Arts & Media❯Galleries

Broadway Books is thrilled to welcome Anthea Kreston with her debut memoir Crescendo: Chronicles of an Adventurous Violinist (Paul Dry Books, 2026). She will be joined in conversation with Ling Ling Huang, author of Natural Beauty and Immaculate Conception.

When American violinist Anthea Kreston, called “An Indomitable Spirit” by Yo-Yo Ma, is selected as the fourth member of Germany’s Artemis Quartet, it is the culmination of decades of dedication. In Crescendo, her enchanting and deeply personal memoir, Kreston writes about growing up in a well-to-do but difficult family in Chicago, leaving home at age sixteen, studying at the ultracompetitive Curtis Institute of Music in Philadelphia (Hilary Hahn was a classmate), then burning out and leaving it all behind for a commune in Oregon.

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Join an essential lecture by the acclaimed Dr. Jared Cooney Horvath. Jared Cooney Horvath (PhD, MEd) is a neuroscientist, educator, best-selling author and expert in the field of human learning. His new book, The Digital Delusion: How Classroom Technology Harms Our Kid's Learning - And How to Help Them Thrive Again, pulls back the EdTech curtain and explains the research showing how digital tools in the classroom consistently undermine learning. It also explains how parents, teachers and schools can push back with purpose.

As a leading expert in learning and technology, Jared testified before the US Senate on EdTech and is an internationally sought-after speaker.

Sponsored by the Institute for Families and Technology and OR Unplugged.

Monday Mic Night is an open mic event. Bring whatever you’d like to share—music, poetry, a soliloquy, a painting, even a magic trick. All ages and talent levels are welcome. Non-performing audience members are welcome too.

This event is free, all ages, and open to the public.

Date: Monday, November 9
Time: 7-9pm (Signups start at 6:30pm)
Location: Sherwood Center for the Arts, Maera Boughey Theatre
22689 SW Pine Street, Sherwood OR 97140

More information at our website: Monday Mic Night | Sherwood Center for the Arts

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

• 2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
• Light snacks and non-alcoholic beverages are included.
• That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Inspired by Davide De Pierro’s newly released novel The Letters I Never Sent, his live show blends personal storytelling, humor, and audience conversation. Throughout the night, De Pierro will deliver a monologue and read selections from the book, followed by an open Q&A with the audience. Limited meet-and-greet opportunities will also be available for those who purchase in advance. Davide is a New Jersey native that has cultivated over 3M followers on TikTok and 2.7M followers on Instagram and has been earning millions of views online. Known for his commentary on relationships, finances, and those relatable moments that capture the human experience, Davide is excited to be expanding into a fresh medium.

Portland Book Festival welcomes Molly and Meherwan Irani, the husband-and-wife team behind Asheville’s nationally celebrated Chai Pani Restaurant Group. Their flagship restaurant, Chai Pani, was named Outstanding Restaurant by the James Beard Foundation in 2022.

This year, Molly and Meherwan each bring a new book to the table. Meherwan has written No. 1 Best Indian Cookbook in the World: At-Home Recipes from the Streets, Truck Stops, Villages, and Palaces of India. Molly’s Service Ready: A Story of Love, Restaurants, and the Power of Hospitality was published earlier this year. Together, the books offer two very different—and deeply connected—perspectives on food, restaurants, and hospitality.

In celebration of Diwali—the Hindu festival of lights, marked by food, gathering, and celebration—Molly and Meherwan will join their longtime friend Chef Troy MacLarty at Bollywood Theater on Alberta Street for a collaboration. Bollywood Theater will serve a special menu inspired by recipes from Meherwan’s book alongside its own Diwali-inspired menu. It’s a gathering of longtime friends, great food, and two books that reflect different sides of a shared life in restaurants.

Both books will be featured at Portland Book Festival, and Molly and Meherwan will be on hand at Bollywood to meet guests and sign copies.

Parallel Worlds Bookshop and the Hollywood Theatre present a special author conversation with Jane Schoenbrun and SenLinYu, celebrating the release of Jane’s debut novel, Public Access Afterworld, followed by a screening of Schoenbrun’s acclaimed film I Saw the TV Glow.

When: November 5, 2026 at 7:30 PM
Where: Hollywood Theatre 4122 NE Sandy Blvd, Portland, OR 97212
Tickets: $18 sold via Hollywood Theatre
Ticket price does not include a copy of the book. Preorder Here!

A mysterious realm waits on the other side of our screens. A dark force draws victims into its static. An unlikely hero must save them, and herself, from an electric hell.

Spanning decades and realities, Public Access Afterworld follows an unforgettable ensemble of outcasts and obsessive television viewers whose lives become entangled with a surreal pirate network. At the center is Bethany Peters, a trans content moderator working the night shift at a sprawling tech corporation. When a young streamer begins appearing in her feed and calling out to Public Access Afterworld, Bethany is pulled into a conspiracy stretching across screens, timelines, and realities.

A mesmerizing collision of speculative fiction, horror, conspiracy, and queer transformation, Public Access Afterworld marks the literary debut of the celebrated filmmaker behind I Saw the TV Glow and We’re All Going to the World’s Fair.

Jane Schoenbrun is an award-winning filmmaker and writer. Their films include I Saw the TV Glow and We’re All Going to the World’s Fair. Their newest film, Teenage Sex and Death at Camp Miasma, starring Gillian Anderson and Hannah Einbinder, releases in 2026. Public Access Afterworld is their first novel.

Tickets for the screening and conversation are sold through the Hollywood Theatre. Copies of Public Access Afterworld will be available for purchase onsite from Parallel Worlds Bookshop.

Jane Schoenbrun and SenLinYu will not be signing books. Pre-ordered books or books purchased at event will be pre-signed.

Still photography is permitted. Audio and video recording are not permitted unless approved in advance.

1. Public Access Afterworld by Jane Schoenbrun - Signed Edition
   (Pub Date: October 27, 2026)
   A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma.

2. Alchemised by Senlinyu Signed Edition (Out Now)

3. Alchemised by Senlinyu 3 Volume Deluxe Boxset(Pub Date: October 13)
   In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past.

Young adult authors, Maggie Stiefvater (The Dream Thieves) and Isabel Cañas (The House of Gardenias) come together for a conversation on the hauntingly enchanted worlds in their latest releases. In the newest installment of the graphic novel iteration of The Raven Cycle, Stiefvater and adapter Sas Milledge bring the original text to life with rich illustrations and suspenseful panels. Like Stiefvater, Cañas expertly constructs a gothic world threatened by an unimaginable ancient power. Moderated by Alicia Tate, these authors discuss the mythical worlds they built and the characters that try to understand them.

The second book in Maggie Stiefvater‘s #1 NYT bestselling series The Raven Cycle, now gorgeously illustrated as a graphic novel!

Ronan Lynch is made of secrets. His longest kept one? He can pull impossible things out of dreams. It’s a secret that’s nearly killed him more than once. Waking the corpse road should have led Blue and the Raven Boys straight to Glendower, the Whelsh king rumored to be sleeping beneath the mountains of Henrietta. But instead, the forest of Cabeswater has disappeared, energy hums and sputters beneath the town, and the Raven Boys’ search is at a dead end.

Ronan’s dreams may be the key to finding Glendower, but none of the Raven Boys are prepared for what will be unleashed in Ronan’s desperate attempt to finally control his power. Reimagined as a stunning full-color graphic novel adapted and illustrated by Sas Milledge, Dream Thieves blurs the line between reality and nightmare until they are one and the same.

A debut gothic YA from the USA Today bestselling author of The Hacienda and The Possession of Alba Díaz Sixteen-year-old Minerva has endured hunger, violence, and unrest in a capital city inspired by colonial Mexico.

Determined to escape her father’s cruelty, she reinvents herself in a wealthy loyalist enclave, becoming lady’s maid to the formidable widow Encarnación del Valle.

For the first time, Minerva knows stability with regular meals, warm light powered by magical chispa, and a measure of protection. When a ruthless regime rises to power, the household withdraws to the del Valle family’s secluded estate, Casa de las Gardenias. There, amid resentful heirs and rigid social hierarchies, something far older than the nation’s turmoil waits in the shadows.

It’s a haunting, timely gothic novel that weaves Mexican history, class tension, and supernatural dread.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

Alexis Nikole Nelson, best known to millions of fans as Black Forager, invites you on an adventure to discover the delicious and wild foods hiding in plain sight. Alexis captivates people with her joyful enthusiasm and deep knowledge of foraging and inspires them to explore the bounty of their own backyards, parks, and trails, and now she does the same in her eagerly awaited first book.

Happy Snacking, Don’t Die! is a one-of-a-kind collection of recipes and foraging wisdom that teaches you how to turn common plants, flowers, and fungi into yummy, plant-based meals. This unique work is almost like two books in one—foraging plant guide and vegan cookbook—organized by season to guide you through a year of appetizing discoveries. In spring, you’ll learn to pickle Magnolia flowers and turn Japanese Knotweed into a refreshing granita. Summer is for frying up Milkweed Buds, making Juneberry Hand Pies, and crafting Rosewater Baklava. When fall arrives, you’ll be making savory mushroom dishes (a.k.a. chicken of the woods) like Maitake steak and bacon. And in winter, cozy up with Pine Shortbread Cookies and Oyster Mushroom Chowdah.

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

The In Bocca books are a curious and beautiful collection of 20 Italian cookbooks, each devoted to a different region of Italy. Originally published in the 1970s, they’re filled with recipes, hand-drawn illustrations, folk art, and wonderfully wonky English translations, offering a glimpse into the food and character of Italy from region to region. Long out of print, they’ve become cult objects for collectors and lovers of Italian food.

For the past three years, Cathy Whims and the Nostrana team have cooked their way through the entire collection, creating 19 dinners: one for each book. Now, for the Portland Book Festival, that journey comes to an end with Roma in Bocca the 20th book.

For this special finale, Cathy Whims is welcoming Italia in Bocca director Robert Serrini, an expert and passionate champion of these remarkable books. Robert will mingle with guests throughout the evening and document the dinner as part of a short film about Roma in Bocca. He also dreams of one day seeing the full collection published once again, bringing these quirky, art-filled books back into the hands of a new generation.

Whether you’ve followed the series from the beginning or are discovering these peculiar books for the first time, come take one last trip Italy in Bocca with us.

Cathy Whims recently published her own culinary book: The Italian Summer Kitchen: Recipes for La Dolce Vita. During this event her book will be available for purchase and signing.

Reservations required. Limited seating available. Paid reservations sold by Nostrana nostrana.com/romabook

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Poets Victoria Chang (Tree of Knowledge) and Beth Piatote (distant waters) sit down for a conversation on their recent publications andtheir evocative use of nature throughout their poems. Moderated by writer and editor Alyssa Ogi, this discussion promises a rumination on our shared home, oppressive efforts of erasure, and the art and language that we use to understand our world and ourselves.

FINALIST FOR THE NATIONAL BOOK AWARD

A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.

Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.

Men assess the eucalyptus tree growing on the poet’s street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem “Eureka” examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang’s crystalline voice and generous, probing gaze, and by certain images —trees, a hanging figure, a branch, fingertips, a briefcase—that resurface like apparitions.

As a scholar of Native American literature and law, Beth Piatote focuses on the endangerment of Indigenous languages. As an activist, she moves against the current of English-language colonization, working to rescue and revitalize the language of her people. Language, she posits, is an expression of land, a means through which we can travel great distances.

distant water brings the reader into the language of our shared home, North America, revealing a sonic world and grammar governed by rivers, kinship, and ancestral knowledge. “In our homes and homelands,” she writes, “we share the language with the plants and animals and waters and rocks and sky.” Inventive and playful, these poems explore the sounds, structure, and wisdom of the Nez Perce language, illuminating its vitality and capacity to organize relationships to time and place. Braiding aural, linguistic, and spiritual ecologies, distant water conveys an understanding that to be in language is to be in place. To be at home.

Wildwood is the first book in the New York Times best-selling fantasy series full of magic, wonder, and danger from Colin Meloy, lead singer of the highly celebrated band the Decemberists, and Carson Ellis, the award-winning illustrator of Du Iz Tak and Home. Soon to be a major motion picture from LAIKA, the studio behind Coraline. Look for it on October 23, 2026! Moderated by Andrew Proctor.

Prue McKeel’s life is ordinary. She lives in Portland, Oregon, where it rains a lot. She has a mother and a father and a baby brother. Ordinary. At least until her brother is abducted by a flock of crows. And then things get really weird.

You see, on every map of Portland there is a big splotch of green in the center of the city labeled “I.W.” This stands for “Impassable Wilderness.” No one’s ever gone in — or at least returned to tell of it.

And this is where the crows take her brother.

So begins an adventure that will take Prue and her friend Curtis deep into the Impassable Wilderness. There they uncover a secret world in the midst of violent upheaval, a world full of warring creatures, peaceable mystics and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much bigger as the two friends find themselves entwined in a struggle for the very freedom of this wilderness.

A wilderness the locals call Wildwood.

WILDWOOD is a spellbinding tale full of wonder, danger, and magic that juxtaposes the thrill of a secret world and modern city life. Original and fresh yet steeped in classic fantasy, this is a novel that could have only come from the imagination of Colin Meloy, celebrated for his inventive and fantastic storytelling as the lead singer of the Decemberists. With dozens of intricate and beautiful illustrations by award-winning artist Carson Ellis, WILDWOOD is truly a new classic for the twenty-first century.

Join a special evening with trailblazing drag artist, activist, and political candidate Marti Cummings and Portland-based constitutional law professor and author Robin Maril. Before the film, Marti and Robin will sit down for a live conversation about queer representation, civic engagement, and the power of showing up for your community. The conversation will be moderated by Kyndall Mason of Basic Rights Oregon.

Following the conversation, stick around for Queen of New York, the acclaimed documentary following Marti Cummings’ groundbreaking 2020 campaign to become one of the first openly nonbinary members of the New York City Council. This evening also celebrates the launch of Robin Maril’s new book, A Queer Guide to Saving American Democracy. Copies will be available for purchase on site.

ON SCREEN: Queen of New York

2023. Directed by Emma Fidel. Runtime: 1 hour 20 minutes.

Welcome to a different kind of drag race. As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics — one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

When Toni Morrison declares that she “can't wait for the ultimate liberation theory to imagine its practice and do its work,” she raises an issue at the heart of modern democratic life: What does freedom mean in the shadow of racial slavery and colonialism? While Morrison's literary achievements are widely celebrated, her contributions as a “revolutionary political thinker” remain underappreciated. Lawrie Balfour approaches Morrison’s political thought through her account of “word-work,” or the creative use of language, as a practice of freedom. First, Balfour considers Morrison’s defense of the necessity of writers to the flourishing of democracy and her reflections on the political implications of her own literary practice. Second, Balfour examines Morrison’s use of the language of “sovereignty” to convey what writers do, when they create worlds out of words. Third, she asks what Morrison might say about the part her novel Beloved played in the 2021 governor’s race in Virginia and concludes with some thoughts about the political urgency of Morrison’s word-work today.

Lawrie Balfour is James Hart Professor of Politics and a member of the American Studies faculty at the University of Virginia, where she offers courses on race, gender, democracy, and literature. She is the author of Toni Morrison: Imagining Freedom; Democracy’s Reconstruction: Thinking Politically with W. E. B. Du Bois; and The Evidence of Things Not Said: James Baldwin and the Promise of American Democracy. Lawrie’s current projects include a series of essays on reparations for slavery and a study of the Black feminist visions of the journal Freedomways (1961-1985).

Free and open to the public.

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

Please join us at the 23rd Annual Ray Warren Symposium on Race and Ethnic Studies for “Creating Collective Liberation: How to Come Together in Frightening and Isolating Times to Create Real Community and Lasting Change,” a keynote presentation by Ijeoma Oluo.

Ijeoma Oluo is a Seattle-based writer, speaker, and internet yeller whose books include Be a Revolution and the NYT bestseller So You Want to Talk About Race.

No registration is required. ASL interpretation will be provided. Free and open to the public.

After the talk, please join us for a reception and book signing in the Beth Miller Lounge. Books by the keynote speaker will be available for purchase.

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Join the Columbia Writers Series for a reading and conversation with the novelist, journalist, and editor Ed Park. Park is the author of the novels Same Bed Different Dreams and Personal Days, and the short story collection An Oral History of Atlantis (2025). He has been a finalist for the Pulitzer Prize, the PEN Hemingway Award, and other honors, and has won the Los Angeles Times Book Prize and Asian Pacific American Award for Literature. His writing has appeared in The New Yorker, The New York Review of Books, The Atlantic, Harper’s, McSweeney’s, and many other places. He is a founding editor of The Believer and was executive editor at Penguin Press. He teaches creative writing at Princeton.

Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills. Interviewed by Lucy Feldman (TIME).

An aspiring archivist determined to begin a “serious” life after an undistinguished undergraduate career takes up residence in the Italian countryside. Here, he becomes the all-purpose assistant to the Baronessa, known to her friends as Coco, a defiantly youthful and naturally flamboyant woman of ninety-two. Amid a chaotic and colorful milieu of gin-swilling princesses, incomprehensible handymen, roaming boarhunters, nuns, and other local wildlife, our young man does his best to catalog the villa’s extensive collection of art and antiques—although he notices that things seem to go missing from right under his nose.

Despite himself, he tumbles into an affair with a married man, complicating his future plans considerably. And when the Baronessa loses someone close to her, he becomes an unwitting accomplice in the acceleration of Coco’s great and final plan: to locate the love of her life and be reunited before it’s too late. Told with the signature wit, charm, and humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself, a meditation on how seriously we ought to take ourselves, and a bawdy Mediterranean ballad about becoming who we’ve always wanted to be.

In this stunning and compulsively readable memoir, the Oscar-winning star of Indiana Jones and the Temple of Doom, The Goonies, and Everything Everywhere All at Once, Ke Huy Quan, tells the story of his journey from Vietnamese refugee to 80s child star to the most inspiring comeback in Hollywood history. Interviewed by OPB’s Dave Miller. Ke Huy Quan’s Hollywood adventure began when he was twelve years old, a mere five years after his family escaped Communist Northern Vietnam and settled down to a relatively peaceful life in L.A.’s Chinatown. After attending an open call audition on a whim, he was unexpectedly swept up in the wild world of filmmaking: learning to swim from Harrison Ford on the set of Indiana Jones and the Temple of Doom, receiving trucks full of toys from Steven Spielberg and George Lucas for his birthday, meeting Princess Leia and Luke Skywalker, and making lifelong friends on the set of The Goonies.

A star of two of the most beloved movies of the ‘80s, there appeared to be no limit to Ke’s rise. But just a few years later, the roles had dried up and it seemed like Hollywood no longer had a place for him. He eventually left acting to work odd jobs behind the scenes for directors like Wong Kar Wai. His confidence was badly shaken, but his love of performing never abated. It wasn’t until decades later, when he was 49 years old, that he stepped back in front of the camera to star in a strange little indie film called Everything Everywhere All at Once, which surprised everyone with its incredible box-office and awards season success. To call Ke’s Oscar-winning performance a triumphant return would be an understatement.

In this moving, inspirational memoir, Ke paints a vivid self-portrait, telling both heart-wrenching and funny stories of his early rise, slow fall from the spotlight, the resilience that kept him going through his darkest times, and his eventual resurrection on one of the biggest stages in Hollywood. Never Say Die is the story of Ke’s extraordinary life, a love letter to the movies and people that shaped him, and a powerful testament to never giving up on your dreams.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

Oregon Humanities and Constellation Reading Series are teaming up to ask Portland writers the question: What’s the book that made you say, Books are for me?

The idea comes from the Works Cited section of Oregon Humanities magazine, where authors reflect on the foundational texts that shaped their lives. On Wednesday, November 4, we’re bringing that idea to the new PALS (Portland Arts & Literary Society) Building for an evening of literary show-and-tell.

We'll hear from Aleksandr Chernousov, Lydia Kiesling, Tim Lane, Jae Nichelle, Christopher Rose, and Eric Tran about the books that shaped them, and they'll also share passages from their work. Then we’ll open the mic to you.

Bring the book that started your literary origin story! It could be a children’s book, a comic, a classic—all books count. During our lightning round open mic, you’ll have 60 seconds to share your book and why it matters. If you’d rather just listen, that’s welcome too, just pull up a seat and enjoy the evening.

Up Up Books will be open especially for the event, and the readers’ books will be for sale.

Come celebrate the reading life with us! This event is part of the Portland Book Festival's Cover to Cover series.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Celebrate the release of A Thousand Flames, the debut poetry collection by Corey S. Pressman. Corey S. Pressman's debut collection, A Thousand Flames, offers poems of secular devotion in which a bird feeder can stand as the axis mundi and the bees have a god of their own. Across twelve sections, they travel from a Rockland County childhood to a hilltop in the fog, and as far back as the rooftops of Neolithic Çatalhöyük. Each poem asks you to slow down and stay a little longer than expected.

"Corey Pressman is a magical human - magical art, magical writing. His finely made poems are bells of vision and clarity to help us 'stay the same changing.'" - Naomi Shihab Nye

BOLD is thrilled to host The Body Has Teeth: A Reading and Conversation with Amy Baskin, David Loring Nash, Anthony DiPietro, and Summer Stewart.

Four writers enter the dark from different doors. Anthony DiPietro’s poems move through gay love, sex, and the strange repetitions of desire. Amy Baskin gives Lilith—the first woman, cast as a demon—her fierce voice. Summer Stewart’s poems and essays expose the scripts written onto women’s bodies and lives. In David Loring Nash’s Northwoods, witchcraft, revenge, and human folly wait just beyond the treeline. Join them for a reading, followed by a conversation led by Summer Stewart.

Join The Literary Arts Bookstore & Cafe for an evening of Hollywood nostalgia and holiday classics!

We’re thrilled to host local author Matt Mikalatos to celebrate his latest, Finding Wonderful: Hopeful Lessons from Jimmy Stewart and It’s a Wonderful Life.

About the book:

It’s a Wonderful Life impacted the lives of many, but no one got more from it than star Jimmy Stewart, who credited the film with giving his life new purpose post-World War II service. Learn the lessons on faith, community, kindness, and more from Stewart and the iconic film with this inspiring gift book.

Beloved star and one of Hollywood’s greatest actors, Stewart achieved fame, fortune, and acclaim—but found that none of it guaranteed happiness. Leaving it all behind to serve as a combat pilot in World War II, he returned home changed by loss and searching for meaning. But while filming the perennial Christmas classic It’s a Wonderful Life, Stewart learned how to heal and live with gratitude and grace with the help of friends, faith, and purpose. Drawing on his life and words, as well as iconic moments from It’s a Wonderful Life, this book explores how the actor who embodied decency on screen lived it off-screen, too.

Endorsed by the Stewart estate and featuring little-seen photos throughout, Finding Wonderful is a heartfelt series of essays that capture the virtues and values of a man who discovered that the secret to a wonderful life has nothing to do with fame—and everything to do with love, service, and simple goodness.

A call to courage and connection from prize-winning poet and champion of the arts and humanities Elizabeth Alexander. Interviewed by Mitchell S. Jackson. n this deeply personal book, Elizabeth Alexander gives us profound and galvanizing lessons from culture and life to move through challenging times. In close readings of visionary and beloved poets and writers—Muriel Rukeyser, Gwendolyn Brooks, Audre Lorde, James Baldwin, and June Jordan, among others—Dr. Alexander meditates on how words and values can sustain and inspire, interweaving her voice with revelatory works of art by some of our most extraordinary visual artists, richly reproduced in the book’s pages.

Her stories of connection—as a daughter, wife, widow, and mother of two sons; reflecting at midlife on her younger days as an aspiring dancer; as a poet at President Obama’s inauguration on the dais alongside her father, a civil rights pioneer; urging radical welcome in our families, communities, and country—engage and move us. Her reflections on the public project of acknowledging historical truths, a focus of her leadership at the Mellon Foundation, model courageous action.

Throughout the book, Alexander poses questions, encouraging readers to recognize the abundant resources we carry within or can access: language, history, art, community, family, our bodies, our stories, and love itself. In luminous and powerful prose, Signals Across Vast Distances calls us to imagine possibilities, take courage, and—in Alexander’s closing words—lead with love.

Novelists Emiko Jean (Before You Were Anne) and T Kira Māhealani Madden (Whidbey) join moderator and author Marisa Siegel for a conversation on their most recent novels and the secrets and lies that chase their protagonists. Told through multiple perspectives, both authors create page-turning stories about webs of violence, and the fragile lies that threaten survival.

After a woman is killed and her daughter vanishes, detective Chelsey Calhoun uncovers a legacy of violence and survival that spans from Japan to Seattle in the new novel by the author of The Return of Ellie Black.

A murdered woman. A missing daughter. A truth buried across two continents.

Married, pregnant, and thriving in her career, Detective Chelsey Calhoun’s life finally feels whole, until an explosive new case shatters everything. A mother is dead. Her sixteen-year-old daughter, Naomi, has disappeared. And the search will awaken questions about Chelsey’s own origins—questions she’s spent a lifetime afraid to ask.

The victim called herself Anne Walker. But she was born Rika Takahashi, and her journey from a remote Japanese farm to suburban Seattle conceals decades of deception. Across Tokyo’s shadowed underworld, an isolated Idaho town, and years of carefully constructed lies, Rika reinvented herself at every turn. But she was always running—from someone, or something.

Now, Chelsey must find Naomi before she becomes the next victim. But the deeper she delves into Rika’s hidden life, the more she discovers: some secrets are worth killing for. And the most dangerous truths may be the ones closest to home.

Told in three interwoven voices, Before You Were Anne is a gripping suspense novel about the lies that bind families and the sins that echo across generations.

A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

Authors Priyanka Mattoo (How to Be Less Useful) and Emily Nemens (Clutch) sit down to discuss their latest books that explore the pleasures and challenges of midlife. Whether in the fictional world of Clutch, or the personal stories in How to Be Less Useful, both authors question our professional prioritiesand the joy that really matters most. Moderated by author Maris Kreizman.

A delightful book about reclaiming pleasure in mid-life—a potent mix of self-help and memoir, from one of today’s wittiest, wisest voices.

“I have done everything right, and I have missed everything.”

When did our lives become entirely about efficiency and optimization? Especially as office workers, as parents, as consumers, as exercisers and healthy eaters. Wouldn’t it be nice if we could all be less useful?

With self-deprecating humor, devastating insight, and bracing honesty, Priyanka Mattoo shares her own journey toward being a less useful human, to investigate why pleasure gets back-burnered in American culture.

Think about what we choose to systematically cut out or overlook as we mature: Solo travel. Dessert. Sweaty dancing. “Pointless” hangs with friends. And then there are the activities that used to be fun and have somehow lost their luster, usually in the decade between 30 and 40: Cooking (ruined by exhaustion). Bad tv (the algorithm). Other humans (bandwidth). Eating at restaurants (Instagram).

Mattoo takes on the zeitgeist, delivering invaluable, laugh-out-loud entertaining life lessons without an ounce of preachiness or pressure. She looks at where pleasure begins, what it serves, how we learn to repress it—in families, in friendships and romantic relationships, in jobs. And she shows us a way back: to identify and accept the things that give us pleasure, then to welcome them into our lives. What if, instead of being useful, we could all learn how to be happier, lighter, more present, more engaged? How to Be Less Useful is refreshing, funny, sparklingly astute, unignorable–a book for the current moment.

A close-knit group of women navigate mid-life’s biggest challenges—marriage, career, addiction—in what Lynn Steger Strong calls a “sharp, funny, utterly engrossing” novel.

“White Lotus with more sincerity and heart.” —Los Angeles Times

Named a Best Book by The New York Times Book Review, People, Los Angeles Times, Alta Journal, Bustle, and more

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

Anna Guillemot, a member of the Portland Lace Society, has been making lace for almost nine years. Her goal is to become comfortable with half a dozen techniques and to demonstrate them, and to spend the rest of her energy admiring the many others in existence in various parts of the world. She loves to teach, thereby encouraging new people to pursue an art that is very far from becoming extinct!

Technology has always shaped the way we’ve stayed informed, expressed ourselves, and stayed connected as communities. What lessons do earlier technologies, like print, hold for us today in the age of AI and digital overload? And why, despite the speed and convenience of newer technologies, is print more popular than ever?

At the end of the talk, audiences will get the chance to try printing on a portable press.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Geoffrey Turnovsky is professor of French at the University of Washington. His teaching and research focus on the cultural history of early modern France and Europe, and the history of print, books, authorship, and reading. He is the author of Reading Typographically: Immersed in Print in Early Modern France.

Geoffrey lives in Seattle.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313188911{margin-bottom: 0px !important;}”]Reservations are now open!

Admission is FREE, but reservations are required due to limited seating.[/vc_column_text][vc_btn title=”RESERVE A SEAT” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F781920%2Fpermanent-ink-why-we-still-love-print-in-the-digital-age%3F_gl%3D1*zutbgg*_gcl_au*MTA5ODE3MTY3MS4xNzkwMjg5MTQzLjY2NDI0MTc5MS4xNzkwMjg5MTQ2LjE3OTAyODkxOTkuODQzMTY1ODM2LjE3OTAyODkxNDYuMTc5MDI4OTE5OQ..*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTAzNTA1OTIkbzEyNSRnMSR0MTc5MDM3NTAyMSRqMzckbDAkaDY0Njc2MjQ1MQ..”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1791842995682{margin-bottom: 0px !important;}”]The Historic Trust Fall Speakers Series is Presented by University Village

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Join Mary Miller Doyle and friends for a presentation of Wonder Is a Lovely Place to Be: 365 Days of Wit, Wisdom, and Irrepressible Imagination by Brian Doyle and Mary Miller Doyle. Drawing from both beloved and previously unpublished Brian Doyle works, this collection of essays, poems and sketches invites readers to notice holiness woven through ordinary, everyday moments.

Mary Miller Doyle and John and Cindy McPhee will read passages from Wonder is a Lovely Place to Be and retired Lake Oswego Public Library director Bill Baars will host. We'll also be serving apple and marionberry pie, Brian's favorite flavors.

Brian Doyle (1956-2017) was the author of many books, including the novels Mink River and The Plover; The Grail, his account of a year in a pinot noir vineyard in Oregon; and The Wet Engine, a memoir about his infant son’s heart surgery and the young doctor who saved his life. He edited Portland Magazine at the University of Portland.

This program is supported by the Friends of the Lake Oswego Public Library. Participation is free, and no registration is required. Please note, seating is limited due to the size of the space. Seats will be available on a first-come, first-served basis.A livestream will be available.

Lake Oswego Public Library is located at 706 Fourth Street, Lake Oswego. For more information, contact Alicia Yokoyama at 503-534-4228 or [email protected]

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Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

In the “Why Horror?” panel presented by the HWA Oregon chapter, co-hosts Amber and Dan Finnegan of the podcast Dusk to Dawn: Reading Horror and Weird Fiction will sit down with local horror authors Keith Rosson, Danger Slater, Caitlin Starling, and Kelsea Yu to discuss the appeal of horror, how it can be a guiding light through difficult times, and just what it is about bumps in the night that keep us reading page after page.