Portland, Oregon · darkwave, punk, death rock, deathrock, goth, post-punk, Portland
Portland, Oregon · alternative, post-punk revival, alternative rock, darkwave, gothic rock, post-punk, Portland
Portland, Oregon · alternative, doom, gothrock, gothic, postpunk, darkwave, doom, goth, gothic, gothic metal, gothic rock, postpunk, Portland
What The Dance presents: Dear Diary: An Emo & Pop Punk Night. Portland is for lovers. It’s time to venture down memory boulevard and party to your favorite emo and pop punk hits.
DJ @djsappho will be spinning your favorite emo classics from My Chemical Romance, Fall Out Boy, Pierce The Veil, AFI, Panic! At The Disco, Paramore, All Time Low, Green Day, blink-182, Avril Lavigne, Evanescence, and more.
21+
21+ · <p>NOW THAT'S WHAT I CALL GOTH!</p><p>------------------------------------------------<br>DJF brings the doom and boom out from the shadows.<br>---------------<br>Gothix Classix<br>Waves Dark & Cold<br>Definitive Post-Punk<br>NeoSpooky<br>Traditional Industrial<br>Ethereal Ambience<br>Pure Unadulterated TransShadow<br>8pm 21+ $5</p>
21+ · <p>Portland's original exclusive Goth Night Oubliette is now once a month at The Coffin Club. Founded in 2005 Oubliette plays the best in Modern and classic Goth, Death Rock, Post Punk. Join us for a night with request friendly Djs who know and love Goth. Every 2nd Wednesday.</p>
November 4, 2026
Powaqqatsi: Live with The Philip Glass EnsembleSpecial Concerts
OverviewThe Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.
po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.
About the ShowThis concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.
Concert begins promptly at the time listed.
Loading... Select a Date Arlene Schnitzer Concert Hall, Portland Wed, Nov 4, 2026, 7:30 PM Promo Code Buy TicketsFrom the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre and The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines. When she falls under the spell of the roguish Anatole, it is up to Pierre, a family friend in the middle of an existential crisis, to pick up the pieces of her shattered reputation. Following a critically exalted premiere at Ars Nova in New York City, a subsequent off-Broadway transfer and an acclaimed run on Broadway, this award-winning musical expands the possibilities for the genre with its daring score and bold storytelling.
Music and Lyrics By Dave Malloy
All Ages // 7 PM Doors // Tickets $25
Gully BoysThe Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.
Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).
Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.
PollyannaPollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.
Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.
Los Angeles based nineteen year old Jeremiah Mark (they/he) released their first full-length endeavor under the moniker Lucy Bedroque, their deadAir Records debut. With no prior singles, the breakneck seventeen track shotgun blast of Digicore and Hardcore Hip Hop, titled “Unmusique” has established them as a bastion of these underground sounds. The release date coincided with their first show on the Jane Remover and Dazegxd tour “TURN UP OR DIE”, along with a full west coast run.
Leading up to this moment, Lucy Bedroque gained a cult following in the shadowy sectors of the online underground, with a break-out debut LP “Sisterhood” as Lostrushi. This is the name that raised them to notoriety alongside peers 9lives, prettifun, and egobreak. The new material continues further down the same path, combining cutthroat rage, with the eclecticism and sensitivities of Stereolab, Radiohead, and Deftones.
While forging their distinct multi-media surrealism, Mark also found a penchant for customized linguistics and contorting the English language. Most notably, the title “Glutmother” (the name fans chose for a hyper-active Subreddit) graces the cover art of the debut and the packaging of “Unmusique. “The role of motherhood here is representative of a superiority to everything around it. But beyond humans, it’s a reference to mother nature and creation.” They explain. As for why it’s juxtaposed with gluttony, that’s because “People want more than anyone can handle, and I’ve responded to it with a perfectionist’s mindset.” They combine into a deep resonance of identity that’d easily evade a new listener.
Who said shopping was boring? The shelves are stocked with some of the most inspiring artists The White Owl Social Club knows. They've got familiar favorites, unexpected finds, and a few things you didn’t know you needed.
Auckland’s ASHEZ stops through on his US tour with the heavy, culture-blending bass he’s carried across continents. Comisar steps up for his first-ever solo set in Portland. hobi lands his first Objective show outside of a festival, and it’s been a long time coming. Swell Times makes the trip up from Bend with a catalog full of bangers, and Portland’s own Florescent rounds it out, a fresh act already way ahead of the curve.
The White Owl Social Club is proud to host Ethos Audio with their Intent Audio Sound System and a full-stage production by Beam Collective. It's exciting to be back at a venue where with a little more control over the environment.
21+
Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.
TAIPEI CITY, TAIWAN
Birdy
“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver
Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute
The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.
Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
Grab your gear and strap on your tunic, because The Hyrule Ball is here. A niche, nerdy, nightlife celebration of everyone's favorite action-adventure franchise, just in time for the latest release. Featuring Zelda-inspired DJ sets and drag performances, specialty cocktails, local vendors, and consoles and cabinets for playing games with friends.
Come dressed in your cosplay best, grab your wallet of rupees, and get ready to dance until the Sun Song plays.
Red Cube + The Den Present:
Christian Löffler LIVE – Fall 2026 Tour
Support By: Paris
Tickets are on sale Thursday, August 20th at 10:00AM!
DOORS OPEN @ 10:00PM
EVENT HOURS: 10:00PM - 2:00AM
21+ w/ Valid I.D.
View Upcoming Red Cube Events at : https://www.redcubepresents.com/events
The Den
116 SE Yamhill St.
Portland, OR 97217
------------------------------------------------
❤ We believe in CONSENT, RESPECT, & EQUALITY! All of our events are a judgment-free, hate-free, & a safe zone for ALL races and/or preferences! We have ZERO tolerance for any level of racism, sexism, homophobia, transphobia, misogyny, or any other form of hate/abuse. Anyone exhibiting these types of behaviors will be asked to leave, and not welcomed back. If you see something, say something - tell a staff member nearby and we'll be sure to act on it promptly. ❤
There are no refunds. All appeals for refund should be directed towards the Promoter, not the Venue.
11•7•26 • THE DEN • 116 SE Yamhill Street • 21+ w/ Valid ID
Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.
Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.
Two artists. Two Galleries. One Block. Join The Tracy Piper + Philip A. Robinson Jr. for a First Thursday art walk in Portland. Join contemporary artists The Tracy Piper and Philip A. Robinson Jr. for First Thursday in downtown Portland, connecting two neighboring gallery spaces just one block apart. Start at either gallery, explore the work, meet the artists, then make the short walk to the second space.
Feral — an Evolving Exhibition: Feral isn’t a traditional exhibition. It’s a living, evolving body of work unfolding over 13 months. Through paintings, sculpture, objects, and installations, contemporary artist The Tracy Piper explores desire, autonomy, forbidden knowledge, and the radical act of choosing oneself. The gallery changes as the work grows. New pieces appear, ideas evolve, and visitors are invited to witness the creative process as it happens. Every First Thursday is another opportunity to step inside Feral.
Come explore the work, meet the artist, and see what’s changed since your last visit. Whether it’s your first time or your fifth, there’s always something new to discover.
Featuring music by resident DJ Joe Strange, bringing the soundtrack to an evening of art, connection, and a little rebellion. Come curious. Leave a little more Feral.
Explore the work: www.thetracypiper.com
Philip A. Robinson Jr. — Hollis: Explore the sculptural work of Philip A. Robinson Jr., an award-winning multimedia artist whose striking wood portraiture explores identity, culture, and the human experience. Using wood as both material and metaphor for temporality and natural cycles, Robinson creates dimensional works rooted in both popular and marginalized cultures. His work has been exhibited nationally and internationally, including Portland International Airport, the Morris Museum, High Line Nine, and during Miami Art Week.
See all his work: www.philiparobinsonjr.com
Free and open to the public. RSVP encouraged, but walk-ins are absolutely welcome.
This year, 70k Oregonians lost access to food stamps. The LGBTQ+ Community experiences more than double the national food insecurity rate. Join Euphoria Presents in conjunction with Pride Northwest and Birch Grove Massage in tackling food insecurity at She Ate! which is taking place on Saturday November 7th, and Saturday December 12th from 4:30pm till 7pm at Turn Turn Turn.
$10 Suggested Donation to cover expenses. Any remaining funds will be donated to Esther’s Pantry.
Music By: Dj Breadstick
Performances by:
Boogie Brick House
More TBA
4:30pm - 7pm
Turn Turn Turn!
Pride Northwest Resilience Program:
https://www.pridenw.org/community-resilience-program
Esther’s Pantry:
If you would like to be involved, or volunteer for these events, please speak to Kevin Williams and email him at euphoriapresentspdx.@gmail.com
Euphoria Presents is the fully realized dream, that what we desire isn’t delusional, it’s our highest form of truth, beyond what we’re told to believe about ourselves. It’s the spark we feel when we’re in our bliss through community events and queer joy.
Some artists need to be experienced in person. Eivør is one of them.
Originally from the Faroe Islands, Eivør brings her extraordinary voice and full band to the Wonder Ballroom on November 18th —a rare chance to encounter an artist whose music feels both deeply intimate and otherworldly.
Dark atmospheric rock, pulsing electronics and primal vocals meet in a live show that moves from a whisper to overwhelming power. Having opened for Heilung as their special guest on numerous tours, she now brings her own world to Portland.
Known for her unmistakable voice on The Last Kingdom and God of War soundtracks, Eivør is celebrating her new album TUNGL, released 16 October on Nuclear Blast.
“Gave even the mighty Chelsea Wolfe a run for her money” — Kerrang!, ArcTanGent live review, 2026
For fans of Chelsea Wolfe, Wardruna and Heilung.
Chipped Nail Polish - Jill started Chipped Nail Polish with just her electric ukulele and a bad manicure. The project came to life in the basements and living rooms of the lively house show scene at the University of Oregon. The friendships formed there traveled up North to Portland where the band now resides.
Inspired by bands like Beach Bunny, Snail Mail, Soccer Mommy, FIDLAR, and Surf Curse, CNP is heavily influenced by the moshy surf punk music of Jill’s teen years, as well as introspective bedroom pop that has captivated her twenties. The result kinda feels like crying in a mosh pit, which is always encouraged at shows.
Mckenna Esteb - Boise, ID based songwriter.
Frecks - “Frecks” is comprised of one twenty-something member named Jayden from Portland, Oregon. Jayden has been writing music since her early teen years and draws inspiration from all aspects of her life. Pulling from concepts of introspection and undying love, she aims to tug on heartstrings with dreamy guitar riffs and haunting melodies.
21+
DOORS 8:30pm MUSIC 9pm
What The Dance presents: Bieber and a Beat: A Justin Bieber Night. Portland, never say never to a night celebrating Justin Bieber’s biggest hits.
21+
Bieber and a Beat is a celebration of Justin’s discography from Believe and Purpose to Journals and SWAG. We’ve got your Bieber fever covered, along with hits from The Kid LAROI, SZA, One Direction, Shawn Mendes, Drake, Ed Sheeran, Selena Gomez, Post Malone, The Weeknd, Usher, Rihanna, and more.
DJ set by @dj_hnst
DOSS (DJ Set) + CFCF (DJ Set) at Holocene, Portland, Thursday, November 5, 2026 · 9PM · 21+ · $28.18 – $31.99. Over the past ten years, the mononym “ Doss ” has come to represent something increasingly rare in the world of dance music: not just a...
The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.
Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).
Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.
Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.
Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.
Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.
Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.
That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.
Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.
Choreographer Lai Hung-chung makes dances of striking beauty and intention. Birdy, his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance seamlessly blends traditional Chinese arts – including Tai Chi, Peking Opera, and classical Chinese music – with current dance techniques and driving electronic music to create work that is poetic and flowing, rhythmic and impressive. What you see on stage is a work in constant transformation: bodies that bend and resist, images that linger, a world where the tension between holding on and letting go becomes the dance itself.
Join us Saturday, November 7, 2026, from 3pm to 9pm for a playful Pee-Wee Herman-themed adventure through the Clinton/Division Street neighborhood of Portland, Oregon. You may see Miss Yvonne at Double Barrel, or cross paths with Cowboy Curtis at the Reel ‘m’ Inn. You might share some fries with Pee-wee himself at Dot’s. Don your best Pee-wee Herman-themed costume and join us on this one-of-kind, epic bar crawl. The group will hit about half a dozen bars, all featuring Pee-wee themed drink and food specials. In honor of Paul Reubens, Pee-wee Herman himself, a devoted animal lover, we're donating 75% of proceeds directly to PDX Cat Trapper, a grassroots Portland feral cat rescue and registered 503c charity. If you love the world of Pee-wee Herman and cats, then this is the event for you! Tickets are $20 and available at https://peeweepubcrawl.com/tickets. The secret meet-up location will be sent only to ticket holders. During the pub crawl, there will be multiple costume contests, a Pee-wee trivia competition, a scavenger hunt, a sound-alike contest, dance-offs, and more fun than you can shake a stick at! Stick around for the after-party featuring a special DJ spinning records. Prizes will be awarded for the various contests at this time. The Pee-wee Pub Crawl is the brainchild of Meredith Walter, a devoted Pee-wee fan! She’d long dreamt of doing a pub crawl in tribute to Paul Reubens, so she enlisted Portland's pub crawl expert, former BarFly Bus hostess with the mostess and planner-in-chief, Jen Lane. Together, they enlisted the help of their fellow Pee-wee afficionados, prolific publisher and dynamic graphic artist, Jared Prophet, the noted artist, deejay, and event creator, Matt Stanger, and The Photobooth Chick, herself, Jocelyn Dean. Together, this dynamic team has whipped together a frothy day of pure fandom fun - get your Pee-wee Pub Crawl tickets today!
Quadeca makes genre-defiant music that bends experimental hip-hop, neo-psychedelia, alternative R&B, pop, bossa nova, and more to his whims. Over the years, he transitioned from a career in content creation to a more personal artistry. He started out making videos where he replicated the styles of various popular rappers, eventually parlaying this viral online content into attention for his own original music. Quadeca replaced the trends and tropes of commercial rap that made up his earlier work with a sharpened focus on musicianship, melody, and atmospheric songwriting on his 2022 album I Didn't Mean to Haunt You. The critically acclaimed 2024 mixtape Scrapyard continued in this experimental direction, touching on everything from Björk-indebted electronica to shoegaze to emo rap. Quadeca's fourth proper studio album, Vanisher, Horizon Scraper, appeared in 2025.
After-party following the Cronos film screening (a Guillermo del Toro debut feature), hosted at Low Tide Lounge. Features music by DJ Dead Steady. Free entry/Entrada libre.
Born on Cape Cod, Cooper B. Handy started releasing music as LUCY in 2009. In the years since, the Western Massachusetts-based singer/producer has made a career of self-releasing music and videos, unpolished & posted in near real time. LUCY’s captivating live performance has earned him a cult following on the DIY circuit, playing shows in basements and warehouses across the country. His music is experimental and raw – at times even abrasive. His GarageBand-based production has never swayed far from the sample packs and synth sounds he started writing music with 14 years ago. Aggressively prolific, Handy has amassed an extensive catalog that is both eccentric and earnest. His music channels a sense of creative exploration, and his lyrics pack real wisdom into unassuming one-liners.
“With Her Own Wings” is a concert-length experience in music, art, film, light, storytelling, emotion, and the human condition, exploring the narrative of women in Iran and across the globe, spurred by the Woman-Life-Freedom movement which began in Iran in 2022. The concert is spearheaded by Iranian-American renowned painter and visual artist Taravat Talepasand and Iranian-American percussionist/composer Christopher Whyte, featuring new contemporary works from composers Anahita Abbasi, Niloufar Nourbakhsh, and Aida Shirazi.
The production is brought to life with stunning imagery and photography by Mario Gallucci, atmospheric cinematography and film projections by Padraic O’Meara, and innovative lighting and production design orchestrated by Solomon Weisbard.
“With Her Own Wings” aims to elevate the voices and talents of Iranian artists, particularly women, through a series of contemporary compositions for solo percussionist and immersive electronic soundscapes, interwoven with powerfully striking visual art, film, and light. This dynamic show traces the journey from sunset to sunrise, symbolizing the enduring struggle and resilience of women who have faced repression and highlighting the emerging generation of artists who advocate for change through the act of artistic expression.
“With Her Own Wings” is supported through the Creative Heights Grant from the Oregon Community Foundation.
Over the last decade, SPANISH LOVE SONGS have watched a fiercely loyal community take
shape one cramped club show and one new listener at a time. That momentum has carried the
band to tours with The Wonder Years, Alkaline Trio and Hot Mulligan, along with appearances
at Furnace Fest, 2000trees and the revived Vans Warped Tour, following the release of instant
classics Schmaltz (2018), Brave Faces Everyone (2020) and No Joy (2023). This intimate,
powerful connection with their audience is proof that even in an era defined by isolation, people
are still out there yearning for others to stand beside them in the darkness.
That search continues on FUTURE NAUSEA, the Pure Noise quintet’s fourth LP. Drawing from
the widescreen ambition of heartland rock – the anthemic sweep of records like Born in the
U.S.A., Sam’s Town and Full Moon Fever – shimmering synths, ringing guitars and soaring
choruses define an expansive sound crafted across sessions with producers Chris Walla (Death
Cab for Cutie) and Sarah Tudzin (Illuminati Hotties). Against that backdrop, Dylan Slocum’s
characteristically observational lyricism remains the band’s beating heart: deeply empathetic
and unflinchingly honest as he chronicles political violence, climate anxiety, late-stage
capitalism and the quiet ways these existential crises seep into everyday life – and, just as
critically, how moments of love, companionship and shared resilience become the antidote to an
increasingly uncertain future.
There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.
For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.
The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.
Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."
Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."
Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.
Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.
Less is more. No bullshit. That's Pretty Deadly.
Punk RockRose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.
Repping from Atlanta, Daily Bread (the sonic vision of producer Rhett Whatley) has spent the last decade carving out a sound that feels both timeless and forward-leaning. Rooted in jazz guitar, crate-digging, and early beat experiments from his bedroom studio, Daily Bread’s music has always thrived at the intersection of vintage soul, gritty hip-hop, and bass-forward production. Guided by an instinct to bring old sounds to new ears, his tracks unfold like lived-in stories: warm, textured, and unmistakably his own.
As Daily Bread moves into 2026, the focus remains on forward motion. Kicking off the year with new music on the horizon and confirmed festival appearances at Lightning in a Bottle, Bonnaroo, Electric Forest, and Elements, Daily Bread continues to push his sound into new territory while staying rooted in the soulful, sample-driven foundation that built his devoted following.
Wednesday, November 4, 2026 Mississippi Studios Presents Improvement Movement - Your Perfect Real LIVE '26 Adron, Languid Machinations (DJ Set) Ages 21 and up
Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Failthat Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.
Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week, a place to meet before a show, keep the conversation going after a reading or make Book Bar the destination for the evening.
On Friday night, DJ Flor Violenta takes over the decks from 6:00–10:00pm with a vinyl set weaving together tropical cumbia, Latin funk, disco, neo-soul and more.
A Portland-based vinyl DJ, Flor Violenta (they/them) brings together contemporary cumbia with the nostalgic sounds of funk, soul and psych rock, shaped by their Latin heritage and roots in the San Francisco Bay Area. The former host of Freeform Portland’s Vinyl Pleasures Radio has recently brought their crates to Pickathon Music Festival and shared bills with acts including Orquestra Pacifico Tropical and The Sinseers.
Come by for a cocktail, grab a bite, meet fellow festivalgoers and settle in for whatever the night has in store.
With whiplash-inducing guitar hooks and sing-along passages mirroring the volatile subject matter, Equipment shifts the spotlight toward the power-pop facet of the modern emo genre. Vulnerability is fully present, yet often shaded by gallows humor and danceable choruses. The Toledo, Ohio quartet has become known as a veteran of the DIY music scene, striving to challenge the medium, play with listener expectations, and champion radical optimism.
A dance party designed for women and gender-expansive folks that starts at 6pm and ends at 10pm — because we have shit to do in the morning! At Decades Night, DJ z!ta has us time traveling from the 80s through the 2000s and back again!
9–10PM: All 3 decades represented in a grab bag of pure dance-floor euphoria.
A judgment-free dance floor built on joy, kindness, and connection
Come solo, come with friends, come ready to sweat
10% of ticket proceeds benefit the Susie Lee Legacy Fund, supporting nonprofits that uplift women, gender-expansive people, and communities that need it most. 🪩✨
Note: While we don’t police identity at the door, we ask that everyone who purchases a ticket respects this as a safe space for women and gender-expansive folks.
By purchasing tickets, you consent to event photography and video for promotional use.
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
Roger Clyne & The Peacemakers bring a dynamic mix of punk rock, Americana, indie pop, and mariachi influences, drawing from their new album, “Hell To Breakfast!”
Industrial techno, darkwave and synth-punk converge as CFM, Glori and Runoti map Portland’s darker electronic underground.
Centrifugal Force Machine - is an industrial techno project from the mind and body of Court Knight, based out of Portland, Oregon — circa 2025. CFM combines components of hard techno and 80’s industrial with lyrics pertaining to death and the desire to die. Their project is entrenched from their former career as a mortician, and the name and visceral energy both draw from that experience.
Glori - is the solo electronic music project/alter ego of Annalisa Rose from Portland, OR. Using hardware synthesizers and sirenlike vocals, she builds restless, shadowy dreamscapes with pulsing darkwave rhythms. Beneath strobing pink lights, black widow beats entwine menace and longing, daring you to dance until you’re dead. Glori plans to release her long-awaited debut EP later this year.
Runoti - is an exploration of darkwave and synth punk. Returning from hiatus with a new EP driven by classic synth sounds and punchy bass lines this show is the first preview of what’s to come.
21+
DOORS 8:30pm MUSIC 9pm
Join us for a cozy Sunday afternoon of POWERDRONE, with sets by PNW electro-minimalist legend Spiritual Exit and cronewave duo Stars Without
The one-man band without a plan, Mattress started in 2006. To quote a sassy pal (with initials IB): “You are wildly unpopular for that amount of time.” Amen. Who cares? Art for art’s sake. For the first time ever–Mattress is putting together a full band for this show. 5 guitars? 8 keyboards? 12 drummers? Yodelers and a glass harmonica? Probably.
Mattress has made some friends over 20 years and put together this stellar bill (more of a mini-fest), bringing together acts he met 20 years ago and 2 years ago. Check this out:
Black Shelton (solo), a one-man band powerhouse of wit, sleaze and electro boogie. Songs "I'm Back in the Doghouse Again" and “White Lover” will warp your mind.
Dragging an Ox Thru Water fingerpicking melody noise glitch heart string puller.
THRONES Joe Preston is coming out of semi-retirement to do this show. Hopefully this will get some elder goths and heshers out of their LazyBoys and into the show.
Joe Von Appen, the monologue performance semi-comedy satirist who has toured with Mattress for close to 10,000 miles. He will host the show; his dry wit will confuse and entertain most in attendance.
Special guest TBA, probably famous, very name-droppable.
Who is in the Mattress band? Members of Modest Mouse, The Fur Coats, Dommengang, Room, WIBG, Black Shelton and others.