Performing Arts❯Comedy❯Improv

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

Hot Goss: Rebecca Feldman, Jason Hays, and Jessica Zodrow have been improvising/performing together for years. Their love of pop culture has manifested in their original format — where they recreate a real movie they’ve never seen before. They take what they know (or don’t) about a movie suggested by the audience, fold in classic story tropes, joyous relationships, and filmmaking devices to bring their director’s cut to life. Each performance will feature an opening group from the reputable Portland improv scene.

All ages welcome, though assume PG13 content. $15 online / $20 at door.

Cited by The Portland Mercury as "One of the funniest (and most educational) comedy shows in town": Comedy, queer history, and dangerously delightful shenanigans collide at Be Gay Do Crime.

July features a Know Your Rights presentation by community activist Frances Portillo, with scenarios acted out in sections by the featured BIPOC improv troupe Brown Sugar.

**This presentation is specifically geared towards allies wanting to know more about how to support their immigrant and BIPOC neighbors and community members.**

Also featuring the talents of local comedians and performers, including:

• Stand-up comedy from Lindy Tongol (Host of qu eer, BIPOC show House Party)
• Improv from Brown Sugar
• Stand-up from Julia Corral (host of Comedy in the Park, House Party, and Bruja-ja)

July's show will be hosted by Jane Dillinger and Jenna Britann.

Tickets are GAYAF — give as you’re able, friend. Ticket sales will go towards compensating the hosts and performers. All additional tips collected during the show will support a different local community non-profit organization each month.

(Please note, this show is about history and adult themes, and adult content is often included, including themes of violence, racial discrimination, homophobia, sexual violence, sexual content, drug use, mature language, etc. There are also "dishonorable guests" whose comedy or artistic material could include similar themes. Recommended for ages 14+ and parental discretion for those under age 18.)

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Search and Destroy (S.A.D. for short) is a multimedia variety show happening on the last friday of every month featuring artists and local leaders sharing their craft and talking about what matters most to them. Through storytelling, live conversations, audience interaction, and heavy doses of honesty and humor, S.A.D. seeks to give hope and to be an entertaining and informative space for all to have fun, let loose, and be reminded that we as a people have the agency and ability to initiate change by working together as one.

S.A.D. was partly inspired by late-night television talk shows and variety hours and follows a similar format: an eye-catching opening number, a charming Emcee willing to play the fool, and a shared evening of dance, music, film, comedy, and conversations/interviews, all loosely tied to a theme of the night. The show ends with a dance party where the audience is invited to join the party on stage.
One of the main goals of each S.A.D. show is to dissolve the separation between artist and audience by directly engaging, conversing, and interacting with the audience, inviting them to participate in their seats as well as on the stage.
 Every show features dance movement, improvisation, visual imagery and soundscapes, conversations and spoken word, and various bits that play with the blurring of boundaries between the scripted and unscripted, all through an honest and humorous lens and the intention to entertain, educate, and inspire. Each episode of S.A.D. showcases different artists and acts than the previous one, guaranteeing that every iteration is unique and can only be experienced once.
S.A.D. is a show for everybody and every body, regardless of their identity, background, age, and anything else used to describe oneself.

*Revenue generated from each show is split evenly amongst the contributing artists

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

X-Prov is a fully improvised, never-before-seen episode of the X-Files where you choose the case and your favorite FBI agents solve a brand new mystery. Is the truth really out there?

Remember the X-Files? What if you got to see one more episode, never before seen and never to be seen again?

In X-Prov, the audience decides which X-File agents Mulder and Scully will investigate. This completely improvised homage to America’s favorite conspiracy-laden ‘90s procedural will feature shadowy government organizations, small-town secrets, and at least one unexplainable creature.

Featuring Tessa Waring (as seen in Group Shower) as Scully, Mo Merrill (as seen waiting for the bus on Glisan) as Mulder, and a supporting cast of Kickstand favorites.

So ask yourself: Do you want to believe?

See full details at tomorrowtheater.org.

Join a very special Portland premiere of director Chad Brown’s new documentary Unseen: Invisible Wounds, Invincible Spirit. Taking place the week of Veterans Day, this film follows five veterans as they bike through two hundred miles of raw, unforgiving wilderness on a trail that asks everything of you and gives back something no clinic or desk job ever could. Following the film, director Chad Brown will be joined on stage for a Q&A about the film.

They came to Lakeview, Oregon, carrying things that don’t fit in a pack. Five veterans. Two hundred miles of raw, unforgiving wilderness. One trail that asks everything of you and gives back something no clinic or desk job ever could. Unseen begins at the edge of what most people call the end of the map Lakeview, Oregon, the last frontier, the quiet gateway to the Oregon Timber Trail; from that threshold, it launches something that can only be called a reckoning. This is not an adventure film. This is a document of survival, of spirits refusing to be broken, of invisible wounds meeting invincible will. Five veterans strap into their bikes and ride into the kind of silence that forces you to finally hear yourself. The cameras go with them. And what unfolds over volcanic plateaus, through alpine forests and ancestral lands, across a living corridor of history that stretches 600 miles from the California border to the Columbia River Gorge is something that will not let you look away. But Unseen is not only the story of these five riders. It is haunted by another story one America nearly buried. The Triple Nickel. The 555th Parachute Infantry Battalion. America’s first Black smokejumpers, who were dispatched to Oregon’s forests during World War II on a covert mission called Operation Firefly protecting this very land from Japanese incendiary balloon bombs at a time when their country denied them the right to fight as combat soldiers overseas. They parachuted into burning forests to save a nation that had not yet decided to save them. Their bravery was classified. Their names, forgotten. Their sacrifice, erased. Today, as five veterans pedal through the same wilderness those men protected with their lives, their ghosts ride alongside. The Oregon Timber Trail becomes something more than a route. It becomes a corridor of memory. A long-overdue act of remembrance.

2026. Directed by Chad Brown. Runtime: 65 minutes.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

J Names is one of the area’s longest running improv teams. A prominent comedy supergroup of local comedy veterans whose first names (most!) start with the letter “J”. This is high-quality improvisation you won’t want to miss. Featuring: Jay Flewelling, Jed Arkley, Justin Himes, Jenn Hunter, Jon Bolden, SJ Santa Cruz, Katie Behrens, Craig McCarthy.

All ages welcome, though assume PG13 content.
$15 online / $20 at door

Tickets available at the door Fundraiser for Snowday’s Foundation; raffle ticket included! LIFEFORM broadcasts the exploits of 10 riders on the vangaurd of gritty, urban riding as they seek out spots, stack shots, and travel the globe in order to bring their regimen of style and progression to screens everywhere. Directed by Justin Meyer.

Enjoy A Voice of Her Own / Una Voz Propia, an evening of music, storytelling, and film celebrating the cultures, stories, and extraordinary talents that immigrants bring to the state and communities—and standing with them when they need support the most.

The evening will feature live music and storytelling by Gemanereida Barragán-Cruz—Mariachi Singer and Storyteller, and culminate in the world premiere of a new 15-minute documentary about her extraordinary artistic journey and the power of her voice.

More than a film screening, this is an evening to gather in community, experience music and stories live, and celebrate Gemanereida and the many ways immigrant artists enrich the cultural life of our community.

🎬 ONE NIGHT ONLY: WORLDWIDE: UNCHARTED TERRITORIES

Thursday, November 19 | Doors 7 PM | Film 7:30 PM

Tomorrow's Verse is teaming up with British music platform Generation W for a special Portland screening of Worldwide: Uncharted Territories, a documentary celebrating independent women in music from around the globe.

Filmed over five years, the documentary follows Generation W's journey from a virtual festival connecting 50 women across 20 countries during the pandemic to an international movement bringing independent female artists to stages in London, Paris, New York, Los Angeles, and beyond.

Featuring never-before-seen performances, behind-the-scenes footage, and stories of women building music careers on their own terms, this is a celebration of creativity, perseverance, and the power of music to connect people.

After the screening, stick around for a playlist featuring women in music from the UK and US, conversation, and community.

🎟️ Tickets: https://specialethics.com/products/worldwide-screening-in-portland

📍 Tomorrow's Verse Taproom

4605 NE Fremont St., Portland

21+ event

This film won't be available to watch online. Come experience it with us!

Picture a Sunday night with family and friends around watching a movie and playing games. Come to our Soulful Sundays at Albina! Play Spades, Dominos, Uno and more! Happening every 1st and 2nd Sunday of the month through November! All ages are welcome.

Featured Film: MARY LOU WILLIAMS: THE LADY WHO SWINGS THE BAND (running time 1Hr 10min)

Tickets $15. Are you ready to time travel back to the year 1990?! We're thrilled to present a documentary about a TV show called BUZZ, which aired in 1990 for one season on MTV as a "current affairs" show. Following the screening, there will be a moderated conversation and Q&A with Mark Pellington and Lance Bangs.

Join a special evening with trailblazing drag artist, activist, and political candidate Marti Cummings and Portland-based constitutional law professor and author Robin Maril. Before the film, Marti and Robin will sit down for a live conversation about queer representation, civic engagement, and the power of showing up for your community. The conversation will be moderated by Kyndall Mason of Basic Rights Oregon.

Following the conversation, stick around for Queen of New York, the acclaimed documentary following Marti Cummings’ groundbreaking 2020 campaign to become one of the first openly nonbinary members of the New York City Council. This evening also celebrates the launch of Robin Maril’s new book, A Queer Guide to Saving American Democracy. Copies will be available for purchase on site.

ON SCREEN: Queen of New York

2023. Directed by Emma Fidel. Runtime: 1 hour 20 minutes.

Welcome to a different kind of drag race. As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics — one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

Join the Change Through Play Improv studio for an evening of improvisation. The showcases feature students from every level of classes, improvisers from around Portland, and the Founder and staff improvising as well. The showcases are fun and different!. Come see students demonstrating what they’ve been learning. Learn the difference between what beginning improvisers explore versus intermediate and advanced improvisers.

These showcases are VERY supportive and nurturing, and they're designed to let the students publicly show what they've been working on in class, so bring the spirit of support with you.

Come see sets from the Foundations, Intermediate and Advanced Workshop teams. Also featuring a Harold from the special guests: Mouth Stuff.

The evening will close out with a set from 3hree with Eric and Aden Nepom and the Founder, David Koff.

Join an evening of inspiring and captivating films handpicked from the Mountainfilm festival in Telluride, Colorado. Using the power of film, art and ideas, Mountainfilm inspires audiences to create a better world. Held every Memorial Day weekend, the Mountainfilm festival brings together a community of filmmakers and changemakers, showcasing documentary films that celebrate adventure, activism, social justice, the environment and indomitable spirit.

Started in 1979, Mountainfilm is one of America’s longest-running film festivals. Through the years, in and out of trends and fads, the festival has grown and changed to its current iteration, a thought-provoking weekend of film, art and ideas that leaves audiences with full cups and feeling inspired to create a better world.

Pacific University and the Indigenous Student Alliance is partnering with OPB to bring the film “First Descent: Kayaking the Klamath” to the Forest Grove Campus on Thursday, Nov. 5

Memorie Olfattive is a film documentary about perfumer and visionary Meo Fusciuni, exploring his life and creative process. The film beautifully follows his early beginnings and path into the present, exploring themes of identity and personal transformation.

One of the best parts of art is that it is often hard to describe, difficult to put words to, and ultimately must be experienced for oneself. The artists making such profound works as these produce pieces that are much more difficult to describe, as they are not just the source of this feeling, this heart, this soul, but also the hand that offers it into our collective existence. Portland fragrance enthusiasts have shown great care and passion for Meo Fusiuni’s works of fragrant art over the years; anyone who has smelled these vulnerable and singular scents from this honest and big-hearted perfumer knows how moving, evocative, and emotional they are. Meo, in turn, cares deeply for Portland and Fumerie Parfumerie, and is responsible for Fumerie‘s very first original fragrance, Ponte Etereo, which is inspired in equal measure by Portland and the emotional bond between Tracy Tsefalas (Fumerie Founder, Owner, & Creative Director) and Meo Fusciuni. This documentary, directed by Francesco Spagnuolo and produced by Angelika Vision, is an intimate and poetic journey through scent, memory, and identity.

Cascadia School will host a free screening of “Screenagers: Generation AI” from 1-3:30 p.m. Nov. 8 at the Vancouver Community Library’s Columbia Room at 901 C St., Vancouver. This is the fifth film from the team behind the acclaimed “Screenagers” documentary series. “Generation AI” captures the critical moment as AI reshapes young people’s relationships, learning and mental health. The film blends science and personal experiences, equipping parents, educators and policymakers with tools to shape how AI enters their schools and homes. After the screening, participants can share their thoughts about the film. RSVP at zeffy.com.

Roadless follows three adventurers as they set out on foot through the Alaskan wilderness with a goal: to follow the entire 211-mile length of the proposed Ambler Mining Road. 160 miles north of the Arctic Circle, the team crosses vast tundra, wild rivers, and pristine forests, bringing audiences directly into one of the most remote and ecologically intact landscapes in North America.

As the miles accumulate, so do the challenges — injuries, exhaustion, hunger, relentless mosquitoes, and the harsh reality of traveling difficult terrain without roads or trails. But the expedition also reveals a landscape few people will ever experience firsthand. Encounters with wildlife, 24-hour sunlight, and the vast Arctic ecosystem offer a glimpse into a remarkable environment that has remained largely untouched by human development.

Roadless is an adventure film about endurance and natural beauty, while exploring what could be lost if the Ambler Road is built.

62 minutes | 2026 | Rated G

Designer Isaac Mizrahi proved a force of nature on the road to his legendary fall 1994 collection, a career-defining triumph that was documented with an effervescent intimacy by Douglas Keeve, Mizrahi’s then-partner. Both a time capsule of the buoyant, raucous 1990s, when pop culture and high art became interchangeable, and a vérité-style, in-the-trenches report on the daily agonies and ecstasies of the creative process, this seminal artistic portrait—sumptuously shot by Ellen Kuras and Robert Leacock—transcends glitz and glamour to offer an extraordinary view of the charisma and force of will inherent to genius, as well as its personal costs.

1995. Directed by Douglas Keeve. Runtime: 1 hour 16 minutes.

What happens to all the food we grow but never eat? And what can we do to change that?

Join Slow Food Portland for a special screening, followed by a community conversation exploring food waste and the local efforts working to address it.

In this thought-provoking documentary, filmmakers Jen Rustemeyer and Grant Baldwin challenge themselves to live for six months on food that would otherwise be thrown away. Along the way, they uncover the staggering amount of perfectly edible food wasted across our food system and the environmental, social, and economic consequences.

Following the film, we’ll bring together local panelists working in food recovery, sustainability, and food systems to discuss what’s happening here in Portland and how we can create a less wasteful, more equitable food system.

Whether you’re passionate about food justice, sustainability, or simply curious about reducing food waste, we hope you’ll join us for an evening of film, conversation, and community.

• Director: Jenny Rustemeyer & Grant Baldwin
• Year: 2014
• Country: United States
• Runtime: 75 minutes

Cult favorites Hopes ‘n’ Prayers returns to Kickstand Comedy with an explosive late-night comedy show that will blow you into a million pieces. Throw out your SSRIs and mainline the dopamine that is Party for the End of the World. Join another favorite indie team for a night of improv comedy, party games, chaotic characters, end-days camaraderie, and whatever the hell else they feel like.

***content warning: guns, violence, sex, language, giant boobs, abstinence, drug use, war (what is it good for), suicide, patricide, matricide, fratricide, misandry, shit and piss, vomit, semen, sexy anthropomorphic animals, depression, addiction, alcohol use, hot carl, two girls one cup, slime, squirt, blood, menstruation, tooth decay, incontinence, impotence, desecration of national monuments, vehicular manslaughter, paranoia, diseases of despair, astrology, anti vaxxing, over vaxxing, neurodivergence, recycling, that thing of when a person on a lime scooter flies off and is mortally wounded, skateboard, huffing, puffing, poppers, whoppers, antiauthoritarianism, flashing lights, being way up on high, petty theft, acab, rippin beers, big tech, artificial insomnia, ménage á trois, peace, love, unity, respect, drunk driving, arson, being in a cemetery after it closes, cannibalism, disney adults, going no contact, uncles and nephews being in a band, bus of life, late stage capitalism, columbine, male loneliness epidemic, 23&me, polyamory, the 2008 financial crisis, microplastics, plastic surgery, running from the law, breaking stuff, little to no respect for furniture, splash zone, osteoporosis, scoliosis, paranormal encounters, blood, sweat, tears, hemorrhoids, neck, back, pussy and crack issues, bill paxton, bizarre allergies, mass extinctions, war on christmas, using the computer, organ theft, broken hearts, huge boats, bodily harm, necrophilia, sexually transmitted infections, buying in bulk, heliocentrism, conspiracies, witches who buy things on amazon.com, pussy hats, hillary clinton jail time, 9/11, buying airline tickets for a discount on 9/11, factory farming, evolution, long content warnings, toxic positivity, party rocking, not being sorry for party rocking, unappealing textures, atheism, misotheism, loving god with no proof, homosexuality, and homophobia.***

Hopes ‘n’ Prayers is Diana Kolsky (The Chris Gethard Show), Lauren Sinner (Night Cheese), and Blade Weedman (Fuckos).