This is not an adventure film. This is a document of survival, of spirits refusing to be broken, of invisible wounds meeting invincible will. Five veterans strap into their bikes and ride into the kind of silence that forces you to finally hear yourself. The cameras go with them. And what unfolds over volcanic plateaus, through alpine forests and ancestral lands, across a living corridor of history that stretches 600 miles from the California border to the Columbia River Gorge is something that will not let you look away. But Unseen is not only the story of these five riders. It is haunted by another story one America nearly buried. The Triple Nickel. The 555th Parachute Infantry Battalion. America’s first Black smokejumpers, who were dispatched to Oregon’s forests during World War II on a covert mission called Operation Firefly protecting this very land from Japanese incendiary balloon bombs at a time when their country denied them the right to fight as combat soldiers overseas. They parachuted into burning forests to save a nation that had not yet decided to save them. Their bravery was classified. Their names, forgotten. Their sacrifice, erased. Today, as five veterans pedal through the same wilderness those men protected with their lives, their ghosts ride alongside. The Oregon Timber Trail becomes something more than a route. It becomes a corridor of memory. A long-overdue act of remembrance.

2026. Directed by Chad Brown. Runtime: 65 minutes.

One of the most beloved operas ever written, La Traviata pairs soaring melodies with a deeply personal story of love and sacrifice. At its center is Violetta, an independent woman navigating desire, societal expectation, and the fragile possibility of happiness on her own terms. As romance and reality collide, Verdi’s luminous score reveals the emotional complexity of living authentically in a world determined to impose its rules. Tender, tragic, and timeless, the opera continues to resonate for its compassionate portrayal of Violetta’s vulnerability, resilience, courage as she chooses personal truth in the face of public judgment.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

For more than 20 years, Portland Opera to Go (nicknamed POGO) has shared opera experiences with communities around the region. The Crown Maker is a world-premiere opera inspired by the life and legacy of Eva Castellanos, a Mexican American healer, artist, educator, and tireless advocate for immigrant rights. Rooted in Oregon history and shaped by the traditions of community storytelling, the work explores how creativity, compassion, and cultural knowledge can transform lives across generations.

Told as a traditional corrido, The Crown Maker blends poetry, history, and music to explore how one woman’s vision empowered generations through art, healing traditions, and fearless community leadership. Through an evocative score and intimate storytelling, The Crown Maker honors Castellanoz’ lifelong dedication to uplifting others through art, healing practices, and grassroots activism. Her work created spaces where identity, heritage, and belonging could thrive, even in the face of social and political barriers. The opera examines the lasting influence of those who build community not through power or prestige, but through care, vision, and persistence.

Created especially for Portland Opera to Go audiences, The Crown Maker blends poetry, history, and music to explore how one woman’s vision empowered generations through art, healing traditions, and fearless community leadership. This production brings a uniquely Oregonian story to life, while speaking to universal themes of resilience, memory, and self-determination. The Crown Maker celebrates the power of cultural inheritance and the people who preserve it, inviting audiences of all ages to reflect on how stories, traditions, and acts of courage continue to shape communities today.

Nov. 14 — Two performances at Walters Cultural Arts Center in Hillsboro at 11 a.m. and 2 p.m.

Dec. 4-5 — Three performances at the World Trade Center Theatre.

Jan. 10 — Watch at the historic Clatskanie Cultural Center at 2 p.m.

Jan. 24 — Join the Happy Valley Library at 2 p.m.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Portland Opera To Go (POGO) proudly presents the latest installment of the Our Oregon series--a collection of original youth operas that examines Oregon history by highlighting the lives of extraordinary Oregonian women through a variety of lenses.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

Speed Dating Tonight!
Music & Libretto by Michael Ching
Based on a concept by Dean Anthony

Portland State University’s Opera program kicks off its 50th anniversary season with Michael Ching’s “Speed Dating Tonight!” (2013). Set over the course of a single evening at a local bar, this clever, heartwarming opera follows a revolving cast of singles searching for that elusive spark. There's the dreamer, the hopeless romantic, the bashful, the over-sharer, the chronically distracted, and everyone in between, each getting their moment in the spotlight through music that is equal parts tender, heartbreaking, and hilarious.

Written with duets and ensembles for up to 45 voices, “Speed Dating Tonight!” has a flexible modular structure that can be customized to fit any cast size, voice type, or gender identity. PSU Opera’s version of “Speed Dating Tonight!” features 35 song selections and arrangements specifically chosen to reflect the unique assortment of voices in the 12-member cast.

At its heart, this is a show about the universal human longing to be seen and cherished by another person. Woven through the interactions is another question: can a genuine connection actually happen in five minutes or less? With Michael Ching’s delightful opera, the answer is decidedly yes.

Visit the Speed Dating Tonight! web page to learn more about this production, including additional dates, cast and crew information, photos, and more as we get closer to opening night.

Learn more about the Opera program at Portland State University's School of Music & Theater.

See full details at tomorrowtheater.org.

As young musicians passionate about opera and about their hometown, Emily Nelson and Bethany Schweitzer Goshorn thought, "What better place for an Opera on Tap chapter than our fair city known for its beer, wine and cocktail culture?" Thus Opera on Tap PDX was born - one of 16 nationwide chapters of Opera on Tap. Northwest native Sadie Gregg joined the Managing Diva team in 2016, after singing with the Boston chapter.

Why are we so passionate about opera? Opera speaks to the human condition. It expresses human emotion and relationship in a very unique and profound way. The human voice in all its glory has a visceral effect on us. In a culture focused on instant gratification with short attention spans, opera demands your full attention and rewards you with a wild ride on the emotional roller coaster.

Chances are that people who say they don't like opera have never heard it live! Opera on Tap seeks to change this by bringing the genre back to the people in familiar places: community gathering spaces, restaurants, and bars - much how music was historically enjoyed in Germany pubs. We seek to share, educate and bring simply fabulous music to an audience that might not otherwise be able to enjoy the art form. So grab your friends and your favorite pint, and join us for Opera on Tap!

Opera On Tap Nationwide
Opera on Tap (OOT) was born in 2005 at Freddy's Bar and Backroom in Brooklyn and incorporated in 2007 to promote opera as a viable, living, and progressive art form and to support the developing artists who continue to keep the art form alive. What began as a small monthly gathering of ambitious, classically trained singers looking for more performance opportunities has grown into a producing organization that has gained a loyal audience base and national recognition as an innovative force on the classical music scene. Through its Chapter program, which now has sixteen vibrant national chapters, OOT has created a large network of performers, creators, and supporters.

Speed Dating Tonight!
Music & Libretto by Michael Ching
Based on a concept by Dean Anthony

Portland State University’s Opera program kicks off its 50th anniversary season with Michael Ching’s “Speed Dating Tonight!” (2013). Set over the course of a single evening at a local bar, this clever, heartwarming opera follows a revolving cast of singles searching for that elusive spark. There's the dreamer, the hopeless romantic, the bashful, the over-sharer, the chronically distracted, and everyone in between, each getting their moment in the spotlight through music that is equal parts tender, heartbreaking, and hilarious.

Written with duets and ensembles for up to 45 voices, “Speed Dating Tonight!” has a flexible modular structure that can be customized to fit any cast size, voice type, or gender identity. PSU Opera’s version of “Speed Dating Tonight!” features 35 song selections and arrangements specifically chosen to reflect the unique assortment of voices in the 12-member cast.

At its heart, this is a show about the universal human longing to be seen and cherished by another person. Woven through the interactions is another question: can a genuine connection actually happen in five minutes or less? With Michael Ching’s delightful opera, the answer is decidedly yes.

Visit the Speed Dating Tonight! web page to learn more about this production, including additional dates, cast and crew information, photos, and more as we get closer to opening night.

Learn more about the Opera program at Portland State University's School of Music & Theater.

Tickets available at the door Fundraiser for Snowday’s Foundation; raffle ticket included! LIFEFORM broadcasts the exploits of 10 riders on the vangaurd of gritty, urban riding as they seek out spots, stack shots, and travel the globe in order to bring their regimen of style and progression to screens everywhere. Directed by Justin Meyer.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

One of the most beloved operas ever composed, La Traviata combines sweeping emotion with some of the most recognizable music in the operatic repertoire. Giuseppe Verdi’s masterpiece tells the story of Violetta Valéry, a woman determined to live freely and authentically despite the rigid social expectations that surround her. When she falls deeply in love, she is forced to confront the painful realities of class, reputation, sacrifice, and the cost of pursuing happiness on her own terms.

Adapted from Alexandre Dumas fils’ La Dame aux camélias, the opera broke new ground in its portrayal of a contemporary woman whose emotional life is treated with dignity, complexity, and compassion. Verdi’s luminous score captures both the exhilaration of love and the devastating consequences of societal judgment, moving seamlessly from moments of intimacy and joy to heartbreaking tragedy.

More than a romantic drama, La Traviata remains a powerful reflection on personal freedom, vulnerability, and the tension between public expectation and private truth. Its enduring resonance lies in its humanity: the opera asks what it means to truly live according to one’s own values in a world eager to define worth through convention, status, and appearance.

Free community screening • Sunday, November 8 • Portland, Oregon Venue and final time are being confirmed. The displayed 5 p.m. start is tentative. Register your interest to receive the confirmed details and help us choose the right-sized venue. Your place will be confirmed once arrangements are finalized. November 8 would have been Aaron Swartz’s 40th birthday. Aaron believed that knowledge should be accessible and that technology could give people more power over their lives. His work—and the questions he raised about who controls information and who gets to use it—continues to matter. Portland Civic Lab is organizing a free screening of The Internet’s Own Boy, the documentary about Aaron’s life, work, and fight for an open internet. We’ll come together to remember him, reflect on his ideas, and consider how to carry that spirit forward here in Portland. The format will be simple: a short welcome, the film, and a brief closing. You don’t need a technical background or any familiarity with Aaron’s story to join us. A personal note from the organizer I was at MIT from 2008–2013, and like many in that community, I was heartbroken by Aaron’s death. His belief in making knowledge accessible and using technology for the public good feels more important than ever. It’s a spirit I hope to carry into the work of Portland Civic Lab—and one I’d love to bring people together around. — Edan Krolewicz, founder, Portland Civic Lab Help make it happen Know a great venue, want to help with the screening, or belong to a community that would like to participate? Reach out at [email protected]. Please share this page with anyone who cares about open knowledge, technology, and the public good. Learn more about Portland Civic Lab

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Picture a Sunday night with family and friends around watching a movie and playing games. Come to our Soulful Sundays at Albina! Play Spades, Dominos, Uno and more! Happening every 1st and 2nd Sunday of the month through November! All ages are welcome.

Featured Film: MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND (running time 1Hr 10min)

Enjoy A Voice of Her Own / Una Voz Propia, an evening of music, storytelling, and film celebrating the cultures, stories, and extraordinary talents that immigrants bring to the state and communities—and standing with them when they need support the most.

The evening will feature live music and storytelling by Gemanereida Barragán-Cruz—Mariachi Singer and Storyteller, and culminate in the world premiere of a new 15-minute documentary about her extraordinary artistic journey and the power of her voice.

More than a film screening, this is an evening to gather in community, experience music and stories live, and celebrate Gemanereida and the many ways immigrant artists enrich the cultural life of our community.

Roadless follows three adventurers as they set out on foot through the Alaskan wilderness with a goal: to follow the entire 211-mile length of the proposed Ambler Mining Road. 160 miles north of the Arctic Circle, the team crosses vast tundra, wild rivers, and pristine forests, bringing audiences directly into one of the most remote and ecologically intact landscapes in North America.

As the miles accumulate, so do the challenges — injuries, exhaustion, hunger, relentless mosquitoes, and the harsh reality of traveling difficult terrain without roads or trails. But the expedition also reveals a landscape few people will ever experience firsthand. Encounters with wildlife, 24-hour sunlight, and the vast Arctic ecosystem offer a glimpse into a remarkable environment that has remained largely untouched by human development.

Roadless is an adventure film about endurance and natural beauty, while exploring what could be lost if the Ambler Road is built.

62 minutes | 2026 | Rated G

🎬 ONE NIGHT ONLY: WORLDWIDE: UNCHARTED TERRITORIES

Thursday, November 19 | Doors 7 PM | Film 7:30 PM

Tomorrow's Verse is teaming up with British music platform Generation W for a special Portland screening of Worldwide: Uncharted Territories, a documentary celebrating independent women in music from around the globe.

Filmed over five years, the documentary follows Generation W's journey from a virtual festival connecting 50 women across 20 countries during the pandemic to an international movement bringing independent female artists to stages in London, Paris, New York, Los Angeles, and beyond.

Featuring never-before-seen performances, behind-the-scenes footage, and stories of women building music careers on their own terms, this is a celebration of creativity, perseverance, and the power of music to connect people.

After the screening, stick around for a playlist featuring women in music from the UK and US, conversation, and community.

🎟️ Tickets: https://specialethics.com/products/worldwide-screening-in-portland

📍 Tomorrow's Verse Taproom

4605 NE Fremont St., Portland

21+ event

This film won't be available to watch online. Come experience it with us!

Join a special evening with trailblazing drag artist, activist, and political candidate Marti Cummings and Portland-based constitutional law professor and author Robin Maril. Before the film, Marti and Robin will sit down for a live conversation about queer representation, civic engagement, and the power of showing up for your community. The conversation will be moderated by Kyndall Mason of Basic Rights Oregon.

Following the conversation, stick around for Queen of New York, the acclaimed documentary following Marti Cummings’ groundbreaking 2020 campaign to become one of the first openly nonbinary members of the New York City Council. This evening also celebrates the launch of Robin Maril’s new book, A Queer Guide to Saving American Democracy. Copies will be available for purchase on site.

ON SCREEN: Queen of New York

2023. Directed by Emma Fidel. Runtime: 1 hour 20 minutes.

Welcome to a different kind of drag race. As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics — one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

Pacific University and the Indigenous Student Alliance is partnering with OPB to bring the film “First Descent: Kayaking the Klamath” to the Forest Grove Campus on Thursday, Nov. 5

Join an evening of inspiring and captivating films handpicked from the Mountainfilm festival in Telluride, Colorado. Using the power of film, art and ideas, Mountainfilm inspires audiences to create a better world. Held every Memorial Day weekend, the Mountainfilm festival brings together a community of filmmakers and changemakers, showcasing documentary films that celebrate adventure, activism, social justice, the environment and indomitable spirit.

Started in 1979, Mountainfilm is one of America’s longest-running film festivals. Through the years, in and out of trends and fads, the festival has grown and changed to its current iteration, a thought-provoking weekend of film, art and ideas that leaves audiences with full cups and feeling inspired to create a better world.