Learning & Tech❯Talks & Lectures❯History Talks

Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.

With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Join Israeli-American storyteller and public historian Yuval Malchi for a look at the lesser-known Americans who helped shape and defend the State of Israel. Through personal stories of nurses, social workers, intelligence operatives, and military leaders, Malchi explores the contributions of figures such as Rose Kaplan, David “Mickey” Marcus, Al Schwimmer, and Hank Greenspun, and their lasting impact on the relationship between the United States and Israel. In partnership with Jewish Federation of Greater Portland.

*The talk is geared toward adults, but welcoming participants ages 13 and up. *

MUST RSVP.

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

Annam's 3-year anniversary dinner featuring a collaborative kitchen takeover with uncle Peter from @havl.noodles (Hà VL). The evening includes deep-cut à la carte Việt food, cognac, live jazz by Brian's Blade (featuring @chochu_local members @cmlgsn, @Aidan.jacobs._, and grateful_marcus), and a custom jade jewelry pop-up by Le Petit Hoa. Menu to be announced closer to the date; available until sold out.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week. Stop in for drinks, food, conversation and a rotating lineup of literary-inspired performances, pop-ups and unexpected happenings.

On Wednesday night, 45th Parallel Universe presents a celebration of Allen Ginsberg, featuring live readings of Howl and other works accompanied by live jazz.

The evening brings together voices from Portland’s literary, music, theater and radio communities for a tribute to one of the most influential figures in American poetry, and to Howl, which Ginsberg first read publicly in Portland while studying at Reed College.

Featured participants include Gregory Scholl, Robert McBride, Fred Child, Alexis Hamilton and additional special guests.

Join Cheri Arthur, an Ambassador for American Wild Horse Conservation. Learn about Velma Johnstone, the first woman advocate for wild horses and burros, and the history of Oregon's wilds horses. You'll hear about the challenges of land management and access, and learn ways to get involved if you are interested.

Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.

Dmitri Matheny Group Fri, Nov 06 $30 TICKETS | ALL AGES

Dmitri Matheny - flugelhorn

Adam Harris - saxophones

Joe Bagg - piano

Eric Gruber - bass

Michael Raynor - drums

“Dmitri Matheny is a jazz treasure. The lyrical Matheny has impressive chops, but it’s his warmth and soulfulness that win you over.”—All Music Guide Acclaimed for his warm tone, soaring lyricism and masterful technique, American flugelhornist DMITRI MATHENY has been lauded as “one of the most emotionally expressive improvisers of his generation” (International Review of Music). An honors graduate of the Berklee College of Music, Dmitri Matheny vaulted onto the jazz scene in the 1990s as the protégé of jazz legend Art Farmer. Since then he has garnered critical acclaim and a loyal international following, touring extensively throughout the United States, Europe and Asia, traveling to 19 countries. With over 100 recordings to his credit, Dmitri Matheny has released 12 albums as a leader. The San Francisco Chronicle calls Matheny “one of the jazz world’s most talented horn players.”

06:30 PM SHOW 08:30 PM SHOW

After years of research, award-winning Seattle author David B. Williams joins Mount St. Helens Institute at a special Portland event for a conversation on his newly published book, In the Range of Fire and Ice: A Human and Natural History of Washington’s Cascades.

Blending human and natural history into a vivid portrait of one of North America’s most dynamic landscapes, In the Range of Fire and Ice is a lively, groundbreaking exploration of Washington’s Cascade Range. Drawing on conversations with anthropologists, park rangers, ecologists, and climate scientists, as well as firsthand experience, Williams brings readers into the mountains to uncover stories etched in the landscape over millennia.

From traditional Indigenous huckleberry harvesting grounds and ancient footpaths to erupting volcanoes, shifting glaciers, and forgotten mining camps, In the Range of Fire and Ice reveals the Cascades as a place of both deep time and constant change. While past logging, mining, and fires left lasting scars, the Cascades also tell powerful stories of recovery and resilience–returning wolverines and wolves, the remarkable rebirth of Mount St. Helens, and growing stewardship in the face of climate change. Through rich storytelling and careful research, Williams invites readers to see the Cascades not only as mountains, but as a living, evolving realm of fire, ice, and hope.

TICKETS $50 | ALL AGES

Ben Wolfe - bass

Nicole Glover - saxophone

Ron Steen - drums

We are thrilled to welcome home two of Portland's favored jazz musicians; acclaimed bassist, Ben Wolfe and renowned saxophonist, Nicole Glover. The two will be joined by beloved local jazz legend, Ron Steen for a homecoming show you won't want to miss!

Wolfe has performed and recorded with some of the most celebrated names in jazz and popular music, including Harry Connick Jr., Diana Krall, Wynton Marsalis, and many others. A respected player, composer and Julliard educator, Ben is one of today’s most accomplished jazz bassists. Wolfe brings an extraordinary depth of experience, musicianship, and creativity to the stage.

Joining him is Nicole Glover, whose powerful, adventurous saxophone playing has made her one of the most exciting voices in contemporary jazz. Nicole is a saxophonist, bandleader, composer, and educator based in New York City. In 2026, Nicole was awarded “Up and Coming Musician of the Year” by the Jazz Journalists Association and #1 Rising Star Tenor Saxophonist & #1 Rising Star Soprano Saxophonist by Downbeat Magazine. Nicole is also a sought-after collaborator. She is currently touring with groups led by Christian McBride and Renee Rosnes, including the multi-award winning ARTEMIS. She has also toured and recorded with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Additionally, Nicole has worked under the leadership of drummers Al Foster, Billy Hart, Lenny White, Victor Lewis, Kenny Washington, Carl Allen, Gregory Hutchinson, and Joe Farnsworth; Grammy-winning vocalists Dee Dee Bridgewater and Buika; bassists John Patitucci, Reggie Workman, Harish Raghavan, Ben Wolfe, and Or Bareket; vibraphonist Joel Ross; and pianists Bill Charlap, Geoffrey Keezer, Aaron Diehl, Luis Perdomo, Christian Sands, Micah Thomas, and George Colligan, among others.

Alongside these two will be Portland's hometown favorite, Ron Steen, whose decades of contribution to the city’s jazz scene have earned him legendary status. Drummer, bandleader, Ron is known as the Godfather of the Jazz Jam scene in Portland, Oregon. Writes the JJA’s Rick Mitchell: “The jam session is at the heart of the jazz tradition. While high school and college jazz programs have proliferated in recent decades, there is no substitute for the knowledge gained by sharing a bandstand with one’s elders and peers in an exposed and competitive setting." Ron has built and nurtured that philosophy in Portland for decades.

Three exceptional musicians. Two shows. One unforgettable night of jazz. Don’t miss this special 1905 performance!

Join Farina Bakery every Thursday, Friday and Saturday night for amazing live performances from local musicians. Open late for delicious desserts, a full coffee bar and free live music. Stay up to date on Instagram for updates, our weekly lineup, and opportunities to play at weekly open jams.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Mantra, music, and storytelling to awaken the heart. Sacred Dharma is a Pacific Northwest kirtan-fusion jam band. At its core, they facilitate the devotional practice of chanting Sanskrit mantra. The music is colored by world influences ranging from Indian classical to jazz and psychedelic rock, enhancing the mood so that each repetition of the Name can awaken the heart.

Led by Sitaram Dass with Jeanette Kangas on tabla, Clark Stacer on bass, Lance Jordan on guitar, and a rotating selection of some of the PNW's finest musicians.

Sitaram Dass (he/him) spent several years serving his beloved teacher Ram Dass on Maui, where he was shown the path of Bhakti, the yoga of service and devotion to God. He is an author, teacher, kirtan singer, and spiritual counselor. As the director of the Sacred Community Project, he works to provide affordable, free, and donation-based offerings as a praxis of Sacred Community.

$25 Advance / $30 Door

(No one turned away for lack of funds)

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

"For those who've ever wondered what Massive Attack would sound like doing bong hits with Miles Davis" - The Georgia Straight

Seattle-based Polyrhythmics are celebrating 16 years of sonic exploration following the release of their latest album, Life from Below (2025). Since forming in 2010, this six piece powerhouse has redefined instrumental music with a sound that blends funk, soul, psychedelic rock, R&B, and Afrobeat into a kaleidoscope of rhythm and groove. Known for their dynamic live performances and innovative compositions, the band has earned a reputation as one of the most captivating acts on the contemporary music scene.

Polyrhythmics emerged from the rich creative soil of Seattle's eclectic music community, releasing their self-titled debut album in 2011. Since then, their discography has grown to include fan-favorite albums such as Octagon (2015), Caldera (2017), Man from the Future (2020), and Life From Below (2025). Each release showcases their fearless exploration of genre boundaries and their commitment to crafting vibrant, deeply textured soundscapes.

Last year's Life From Below marked an exciting chapter for Polyrhythmics, delivering a fresh collection of grooves infused with the bold creativity and signature tight-knit musicianship that fans have come to expect. The band reflects on over a decade and a half of musical evolution, countless miles on the road, and a loyal community of listeners that continues to grow.

Over the years, Polyrhythmics have graced stages at major festivals and renowned venues across the United States and internationally, sharing bills with legendary artists while carving out a distinct space in the global funk and soul scene. Their music - equal parts danceable, thoughtful, and immersive - offers a rich listening experience that draws from the roots of American funk and soul while incorporating global influences.

As Polyrhythmics continue their journey, they remain committed to pushing boundaries, creating new grooves, and bringing their celebrated live energy to audiences around the world.

Ben Bloom - Guitar
Grant Schroff - Drums
Nathan Spicer - Keyboards
Jason Gray - Bass
Scott Morning - Trumpet
Art Brown - Saxophone & Flute

Guitarist Tracy Kim is best known as one of Portland's foremost gypsy swing guitar enthusiasts and instructors. He is also well-known for his Latin stylings: bossanova, samba, and other Latin jazz forms. Come sip and enjoy!

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

In recent years Thundercat, aka Stephen Bruner, has completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a wholly unique voice, transcending genre. He has become a cornerstone of the Brainfeeder label having released 'The Golden Age of Apocalypse' (2011), 'Apocalypse' (2013), 'Drunk' (2017), and his 2020 album 'It Is What It Is' won Best Progressive R&B Album at the 63rd GRAMMY Awards, featuring Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins and Zack Fox. The record was produced by Thundercat and his longtime partner Flying Lotus who was GRAMMY-nominated in 'Producer of the Year, Non-Classical' for his work on the album.

2023 kicked off with a bang, with Thundercat joining Steve Lacy live onstage at the 65th Annual GRAMMY Awards to perform the hit single 'Bad Habit.' He also released his latest single 'No More Lies' with Tame Impala, and announced a slew of tour dates spanning 5 continents.

2022 was a banner year, with highlights including his vocals and bass heavily featuring on Gorillaz single and title track 'Cracker Island' which hit #1 on the Alternative radio charts. He also starred in the official music video and performed onstage with Gorillaz at Coachella and the MTV European Music Awards ceremony. He also joined Red Hot Chilli Peppers as support on their North American and EU stadium tour.

Thundercat made his acting debut in 2022 with a recurring role in Star Wars' 'The Book of Boba Fett' on Disney+. He also covered 'Fly Like An Eagle' for the 'Minions: The Rise of Gru' OST executive produced by Jack Antonooff. Other film and TV work has included collaborating with Flying Lotus on the original score for 'Yasuke' on Netflix, as well as an episode of Emmy & Golden Globe winning series 'Atlanta' created by Donald Glover.

Live highlights include duetting with Ariana Grande at Adult Swim Festival 2020, a US tour alongside his friend Anderson .Paak (2019), an appearance at the Nile Rodgers curated Meltdown Festival held at the Southbank Centre, London (2019); and previous festival highlights for Thundercat include Glastonbury, Coachella, Sónar, Fuji Rock, Newport Jazz Festival, Primavera Sound and Governors Ball. In 2019 Thundercat was invited by legendary jazz institution Blue Note in New York to play a 14 show residency over the space of 6 days. Special guests for the residency included Reggie Watts, Zack Fox and Hannibal Buress. One memorable sold out show at New York's Irving Plaza in 2017 featured Dave Chappelle making an impromptu appearance as his hype man.

In 2015 he was 'at the creative epicenter' of the 21st century's most influential hip-hop album Kendrick Lamar's 'To Pimp A Butterfly', and he won a GRAMMY for his collaboration on the track ‘These Walls'.

Much celebrated for his inimitable style, Thundercat has appeared as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE.

Bruner found his instrument at the age of 4. That made him a late-bloomer in the house of Ronald Bruner, Sr., who drummed with the Temptations among others. His first bass was a black Harmony, and he practiced to the Ninja Turtles soundtrack until pops played him Jaco Pastorius. He joined thrash legends Suicidal Tendencies as a teenager, and has spent road and studio time with everyone from Stanley Clarke and Herbie Hancock to Leon Ware, N.E.R.D., Travis Scott, HAIM, Silk Sonic (Bruno Mars & Anderson .Paak), Kaytranada, Stevie Wonder and Erykah Badu.

The name Thundercat is a reference to the cartoon he's loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named 'Grune the Destroyer' in Cartoon Network's Thundercats Roar animated series

Technology has always shaped the way we’ve stayed informed, expressed ourselves, and stayed connected as communities. What lessons do earlier technologies, like print, hold for us today in the age of AI and digital overload? And why, despite the speed and convenience of newer technologies, is print more popular than ever?

At the end of the talk, audiences will get the chance to try printing on a portable press.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Geoffrey Turnovsky is professor of French at the University of Washington. His teaching and research focus on the cultural history of early modern France and Europe, and the history of print, books, authorship, and reading. He is the author of Reading Typographically: Immersed in Print in Early Modern France.

Geoffrey lives in Seattle.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313188911{margin-bottom: 0px !important;}”]Reservations are now open!

Admission is FREE, but reservations are required due to limited seating.[/vc_column_text][vc_btn title=”RESERVE A SEAT” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F781920%2Fpermanent-ink-why-we-still-love-print-in-the-digital-age%3F_gl%3D1*zutbgg*_gcl_au*MTA5ODE3MTY3MS4xNzkwMjg5MTQzLjY2NDI0MTc5MS4xNzkwMjg5MTQ2LjE3OTAyODkxOTkuODQzMTY1ODM2LjE3OTAyODkxNDYuMTc5MDI4OTE5OQ..*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTAzNTA1OTIkbzEyNSRnMSR0MTc5MDM3NTAyMSRqMzckbDAkaDY0Njc2MjQ1MQ..”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1791842995682{margin-bottom: 0px !important;}”]The Historic Trust Fall Speakers Series is Presented by University Village

[/vc_column_text][/vc_column][/vc_row]

Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.

Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.

“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”

That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/

Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

The Rivkah Ross QuintetSun, Nov 01TICKETS $25 | ALL AGESRivkah Ross is a Portland-based drummer, composer, and bandleader. Rivkah’s debut album Dare to Hope (PJCE Records) marks the arrival of an inspiring new voice in modern jazz. Moving effortlessly between beautiful melodies and gritty, angular rhythms, her music embodies defiant triumph and hope. A first-generation American raised by a single mother, Rivkah brings a message of hard-won optimism to every note. Taking a page from her hero, Roy Haynes, and paying homage to giants like Coltrane and Shorter, Rivkah is pushing jazz forward with a sound unapologetically all her own. Rivkah is a native Pacific Northwesterner. She has performed her original compositions at the Montavilla Jazz Festival, PDX Jazz Festival, Mount Hood Jazz Festival, and the Vancouver Jazz & Wine Festival. Her other projects include the Stumptown Sirens, Portland’s first all-female big band, which made their debut appearance on the PDX Jazz Festival in 2026 to a sold-out crowd. Rivkah’s drumming hero is Roy Haynes, and in 2026 she put together The Rivkah Ross Sextet, which played two sold-out Roy Haynes tribute sets at The 1905, Portland’s dedicated jazz club. 05:30 PM SHOW 07:30 PM SHOW

Discover the rich history of Oregon's original theater pub on our Mission Theater History & Art Tour! Hear all the dramatic details, from our Swedish Mission days to hosting Portland's longshoremen union during one of the largest dockworkers strikes in the country to the playhouse whose short-lived residency may or may not have had something to do with "the Scottish Play," and beyond!

Tour will take about 60-75 minutes; entrance is at the main doors of Mission Theater (1624 NW Glisan St, Portland, OR 97209). Doors open approximately 15 mins before the tour starts, and entry may not be guaranteed after 1pm.

Please note: Tour may include stairs and standing for extended periods of time.

Passport holders: This tour is eligible for the Mission Theater location stamp and an Attend a History Sponsored Event experience stamp.

For private group tours, contact [email protected]

AN EVENING WITH JOHN SCOFIELD’S “ELECTROSPECTIVE”

featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Join Professor Dr. Schreiber and the Skeleton Key Odditorium for an historical magic experience unlike any other. Beyond Belief: Magic & Mysteries with The Historical Conjurer

Since the earliest days of the ancient ancestors, conjurers have illuminated the strange, the mysterious and the unexplained for all to see. Now, Professor Dr. Schreiber, the Historical Conjurer, will lead you on a journey through the past centuries of magic. You'll see parlor magic from a bygone era just as it was enjoyed by the elite audiences of antiquity. You will enjoy the tales of old times and smile and laugh together and experience this history of magic.

Guests are encouraged to dress in their best old-fashioned attire or whatever makes you feel comfortable. Very limited tickets are available for this exclusive event.

This performance will be followed by a brief question-and-answer time to discuss magic and history.

Nashville crooner Stephen Day spans pop, rock, soul, and jazz in his music, recognized for its emotional depth and storytelling. He began to make a name for himself by playing live around the city; his debut full-length studio album, Guess I'm Grown Now, followed in 2019. The record had a fuller, more-produced rock band sound than the EP. Comparisons were immediately drawn to John Mayer, which Day welcomed; he also acknowledged Glen Campbell, D'Angelo, Stevie Wonder, and Frank Sinatra as influences. A second EP, Original Songs and Sound, appeared in 2020, and a second album, The Shapes I'm In, arrived in 2021. Day toured the U.S. as a headliner and as support to the likes of Teddy Swims, Ben Rector, Stephen Sanchez, and Lawrence. He also played abroad in Asia and Europe. Only after his third album, 2024's Gold Mine, did he finally sign a record deal, with Riser House Records. The label released his holiday single "It's Christmas All Over" in October of that year.

Join us for a talk with Dr. Nazanin Hedayat Munroe, Mary Ausplund Tooze Endowed Visiting Professor of Islamic + Ancient Art!

From luxury silks to patched wool, dress across the early modern Islamic world communicated the inner and outer states of its wearers through a shared language of regional and religious codes. In this lecture, Dr. Munroe examines how clothing and textiles expressed social status, political allegiance, spiritual devotion, and personal taste.

Nazanin Hedayat Munroe is Director of Textiles and Associate Professor of Fashion at City University of New York. An artist and art historian, she is author of several books and articles, including Sufi Lovers, Safavid Silks and Early Modern Identity (Amsterdam University Press, 2023/Routledge, 2025), winner of the R.L. Shep Award from Textile Society of America.

This talk is made possible by the generous support of the Mary Ausplund Tooze Endowed Visiting Professor of Islamic & Ancient Art fund.

Image: Man's Robe (Jama) with Poppies, 17th Century (Metropolitan Museum of Art, 29.135)

Following a string of encounters too strange to be coincidence, Robbie Kingsley, Franco Solari, Dylan McCue and Zach Levy came together to form The Hails. Despite first playing in an insular Miami high school music scene, the band officially formed at the University of Florida in Gainesville, turning the tattered carpeting and beer bottle lined shelves of their shitty college house into a distinct, refined sound that is now synonymous with their name.

After graduation, the group made the pilgrimage back to their home of Miami, the city that directly influenced the sound of their early shimmering singles "Younger" and "Stay," debut EP He Seems Upset (2020), and the subsequent Alive in Strange Ways (2021).

After releasing their debut album What's Your Motive (2023) and gaining international praise, The Hails have created their own unique style of collaboration with band members living in Miami, DC and Brooklyn. Recent highlights of the road include holding court at festivals like Governors Ball, III Points and Okeechobee, interspersed between sold-out headline shows and tour support for The Revivalists, Quarters, The Beaches, flipturn and the moss. This year will see The Hails back out on the road as they ready for the release of their second full-length album later this year.

Meldrop is a five-piece jazzy indie rock group hailing from the Seattle/Tacoma, WA area. The band originally started as a four-piece in the fall of 2022, when River Esqueda, Elijah Tuncap, Kirran Medchill, and Aidan Goodman worked together at a Tacoma restaurant called the Lobster Shop. After a routine night of bussing tables, the boys got to talking and learned that they all shared a passion for playing music. They immediately planned a jam session later that week and what followed was a spark that inspired them to practice and write together over the next 6 months. Meldrop made their live debut at a college house venue called Cush Hill in April 2023, and continued playing shows through the spring and summer. However, tragedy struck in August amidst the recording of their debut project, when a pipe burst in their practice space, flooding the building and destroying their equipment. A week later, Medchill had to step away due to his ongoing struggle with addiction, forcing the band to cancel their upcoming shows. They spent the next 2 months finishing the EP before resuming rehearsals and bringing in a new member, Aidan Maggi, to fill the vacancy. The new lineup took to the live scene in November, just in time to play a show celebrating the release of their self-titled EP around Christmas time.

In the new year, the band continued playing shows and growing their following into the Seattle scene, also taking the time to record new singles "Coyote Country" and "Nude Walter Beach." During this time, they had planned on letting Maggi step out upon Medchill's return, but when the time came to make the switch, the boys realized that they all meshed together too well to let anyone go. It was clear that yet another lineup change was in order. In June 2024, the band returned to Cush Hill to unveil Meldrop's final form, a five-piece consisting of Esqueda and Medchill both on guitar and vocals, Tuncap on drums and vocals, Maggi on bass, and Goodman on keys. The new-look Meldrop's style blends influences of jazz, rock, and the blues into a truly unique and smooth sound that has encapsulated listeners in the Seattle area and all around the world. Driven by a genuine love for their craft, the band continues to experiment with new ideas, pushing their music to new places and chasing their dreams of pursuing music full-time.

'Who can be a Japanese Emperor?: Japan's Insistence on Male-Line Succession'
A Presentation by Prof. Thomas Naruse, Kokushikan University
Hosted by the Center for Japanese Studies

　The Japanese imperial system has been facing a declining number of imperial family members. Under the current system, only male members of imperial family are eligible for succession. However, at present, there is only one male member under the age of 50. While there are 5 female members under 50 years old, since current legislation stipulates that female members leave the imperial family upon their marriage, there are concerns about the shrinking number of imperial family members.

　Regarding this situation, the Japanese Diet and government are considering countermeasures. While there is strong public support for allowing a female emperor, the Diet and government continue to insist on succession through the male-line. As of June 2026, the government is drafting amendments for Imperial House Law to deal with the situation, but the policy of maintaining male-line succession remains unchanged.

　In this lecture, Prof. Naruse will examine why the Japanese Diet and government continue to adhere to male-line succession and what lies behind this policy. Beginning with the history of the emperor system and the rules governing imperial succession, he will discuss the current challenges facing the imperial system and the measures proposed to address them, how and why the Japanese Diet and government insist on male-line so strongly.

12:45 PM, Thursday, November 12, 2026
Fariborz Maseeh Hall Room 333
Free and Open to the Public
Please use the Broadway Entrance

For more information on the Center for Japanese Studies and our upcoming events, please visit: https://www.pdx.edu/japanese-studies

Join us for an evening where learn how to break cycles that police normalcy and control information in society. From the creator of the Bedlam Book Club podcast comes a workshop about how to identify and disrupt the ableist social dynamics that often cloud discussions of truth and power.

Attendees will have the opportunity to learn about how definitions of madness have been used to direct power throughout history, and how to avoid replicating these cycles in our personal lives.

The first half will focus on the basics of mad studies and the history of madness in the West. After a break, the workshop will detail how these ideas show up in daily life, how to interrupt them, and healthier ways of building knowledge and trust together.

Workshop will be very hands-on and will contain lots of opportunities for discussion and questions. Zines, reading lists, and other resources will be available.

RSVP required! Sliding scale suggested donation $5-$25 (No one turned away for lack of funds!)

Experience Portland's paranormal heritage and investigate several historic ghost lore gathered from elders, books, medical journals, alienists, spiritualists, and 100s of newspaper accounts of hauntings in NW Portland. Ghost tours stop at three locations where the spirits are known to be less than peaceful and locations where the spirits have moved on. Seek out the ghost of Agnes Reid's son, little Ernest Harp's poltergeist playmate, and the Lady Over the Bar. These ghost tours are not for the faint of heart or those under the age of 12.

Chuck Israels, revered as one of the preeminent bassists in the world, GRAMMY winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.

Among Chuck's many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock; Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio '65; Live at the Trident; and Time Remembered. In 2020 Chuck won a GRAMMY for his work with opera star Joyce DiDonato on her recording "Songplay"

As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.

JAZZ TITAN THURSDAYS
The Jack London Revue proudly presents Jazz Titan Thursdays, featuring the Mel Brown B3 Organ Group and the Chuck Israels Jazz Orchestra.

Join us at Portland’s top jazz club to honor two of the most influential names in Pacific Northwest jazz music: Mel Brown - drummer for Marvin Gaye, Diana Ross, Stevie Wonder, and the Temptations and Chuck Israels - bassist for Billie Holiday, Benny Goodman, Herbie Hancock, and Bill Evans.

This Thursday, immerse yourself in the speakeasy vibe and rich sound of live soul, jazz, and bebop. Two sets starting at 7pm. Enjoy our full bar and menu. General admission and table packages available.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Dave Tull Sun, Nov 08 $30 TICKETS | ALL AGES

Dave Tull - drums, vocals

Joe Bagg - piano

Bill Athens - bass

Singing from the drums, Dave brings to the stage a rare combination of joyous songwriting, world-class jazz singing and drumming. Think “Frishberg meets Gershwin”. Dave’s songs have been called both “laugh out loud funny” and inspiring of “soul searching and introspection”. Dave Tull’s latest release, “Texting and Driving” was the #2 most requested new album of 2018 on SiriusXM Real Jazz, and was featured by NPR’s Susan Stamberg on Weekend Edition. “Texting and Driving” rose to #5 on the Billboard Jazz Chart, and #3 on the Billboard Comedy Chart in the same week! Dave’s celebrated first CD, “I Just Want To Get Paid”, continues to get regular airplay many years after its release. When not leading his own trio, Dave is one of the busiest drummers on the scene. In 2016 Dave became the drummer for Barbra Streisand and has played five tours with Streisand including Madison Square Garden in July 2019, and on Barbra’s GRAMMY NOMINATED live Netflix concert video, “Barbra – “The Music..The Mem’ries..The Magic!”. Dave toured from 2000-2010 as drummer and lead vocalist for Chuck Mangione. Dave is the drummer on Pixar’s popular series, “Forky Asks A Question” and Disney’s “Monsters At Work”. Dave has led his trio at the Vail Jazz Festival and Winter Concert Series three times, Catalina Jazz Club in Hollywood, twice at The Los Angeles County Museum of Art (with a two-hour broadcast on KKJZ), San Diego’s KSDS 88.3 FM “Jazz Live” series (a 90-minute live broadcast and interview), the Newport Beach Jazz Party, The Nash in Phoenix, The Arts Garage in Boca Raton FL, The Miami Jazz Coop in Coral Gables, FL, Jazz Showcase in Chicago, the JazzVox house concert series in Seattle, The Strathallan Hotel in Rochester, NY, the “Jazz at Joe’s” concert series in Bend, OR, The California Jazz Arts Society, and countless times at the iconic Lighthouse Café in Hermosa Beach, CA. In May 2022 The Dave Tull Songbook was released by Sher Music, including 21 of Dave’s original compositions available in print for the first time.

05:30 PM SHOW 07:30 PM SHOW

In March of 1977, Milwaukie had our own "madness" experience.

With no warning at all, Milwaukie’s HS Boys Basketball team won two Play-In games to qualify for the AAA State Tournament. The basketball play was earnest, but not extraordinary. The FAN support from the school and the community was amazing and fueled the dark horse ride.

We invite any and all who wish to revive the energy of high school basketball showdowns to a special pop-up event!

On Tuesday, November 10, The Riff on Main Street welcomes Ken Yarnell, a key member of the Medford Black Tornado team that derailed Milwaukie’s trip at the ball in the round of eight.

Ken recently published Coaching Against Champions, which draws from his long, highly respected career as a coach. He’ll tip things off by sharing a handful of stories that recapture the magic every community knows as Oregon HS Basketball.

Tuesday, November 10, 2026
Tip Off: 5:00 PM
Final Buzzer: 7:00 PM

No-host Beverages and Light Snacks

Location:
The Riff in Milwaukie
10801 SE Main St., Milwaukie, OR 97222
(971) 206-8896

After the final buzzer at 7 PM, ALL are encouraged to explore the MANY amazing eats within easy dribbling distance!

Learn More

The Breaks

When three modern groove masters of modern funk and soul-jazz converge, sparks are bound to fly. The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades.

Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.

Between them, they’ve logged countless tours, recorded landmark albums, and collaborated with a who’s-who of the modern jam, funk, and jazz worlds. But in The Breaks, the chemistry feels spontaneous—three kindred spirits locking into a groove and letting it ride.

From sweaty club sets to major festival stages, The Breaks deliver a sound that’s both deeply rooted and constantly evolving—a raw, joyful celebration of rhythm and musical conversation.

How We Show Up Closing Panel November 15, 2026 Admission: $10 general admission, $5 for members with code on back of membership card Location: Auditorium, OJMCHE Share × " class="share-btn"> Share on Facebook &text=How We Show Up Closing Panel" class="share-btn"> Share on Twitter Email Sunday, November 15 | 2-3:30pm What does civic participation look like? How has the Jewish community shaped Oregon throughout its history? Panelists will discuss these questions and more in a lively discussion exploring Jewish civic engagement in Oregon, from building towns and holding office to advocating for civil rights, immigrant communities, and social justice. Speakers include Ellen Eisenberg, lead advisor to the exhibition and preeminent Western Jewish scholar; Ellen Rosenblum, Oregon’s former attorney general and first woman elected to the role; Paul Solomon, criminal justice advocate and grandson of federal judge Gus J. Solomon; and Portland City Councilor Elana Pirtle-Guiney. This program is presented as part of How We Show Up: Oregon Jews in Civil Society, An America 250 Exhibition . About the Panelists Ellen Eisenberg holds the Dwight and Margaret Lear Professorship in American History at Willamette University. Her published work includes five books on American Jewish history and, particularly, the history of Jews in the American West, including National Jewish Book Award finalist The First to Cry Down Injustice? Western Jews and Japanese Removal during WWII and a two-volume history of Jews in Oregon, Embracing a Western Identity: Jewish Oregonians, 1849–1950 and The Jewish Oregon Story, 1950–2015. A former federal prosecutor and state trial and appellate judge, Ellen Rosenblum was first elected as Oregon’s 17th Attorney General in November 2012, and was reelected in November 2016. She is the first woman to serve as Oregon’s Attorney General. As Attorney General, Rosenblum has focused on standing up for the most vulnerable Oregonians. Her priorities included consumer protection and civil rights, as well as advocating for and protecting Oregon’s children, seniors, immigrants and crime victims, and those saddled with education-related debt. She currently leads Freshfields’ State Attorneys General (State AG) practice. Ellen and her husband have two children and live in Portland, Oregon. Elana Pirtle-Guiney was elected as a District 2 City Councilor in November 2024. She has spent her career standing up for working families – as a union organizer, a policy expert, an

Over the decades -- singing, performing, songwriting, collaborating and recording, Gayle Ritt continues to reach listeners with her music and live performances throughout the US and abroad . "The promise of an ongoing love affair with her music will begin the moment you hear the first note." said one friend -- and her live performances are as varied as her styles - from live acoustic at the House of Blues Foundation Room to small club rock shows, hotel residencies, elegant corporate events and picnics. Solo, duo, trio, full rocking band, sweet jazz duo or combo, country, pop, folk, acoustic metal, show tunes, improvisation and freestyles - Ritt sings it all. After 30 years performing, and musical adventures in Chicago, Los Angeles and Miami - she's settled in the NW.

Ritt's National Anthem has been heard over the airwaves and throughout the world for local and National sports teams -- including her standing invitation by the Chicago Cubs. Highlights: Wrigley Field, PGE Park, Dodgers Stadium, The Staples Center, US Cellular Field and the Thomas & Mack Center for the Lakers, Dodgers, White Sox, Timbers and Gladiators. The impact has resulted in millions hearing her voice, news features and national commercials on TV and Radio and her five independent releases have crossed many genres - Acoustic folk, rock, pop, metal, jazz, and improvisation.

Singing throughout the Oregon Countryside with her love and partner, Mike Soto - and their band 23window -- is what she loves best. Having recently released, IN THE RAW, an improvisation project - 13 tracks made up on the spot - she continues to put forward new music. Sweet harmonies on several tracks of the recent Lindsie Feathers release, Neon Renaissance are hers -- and the two perform together in Portland. Releasing from the archives -- live piano and vocals recorded in NYC with Martin Bejerano -- 100% freestyle - a single, "unconditional" Vaut Records 2018. Most importantly -- hearts touched -- souls united and many great times created in the moment.
Endorsements: Levy's Leathers, Dunlop, Gibson Acoustic Guitars, Kyser, Martin Guitar Strings

Guthrie’s music has seen a resurgence in the past several months, having been featured in recent concerts by artists such as Bruce Springsteen. It resonates with audiences today as much as, or maybe even more than, it did when This Land Is Your Land was released and gained widespread popularity in 1949.

Guthrie composed 26 songs in 30 days while riding along the Columbia River and touring the Grand Coulee Dam Project in 1941. With his unique, authentic voice, he chronicled both the grandeur and the perils of what he called “The Greatest Thing That Man Has Ever Done” as an employee of the Bonneville Power Administration. His time here in the Pacific Northwest inspired a swell of patriotism that led Guthrie to enlist in the U.S. Merchant Marine in World War II, after which he returned home to fame and notoriety, but also to tragedy and tremendous personal loss.

This interactive musical history performance will have you singing along to “Roll on Columbia,” “Pastures of Plenty,” and of course, “This Land is Your Land,” and learning the—sometimes hilarious, sometimes tragic—stories behind the songs.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”chino” border_width=”3″ css=””][mk_padding_divider size=”15″][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793378910642{margin-bottom: 0px !important;}”]

Tickets are $18 in advance and include any applicable taxes and fees. Space is limited and tickets may sell out prior to the event. If available, tickets will be sold at the door for $25 each.[/vc_column_text][vc_btn title=”BUY TICKETS” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F785642%2Fstories-and-songs-of-woody-guthrie-a-musical-history-performance-by-joel-underwood%3F_gl%3D1*1lfr4za*_gcl_au*MTY5MjM4MzMwNy4xNzkzMTE0NTQ4LjIwOTI0MjQzNDQuMTc5MzExNDU1MS4xNzkzMTE0NTU1LjE1OTcwMTU0MTcuMTc5MzExNDU1MS4xNzkzMTE0NTU1*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTMxMTQwNTIkbzE1MSRnMSR0MTc5MzExNTEyMyRqNTAkbDAkaDE1MzQzMzQzMTQ.”][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793378820300{margin-bottom: 0px !important;}”]General admission seating in Providence Academy Chapel pews will be available on a first-come first-served basis. Doors will open at 5:30 p.m. (30 minutes prior to performance start time). Free parking is available in the Providence Academy lot (the Aeon Apartments parking lot is NOT available for event parking).

This event is a fundraiser for The Historic Trust, a 501(c)(3) nonprofit. Proceeds from ticket sales support its mission to inspire civic pride and economic vitality through education, preservation, and celebration of our community’s history.[/vc_column_text][mk_padding_divider size=”15″][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]

Guitarist Tracy Kim is best known as one of Portland's foremost gypsy swing guitar enthusiasts and instructors. He is also well-known for his Latin stylings: bossanova, samba, and other Latin jazz forms. Come sip and enjoy!

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Notes on Seating: Only tables 1-6 are reservable and come with 2 meals. The Reserved seating is first come, first seated. You may be seated with people not in your party. GA Tickets are not guaranteed a seat, and may be standing room only. Meals are available for the $20 Meal Add On, purchased in advance.

Join our hosts, Elevate Unity & B-Fox Productions for this extraordinary night of live music and soul food at this annual holiday Neo Soul and R&B explosion, featuring PDX's #1 sophisticated show stopping dance band,

Enjoy this super soul music mix featuring hits from the 80s, 90s, 2000s and more!

Feel the essence of the music that defined multiple generations, curated to deliver a seamless musical performance to keep you on the floor.

The band is anchored by legendary PDX producer / vocalist & Oregon Hall of Fame percussionist Brian Foxworth.

He's joined by the legendary National touring bass bad boy, Ben Jones and the New York native and nationally recognized keyboardist Nick Rolfe, plus renowned lead guitarist extraordinaire formerly of the historic 70's R&B hit band "Pleasure"

Running out the band is the incredible lead vocal talent Ms.

It doesn't stop there, we've added performances by smooth special guest vocalists & break out talent Madison Rose "Sade Tribute Band"

Singer-songwriter and Neo Soul fenom croner Mr. Eli Hardy!

The Gold Experience Band takes some of the Northwest’s top, world class musicians and provides the best of the best in many genres of music including but certainly not limited to Soul, R&B, Funk, Jazz Neo Soul & Pop. Individually the lineup has backed artist from Curtis Salgado, Buddy Guy, BB King, The late PeeWee Ellis, The Drifters, Frank McComb, Pleasure and Neville Brothers to Sting, Aretha Franklin and Anita Baker.

Simply put, this is the quintessential show band to fit your needs

Music Millennium, Black United Fund, Music Portland, Kettle One Vodka, Riverpoint Medical

Elevate Unity Inc. is a collaborative nonprofit. It was concived during covid from the necessity to support the local arts and musicians, reconnect our community, and promote unity through the healing message of the music!

Our focus is to advocate for inclusion, equality, and equity for al Black Friday Neo Soul Supper Club

Behind The Scene with The Christopher Brown QuartetSun, Nov 01++ PLEASE NOTE - THIS IS EVENT IS FOCUSED ON EDUCATION - PLEASE READ DESCRIPTION ++In an effort to create meaningful culture building moments within a Jazz context for teenage musicians (as well as band instructors), drummer/bandleader Christopher Brown will host an ongoing series entitled “Behind the Scene” with his quartet. And what will separate this event from any other like it is that it’ll combine the Jam session, concert, and clinic experience into a collection of transformative moments for all involved.On the 1st Sunday of each month Christopher teams up with Montavilla Jazz to provide our city with an invaluable Jazz workshop that’s designed to adequately prepare young musicians for the most competitive musical environments in the world (namely NYC). So for the cost of a trip to Starbucks, this event provides:• 30 min concert by Christopher’s quartet.• One hour Q & A with the quartet.• 30 min food, beverage, and mingling break.• One hour of interactive music mentoring with members of Christopher’s quartet.• Access to the quartet’s extended network.**THERE IS NO FOOD OR DRINK SERVED AT THIS EVENT (outside food and drinks are permitted)** 01:00 PM SHOW

Friday, November 6, 2026
6:00-8:30pm
with Elsy

Why Do Haitians Eat Pumpkin Soup (Soup Joumou)?

Soup Joumou is much more than a delicious Haitian pumpkin soup. It is a powerful symbol of freedom.

During the colonial era in Saint-Domingue, now Haiti, enslaved Haitians prepared elaborate foods for their French colonizers while living under a brutal system of slavery that denied them freedom and dignity. Soup Joumou was one of the dishes the slaves were not permitted to enjoy.

After Haitians defeated the French and declared their independence in 1804, this pumpkin soup (Soup Joumou) became a symbol of their newly won freedom. Today, Haitians around the world continue the tradition of eating Soup Joumou on January 1st to celebrate Haiti’s Independence Day and honor the courage, resilience, and freedom of their ancestors.

In this hands-on class, we’ll explore the history and cultural significance of Soup Joumou while learning different ways to prepare this delicious Haitian soup.

We’ll also make French baguette and Haitian bread from scratch to enjoy alongside our Soup Joumou.

• Students may choose to use beef in their Soup Joumou or keep it vegan.

• Registration for this class will close on Wednesday, November 4 at 6pm, so we have time to shop for ingredients and prep class materials.

Please view our FAQs before registering.

Visit Vancouver and The Kiggins Theatre are pleased to welcome back the annual D.B. Cooper Con produced by Vortex Events, LLC and taking place from November 13th through the 15th.

A Three-Day Pass is $75 and is limited to 200 passes total. Daily tickets can be purchased for $35 for Friday and Saturday or $30 for Sunday only. Available online or at the box office day of show.