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This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Norman Huynh, Conductor
Steiger Butte Drum and Singers, Native American ensemble
Members of Portland State University Chamber Choir, Ethan Sperry, Conductor
Oregon Symphony

STRAVINSKY Symphonies of Wind Instruments
Michael GORDON Natural History
Grace MIEDZIAK New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)
BEETHOVEN Symphony No. 1 in C major, Op. 21

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

On Sunday, November 1st, Oregon Koto-Kai, the Japanese Koto Music Society of Oregon, will present its 15th Annual Fall Concert. This year’s concert will feature traditional and modern koto ensemble pieces selected to honor the koto mastery and memory of the late Kazue Sawai. The music will be complemented by beautiful art on stage created by local artist Satoko Motouji.

Kazue Sawai cofounded the Sawai Koto Institute based in Tokyo, Japan with her husband, koto master and composer Tadao Sawai. Not only was she the instructor and mentor to our Artistic Director, Mitsuki Dazai, but her passion and innovative playing style was an inspiration to our entire group and koto players worldwide. Our program honors that legacy with traditional pieces signature to her repertoire and boundary-pushing compositions from the Sawai catalog.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Lewis & Clark College Department of Music and Portland State University’s School of Music and Theater present an afternoon with Grammy Award-winning soprano Audrey Luna on Wednesday, November 4, 2026 from 3pm to 6pm in Evans Auditorium.

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert will also include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

Sarah Hicks, Conductor

Dessa, Vocals

Oregon Symphony

Join an afternoon with Grammy Award-winning soprano Audrey Luna. Audrey will give a masterclass with L&C and PSU students and present a lecture titled "The Business of Singing."

Fear No Music’s second Locally Sourced Sounds Marathon presents new miniatures for small chamber ensemble by more than 40 composers from Portland’s new-music community, many of whom will be in the audience.

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

Join Israeli-American storyteller and public historian Yuval Malchi for a look at the lesser-known Americans who helped shape and defend the State of Israel. Through personal stories of nurses, social workers, intelligence operatives, and military leaders, Malchi explores the contributions of figures such as Rose Kaplan, David “Mickey” Marcus, Al Schwimmer, and Hank Greenspun, and their lasting impact on the relationship between the United States and Israel. In partnership with Jewish Federation of Greater Portland.

*The talk is geared toward adults, but welcoming participants ages 13 and up. *

MUST RSVP.

Acclaimed Athens-based chamber ensemble Galan Trio visits Lewis & Clark College as part of their US tour for a performance on Friday, November 6, 2026 at 7:30pm in Agnes Flanagan Chapel.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Norman Huynh, Conductor

Steiger Butte Drum and Singers, Native American ensemble

Members of Portland State University Chamber Choir, Ethan Sperry, Conductor

Oregon Symphony

Stravinsky Symphonies of Wind Instruments

Michael Gordon Natural History

Grace Meidziak New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)

Beethover Symphony No. 1 in C major, Op. 21

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Greece’s Galan Trio performs at Pacific University as part of their Kinesis tour, bringing a program of American composers hailing from the West Coast, including Pacific University faculty member Ryan Francis. Their appearance is underwritten by the Elise Elliot Trust and is presented under the auspices of Greece’s Ministry of Culture.

”Kinesis” is Galan Trio’s attempt to explore the music of contemporary American composers
by bringing their works together in an original, multifaceted concert program. The project
draws from collaboration between Galan Trio and professors of composition from select
U.S. universities, and from the notion of “Kinesis.” Kinesis is an undirected movement of a
cell, organism, or part, in response to an external stimulus. In Greek, Kinesis means
movement, motion. Motion is a fundamental characteristic of all living beings; motion is
what all musicians worldwide have desired during the last couple of years; motion alludes to
continuity, and it’s a promise for the future of “Kinesis” itself.

Ticket Prices: $21 general admission. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.

TAIPEI CITY, TAIWAN

Birdy

“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver

Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute

The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.

Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .

the tudor choir
+ doug fullington

Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

• Sacred Masterworks from Tudor England

Join Cheri Arthur, an Ambassador for American Wild Horse Conservation. Learn about Velma Johnstone, the first woman advocate for wild horses and burros, and the history of Oregon's wilds horses. You'll hear about the challenges of land management and access, and learn ways to get involved if you are interested.

After years of research, award-winning Seattle author David B. Williams joins Mount St. Helens Institute at a special Portland event for a conversation on his newly published book, In the Range of Fire and Ice: A Human and Natural History of Washington’s Cascades.

Blending human and natural history into a vivid portrait of one of North America’s most dynamic landscapes, In the Range of Fire and Ice is a lively, groundbreaking exploration of Washington’s Cascade Range. Drawing on conversations with anthropologists, park rangers, ecologists, and climate scientists, as well as firsthand experience, Williams brings readers into the mountains to uncover stories etched in the landscape over millennia.

From traditional Indigenous huckleberry harvesting grounds and ancient footpaths to erupting volcanoes, shifting glaciers, and forgotten mining camps, In the Range of Fire and Ice reveals the Cascades as a place of both deep time and constant change. While past logging, mining, and fires left lasting scars, the Cascades also tell powerful stories of recovery and resilience–returning wolverines and wolves, the remarkable rebirth of Mount St. Helens, and growing stewardship in the face of climate change. Through rich storytelling and careful research, Williams invites readers to see the Cascades not only as mountains, but as a living, evolving realm of fire, ice, and hope.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Artichoke Community Music class hosted by Megan Cronin, $175 for seven sessions, drop-ins $30 per session. This class will be held at Taborspace, an off-site location. This class is for beginner-ish and intermediate violin and fiddle players who want a chance to play their favorite songs with others in a supportive setting. At the start of this series the instructor will present 10 tunes in the genres of folk, jazz, bluegrass, Irish, blues, pop and/or classical. Students will vote in three of these tunes to work on over the course of the term. Financial Hardship Discount Available Wondering if you are at the right aptitude for this class? If you can work through some or most of the Suzuki Violin Book One, then you will be totally fine in this class (just google "Suzuki Violin Book One PDF" to check it out). You’re welcome to pay the instructor directly at your first class to avoid service fees. Contact Megan via email when you register for a drop-in date, if you plan to pay in-person or if you have any other questions about the class. More information & registration: megancroninmusic.com/violin-fiddle-democracy Website: https://www.megancroninmusic.com/ Feel free to contact the instructor for more information: musiclessonsbymegan(*at*)gmail.com Refund Policy: Refunds up to 7 days before event

Hailed by France Musique as the new face of the classical guitar, Djibouti-born French guitarist Raphaël Feuillâtre regularly delights audiences and critics worldwide with his charismatic artistry, embracing everything from Baroque-period repertoire to compositions by trailblazing contemporary composers. His jaw-dropping precision, technical mastery, and creative vision make works from all time periods sound as if they were written yesterday–alive, heartfelt, and filled with color. Don’t miss a passionate evening of Latin music, including many of Feuillâtre’s own arrangements.

This program is approximately 90 minutes.

“The music…fitted the guitar so well that, if you didn’t know better, you would have sworn they were written for them. They fitted the instrument absolutely beautifully in these transcriptions and Feuillâtre played them with such a lovely sense of legato and an understatedly gentle dynamic that, by the time the interval began, I found myself in something approaching a state of zen.”

— Seen and Heard International

The Old Church Concert Hall
Thursday, 11/5 • 7:30 pm

SUBSCRIBE NOW!

SINGLE TICKETS

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

The World’s MOST Iconic Ballet — With a LIVE Orchestra!

The legendary tale of Swan Lake takes flight in a breathtaking production from World Ballet Company, as fate and magic entwine in a timeless battle between good and evil. Performing with a Live Orchestra, and featuring a cast of 50 international dancers, over 150 radiant hand-sewn costumes, and stunning hand-crafted sets, this spellbinding ballet captures every heart-pounding moment — from the Dance of the Little Swans to the Black Swan’s 32 fouettés, and every pirouette in between.

With Tchaikovsky’s unforgettable score soaring through the air and played LIVE, immerse yourself in this mesmerizing journey where dreams, heartbreak, and hope unfold right before your eyes.

Duration: 2 hours 30 minutes (including 20-minute intermission)
Audience: For ages 5 & over

*About the Company: Based in Los Angeles, and led by Sasha Gorskaya and Gulya Hartwick, World Ballet Company presents the most beloved and iconic ballets of our time in cities nationwide. Driven by the belief that ballet is for everyone, performances appeal to newcomers and seasoned ballet goers alike. The company attracts many international artists and comprises renowned professional dancers representing over ten countries.

To date, World Ballet Company has traveled to more than 300 cities, reaching an audience of more than 500,000 fans.

Make it a group experience! Special pricing is available for groups of 10 or more.

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert also will include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

• Sarah Hicks Conductor
• Dessa Vocals
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Some evenings stay with you forever. This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night. More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets, including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dances such as the thrilling Hopak, set to music by legendary composers such as Tchaikovsky. Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection. Guests are warmly encouraged to attend in evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Hailing from Germany, the three Schumann brothers have been playing together since childhood. Together with their violist colleague, Matthew McDowell, they communicate with an openness and curiosity that has gained them a reputation as one of the most exciting string quartets performing today.

WOLF Italian Serenade MOZART Quartet in G Major, K. 73f IVES Quartet No. 2 BRAHMS Quartet in A minor, Op. 51, No. 2

Portland Sage Singers are excited to light up your holiday season before the rush. With concerts at the end of November, we get to add Thanksgiving to the expected December holiday highlights. Gratitude will take center stage. This show has every ingredient needed to brighten your spirits. The 100+ member chorus will fill the stage with delight and palpable joy. It will be like putting on a well-worn robe with a brand-new pair of slippers. You’ll be warmed by familiar songs and wowed by the new ones. The chorus will be accompanied by the amazing Synergy String Quartet and our own Sage Ringers bell choir. As has become a calling card for Portland Sage Singers, the evening will be filled with surprises, humor, and some dancing. Help us turn the lights on for the entire holiday season.

DATE: November 22 at 7:30pm, November 23 at 7:30pm

Under the direction of Dr. Abbie Brown, the Pacific University Symphonic Band will present its fall concert program, “City Trees: Urban and Natural Landscapes.” This concert program allows the ensemble and audience members to be in conversation about the way natural and urban landscapes interact with one another and features music that speaks to these two themes. The concert is presented in collaboration with the Pacific University Art Department as students in Drawing and Painting classes depict one piece in particular, Planet B by Catherine Likhuta. Other pieces on this program include Flaxen Tresses by James M. David, Shenandoah by Omar Thomas, and Under Pines and Stars by local Washington composer Megan Vinther.

Ticket Prices: $11 general admission, $8 for seniors, military and non-Pacific students. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Technology has always shaped the way we’ve stayed informed, expressed ourselves, and stayed connected as communities. What lessons do earlier technologies, like print, hold for us today in the age of AI and digital overload? And why, despite the speed and convenience of newer technologies, is print more popular than ever?

At the end of the talk, audiences will get the chance to try printing on a portable press.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Geoffrey Turnovsky is professor of French at the University of Washington. His teaching and research focus on the cultural history of early modern France and Europe, and the history of print, books, authorship, and reading. He is the author of Reading Typographically: Immersed in Print in Early Modern France.

Geoffrey lives in Seattle.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313188911{margin-bottom: 0px !important;}”]Reservations are now open!

Admission is FREE, but reservations are required due to limited seating.[/vc_column_text][vc_btn title=”RESERVE A SEAT” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F781920%2Fpermanent-ink-why-we-still-love-print-in-the-digital-age%3F_gl%3D1*zutbgg*_gcl_au*MTA5ODE3MTY3MS4xNzkwMjg5MTQzLjY2NDI0MTc5MS4xNzkwMjg5MTQ2LjE3OTAyODkxOTkuODQzMTY1ODM2LjE3OTAyODkxNDYuMTc5MDI4OTE5OQ..*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTAzNTA1OTIkbzEyNSRnMSR0MTc5MDM3NTAyMSRqMzckbDAkaDY0Njc2MjQ1MQ..”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1791842995682{margin-bottom: 0px !important;}”]The Historic Trust Fall Speakers Series is Presented by University Village

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Bells of the Cascade presents "International Rhythms," a concert featuring exciting music from many different countries. Featuring Grammy- and Oscar-winning songs like "Golden" (K-pop Demon Hunters), "Russian Sailors' Dance" from the ballet The Red Poppy, a stunning folk song from England, "The Turtle Dove", and the electrifying "Firedance" from Riverdance, this concert is thrilling and will be a delightful way to spend your afternoon at the start of November.

Join Professor Dr. Schreiber and the Skeleton Key Odditorium for an historical magic experience unlike any other. Beyond Belief: Magic & Mysteries with The Historical Conjurer

Since the earliest days of the ancient ancestors, conjurers have illuminated the strange, the mysterious and the unexplained for all to see. Now, Professor Dr. Schreiber, the Historical Conjurer, will lead you on a journey through the past centuries of magic. You'll see parlor magic from a bygone era just as it was enjoyed by the elite audiences of antiquity. You will enjoy the tales of old times and smile and laugh together and experience this history of magic.

Guests are encouraged to dress in their best old-fashioned attire or whatever makes you feel comfortable. Very limited tickets are available for this exclusive event.

This performance will be followed by a brief question-and-answer time to discuss magic and history.

Join us for a talk with Dr. Nazanin Hedayat Munroe, Mary Ausplund Tooze Endowed Visiting Professor of Islamic + Ancient Art!

From luxury silks to patched wool, dress across the early modern Islamic world communicated the inner and outer states of its wearers through a shared language of regional and religious codes. In this lecture, Dr. Munroe examines how clothing and textiles expressed social status, political allegiance, spiritual devotion, and personal taste.

Nazanin Hedayat Munroe is Director of Textiles and Associate Professor of Fashion at City University of New York. An artist and art historian, she is author of several books and articles, including Sufi Lovers, Safavid Silks and Early Modern Identity (Amsterdam University Press, 2023/Routledge, 2025), winner of the R.L. Shep Award from Textile Society of America.

This talk is made possible by the generous support of the Mary Ausplund Tooze Endowed Visiting Professor of Islamic & Ancient Art fund.

Image: Man's Robe (Jama) with Poppies, 17th Century (Metropolitan Museum of Art, 29.135)

Nathan Pacheco is a classical crossover tenor, composer, and recording artist whose powerful voice and uplifting performances captivate audiences around the world.

He began his recording career with Disney Music Group and appeared in multiple PBS and ABC television specials, both as a solo artist and alongside internationally renowned performers including Yanni, Katherine Jenkins, and Olga Tañón. As a featured vocalist with Yanni Voices, Nathan performed throughout North America and was featured in two PBS concert specials before launching his solo career.

Nathan has performed with orchestras, choirs, and symphonies across the United States, including the San Diego Symphony and The Tabernacle Choir at Temple Square. His recordings have earned multiple Billboard #1 rankings in the Classical Crossover categories.

Internationally renowned concert organist Nathan Laube presents an exciting recital of thrilling organ music from a wide variety of eras and locales. This one-of-a-kind program features a diverse selection of works by Felix Mendelssohn, Dieterich Buxtehude, Charles-Marie Widor, and more. Laube's 75-minute recital showcases both his dazzling technique and his profound gift of listening carefully to the instrument and eliciting from it a thrilling range of musical colors — a combination perfectly suited to the world-class Rosales organ. He'll explore the organ’s full range of tonal colors throughout the program, which is offered in celebration of the organ's 40th birthday this year.

Nathan Laube, a truly generational talent of the time, is one of the world’s most elite organ performers and pedagogues. He is Associate Professor of Organ on the faculty of the Eastman School of Music in Rochester, New York and International Consultant in Organ Studies at the Royal Birmingham Conservatoire in the United Kingdom. His extensive international recital career takes him continually to major concert venues and festivals around the world.

Trinity's pipe organ, built by Manuel Rosales and installed in 1986, is one of the finest pipe organs in North America. Trinity Music is the professional music program of Trinity Episcopal Cathedral, comprising the Cathedral Schola, Trinity Choir, and Choir School; a concert series featuring nationally recognized guest artists; and the acclaimed Rosales organ, all in one of Portland's finest acoustic spaces.

The Vancouver Symphony Orchestra presents “Back to the Movies” with live accompaniment to the 1926 high seas adventure film, “The Black Pirate,” starring Douglas Fairbanks. Performances are 7-9 p.m. Nov. 19 at Skyview Concert Hall, 1300 N.W. 139th St., Vancouver, and 7-9 p.m. Nov. 20 at Joyce Garver Theater, 1500 N.E. Garfield St., Camas. Watch the film with a live score played by the orchestra’s chamber ensemble. Admission is $25. $10 student tickets are available at the door.

The Vancouver Symphony Orchestra USA’s 2026-2027 season continues Nov. 7-8 with Verdi’s choral-orchestral masterpiece, “Messa da Requiem.” Conductor Salvador Brotons will lead the orchestra, Portland Symphonic Choir and soloists Abigail Krawson, Hannah Penn, Brian Cheney and Anton Belov in bringing Verdi’s score to life at 7 p.m. Nov. 7 and 3 p.m. Nov. 8 at Skyview Concert Hall, 1300 N.W. 139th St., Vancouver. Both performances will also be available via livestream. Tickets are $15 for children and students, adult standard seating is $50 and premium seats are $53. Get tickets at vancouversymphony.org.

Join us for an evening where learn how to break cycles that police normalcy and control information in society. From the creator of the Bedlam Book Club podcast comes a workshop about how to identify and disrupt the ableist social dynamics that often cloud discussions of truth and power.

Attendees will have the opportunity to learn about how definitions of madness have been used to direct power throughout history, and how to avoid replicating these cycles in our personal lives.

The first half will focus on the basics of mad studies and the history of madness in the West. After a break, the workshop will detail how these ideas show up in daily life, how to interrupt them, and healthier ways of building knowledge and trust together.

Workshop will be very hands-on and will contain lots of opportunities for discussion and questions. Zines, reading lists, and other resources will be available.

RSVP required! Sliding scale suggested donation $5-$25 (No one turned away for lack of funds!)

'Who can be a Japanese Emperor?: Japan's Insistence on Male-Line Succession'
A Presentation by Prof. Thomas Naruse, Kokushikan University
Hosted by the Center for Japanese Studies

　The Japanese imperial system has been facing a declining number of imperial family members. Under the current system, only male members of imperial family are eligible for succession. However, at present, there is only one male member under the age of 50. While there are 5 female members under 50 years old, since current legislation stipulates that female members leave the imperial family upon their marriage, there are concerns about the shrinking number of imperial family members.

　Regarding this situation, the Japanese Diet and government are considering countermeasures. While there is strong public support for allowing a female emperor, the Diet and government continue to insist on succession through the male-line. As of June 2026, the government is drafting amendments for Imperial House Law to deal with the situation, but the policy of maintaining male-line succession remains unchanged.

　In this lecture, Prof. Naruse will examine why the Japanese Diet and government continue to adhere to male-line succession and what lies behind this policy. Beginning with the history of the emperor system and the rules governing imperial succession, he will discuss the current challenges facing the imperial system and the measures proposed to address them, how and why the Japanese Diet and government insist on male-line so strongly.

12:45 PM, Thursday, November 12, 2026
Fariborz Maseeh Hall Room 333
Free and Open to the Public
Please use the Broadway Entrance

For more information on the Center for Japanese Studies and our upcoming events, please visit: https://www.pdx.edu/japanese-studies

How do you celebrate the birthday of Adolphe Sax? With plenty of saxophones, of course!

Join the PSU Saxophone Studio for a spirited evening honoring the saxophone’s inventor. Featuring a saxophone octet, two quartets and student soloists, this celebration explores a variety of musical styles—from the lyrical to the lively—with plenty of saxophone personality.

Bring your friends, bring your family and help us celebrate the man who started it all!

Learn more about Portland State University's bands.