Arts & Media❯Galleries

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

• 2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
• Light snacks and non-alcoholic beverages are included.
• That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Join us in the evening to celebrate the opening of November 2026 exhibitions5 - 8 PM

Yukai Chen brings The Factory of Desire to Blue Sky

Yukai Chen, Offering, 2024

Ashley Peña’s Ebb and Flow comes to Blue Sky

Ashley Peña, Enshrouded In Blue Matter., 2025 ]]>

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

This exhibition highlights a distinct artistic collaboration between printmakers Cassie Ferguson and Charlie Cohan, marking the creative intersection of their independent yet interrelated studios, Lost Bearings Press (LBP) and BurnPrint Studio (BPS). Centered on a shared dedication to traditional printmaking, the showcase features a diverse range of techniques, including stone lithography, screen printing, polyester plate lithography, and relief printmaking.

The conceptual foundation of this exhibition hinges on a collaborative print created by Cohan and Ferguson in 2017, which juxtaposed the iconic Burnside Skatepark with an urban overpass. This visual conversation continues in Ferguson’s ongoing series of stone lithographs capturing DIY skateparks. Her work seeks to honor and archive the subcultural spaces that have shaped her lived experience. Because these grassroots spaces often thrive under overpasses and within neglected industrial zones, her prints seamlessly connect with Cohan’s imagery of Portland’s monumental bridges. Together, the artists offer a multifaceted view of the city, championing the gritty beauty of structural environments. Their works invite viewers to reflect on their own relationship to the municipal landscape and to find new ways of seeing everyday urban scenes.

Additionally, the exhibition introduces recent work by Nakemiah “Kiki” Williams, produced in collaboration with Ferguson and Cohan at LBP and BPS. This project marks the debut publication for LBP and brings their history full circle, as both Williams and Ferguson are alumnae of Cohan’s printmaking program at the University of Hawai’i at Mānoa. This collaboration marks the beginning of collaborative print work at LBP, which is now open for publishing and for contracted prints, primarily of stone lithographs.

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

The JT Wise Band performs high energy good time music. They have found a special calling to perform the music of the Grateful Dead with authentic jams and guitarist JT Wise channeling Jerry Garcia. Also performing is bassist Maggie Wise, drummer Ken Woodside and on piano Byron Ady.

"JT Wise sounds like no one else on the planet"-Mary Flower

"JT Wise Band performs American roots music with an expertise rarely heard"- journalist Daniel Curran

"Best Grateful Dead in the area"- Portland Notes Notable performance, Paul Lankow

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

Experience an unforgettable night of blues-infused rock as Joanne Shaw Taylor and Robert Jon and The Wreck bring their powerhouse performances to the stage. Renowned for her blistering guitar work and soulful vocals, Joanne Shaw Taylor will perform fan favorites from her acclaimed Billboard-charting album Black and Gold alongside new music from her forthcoming release, The Trouble With Love. Joining her are Robert Jon & The Wreck, celebrated for their driving Southern rock sound, rich harmonies, and electrifying live shows, featuring standout songs from their latest album, Heartbreaks & Last Goodbyes. Blending blues roots, fiery musicianship, and high-octane rock energy, this dynamic lineup promises a night of incredible live music.

21+/ No Cover, Please tip the band and waitstaff!

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Formed by musicians with a passion for the Northwest outdoors, Jawbone Flats takes its name from the ghost town of the same name nestled deep in the Opal Creek Wilderness of Oregon. Since 2008 JBF has traveled throughout Oregon, Washington, Idaho, and Northern California playing an eclectic blend of original and cover songs drawing from the influences of bluegrass, country, alternative country, blues, and rock music led by five alternating lead singers backed by lush harmonies. Interlocking melodies from B-bender Telecaster and acoustic guitars, mandolin, harmonica, and pedal steel guitar are woven into the solid rhythmic fabric of fretless bass and drums to produce a wonderfully entertaining, irresistibly danceable, and downright “flatifying” sound.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Gram Jam is a celebration of the music of Gram Parsons. A seminal figure at the roots of what is now referred to as Americana. A mix of traditional country, rock n roll, blues and soul. Gram called that mix Cosmic American Music. Gram Parson’s efforts with The International Submarine Band, The Byrds, The Flying Burrito Brothers and his two solo albums, GP and Grievous Angel were not commercial successes but his songs and style influenced all that came after. The Eagles, Little Feat, Workingman’s Dead by the Grateful Dead, The New Riders of The Purple Sage, Linda Ronstadt and Emmylou Harris are just a short list. Cosmic American Music is still alive and well in Portland and many other places around the world.

Shorty and The Mustangs have organized five Gram Jam benefit concerts for the Jeremy Wilson Foundation https://www.thejwf.or since 2016. So why do a sixth now?

In November, Gram Parsons would be turning 80 within two days of Gram Jam VI and will also be inducted into The Rock n Roll Hall of Fame within a few weeks of the show. In addition, Shorty and The Mustangs are celebrating their 30 th Anniversary in 2026. Too many dates have aligned. It’s meant to happen.

A stellar list of local musicians are donating their time and talent to this benefit show. Get your tickets, you don’t want to miss this!

About the show: It’s that time of year for holiday festivities and glorious gift shopping. Sidestreet Arts has invited all the represented artists to join the members in filling the walls with fabulous local wares, featuring a lovingly curated collection of affordable small things. You are invited to check out the new goods. The usual monthly timeframe is being extended to a two-month show this year, and everything is available while supplies last for immediate purchase and take-away.

Nov. 6, 5- 7 p.m., and Dec. 4, 5-7 p.m., with artists at the opening.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Allison Russell is a compelling singer, songwriter, and multi-instrumentalist with strong ties to the folk community. She first made her name in the 2000s as a member of the eclectic Canadian roots group Po' Girl before forming the duo Birds of Chicago in 2012 with her husband and creative partner JT Nero. Taking inspiration from a wide array of sources, Russell's songs have threaded through jazz, country, folk, Celtic, klezmer, and blues to become a distinctive amalgam of her own making. Not unlike fellow Renaissance woman and Our Native Daughters bandmate Rhiannon Giddens, her musical versatility has made her difficult to pigeonhole while also helping to establish her as a linchpin of roots music in general. In 2021, after two decades of musical exploration, Russell made her solo debut with the Juno Award-winning Outside Child. Her solo follow-up, the joyful, Grammy-winning The Returner, arrived two years later. She also made her Broadway debut in 2024, returning a year later with the protest-fueled Annie Lennox collaboration "Superlover" and "Comes a Time" with the Doobie Brothers. Russell's guest-heavy third album, In the Hour of Chaos, arrived in 2026, featuring appearances from artists like Norah Jones and Ruby Amanfu.

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

Christmas? Hanukkah? Kwanzaa? Yule? Bodhi Day? Shōgatsu? You got it. Krampus? Joulupukki? Saint Nicholas? Tió de Nadal? La Befana? Jólasveinar? Yup.
Imperfecta Gallery is delighted to present "Rockin' Around" — a holiday extravaganza featuring art ornaments by local and international artists. Participating artists were challenged to create ready-to-hang ornaments in any medium, yet within price and size boundaries... the result? an extravagantic mix of holiday joy and a feast for the eyes that will fill the gallery's installation area.

Participating artists include:

Alexis Bomarito, Ali Mageehon, Chandra Leming, Corie Steinbrink, Dayna Wenzel, Daria Loi, Diane Archer, Gezine Kratzner, Gia Whitlock, Hannah Kennedy, Irina Belova, Jacqueline Myers-Cho, Jana Charl, Kim Tepe, Luc Poudrier, Maxfield Strauss, Michele Suchland, Mona Monroe, Nyx Eckmayer, Paola Zakimi, Patricia Anders, Quire, Rosa Henriquez, Serafine Lilien, Stephanie Sales Bruins, Wynter Jones

Opening reception: November 5, 5 - 8 p.m

2-hour blocks of unstructured art studio time on Thursday evenings for you to paint, draw, collage, enjoy our collection of art books with a cup of hot tea or coffee (provided), or just hang out and chat in a warm, inviting space.

Friend date? Romantic date? Date with yourself? Church of Art studio is that (alcohol-free) third space to hang out, either on your own or with others. No previous art experience is necessary. If you would like some guidance, Erika Halperin (the studio founder) will be in the studio and available to suggest activities based on your interests and skill level.

If you’re coming on your own and would like some company, Erika will happily spend time drawing, painting, or collaging with you. If you already know what you want to do or want to be left alone to read, write or make art in peace (or with a headset on), that’s ok, too.

All materials and supplies are included to make a collage, sketch with charcoal or graphite sticks, or play around with gouache or watercolor paints.

Come and go as you like during the two-hour block.

Non-alcoholic beverages and snacks are included.

Soul'd Out Presents: Down in the Delta with Ms Vee and Yella P
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

You won't want to miss this Annual Birthday Celebration with the Bad Girl of the Blues! Harp/Guitar Extraordinaire Yella P joins Portland's Bad girl of the Blues, Ms Vee and a Badass Band. Damion “Yella P” Pearson is a Memphis-born harmonica virtuoso, multi-instrumentalist, and educator whose sound blends blues, soul, jazz, funk, and hip-hop, shaped by influences ranging
from Marvin Gaye, John Coltrane, Stevie Wonder, Billie Holiday, and George Clinton to Southern rap icons like 8Ball & MJG and Playa Fly.

A fixture in the Memphis music scene, he has collaborated and shared stages with artists including Eric Gales, The Bar-Kays, Kirk Whalum, Eddie Floyd, Bobby Rush, and Robert Finley, and co-founded the award-winning duo Memphissippi Sounds with Cam Kimbrough—whose debut album Welcome to the Land charted internationally and fueled tours across the U.S.,
Europe, and Canada. Now fully dedicated to his art, Yella P continues to release new music while delivering powerful, genre-bending performances that honor tradition and boldly push it forward.

Ms. Vee Singer, Musician, Writer, and Comedienne; 2023 Muddy Awards Nominee for Best Female Vocalist, 2021 Band & 2019 Solo Granite State Blues Challenge Winner & International Blues Challenge Semifinalist: Ms Vee's style of Soul Blues is infused with black southern gospel and a lot of soul! In 2018, Ms Vee launched her own music project, founding Ms Vee and a Badass Band.

Hailing from Arkansas by way of Memphis Tennessee, the award-winning Ms Vee brings powerhouse vocals and a razor sharp wit to every show.In January 2023, Ms Vee launched a Pacific Northwest configuration of Ms Vee and a Badass Band. Backed by some of the most accomplished musicians in Portland, including Chance Hayden, Jake Koprowski, Terrell "Peanut" Reed, and Ron Solomon, Ms Vee and her Badass Band has been rocking houses since their 2022 debut. They’ve quickly risen to the top of the PDX music scene.
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JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Down in the Delta with Ms Vee and Yella P

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

In this Talk, Portland-based mixed media artist Diane Archer will discuss her work, process, inspirations and motivations. Diane Archer was born and spent her early life in Ohio, where she received a BFA from The University of Akron and an MFA from Kent State University. In 1999, a residency at the Sitka Center brought her west. She fell in love with the Pacific Northwest and decided to make Oregon her home. In 2007, Diane was interviewed for Oregon Art Beat and in 2023 her work was included in the Harvard Map Library Collections.

Popular demand - Second Night Added!

OZ NOY
Virtuoso guitarist and composer Oz Noy has carved out a distinctive niche within the contemporary music landscape by creating an electrifying fusion of jazz, funk, rock, blues, and R&B. His innovative approach, described succinctly by Noy himself as “Jazz—it just doesn’t sound like it,” has captivated audiences worldwide and earned him widespread acclaim among fans, critics, and fellow musicians alike.

Born in Israel, Oz embarked on his professional music career at the remarkably young age of 13, swiftly distinguishing himself across multiple genres. By age 16, he had already established himself as a leading guitarist, performing alongside many of Israel’s most prominent artists. By age 24, Oz had become one of the most in-demand session guitarists in the country and held a pivotal role as a member of the house band on Israel’s top-rated television show for over two years.

Oz’s artistic journey took a transformative leap when he relocated to New York City in 1996. His arrival in the vibrant music scene of New York marked the beginning of a prolific career, characterized by an infectious groove and genre-defying sonic explorations. Quickly making his mark, he began collaborating with some of the most revered musicians in the industry, including drummers Keith Carlock, Anton Fig, Vinnie Colaiuta, and Dave Weckl, as well as bassists Will Lee, James Genus, and Reggie Washington.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

This eye-opening exhibition introduces North American audiences to the diverse and distinct visual iconographies of Indigenous Australia, which is made up of more than 250 distinct Indigenous nations. Explore this rich and living history of creativity through over 200 works made by more than 130 artists. Drawn exclusively from the collection of Melbourne’s National Gallery of Victoria, The Stars We Do Not See offers a rare opportunity to experience some of the most significant examples of modern and contemporary Australian Indigenous art. Charting watershed moments in Indigenous art from the late 19th century to the present, this exhibition reveals a rich history of creativity that predates the arrival of the British.

PLUS PLUS Bizarre Bazaar is a brand new market bringing together a curated group of artists, publishers, exhibitors, game designers, community organizations, indie distributors, and creative collectives. It is free and open to the public. Stop by to browse and shop artist editions, books, comics, zines, physical media, prints, apparel, games, and more- then stick around to connect with the people who make it all happen!

• Video.Store.Age (indie film distributor)
• Midslumber Media (horror film shop and also books!)
• Cryptic Trinket Studio (animation / stop motion)
• Spencer Garland (VR Artist)
• Hungry Mantis (VR Artist)
• Fumerie Parfumerie (scent+film)
• Mind Marrow (scent + book + film)
• MENOPUNKS (doc + podcast)
• Estella Tse (VR/AR)
• Women In FIlm (film org /collective for women)
• NW Docs (doc org)
• Open Signal (community media center)
• AE PDX (motion design and animation community org)

• LIMINAL Music (record and music shop inspired by japan + more)
• KOOP radio (community radio hub)
• Tape Op Magazine (music recording magazine)

• Buckman Journal (publisher of artists and illustrators)
• Floating World Comics (comics shop)
• Nathan Mckee (paper cut/ layered images and screen prints)
• Sketchy People (illustrators)
• Kory Bing Illustration (risographs, zines, mostly about animals alive and extinct)
• Studio Mantissa (comics)
• S Mirk Comics (queer/nonbinary zines and comics maker/teacher)

• MADRE Linen (artisen linens/hometextiles)
• Mai Ide (the art of mending, sewing and kintsugi)

• Grilka Press (screen printers)
• Broccoli (art magazine)
• Storyboard Books + Art Supplies (book and art supplies for storytellers)
• Selected Stories (book store)
• Microcosm Publishing (beloved indie publisher)
• Sous les pavés la page (secondhand books and periodicals)

• Pink Tiger Games (founder/creator of former XOXO festival, pink tiger is primarily card games)
• PIGSquad (coming with three tables and an interactive projector)

• Nucleus Portland (contemporary art gallery)
• Mardeluna (art prints, apparel, plushies, giant mascot costumes)
• Lil Planets (360 photography art)
• Lauren Johnson Fine Art (cyanotypes, film+digital+watercolor images)
• Indui (fantasy art)
• Art Headliner (has murals all over NE portland that are rad!)
• Hustle Home Decor (electric colored sun catchers and mirror art)
• Swana Rose Center (Southwest Asia +North African art/culture community org)

• Portland Art Museum
• PAM CUT // Center for an Untold Tomorrow
• Kickstarter
• Portland Films and Events

Portland Art Museum invites the community to join a Free First Thursday event featuring free museum admission for all. This unique day includes a chance to explore the special exhibitions and PAM’s transformed campus and reinstalled permanent collection galleries.

October’s Free First Thursday features a special free film program presented in conjunction with The Stars We Do Not See: Australian Indigenous Art. The screenings celebrate film and video work by and about Aboriginal and Torres Strait Island people, offering another way to explore the stories, histories, and perspectives at the heart of The Stars We Do Not See.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

Art in the Burbs was purposefully and creatively designed to weave local artists with student artists. During the show, 20% of each artist’s sales will be retained to benefit The Foundation for Tigard Tualatin Schools’ Art in the Burbs Grant program. Grants are awarded to each of the district’s schools to use only in their arts programs – writing, music, fine art, and performing arts. The Foundation is a 501(c)3 organization.

Art in the Burbs provides a financial vehicle to enrich students’ lives through the arts. Click the button below to see how proceeds from last year’s show were used at your local school.

One Grand Gallery is delighted to welcome back Portland-based Ashley Anson for her second solo exhibition with the gallery. Home Sweet Home expounds on Anson’s fondness for found textiles and materials and processes historically associated with feminine domestic labor. Drawing on traditionally gendered art forms such as quilting and embroidery, she combines textiles with painting and small sculpture to create narratives about the unseen worlds within people’s homes. Home is central to her work, a place that can hold peace, chaos, and danger all at once.

Anson transforms personal family folklore into layered narratives, exploring how stories imagined in childhood are remembered, exaggerated, and reinterpreted across generations. Her work also examines gender roles in art, asking what gives a painting masculine or feminine attributes and whether an artist’s gender can be sensed in the work. By combining the historically male-dominated practice of painting with embroidery and textiles, she challenges conventional distinctions between artistic mediums.

Join the opening reception on Friday, Oct. 30 from 6- 9 p.m. In the spirit of the Halloween season, the opening will transition into a party as the evening approaches. Costumes are strongly encouraged.

First Friday – November 6th: “Thankful for YOU (and pie :)) Multicultural Celebration!” We love the fall and we are SO thankful for you! We all come from different places and have different heritages and we want to celebrate that. Our diversity makes us special and interesting! Bring your friends and family downtown for pie tastings, pie raffles, a pie walk dance party, multicultural displays and so much more!

• Ribbon Cutting at 6pm for the new expansion at Evergreen Vinyl! 321 NE 4th Ave.
• Enter Pie Raffles all around town!
• Yummy pie tastings at Fuel donated by Lore Tea + Coffee
• “Pie Walk Dance Party”–try to win a delicious pie! at 7:30pm inside of Journey, 304 NE 4th Ave. The Pie Walk is generously sponsored by Synkwise!
• Complete the “Gratitude Passport” throughout downtown businesses & be entered to win!
• Learn about your neighbors and our diverse backgrounds, cultures and histories!
• Drop off your unwrapped toys at registration at Fuel Medical for the Toys for Tots drive!
• Kids’ autumn art, crafts, games and treats
• S’mores roasting, weather permitting
• Art Shows and Receptions in Attic Gallery, 419 NE Cedar; Gallery 408, 408 NE 4th; RedDoor Gallery, 411 NE Dallas; and Second Story Gallery, 625 NE 4th Ave, upstairs at the Camas Library.
• After hours shopping, dining, live music, more!

Start your evening at the DCA tables in the Fuel Medical lobby, 314 NE Birch St. See you in beautiful Downtown Camas for all the fall fun!

Here we are surveys contemporary art from the Portland Art Museum’s collection. Featuring work across a range of media, the exhibition showcases recent acquisitions alongside signature works and reflects on the constant change and shifting narratives that mark the contemporary world and networked lives.

In the current globalized, digitized ecology, contemporary artists observe, document, and reflect. Their voices and visions imagine what is possible and tell stories that expand knowledge. They question, prompt, and call to action, while creating both beauty and criticism. The exhibited artworks invite the viewer to ponder the real, virtual, and imagined spaces humanity currently inhabits, alongside the moments, thoughts, and experiences that define selfhood and purpose. Highlights in this gallery include works about our sense of self and identity such as Sentinel IV (Gold) by Simone Leigh, Fred Wilson’s black glass mirror I Saw Othello’s Visage in His Mind, and Maja Ruznic’s painting Daughter (Red). Large scale works by Chiho Aoshima, Carrie Mae Weems, and Wolfgang Tillmans consider relationships to place, another prominent theme. Others, including Jeppe Hein’s Please Participate, Katherine Bradford’s Ritual, and Jeffry Mitchell and Tivon Rice’s Panda speak to the human connection and the creative process.

**Atlantis Lounge is All Ages until 9:00 PM, at that time any minors will be asked to leave the space. Thanks for your understanding!

Enjoy Leslie McMillan’s one-of-a-kind handcrafted jewelry and painter bd dombrowsky’s visual explorations of the mischievous silver night and the many insights the capricious muse offers.

Painter bd dombrowsky's visual style is derived from an interest in vintage illustrated books — encyclopedias, primers, comics, and stories — all the simple visual devices used as a culture to educate and socialize. Much of their work is informed by myths and folklore, as they retell old stories and weave them into new ones. Drawing on a background in drama, sculpture and printmaking, bd dombrowsky's goal is to craft a resonant space in which these stories can unfold, drawn from a shared mythos but reimagined by the artist and narrated by the viewer.

Jewelry Artist Leslie McMillan

As a jewelry smith, Leslie McMillan is all over the place. To begin with, they have ADHD, so their mind is manic. Leslie roams from fusing gold on steel to traditional silversmithing to bonding Japanese silver leaf. When working with steel and gold, Leslie is drawn to the truth that you cannot control the outcome. When heated high enough to fuse with the steel, the gold takes on a life of its own and travels where it wants to go. When working with sterling silver and natural stones, Leslie follows a more traditional approach. Creating hand-forged settings and sourcing stones from First Nation lapidary artists are fundamental to the work. No matter the process, Leslie relies on inspiration from the great Pacific Northwest and all its natural beauty to influence the final piece.

Last Thursday Opening Reception, Oct. 29, 6–9 p.m.

The Portland Art Museum is pleased to present the recently acquired two-channel video installation, Do I Look Like a Lady? (Comedians and Singers), by internationally renowned artist Mickalene Thomas. Thomas’s work addresses themes of beauty and identity expressed through the myriad subjectivities of African-American women. Her multidisciplinary practice reconsiders Black womanhood and desire through a queer lens.

In recent years, Thomas has turned to video production as a way to expand her critical investigation into how mass media and entertainment distill the experiences of African-American women into a handful of archetypes. Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of Black women in the United States.

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

Soul'd Out Presents: Stop Light Observations
Doors: 7:00pm
Show: 8:00pm
Ages 21+
https://www.stoplightobservations.com/

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

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Stop Light Observations is a dynamic four-piece group hailing from Charleston, South Carolina. Their versatile sound is a unique blend of blues, pop, and indie rock infused with electronic beats and the soulful vocals of Will Blackburn. From songs like “2young” to “Security” their music is a true reflection of their unique personalities, and their live shows are a testament to their authenticity and raw talent.

SLO is Will Blackburn (vocals), Oleg Terentiev (drums), David Beam (guitar) and Jeremiah King (keys).

Notes on Seating: Open seating, may be limited or standing room only. First come, first seated. Open dance floor may obscure sightlines. Stop Light Observations

In her first solo show, Cathy Aster explores the public and private layers women wear at different life stages. Using image transfer and cut-collage techniques, she creates formal and metaphorical transparencies across a series of 14 images. She bathes the scenes in the autumnal glow provided by vintage magazines, then excavates the images for tenderness, risk and danger. She hooks the viewer with nostalgic images, then transforms the image by revealing unseen psychic realms. The women in Aster’s work look away even as they look directly at you; they look directly at you even as they look away.

Cathy Aster is a cut paper collage artist based in Portland, Oregon. After years of experience working in rare book conservation and digital library settings, she spends her time making art and creating community for collage artists. She has shown work at Alberta Street Gallery, Art at the Cave and Taylor Street Kitchen. She is part of the organizing group of the Pacific Northwest Collage Collective.

Gallery 408, 408 N.E. Fourth Ave., Camas, will feature an exhibit of tiny art by noted local miniaturist Lara Blair, host of the podcast Tiny Worlds, Big Stories. Blair creates detailed, story-driven miniature art displayed in shadow boxes and as small-scale scenes. This past spring, Blair appeared on NPR’s Think Out Loud to share her work and perspective on the world of miniatures. She is also the co-creator of the Tiny Gallery at Gallery 408, a miniature gallery featuring tiny art by local artists, which will also be on display with new art. Meet Blair and other artists at the exhibit’s opening reception from 5-8 p.m. Nov. 6.

The Chronic Pain Project is holding its next exhibition in the Aubrey R. Watzek Library at Lewis and Clark College. CPP showcases art by anyone with experiences relating to chronic pain. Some of the artists have been creating for decades, and others have only just begun. Through art, these artists make visible what millions live with but few understand.

This exhibition asks one to consider what embodiment means while living with an invisible condition. CPP seeks to shift dominant narratives, educate the broader public, and create community. What does embodiment mean to you? We invite you to consider our theme as you peruse "Embodied Existence."