Arts & Media❯Galleries

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, prompting McGrain to come forward and offer the city a bronze version of the bust. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts and Culture, Portland State University conducted a community survey to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join a thoughtful discussion about McGrain’s act of protest and York as a historical figure significant to Portland's history and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

Complementing the mansion's upcoming exhibit will be the 2026 Home for the Holidays — Holidays from Around the World annual celebration. Eighteen rooms throughout the mansion and Gate Lodge will be transformed into festive displays inspired by holiday traditions from Europe, the Middle East, China, India, South America, Mexico, and beyond.

Since March, dedicated volunteer decorators have been thoughtfully developing their design concepts and bringing their creative visions to life. For the first time, nine community organizations are joining the efforts. Through these new collaborations, Pittock Mansion introduces new members of the Portland community to the mansion while welcoming back familiar faces and longtime supporters to experience the warmth, beauty, and joy of the holidays at Portland’s beloved home — The Pittock Mansion.

Make this season the most memorable yet. Pittock Mansion‘s Home for the Holidays, Holidays Around the World. The Portland Then and Now: The Changing Demographics exhibit will also be open throughout the Home for the Holidays celebration. During the holiday season, visitors can enjoy both experiences with a single admission ticket.

More than just movies, this marvel of a theater was built in the heyday of Hollywood glamour, right on the cusp of the modern talking picture era. It has hosted many grand affairs, including Vaudeville acts, live music, book tours, and more. Join and learn the rich history of the Bagdad Theater that continues to dazzle moviegoers even to this day.

This tour may require standing for long periods and using stairs.

Passport holders: This tour is eligible for the Bagdad Theater location stamp and the Attend a History Sponsored Event experience stamp.

Tours are every other Saturday.

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Join Israeli-American storyteller and public historian Yuval Malchi for a look at the lesser-known Americans who helped shape and defend the State of Israel. Through personal stories of nurses, social workers, intelligence operatives, and military leaders, Malchi explores the contributions of figures such as Rose Kaplan, David “Mickey” Marcus, Al Schwimmer, and Hank Greenspun, and their lasting impact on the relationship between the United States and Israel. In partnership with Jewish Federation of Greater Portland.

*The talk is geared toward adults, but welcoming participants ages 13 and up. *

MUST RSVP.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

• 2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
• Light snacks and non-alcoholic beverages are included.
• That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

After years of research, award-winning Seattle author David B. Williams joins Mount St. Helens Institute at a special Portland event for a conversation on his newly published book, In the Range of Fire and Ice: A Human and Natural History of Washington’s Cascades.

Blending human and natural history into a vivid portrait of one of North America’s most dynamic landscapes, In the Range of Fire and Ice is a lively, groundbreaking exploration of Washington’s Cascade Range. Drawing on conversations with anthropologists, park rangers, ecologists, and climate scientists, as well as firsthand experience, Williams brings readers into the mountains to uncover stories etched in the landscape over millennia.

From traditional Indigenous huckleberry harvesting grounds and ancient footpaths to erupting volcanoes, shifting glaciers, and forgotten mining camps, In the Range of Fire and Ice reveals the Cascades as a place of both deep time and constant change. While past logging, mining, and fires left lasting scars, the Cascades also tell powerful stories of recovery and resilience–returning wolverines and wolves, the remarkable rebirth of Mount St. Helens, and growing stewardship in the face of climate change. Through rich storytelling and careful research, Williams invites readers to see the Cascades not only as mountains, but as a living, evolving realm of fire, ice, and hope.

Join Cheri Arthur, an Ambassador for American Wild Horse Conservation. Learn about Velma Johnstone, the first woman advocate for wild horses and burros, and the history of Oregon's wilds horses. You'll hear about the challenges of land management and access, and learn ways to get involved if you are interested.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Shifting the Narrative: 21st Century Acquisitions highlights Native American art gifts and purchases since the year 2000 at the Portland Art Museum. This broad selection showcases the diversity of the collection including historical works that represent traditional practices, as well as media such as painting, sculpture, printmaking and more. Taking cues from the work itself, the exhibition is organized by theme and media, including sections highlighting basketry, fashion, and photography. Although the collection has long been recognized for its historical works from the Northwest Coast, Plains, and Western Oregon, this exhibition shifts the narrative to a wider array of Native expression, with an emphasis on the present.

The exhibition also includes a section that traces the history of the collection from the first acquisitions of Native American art in 1918 to the present. The breadth of the program and its relationship to communities of artists, visitors, students and Native people will also be explored. As we begin to imagine the future permanent collections galleries, Shifting the Narrative honors our past and welcomes a future where tradition, innovation, and community are celebrated.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Fern & Wolf is a small brick-and-mortar in Foster-Powell, specializing in curated home decor and vintage furniture and focusing on local artists and makers. With a goal to be a one-of-a-kind art gallery where you can see art in a lived-in setting, like you were at home. Fern...

Technology has always shaped the way we’ve stayed informed, expressed ourselves, and stayed connected as communities. What lessons do earlier technologies, like print, hold for us today in the age of AI and digital overload? And why, despite the speed and convenience of newer technologies, is print more popular than ever?

At the end of the talk, audiences will get the chance to try printing on a portable press.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Geoffrey Turnovsky is professor of French at the University of Washington. His teaching and research focus on the cultural history of early modern France and Europe, and the history of print, books, authorship, and reading. He is the author of Reading Typographically: Immersed in Print in Early Modern France.

Geoffrey lives in Seattle.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313188911{margin-bottom: 0px !important;}”]Reservations are now open!

Admission is FREE, but reservations are required due to limited seating.[/vc_column_text][vc_btn title=”RESERVE A SEAT” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F781920%2Fpermanent-ink-why-we-still-love-print-in-the-digital-age%3F_gl%3D1*zutbgg*_gcl_au*MTA5ODE3MTY3MS4xNzkwMjg5MTQzLjY2NDI0MTc5MS4xNzkwMjg5MTQ2LjE3OTAyODkxOTkuODQzMTY1ODM2LjE3OTAyODkxNDYuMTc5MDI4OTE5OQ..*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTAzNTA1OTIkbzEyNSRnMSR0MTc5MDM3NTAyMSRqMzckbDAkaDY0Njc2MjQ1MQ..”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1791842995682{margin-bottom: 0px !important;}”]The Historic Trust Fall Speakers Series is Presented by University Village

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Art in the Burbs was purposefully and creatively designed to weave local artists with student artists. During the show, 20% of each artist’s sales will be retained to benefit The Foundation for Tigard Tualatin Schools’ Art in the Burbs Grant program. Grants are awarded to each of the district’s schools to use only in their arts programs – writing, music, fine art, and performing arts. The Foundation is a 501(c)3 organization.

Art in the Burbs provides a financial vehicle to enrich students’ lives through the arts. Click the button below to see how proceeds from last year’s show were used at your local school.

For lovers of the strange, unusual and bizarre, the Oddities and Curiosities Expo showcases hand-selected vendors, dealers, artists and small businesses from all over the country with all things weird. You’ll find items such as taxidermy, preserved specimens, original artwork, horror/Halloween-inspired pieces, antiques, handcrafted oddities, quack medical devices, creepy clothing, odd jewelry, animal skulls/bones, funeral collectibles, and more. There is something weird for everyone. All items you see at the shows are legal to own and sustainably sourced.

Join us Friday, November 27th, the day after Thanksgiving, for one of our favorite community traditions—Little Box Friday!

Skip the crowds and chaos of big box shopping and spend the day enjoying the warmth and charm of Downtown Camas. Our locally owned shops are filled with unique gifts, friendly faces, and holiday cheer. Each participating merchant will feature an exclusive “Little Box” special, from discounts and treats to fun surprises you won’t find anywhere else.

As you explore downtown, keep an eye out for the Little Box QR Codes displayed inside participating stores. Scan each one to reveal that shop’s special offer and make your holiday shopping just a little more magical.

Shop small, shop local, and celebrate community with us this Little Box Friday in Downtown Camas!

Stay tuned for more shopping locations coming soon!

2026 Little Box Friday locations included:

4Ever Growing Kids, 440 NE 4th AVE

Autumn Leaf Books Store, 334 NE 4th AVE

Camas Bike & Sport, 303 NE 6th AVE

Evergreen Vinyl , 321 NE 4TH AVE

Gallery 408, 408 NE 4th AVE

Navidi’s Olive Oil & Vinegars, 322 NE Cedar Street

Runyan’s Jewelers, 327 NE 4th AVE

Tommy O’s, 401 NE 4th AVE

Checkout other fun and festive happenings throughout Downtown!

Receive a free Golden Ticket in each participating location with any purchase to be entered to win $1000 in Camas Cash! Sponsored by our Downtown Camas Merchants. Click Here for a list of participating Golden Ticket locations!

Join us for a talk with Dr. Nazanin Hedayat Munroe, Mary Ausplund Tooze Endowed Visiting Professor of Islamic + Ancient Art!

From luxury silks to patched wool, dress across the early modern Islamic world communicated the inner and outer states of its wearers through a shared language of regional and religious codes. In this lecture, Dr. Munroe examines how clothing and textiles expressed social status, political allegiance, spiritual devotion, and personal taste.

Nazanin Hedayat Munroe is Director of Textiles and Associate Professor of Fashion at City University of New York. An artist and art historian, she is author of several books and articles, including Sufi Lovers, Safavid Silks and Early Modern Identity (Amsterdam University Press, 2023/Routledge, 2025), winner of the R.L. Shep Award from Textile Society of America.

This talk is made possible by the generous support of the Mary Ausplund Tooze Endowed Visiting Professor of Islamic & Ancient Art fund.

Image: Man's Robe (Jama) with Poppies, 17th Century (Metropolitan Museum of Art, 29.135)

Guthrie’s music has seen a resurgence in the past several months, having been featured in recent concerts by artists such as Bruce Springsteen. It resonates with audiences today as much as, or maybe even more than, it did when This Land Is Your Land was released and gained widespread popularity in 1949.

Guthrie composed 26 songs in 30 days while riding along the Columbia River and touring the Grand Coulee Dam Project in 1941. With his unique, authentic voice, he chronicled both the grandeur and the perils of what he called “The Greatest Thing That Man Has Ever Done” as an employee of the Bonneville Power Administration. His time here in the Pacific Northwest inspired a swell of patriotism that led Guthrie to enlist in the U.S. Merchant Marine in World War II, after which he returned home to fame and notoriety, but also to tragedy and tremendous personal loss.

This interactive musical history performance will have you singing along to “Roll on Columbia,” “Pastures of Plenty,” and of course, “This Land is Your Land,” and learning the—sometimes hilarious, sometimes tragic—stories behind the songs.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”chino” border_width=”3″ css=””][mk_padding_divider size=”15″][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793378910642{margin-bottom: 0px !important;}”]

Tickets are $18 in advance and include any applicable taxes and fees. Space is limited and tickets may sell out prior to the event. If available, tickets will be sold at the door for $25 each.[/vc_column_text][vc_btn title=”BUY TICKETS” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F785642%2Fstories-and-songs-of-woody-guthrie-a-musical-history-performance-by-joel-underwood%3F_gl%3D1*1lfr4za*_gcl_au*MTY5MjM4MzMwNy4xNzkzMTE0NTQ4LjIwOTI0MjQzNDQuMTc5MzExNDU1MS4xNzkzMTE0NTU1LjE1OTcwMTU0MTcuMTc5MzExNDU1MS4xNzkzMTE0NTU1*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTMxMTQwNTIkbzE1MSRnMSR0MTc5MzExNTEyMyRqNTAkbDAkaDE1MzQzMzQzMTQ.”][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793378820300{margin-bottom: 0px !important;}”]General admission seating in Providence Academy Chapel pews will be available on a first-come first-served basis. Doors will open at 5:30 p.m. (30 minutes prior to performance start time). Free parking is available in the Providence Academy lot (the Aeon Apartments parking lot is NOT available for event parking).

This event is a fundraiser for The Historic Trust, a 501(c)(3) nonprofit. Proceeds from ticket sales support its mission to inspire civic pride and economic vitality through education, preservation, and celebration of our community’s history.[/vc_column_text][mk_padding_divider size=”15″][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

Creo's signature Build-a-Bar experience is the perfect outing for a family, date night, or activity for tourists or visiting guests. Guests don hairnets and aprons and get a peek behind the scenes at how Portland's most award-winning chocolatiers craft their chocolates. Guided by one of the owners, guests will learn the history of chocolate and how Creo sources all their cacao from one family farm in Ecuador. Guests sample different types of chocolates throughout the approximately 90-minute experience, which culminates with guests making a custom chocolate bar of their own to take home.

Dates and times vary.

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

'Who can be a Japanese Emperor?: Japan's Insistence on Male-Line Succession'
A Presentation by Prof. Thomas Naruse, Kokushikan University
Hosted by the Center for Japanese Studies

　The Japanese imperial system has been facing a declining number of imperial family members. Under the current system, only male members of imperial family are eligible for succession. However, at present, there is only one male member under the age of 50. While there are 5 female members under 50 years old, since current legislation stipulates that female members leave the imperial family upon their marriage, there are concerns about the shrinking number of imperial family members.

　Regarding this situation, the Japanese Diet and government are considering countermeasures. While there is strong public support for allowing a female emperor, the Diet and government continue to insist on succession through the male-line. As of June 2026, the government is drafting amendments for Imperial House Law to deal with the situation, but the policy of maintaining male-line succession remains unchanged.

　In this lecture, Prof. Naruse will examine why the Japanese Diet and government continue to adhere to male-line succession and what lies behind this policy. Beginning with the history of the emperor system and the rules governing imperial succession, he will discuss the current challenges facing the imperial system and the measures proposed to address them, how and why the Japanese Diet and government insist on male-line so strongly.

12:45 PM, Thursday, November 12, 2026
Fariborz Maseeh Hall Room 333
Free and Open to the Public
Please use the Broadway Entrance

For more information on the Center for Japanese Studies and our upcoming events, please visit: https://www.pdx.edu/japanese-studies

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

Lookout Landscape is an immersive art exhibition by Oregon-based artist and designer David Buckley Borden and a team of collaborators working across forestry, design, and engineering. Inspired by fire lookout towers, trail culture, and backcountry gear, the exhibition invites visitors onto a fabricated “Lookout Trail,” where a series of imaginative scenes—from a trailhead to a weather station, campground, and tool shed—reimagine the visual language of forestry and outdoor culture in the Pacific Northwest.

Blending research, humor, and design, the exhibition explores the complex relationships between people and working forests, with wildfire as an underlying thread. As visitors move through the space, they are encouraged to reflect on how forests are shaped, valued, and cared for, and to consider their own connection to these landscapes.

One Grand Gallery is delighted to welcome back Portland-based Ashley Anson for her second solo exhibition with the gallery. Home Sweet Home expounds on Anson’s fondness for found textiles and materials and processes historically associated with feminine domestic labor. Drawing on traditionally gendered art forms such as quilting and embroidery, she combines textiles with painting and small sculpture to create narratives about the unseen worlds within people’s homes. Home is central to her work, a place that can hold peace, chaos, and danger all at once.

Anson transforms personal family folklore into layered narratives, exploring how stories imagined in childhood are remembered, exaggerated, and reinterpreted across generations. Her work also examines gender roles in art, asking what gives a painting masculine or feminine attributes and whether an artist’s gender can be sensed in the work. By combining the historically male-dominated practice of painting with embroidery and textiles, she challenges conventional distinctions between artistic mediums.

Join the opening reception on Friday, Oct. 30 from 6- 9 p.m. In the spirit of the Halloween season, the opening will transition into a party as the evening approaches. Costumes are strongly encouraged.

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

In her first solo show, Cathy Aster explores the public and private layers women wear at different life stages. Using image transfer and cut-collage techniques, she creates formal and metaphorical transparencies across a series of 14 images. She bathes the scenes in the autumnal glow provided by vintage magazines, then excavates the images for tenderness, risk and danger. She hooks the viewer with nostalgic images, then transforms the image by revealing unseen psychic realms. The women in Aster’s work look away even as they look directly at you; they look directly at you even as they look away.

Cathy Aster is a cut paper collage artist based in Portland, Oregon. After years of experience working in rare book conservation and digital library settings, she spends her time making art and creating community for collage artists. She has shown work at Alberta Street Gallery, Art at the Cave and Taylor Street Kitchen. She is part of the organizing group of the Pacific Northwest Collage Collective.

Portland Art Museum invites the community to join a Free First Thursday event featuring free museum admission for all. This unique day includes a chance to explore the special exhibitions and PAM’s transformed campus and reinstalled permanent collection galleries.

October’s Free First Thursday features a special free film program presented in conjunction with The Stars We Do Not See: Australian Indigenous Art. The screenings celebrate film and video work by and about Aboriginal and Torres Strait Island people, offering another way to explore the stories, histories, and perspectives at the heart of The Stars We Do Not See.

Enjoy Leslie McMillan’s one-of-a-kind handcrafted jewelry and painter bd dombrowsky’s visual explorations of the mischievous silver night and the many insights the capricious muse offers.

Painter bd dombrowsky's visual style is derived from an interest in vintage illustrated books — encyclopedias, primers, comics, and stories — all the simple visual devices used as a culture to educate and socialize. Much of their work is informed by myths and folklore, as they retell old stories and weave them into new ones. Drawing on a background in drama, sculpture and printmaking, bd dombrowsky's goal is to craft a resonant space in which these stories can unfold, drawn from a shared mythos but reimagined by the artist and narrated by the viewer.

Jewelry Artist Leslie McMillan

As a jewelry smith, Leslie McMillan is all over the place. To begin with, they have ADHD, so their mind is manic. Leslie roams from fusing gold on steel to traditional silversmithing to bonding Japanese silver leaf. When working with steel and gold, Leslie is drawn to the truth that you cannot control the outcome. When heated high enough to fuse with the steel, the gold takes on a life of its own and travels where it wants to go. When working with sterling silver and natural stones, Leslie follows a more traditional approach. Creating hand-forged settings and sourcing stones from First Nation lapidary artists are fundamental to the work. No matter the process, Leslie relies on inspiration from the great Pacific Northwest and all its natural beauty to influence the final piece.

Last Thursday Opening Reception, Oct. 29, 6–9 p.m.

One Nation brings together contemporary artists who explore the ideals and contradictions embedded in the American promise. Drawing on the national motto E Pluribus Unum — “Out of Many, One” — the exhibition reflects on how a diverse society strives toward unity while confronting social, political, and cultural divisions.

Across painting, photography, sculpture, textile, and mixed media, the artists consider themes central to American civic life: immigration and belonging, protest and dissent, labor and economic justice, religious freedom, racial inequality, and the enduring power of democratic ideals.

Personal histories and collective memory intersect throughout the exhibition. Portraits of leaders and everyday citizens appear alongside symbolic images of journeys, borders, and shared responsibility. Together, these works ask viewers to consider not only what unites Americans, but also what challenges the nation’s commitment to liberty and justice, and invites reflection on the role individuals and communities play in shaping the country’s future.

Join for a free guided tour on August 16. RSVP here.

PLUS PLUS Bizarre Bazaar is a brand new market bringing together a curated group of artists, publishers, exhibitors, game designers, community organizations, indie distributors, and creative collectives. It is free and open to the public. Stop by to browse and shop artist editions, books, comics, zines, physical media, prints, apparel, games, and more- then stick around to connect with the people who make it all happen!

• Video.Store.Age (indie film distributor)
• Midslumber Media (horror film shop and also books!)
• Cryptic Trinket Studio (animation / stop motion)
• Spencer Garland (VR Artist)
• Hungry Mantis (VR Artist)
• Fumerie Parfumerie (scent+film)
• Mind Marrow (scent + book + film)
• MENOPUNKS (doc + podcast)
• Estella Tse (VR/AR)
• Women In FIlm (film org /collective for women)
• NW Docs (doc org)
• Open Signal (community media center)
• AE PDX (motion design and animation community org)

• LIMINAL Music (record and music shop inspired by japan + more)
• KOOP radio (community radio hub)
• Tape Op Magazine (music recording magazine)

• Buckman Journal (publisher of artists and illustrators)
• Floating World Comics (comics shop)
• Nathan Mckee (paper cut/ layered images and screen prints)
• Sketchy People (illustrators)
• Kory Bing Illustration (risographs, zines, mostly about animals alive and extinct)
• Studio Mantissa (comics)
• S Mirk Comics (queer/nonbinary zines and comics maker/teacher)

• MADRE Linen (artisen linens/hometextiles)
• Mai Ide (the art of mending, sewing and kintsugi)

• Grilka Press (screen printers)
• Broccoli (art magazine)
• Storyboard Books + Art Supplies (book and art supplies for storytellers)
• Selected Stories (book store)
• Microcosm Publishing (beloved indie publisher)
• Sous les pavés la page (secondhand books and periodicals)

• Pink Tiger Games (founder/creator of former XOXO festival, pink tiger is primarily card games)
• PIGSquad (coming with three tables and an interactive projector)

• Nucleus Portland (contemporary art gallery)
• Mardeluna (art prints, apparel, plushies, giant mascot costumes)
• Lil Planets (360 photography art)
• Lauren Johnson Fine Art (cyanotypes, film+digital+watercolor images)
• Indui (fantasy art)
• Art Headliner (has murals all over NE portland that are rad!)
• Hustle Home Decor (electric colored sun catchers and mirror art)
• Swana Rose Center (Southwest Asia +North African art/culture community org)

• Portland Art Museum
• PAM CUT // Center for an Untold Tomorrow
• Kickstarter
• Portland Films and Events

Grief Holiday represents both an artistic experiment and a community commitment: a way to be present with grief and connection through the power of art. By presenting art in a nontraditional venue dedicated to community care, cultural access is expanded beyond typical gallery audiences. This project affirms art’s power to serve urgent human needs while honoring Portland’s diverse communities. Grief Holiday invites participants to step away from daily life and enter an immersive environment designed to support reflection and community in the face of grief. Guests will move through artist-created spaces, soundscapes, ritual installations, visual works, and participatory storytelling, each encouraging different ways of engaging with loss.

Developed by artists Miche McCausey, Kendra Roberts, Alice Christine Walker, and Emily Fusaro the project transforms grief from an isolated burden into a collective experience. The intent is to provide a supportive setting where participants can acknowledge grief openly, share stories, and engage with tools for connection. Unlike traditional exhibitions, Grief Holiday places the audience at the center of the work, blending art, ritual, and community care into an active journey of presence.

The Grief Holiday team was assembled to combine artistic vision with practical expertise. Emily Fusaro is a design strategist, musician, and songwriter; Miche McCausey is a master carpenter, muralist, and certified death doula; Kendra Roberts is an artist, curator and producer with experience managing large-scale public art; and Alice Christine Walker is a photographer and multimedia installation artist. In partnership and individually, we have organized land art exhibitions, curated community-driven shows, and produced immersive experiences in Portland. This blend of independent and collective work ensures we bring both diverse expertise and proven capacity to Grief Holiday.

Due to the sensitive nature of this experience, all participants are encouraged to be mindful and respectful when entering the space.

The venue is ADA-accessible, and the event will include ASL interpretation, bilingual materials, and trauma-informed facilitators. Spaces will accommodate varied sensory needs, with both quiet reflection and participatory areas. Groups of 25 guests will enter on the hour and move through the experience for approximately 1 hour. Participants will encounter multiple immersive spaces designed to honor and process loss. The program offers a rare opportunity to engage with grief collectively in an art-centered setting.

This eye-opening exhibition introduces North American audiences to the diverse and distinct visual iconographies of Indigenous Australia, which is made up of more than 250 distinct Indigenous nations. Explore this rich and living history of creativity through over 200 works made by more than 130 artists. Drawn exclusively from the collection of Melbourne’s National Gallery of Victoria, The Stars We Do Not See offers a rare opportunity to experience some of the most significant examples of modern and contemporary Australian Indigenous art. Charting watershed moments in Indigenous art from the late 19th century to the present, this exhibition reveals a rich history of creativity that predates the arrival of the British.

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

In March of 1977, Milwaukie had our own "madness" experience.

With no warning at all, Milwaukie’s HS Boys Basketball team won two Play-In games to qualify for the AAA State Tournament. The basketball play was earnest, but not extraordinary. The FAN support from the school and the community was amazing and fueled the dark horse ride.

We invite any and all who wish to revive the energy of high school basketball showdowns to a special pop-up event!

On Tuesday, November 10, The Riff on Main Street welcomes Ken Yarnell, a key member of the Medford Black Tornado team that derailed Milwaukie’s trip at the ball in the round of eight.

Ken recently published Coaching Against Champions, which draws from his long, highly respected career as a coach. He’ll tip things off by sharing a handful of stories that recapture the magic every community knows as Oregon HS Basketball.

Tuesday, November 10, 2026
Tip Off: 5:00 PM
Final Buzzer: 7:00 PM

No-host Beverages and Light Snacks

Location:
The Riff in Milwaukie
10801 SE Main St., Milwaukie, OR 97222
(971) 206-8896

After the final buzzer at 7 PM, ALL are encouraged to explore the MANY amazing eats within easy dribbling distance!

Learn More