PLUS PLUS Fest invites you to dissolve your boundaries, question everything and reimagine what could be.
PLUS PLUS is a 4-day festival celebrating bold storytelling across mediums. It is an exploration of art forms converging, where art, music, comedy, film and conversation collide. Join PAM CUT at the Portland Art Museum, the Whitsell, and the Tomorrow Theater for this yearly festival of unbound storytelling.
The Saloon Ensemble‘s epic all-ages production of The Nitemare B4 Xmas is back. Featuring Kylee Wegner as Jack, Patrica Charms as Sally, Jason Wells as The Mayor, Noah Veil as Oogie Boogie, Dan Stauffer as Dr. F, Phil Sano as Sandy Claws, Richard Cawley, Iris Asher, and Stacey Ludlow as Lock, Shock, and Barrel, Julia Andalora as Zero, plus Jon Vancura on sax, Mike Danner on accordion, Jeremy Baron on mandolin, and Joe Hagel on drums.
Portland's legendary performance troupe, The Saloon Ensemble, will once again bring to the stage a live performance of the brilliant score complete with interactive sing-along, a costume contest, everyone's favorite screaming contest and many other 'horrible' surprises.
Celebrate the Halloween season with the annual production that's been packing houses and delivering joyous fun for all spirits, young and old.
One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.
Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.
Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:
Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.
This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.
More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.
The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.
Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.
Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.
Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.
Join a screening of Union County, starring Will Poulter and Noah Centineo alongside a cast of non-actors from central Ohio. Set in the shadow of the opioid epidemic, this hopeful drama follows two brothers navigating court-mandated recovery and the community that helps them imagine a different future.
Ohio-born filmmaker Adam Meeks drew inspiration from the real-life recovery community he encountered in his hometown, full of people healing and rebuilding their lives. Some of them were cast in the film, and the result is an intimate, compassionate portrait of people rebuilding their lives and finding solidarity and hope in the aftermath of a devastating drug crisis.
The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by a masterful Philip Glass score that features native, classical, and electronic instruments. Enjoyed alone or as the second in the Qatsi series, you won’t want to miss this thought-provoking performance with the Oregon Symphony and The Philip Glass Ensemble, led by conductor Michael Riesman.
po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.
Featuring special guest Gary Hershberger (Mike Nelson) in person!
Joins us for the complete Twin Peaks series on the big screen for the first time in history! We continue our year-long celebration of the greatest TV show of all time The Missing Pieces. Rarely shown in theaters, this feature film presents deleted scenes from Twin Peaks: Fire Walk with Me assembled together as an untold portion of the story’s prequel. Following a Q&A, we’ll then begin The Return with episodes “My Log Has a Message for You” and “The Stars Turn and a Time Presents Itself.”
Gary Hershberger will be signing autographs and taking photos with fans for an additional fee at the event.
Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.
Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”
Once upon a time in postwar Italy . . . Vittorio De Sica’s follow-up to his international triumph Bicycle Thieves is an enchanting neorealist fairy tale in which he combined his celebrated slice-of-life poetry with flights of graceful comedy and storybook fantasy. On the outskirts of Milan, a band of vagabonds work together to form a shantytown. When it is discovered that the land they occupy contains oil, however, it’s up to the cherubic orphan Totò (Francesco Golisano)—with some divine help—to save their community from greedy developers. Tipping their hats to the imaginative whimsy of Charles Chaplin and René Clair, De Sica and screenwriter Cesare Zavattini (adapting his own novel) craft a big-hearted ode to the nobility of everyday people.
Ekklesia Theatre launches its “Love Your Neighbor” season with Will Eno’s funny, haunting “Middletown,” Oct. 23-Nov. 1 at Magenta Theater, in partnership with NAMI Southwest Washington. The play follows an unlikely friendship between longtime Middletown resident John Dodge and newcomer Mary Swanson. Around them, a librarian, a mechanic, a police officer, tourists and other townspeople try to make sense of their lives — and one another. Their paths cross in surprising ways, taking audiences everywhere from a library to outer space. Shows are 7:30 p.m. Fridays and Saturdays from Oct. 23-31 and 2 p.m. Sundays through Nov. 1 at 1108 Main St., Vancouver. NAMI Southwest Washington will be at the theater after performances on Oct. 25 and 30 to discuss loneliness and mental health. Plays are recommended for viewers age 13 and older. Tickets are $15 at ekklesiatheatre.com/tickets.
If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.
Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.
Parallel Worlds Bookshop and the Hollywood Theatre present a special author conversation with Jane Schoenbrun and SenLinYu, celebrating the release of Jane’s debut novel, Public Access Afterworld, followed by a screening of Schoenbrun’s acclaimed film I Saw the TV Glow.
When: November 5, 2026 at 7:30 PM
Where: Hollywood Theatre 4122 NE Sandy Blvd, Portland, OR 97212
Tickets: $18 sold via Hollywood Theatre
Ticket price does not include a copy of the book. Preorder Here!
A mysterious realm waits on the other side of our screens. A dark force draws victims into its static. An unlikely hero must save them, and herself, from an electric hell.
Spanning decades and realities, Public Access Afterworld follows an unforgettable ensemble of outcasts and obsessive television viewers whose lives become entangled with a surreal pirate network. At the center is Bethany Peters, a trans content moderator working the night shift at a sprawling tech corporation. When a young streamer begins appearing in her feed and calling out to Public Access Afterworld, Bethany is pulled into a conspiracy stretching across screens, timelines, and realities.
A mesmerizing collision of speculative fiction, horror, conspiracy, and queer transformation, Public Access Afterworld marks the literary debut of the celebrated filmmaker behind I Saw the TV Glow and We’re All Going to the World’s Fair.
About Jane SchoenbrunJane Schoenbrun is an award-winning filmmaker and writer. Their films include I Saw the TV Glow and We’re All Going to the World’s Fair. Their newest film, Teenage Sex and Death at Camp Miasma, starring Gillian Anderson and Hannah Einbinder, releases in 2026. Public Access Afterworld is their first novel.
Event and Pre-Signing InformationTickets for the screening and conversation are sold through the Hollywood Theatre. Copies of Public Access Afterworld will be available for purchase onsite from Parallel Worlds Bookshop.
Jane Schoenbrun and SenLinYu will not be signing books. Pre-ordered books or books purchased at event will be pre-signed.
Still photography is permitted. Audio and video recording are not permitted unless approved in advance.
Pre-Order Books HerePublic Access Afterworld by Jane Schoenbrun - Signed Edition
(Pub Date: October 27, 2026)
A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma.
Alchemised by Senlinyu 3 Volume Deluxe Boxset(Pub Date: October 13)
In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past.
Stephen Mallatratt’s The Woman in Black has been terrifying audiences since its London debut in 1987 and is one of the most successful and terrifying shows in West End history. Based on Susan Hill’s beloved novel, it’s one of the most celebrated ghost stories ever staged: atmospheric, relentless, and the kind of theatrical experience that makes you question every shadow on your way to the car.
Set in a remote English village, it follows a young lawyer unraveling the secrets of a recently deceased client and the vengeful presence that doesn’t want him to. Just two actors portray all the characters, leaning into what B&B’s performers do best.
Chilling, clever, and unforgettable. Halloween is back at Bag&Baggage.
Sat, Oct. 24th – ASL Interpreted Performance
Sun, Oct. 25th – Audio Described Performance
Fred Armisen is a comedian, writer, producer, and musician. He is the co-writer and co-star of IFC’s Emmy-nominated series Portlandia. He is in the hit Netflix series Wednesday as Uncle Fester. He stars in HBO’s Los Espookys, which he co-wrote and executive-produced. He can also be heard in the hit animated movie Super Mario Bros. Armisen stars in, writes, and produces IFC’s hit show Documentary Now. He has also appeared in HBO’s Our Flag Means Death, Judd Apatow’s The Bubble, and Amazon’s series Forever. He voices characters in Big Mouth and The Mitchells vs. The Machines. He is currently starring in the Broadway play All In. Armisen is an 11-season veteran of Saturday Night Live. From 2014-2024, Armisen was the band leader of the 8G Band on Late Night with Seth Meyers.
Magenta Theater presents Shelley Tate’s 90-minute play “Gumbo,” showing at 7:30 p.m. Fridays and Saturdays from Nov. 6-15, with 2 p.m. matinees on Sundays. From bayou kitchens to front porches, this play celebrates the heart, humor and resilience of Louisiana’s women. Tickets are $15. Buy tickets at magentatheater.com/gumbo.
Ghost Show! is the story of a group of people who have found themselves at the lowest point in their lives — making a low-budget ghost hunting show that’s in last place in the local ratings. But an accidental death (is she dead, though?) leads to a boost in engagement…and a whole new set of problems. Filmed both behind the scenes and as in-universe episodes of the show, Ghost Show! is all about failure, found family, and trying to make meaning out of the ghosts of the past — and future.
Join the Tiny Park Productions team at Twilight Theater for the launch party of the pilot reading of Ghost Show! Not only will you see and hear the first official reading of the pilot script, but you’ll also get to enjoy fun, spooky-season-themed activities and treats — think of it as a theatrical carnival.
There will also be a costume contest with Door Prizes, so Halloween costumes are encouraged.
Tickets include a free raffle ticket. Prizes include real ghost-hunting gear.
Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.
What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.
Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.
Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.
Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.
The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.
What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.
Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.
Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.
Based on the novel by Maurice Renard, this is the tale of Orlac (Conrad Veidt), a famous concert pianist, who is severely injured in a train wreck that fractures his skull and mutilates his hands. The supervising surgeon, however, decides to amputate Orlac’s ruined hands and replace them with the hands of a recently executed prisoner who was serving time for murder. Once the pianist recovers and realizes that his hands are those of a killer, he becomes too distraught to resume his career and begins to question his sanity. Who is that strange man who is shadowing him? Why do his hands seem to have a life of their own? Limited number of discount passes to see all the films in the Weimar Germany: Queer Visions series while supplies last. Director: Robert Wiene Year: 1924 Country: Germany, Austria Runtime: 92 minutes
Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.
“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.
Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.
TAIPEI CITY, TAIWAN
Birdy
“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver
Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute
The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.
Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .
Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns to build an altar, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.
Age Recommendation: All Ages
Estimated Running Time: 1 hour 30 minutes, including one intermission
Ticket Availability:
Single Tickets:
Adults – $32
Seniors 50+ – $28
Students – $24
SHOW TIMES:
Wed 10/14/2026 7:30 PM First Night Preview Thu 10/15/2026 7:30 PM Thursday Preview Fri 10/16/2026 7:30 PM Opening Night Sat 10/17/2026 7:30 PM Sun 10/18/2026 2:00 PM Thu 10/22/2026 7:30 PM Fri 10/23/2026 7:30 PM Sat 10/24/2026 7:30 PM Sun 10/25/2026 2:00 PM Thu 10/29/2026 7:30 PM Fri 10/30/2026 7:30 PM Sat 10/31/2026 7:30 PM Sun 11/1/2026 2:00 PM Thu 11/5/2026 7:30 PM Fri 11/6/2026 7:30 PM Sat 11/7/2026 7:30 PM Sun 11/8/2026 2:00 PMMinors ok when accompanied by a parent or guardian
ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.
Step into a slippery world where the line between truth and fiction is all in the packaging. It’s 1936, and a pair of passionate filmmakers has landed their next big project: a sweeping Spanish Civil War film with the potential to change American hearts and minds. It just happens to be bankrolled by the KGB. Spain by Jen Silverman is a seductive and tense thriller about the power of art to change the world — for better and for worse.
by Jen Silverman, directed by Josh Hecht
One of the most ambitious productions in recent Profile history, Spain is a grand cross-disciplinary spectacle featuring multiple partnerships with arts organizations throughout Portland, including live opera developed in partnership with Portland Opera, and both recorded and live music performed by musicians with 45th Parallel.
Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.
Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”
Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”
Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.
Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.
Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available
$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.
DATES:
Saturday, October 24 at 12pm, 2:45pm
Sunday, October 25 at 1pm, 3:45pm, 6:30pm
Tuesday, October 27 at 4pm, 6:45pm
Wednesday, October 28 at 3:30pm
Thursday, October 29 at 4pm, 6:45pm
Friday, October 30 at 5pm, 7:45pm
Saturday, October 31 at 2pm, 4:45pm, 7:30pm
Sunday, November 1 at 1pm, 3:45pm, 6:30pm
Tuesday, November 3 at 4pm, 6:45pm
Wednesday, November 4 at 4pm, 6:45pm
Thursday, November 5 at 4pm, 6:45pm
It’s simple. They play bingo to the most awesome movie cliches ever committed to celluloid, like “long boring scene or male ponytail," "teamed up with rookie or animal," and "white suit or tropical ending.” For maybe the first time in a theater, see the relatives and employees of A-list actors you know and love, like Sylvester Stallone, whose brother bears a remarkable resemblance to him. Compete for prizes. Yell at your fellow movie nerds over the elusive and mysterious “blank square!” Relax: it’s B-Movie Bingo.
Every first Tuesday of the month at 7:30 pm, Hollywood Theater plays B-Movie Bingo, a game that is exactly like it sounds. Or more.
Cost: $10 - $12Live Soundtrack, Cello
The Imperfecta Gallery, in collaboration with North Pole Studio, is proud to present The Island of Misfit Toys. This exhibition presents work by Portland-based artist Davis Wohlford. Every year, Davis Wohlford's art practice gives form to an evolving cast of handmade toys. Inspired by the fictional place of The Island of Misfit Toys, its characters occupy the margins of conventional narratives, finding possibility in their differences and agency in their own stories. Hand-sewn, machine-stitched, felted, painted and sculpted from wood and assembled from found objects, Davis's endlessly resourceful approach to materials yields creations that suggest personalities and histories beyond their physical forms. These are not simply objects to be observed; they are created to be played with, loved, and to inspire one's imagination. The toys welcome you to explore an alternate world of their own, an immersive world that Davis builds and shares with his audience. This year, that world expands into performance. Handcrafted puppets take the stage alongside a musical accompaniment, while familiar fairy tales are dismantled, reimagined, and given unexpected trajectories.
Opening Reception: November 5, 5–8 p.m.
Davis Wohlford is a prolific, lifelong artist and the co-founder of North Pole Studio. His work is deeply influenced by characters, stories, and fables that resonate with him and bring narratives to life through diverse media. Davis' works depict a vast array of interconnected characters and fantastical subjects who inhabit North Pole Jr., a self-constructed, multidimensional magical land that Davis has developed over time. His art is a window into this imaginative world, where whimsy and complexity coexist, and every piece is a chapter in an ongoing narrative. Davis is also deeply engaged in re-imagining classic books and movies, exploring playwriting, filmmaking, and animation. This multifaceted creative practice reflects Davis's belief in the power of storytelling as a means of both personal expression and universal connection. Whether through the visual richness of his paintings or the dynamic exploration of narrative in his written and filmed work, Davis Wohlford's art reflects his boundless imagination and his desire to craft worlds that invite others to explore and find meaning in the stories he creates.
Ever wonder what happens when exes meet for dinner? Douglas Lyons’s Table 17 dives into just that, bringing you Jada and Dallas, two people revisiting their past relationship. What begins as a simple catch-up quickly unravels, moving between humor and honesty. You’ll discover their spark, the eventual unraveling, and the lingering question: what if?
Directed by Charles Grant, this play invites you into a single night holding years of love, mischief, and unspoken words. It’s set in Bianca’s Restaurant, where your seat is part of the world. Choose a floor table, a riser, or a traditional theatre seat. You’re in the story. Go see it!
Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.
After-party following the Cronos film screening (a Guillermo del Toro debut feature), hosted at Low Tide Lounge. Features music by DJ Dead Steady. Free entry/Entrada libre.
A documentary detailing the storied history of drug-addled teen punks-turned-icons.
Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.
Doors open at 6:30 PM. Film at 7:00 PM.
Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.
Followed by book signing at The Shop at PAM.
About Lamp Black:A major collection of performance works by artist and agitator Anthony Hudson.
Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.
Glass. Kill. Bluebeard. Imp. is a collection of four short, surreal plays by acclaimed English playwright Caryl Churchill. Premiering at London's Royal Court Theatre in 2019, these darkly imaginative works weave together myth, fairy tale, and contemporary horror. Moving between collective voices and intimate encounters, Churchill explores violence, power, desire, and the stories we tell to make sense of a fractured world. By turns funny, haunting, and unsettling, the plays invite audiences into a landscape where the familiar becomes strange, and ancient myths reveal modern anxieties without explanation or comfort.
A girl made of glass. Gods and murders. A serial killer's friends. And a secret in a bottle.
Four short plays by Caryl Churchill
Directed by Samantha Van Der Merwe
A fisherwoman in a small seaside village gets so tired of her neighbors' teasing that she commissions a husband woven from wicker, and the village is thrown into an uproar. For one week, Pairings Portland is pairing a wine flight to Wicker, the Sundance favorite starring Olivia Colman, Alexander Skarsgård, Peter Dinklage and Elizabeth Debicki. Each wine is matched to a piece of the story: the fisherwoman, her handmade husband and the scandalized neighbors. Pairings is a neighborhood wine shop and bar in Northeast Portland that builds a new themed flight every week. You can taste as few as five wines or as many as the lineup holds, and nine or more gets you 10% off bottles.
A small selection of non-alcoholic wines and sodas is also available. All are welcome, and fun will be had.
Doors open at 6:15 pm
A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.
The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.
Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.
Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.
“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis
Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.
Co-presented by KMHD.
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
In this live Dungeons and Dragons show, comedians and performers take to the stage to play some theater games, share some jokes, and play some D&D.
This season of Magic Tea Party, you will join Dungeon Master Juliet Mylan, who will lead:
Audience members will take part in controlling the players' fate as they navigate an AU magical Portland in a series of side quests to gather magical artifacts for MOMSI (that's Magical OMSI for the layperson). The show can include strong adult themes and language, so if you bring your 8-year-old, just know they may learn something you were hoping to discuss with them after they hit puberty. Recommended for ages 16+ and parental guidance for those younger.
Small concessions booth with snacks, sodas, seltzers, beer, and wine available at the show. A coffee shop is located in front of the theater, and beverages are welcome in the theater. Tickets are GAYAF (Give As You’re Able Friend) with a suggested donation of $20 to compensate the performers and keep this independent LGBTQ theater running.
November 4, 2026
Powaqqatsi: Live with The Philip Glass EnsembleSpecial Concerts
OverviewThe Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.
po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.
About the ShowThis concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.
Concert begins promptly at the time listed.
Loading... Select a Date Arlene Schnitzer Concert Hall, Portland Wed, Nov 4, 2026, 7:30 PM Promo Code Buy TicketsHeaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop
A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.
Anthology (2025)
Photo–montage printed on wallpaper
Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.
These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.
James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.
It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.
While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.
ON SCREEN: Afro-Punk
2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.
This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.
This program is co-presented by Literary Arts as part of the Cover-to-Cover program.
Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl's desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.
Duration: 2h 19m | Raqting: PG-13 | CC and AD Available | Accessible Entrance Available