Arts & Media❯Galleries

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

• 2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
• Light snacks and non-alcoholic beverages are included.
• That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

In this Talk, Portland-based mixed media artist Diane Archer will discuss her work, process, inspirations and motivations. Diane Archer was born and spent her early life in Ohio, where she received a BFA from The University of Akron and an MFA from Kent State University. In 1999, a residency at the Sitka Center brought her west. She fell in love with the Pacific Northwest and decided to make Oregon her home. In 2007, Diane was interviewed for Oregon Art Beat and in 2023 her work was included in the Harvard Map Library Collections.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Art in the Burbs was purposefully and creatively designed to weave local artists with student artists. During the show, 20% of each artist’s sales will be retained to benefit The Foundation for Tigard Tualatin Schools’ Art in the Burbs Grant program. Grants are awarded to each of the district’s schools to use only in their arts programs – writing, music, fine art, and performing arts. The Foundation is a 501(c)3 organization.

Art in the Burbs provides a financial vehicle to enrich students’ lives through the arts. Click the button below to see how proceeds from last year’s show were used at your local school.

NW Marine Artworks | 2516 NW 29th Ave, Portland, OregonBlue Sky will be joining other local galleries at the upcoming PADA Pop Up. Come hang out with us and learn more about our exhibitions and programmings.

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For lovers of the strange, unusual and bizarre, the Oddities and Curiosities Expo showcases hand-selected vendors, dealers, artists and small businesses from all over the country with all things weird. You’ll find items such as taxidermy, preserved specimens, original artwork, horror/Halloween-inspired pieces, antiques, handcrafted oddities, quack medical devices, creepy clothing, odd jewelry, animal skulls/bones, funeral collectibles, and more. There is something weird for everyone. All items you see at the shows are legal to own and sustainably sourced.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

The Cawein Gallery is excited to announce mia ide's art show: Boxed Woman. The show runs from October 16 to November 16, Monday through Saturday, 9 a.m. to 5 p.m.

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

The Chronic Pain Project is holding its next exhibition in the Aubrey R. Watzek Library at Lewis and Clark College. CPP showcases art by anyone with experiences relating to chronic pain. Some of the artists have been creating for decades, and others have only just begun. Through art, these artists make visible what millions live with but few understand.

This exhibition asks one to consider what embodiment means while living with an invisible condition. CPP seeks to shift dominant narratives, educate the broader public, and create community. What does embodiment mean to you? We invite you to consider our theme as you peruse "Embodied Existence."

Lookout Landscape is an immersive art exhibition by Oregon-based artist and designer David Buckley Borden and a team of collaborators working across forestry, design, and engineering. Inspired by fire lookout towers, trail culture, and backcountry gear, the exhibition invites visitors onto a fabricated “Lookout Trail,” where a series of imaginative scenes—from a trailhead to a weather station, campground, and tool shed—reimagine the visual language of forestry and outdoor culture in the Pacific Northwest.

Blending research, humor, and design, the exhibition explores the complex relationships between people and working forests, with wildfire as an underlying thread. As visitors move through the space, they are encouraged to reflect on how forests are shaped, valued, and cared for, and to consider their own connection to these landscapes.

One Grand Gallery is delighted to welcome back Portland-based Ashley Anson for her second solo exhibition with the gallery. Home Sweet Home expounds on Anson’s fondness for found textiles and materials and processes historically associated with feminine domestic labor. Drawing on traditionally gendered art forms such as quilting and embroidery, she combines textiles with painting and small sculpture to create narratives about the unseen worlds within people’s homes. Home is central to her work, a place that can hold peace, chaos, and danger all at once.

Anson transforms personal family folklore into layered narratives, exploring how stories imagined in childhood are remembered, exaggerated, and reinterpreted across generations. Her work also examines gender roles in art, asking what gives a painting masculine or feminine attributes and whether an artist’s gender can be sensed in the work. By combining the historically male-dominated practice of painting with embroidery and textiles, she challenges conventional distinctions between artistic mediums.

Join the opening reception on Friday, Oct. 30 from 6- 9 p.m. In the spirit of the Halloween season, the opening will transition into a party as the evening approaches. Costumes are strongly encouraged.

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Enjoy Leslie McMillan’s one-of-a-kind handcrafted jewelry and painter bd dombrowsky’s visual explorations of the mischievous silver night and the many insights the capricious muse offers.

Painter bd dombrowsky's visual style is derived from an interest in vintage illustrated books — encyclopedias, primers, comics, and stories — all the simple visual devices used as a culture to educate and socialize. Much of their work is informed by myths and folklore, as they retell old stories and weave them into new ones. Drawing on a background in drama, sculpture and printmaking, bd dombrowsky's goal is to craft a resonant space in which these stories can unfold, drawn from a shared mythos but reimagined by the artist and narrated by the viewer.

Jewelry Artist Leslie McMillan

As a jewelry smith, Leslie McMillan is all over the place. To begin with, they have ADHD, so their mind is manic. Leslie roams from fusing gold on steel to traditional silversmithing to bonding Japanese silver leaf. When working with steel and gold, Leslie is drawn to the truth that you cannot control the outcome. When heated high enough to fuse with the steel, the gold takes on a life of its own and travels where it wants to go. When working with sterling silver and natural stones, Leslie follows a more traditional approach. Creating hand-forged settings and sourcing stones from First Nation lapidary artists are fundamental to the work. No matter the process, Leslie relies on inspiration from the great Pacific Northwest and all its natural beauty to influence the final piece.

Last Thursday Opening Reception, Oct. 29, 6–9 p.m.

Portland Art Museum invites the community to join a Free First Thursday event featuring free museum admission for all. This unique day includes a chance to explore the special exhibitions and PAM’s transformed campus and reinstalled permanent collection galleries.

October’s Free First Thursday features a special free film program presented in conjunction with The Stars We Do Not See: Australian Indigenous Art. The screenings celebrate film and video work by and about Aboriginal and Torres Strait Island people, offering another way to explore the stories, histories, and perspectives at the heart of The Stars We Do Not See.

In her first solo show, Cathy Aster explores the public and private layers women wear at different life stages. Using image transfer and cut-collage techniques, she creates formal and metaphorical transparencies across a series of 14 images. She bathes the scenes in the autumnal glow provided by vintage magazines, then excavates the images for tenderness, risk and danger. She hooks the viewer with nostalgic images, then transforms the image by revealing unseen psychic realms. The women in Aster’s work look away even as they look directly at you; they look directly at you even as they look away.

Cathy Aster is a cut paper collage artist based in Portland, Oregon. After years of experience working in rare book conservation and digital library settings, she spends her time making art and creating community for collage artists. She has shown work at Alberta Street Gallery, Art at the Cave and Taylor Street Kitchen. She is part of the organizing group of the Pacific Northwest Collage Collective.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Grief Holiday represents both an artistic experiment and a community commitment: a way to be present with grief and connection through the power of art. By presenting art in a nontraditional venue dedicated to community care, cultural access is expanded beyond typical gallery audiences. This project affirms art’s power to serve urgent human needs while honoring Portland’s diverse communities. Grief Holiday invites participants to step away from daily life and enter an immersive environment designed to support reflection and community in the face of grief. Guests will move through artist-created spaces, soundscapes, ritual installations, visual works, and participatory storytelling, each encouraging different ways of engaging with loss.

Developed by artists Miche McCausey, Kendra Roberts, Alice Christine Walker, and Emily Fusaro the project transforms grief from an isolated burden into a collective experience. The intent is to provide a supportive setting where participants can acknowledge grief openly, share stories, and engage with tools for connection. Unlike traditional exhibitions, Grief Holiday places the audience at the center of the work, blending art, ritual, and community care into an active journey of presence.

The Grief Holiday team was assembled to combine artistic vision with practical expertise. Emily Fusaro is a design strategist, musician, and songwriter; Miche McCausey is a master carpenter, muralist, and certified death doula; Kendra Roberts is an artist, curator and producer with experience managing large-scale public art; and Alice Christine Walker is a photographer and multimedia installation artist. In partnership and individually, we have organized land art exhibitions, curated community-driven shows, and produced immersive experiences in Portland. This blend of independent and collective work ensures we bring both diverse expertise and proven capacity to Grief Holiday.

Due to the sensitive nature of this experience, all participants are encouraged to be mindful and respectful when entering the space.

The venue is ADA-accessible, and the event will include ASL interpretation, bilingual materials, and trauma-informed facilitators. Spaces will accommodate varied sensory needs, with both quiet reflection and participatory areas. Groups of 25 guests will enter on the hour and move through the experience for approximately 1 hour. Participants will encounter multiple immersive spaces designed to honor and process loss. The program offers a rare opportunity to engage with grief collectively in an art-centered setting.

One Nation brings together contemporary artists who explore the ideals and contradictions embedded in the American promise. Drawing on the national motto E Pluribus Unum — “Out of Many, One” — the exhibition reflects on how a diverse society strives toward unity while confronting social, political, and cultural divisions.

Across painting, photography, sculpture, textile, and mixed media, the artists consider themes central to American civic life: immigration and belonging, protest and dissent, labor and economic justice, religious freedom, racial inequality, and the enduring power of democratic ideals.

Personal histories and collective memory intersect throughout the exhibition. Portraits of leaders and everyday citizens appear alongside symbolic images of journeys, borders, and shared responsibility. Together, these works ask viewers to consider not only what unites Americans, but also what challenges the nation’s commitment to liberty and justice, and invites reflection on the role individuals and communities play in shaping the country’s future.

Join for a free guided tour on August 16. RSVP here.