Arts & Media❯Museums

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Samantha Swindler, reporter with the Oregonian, will talk about the history of the newspaper, which is celebrating its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, including the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Live, in-person, history programs are at the Museum of the Oregon Territory with the Look Back Lecture Series! See experts recount histories from our region, ranging from culture and community to nature and ecology. Click this link to see what lecture series are coming next.

Complementing the mansion's upcoming exhibit will be the 2026 Home for the Holidays — Holidays from Around the World annual celebration. Eighteen rooms throughout the mansion and Gate Lodge will be transformed into festive displays inspired by holiday traditions from Europe, the Middle East, China, India, South America, Mexico, and beyond.

Since March, dedicated volunteer decorators have been thoughtfully developing their design concepts and bringing their creative visions to life. For the first time, nine community organizations are joining the efforts. Through these new collaborations, Pittock Mansion introduces new members of the Portland community to the mansion while welcoming back familiar faces and longtime supporters to experience the warmth, beauty, and joy of the holidays at Portland’s beloved home — The Pittock Mansion.

Make this season the most memorable yet. Pittock Mansion‘s Home for the Holidays, Holidays Around the World. The Portland Then and Now: The Changing Demographics exhibit will also be open throughout the Home for the Holidays celebration. During the holiday season, visitors can enjoy both experiences with a single admission ticket.

Spooky season doesn’t end with Halloween! Join us for a ghost tour and investigation of the Stevens-Crawford House and a haunted history tour of the Ermatinger House. The Falls Distilling will also be joining us to serve up samples of their “spirits” and will have their gin products available to purchase. $45 More info and tickets at bit.ly/OCSaturdayNightSpirits

One hundred and twenty-five years ago, President Theodore Roosevelt signed the law creating Crater Lake National Park. It was the fifth of now over sixty national parks in the United States. In commemoration of Oregon’s only national park, the Oregon Historical Society designed an original exhibition, Creating a Masterpiece: Artists and the Origins of Crater Lake National Park(on view from November 20, 2026, to January 9, 2028), and published the Oregon Historical Quarterly's Fall 2026 special issue, entitled “Crater Lake and Artistic Imagination.” Together, these productions tell the story of how nineteenth-century landscape painters brought Crater Lake to regional and national audiences and influenced its national park designation. In this program, exhibition curators Megan Lallier-Barron and Peter Boag share the inspiration and research behind the exhibition and discuss how — through everything from historic paintings and photographs to museum objects and QR codes — they have made the story available to a modern audience.

It wasn’t all unicorns and rainbows on the Oregon Trail. Historian John Jarvie leads a tour through the darker history (and comedy) of the iconic journey at the End of the Oregon Trail Interpretive and Visitor Center. Tickets include two drinks, either alcoholic or nonalcoholic. Participants must purchase tickets online before the event.

For more on Day Camps, visit our website.

Today’s Theme: Heroes of Aerospace

In honor of Veterans Day, we’ll be doing an overview of the history of the bold and the brave who took to the skies and reached for the stars.

To enroll, visit our website. Early bird pricing expires 7 days prior, tickets close 3 days before camp start.

Join the Education Weekly for special offerings on our programs!

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Live Wire teams up with the Portland Art Museum during First Thursday and the Portland Book Festival. From 4:30 to 6 p.m., complimentary pop-up performances roam the museum galleries, no ticket needed. At 7 p.m., host Luke Burbank and announcer Elena Passarello lead a seated, ticketed taping with poet and rapper Dessa, children’s author Mac Barnett, Pulitzer Prize finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors open at 6:30 p.m.. Portland Book Festival passholders get 10% off.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, prompting McGrain to come forward and offer the city a bronze version of the bust. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts and Culture, Portland State University conducted a community survey to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join a thoughtful discussion about McGrain’s act of protest and York as a historical figure significant to Portland's history and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

Crater Lake National Park was signed into law by President Theodore Roosevelt in 1902. It was the fifth of over sixty national parks in the United States. In commemoration of Oregon's only national park, the Oregon Historical Society (OHS) has created a new exhibit, Creating a Masterpiece: Artists and the Origins of Crater Lake National Park (on view from November 20, 2026 to January 9, 2028) and published the Oregon Historical Quarterly's Fall 2026 special issue, entitled "Crater Lake and Artistic Imagination."

Professor Peter Boag and OHS curator Megan Lallier-Barron tell the story of how 19th-century landscape painters brought Crater Lake to regional and national audiences and influenced its national park designation. They share the inspiration and research behind the exhibition and discuss how - through everything from historic paintings and photographs to museum objects and QR codes - they have made the story available to a modern audience.

Peter Boag is Arnold M. and Atsuko Craft Distinguished Professor in the Department of History at Washington State University. While he now lives north of the Columbia River, he was born and grew up in Oregon and has an enduring interest in the Cascade Range. He is the author of various books, articles, and essays on Pacific Northwest history and is curator of the Oregon Historical Society's new exhibit on Crater Lake.

Megan Lallier-Barron is the curator of exhibitions for the Oregon Historical Society and is responsible for researching and developing content for exhibitions of all sizes. Megan holds an MS in arts management with a focus on museum studies from the University of Oregon and a BA in archaeology and art history from the State University of New York (SUNY) College at Potsdam.

Artwork by Peter Boag

Enjoy 15% off your hotel stay on History Pub nights! Show your ticket at check-in.

These events are open to everyone interested in Pacific Northwest history, and beyond! Often co-sponsored by local or state historical and civic organizations, we bring you experts, scholars, first-person experiencers, historians and documentaries expounding on topics from indigenous history to the birth of Portland, early explorers to hop growing, and on and on! It's like being back in the classroom - except this time you get to settle into comfortable seats and enjoy a drink or two with dinner while you listen and learn.

This event is eligible for a History Pub Stamp

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

After years of research, award-winning Seattle author David B. Williams joins Mount St. Helens Institute at a special Portland event for a conversation on his newly published book, In the Range of Fire and Ice: A Human and Natural History of Washington’s Cascades.

Blending human and natural history into a vivid portrait of one of North America’s most dynamic landscapes, In the Range of Fire and Ice is a lively, groundbreaking exploration of Washington’s Cascade Range. Drawing on conversations with anthropologists, park rangers, ecologists, and climate scientists, as well as firsthand experience, Williams brings readers into the mountains to uncover stories etched in the landscape over millennia.

From traditional Indigenous huckleberry harvesting grounds and ancient footpaths to erupting volcanoes, shifting glaciers, and forgotten mining camps, In the Range of Fire and Ice reveals the Cascades as a place of both deep time and constant change. While past logging, mining, and fires left lasting scars, the Cascades also tell powerful stories of recovery and resilience–returning wolverines and wolves, the remarkable rebirth of Mount St. Helens, and growing stewardship in the face of climate change. Through rich storytelling and careful research, Williams invites readers to see the Cascades not only as mountains, but as a living, evolving realm of fire, ice, and hope.

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Join Israeli-American storyteller and public historian Yuval Malchi for a look at the lesser-known Americans who helped shape and defend the State of Israel. Through personal stories of nurses, social workers, intelligence operatives, and military leaders, Malchi explores the contributions of figures such as Rose Kaplan, David “Mickey” Marcus, Al Schwimmer, and Hank Greenspun, and their lasting impact on the relationship between the United States and Israel. In partnership with Jewish Federation of Greater Portland.

*The talk is geared toward adults, but welcoming participants ages 13 and up. *

MUST RSVP.

On November 17, Portland will recognize its first annual day honoring the life and legacy of Will Vinton as proclaimed by Mayor Keith Wilson.

The event celebrating this momentous occasion will take place two days prior on Sunday, November 15, 2026, at McMenamins Mission Theater. This event is free and open to the public.

We will be displaying pioneering stop motion equipment from Will Vinton Studios, screening his award winning short films, and hearing about his impact on the world from friends, family, and fans.

About Will Vinton

Will Vinton was an award winning stop motion animator and filmmaker who called Oregon home. He laid the groundwork for Portland's animation scene, and today the city is widely considered to be the stop-motion capital of the world.

Vinton first gained notoriety in 1975 when his short film Closed Mondays won an Academy Award, the first film produced in Portland to do so. From there, Vinton opened the doors of his stop motion animation studio in the heart of Portland’s Nob Hill district. He would go on to produce numerous short films, television series, music videos, commercials, and special effects which are still influential today; such as The Little Prince (1979), Moonlighting (1987), Disney’s Return to Oz (1985), The PJs (1999 – 2001), and The California Raisins.

Later in life, Vinton branched into live action and CGI work, taught at The Art Institute of Portland, and created a musical titled The Kiss.

By the end of his career, Vinton had accumulated one Academy Award and three Primetime Emmy Awards alongside multiple nominations for both.

About MOSMA

This proclamation and event are spearheaded by MOSMA (the Museum of Stop Motion Animation). MOSMA is a nonprofit organization that was founded in 2022 by president Brian Capati. We have been collaborating with local businesses and theaters to host various programming including quarterly screenings of stop motion films at the Hollywood Theatre, community collaborative animation workshops, and speaking events with industry professionals.

We are centered around strengthening the bonds between art, community and industry in efforts to establish a permanent stop-motion museum.

MOSMA’s Mission Statement

The Museum of Stop Motion Animation is a creative nexus between local industry and the global community. Building upon Portland's unique legacy in this remarkable medium, our goal is to enrich the public’s understanding and appreciation by inviting them to peer behind the curtains of this intriguing art form.

Stop motion is a symphony of artists who contribute their gifts to create truly handmade cinema. We seek to preserve stop motion animation and promote a united passion for it, so that this wondrous art form may continue to evolve and enchant audiences.

Website: mosmapdx.org

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Join Professor Dr. Schreiber and the Skeleton Key Odditorium for an historical magic experience unlike any other. Beyond Belief: Magic & Mysteries with The Historical Conjurer

Since the earliest days of the ancient ancestors, conjurers have illuminated the strange, the mysterious and the unexplained for all to see. Now, Professor Dr. Schreiber, the Historical Conjurer, will lead you on a journey through the past centuries of magic. You'll see parlor magic from a bygone era just as it was enjoyed by the elite audiences of antiquity. You will enjoy the tales of old times and smile and laugh together and experience this history of magic.

Guests are encouraged to dress in their best old-fashioned attire or whatever makes you feel comfortable. Very limited tickets are available for this exclusive event.

This performance will be followed by a brief question-and-answer time to discuss magic and history.

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

See full details at tomorrowtheater.org.

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Join us for Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland.

Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 54 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to participate in creative activities. Guests can further extend their experience by exploring works available through the Portland Art Museum's Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Guests Will Enjoy

• Tastings from 54 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Six featured artist and winery pairing experiences
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Raise a glass, discover something new, and experience the harvest season through a fresh lens—where every bottle tells a story, and every work of art sparks a connection.

Ticket Options

VIP Admission – $135

5:00 - 9:00pm

Includes one hour of exclusive early access, premium tasting opportunities, passed hors d’oeuvres, and more intimate opportunities to connect with featured artists and winery representatives before general admission begins.

General Admission – $105

6:00 - 9:00pm

Includes event entry, wine tastings, seasonal culinary offerings, access to artist experiences, live demonstrations, and interactive activations throughout the evening.

Alcohol-Free General Admission (No Wine Tasting) – $55

5:00 - 9:00pm

Includes event entry, access to artist experiences and interactive activations, non-alcoholic beverage offerings, and seasonal culinary selections.

*Please note: this event will take place in Portland Art Museum's Grand Ballroom, and does not include access to the Museum galleries.

Participating Wineries

1. Adelsheim Vineyard
2. Alexana Estate
3. Amaterra
4. Ambar Estate
5. Approachment Wine Company
6. Balsall Creek
7. Bellingar Estates
8. Bergström Wines
9. Boedecker Cellars
10. Burton Bittman Wines
11. Brick House Vineyards
12. Chehalem Winery
13. Chosen Family Wines
14. Cooper Mountain Vineyards
15. Cristom Vineyards
16. Dobbes Family Winery
17. Domaine Divio
18. Domaine Serene
19. Dominio IV
20. Durant Vineyards
21. Dusky Goose
22. Erath
23. Evesham Wood & Haden Fig
24. Eyrie Vineyards
25. Gran Moraine
26. Holocene Wines
27. J. Christopher & Appassionata Estate
28. Jachter Family Wines
29. Knudsen Vineyards
30. La Biblioteca
31. Lachini Vineyards
32. Lange Estate Winery
33. Left Coast Estate
34. Lingua Franca
35. Lundeen Wines
36. Lytle-Barnett & Aubaine
37. Matzinger Davies
38. Nicolas-Jay
39. Nysa Vineyard
40. Olive Hamilton Russell
41. Open Claim Vineyard
42. Raptor Ridge Winery
43. Résonance
44. REX HILL
45. Ridgecrest
46. ROCO
47. Roots Wine Co
48. Saffron Fields Vineyard
49. Stoller Family Estate
50. Terra Vina Wines
51. Trout Lily Ranch
52. White Rose Estate
53. Willamette Valley Vineyards
54. Winderlea

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

On the first Wednesday of the month, join us in the Discovery Museum’s reading nook for Forest Stories. A storytime dedicated to forests and forest-themed books that connect adults and children and engage the imagination. Coloring pages are also available.

This offering is included with museum admission.

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

We've all heard the phrase, "If it ain't broke, don't fix it." Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We'll explore how it happens, why evolution keeps repeating itself, and what these evolutionary "reruns" can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Science Pub Mission Theater is a monthly event that is open to anyone and everyone. No scientific background required. Just bring your curiosity, sense of humor, and appetite for food, drinks and knowledge! For more information or to sign up for our mailing list, email: [email protected].

Technology has always shaped the way we’ve stayed informed, expressed ourselves, and stayed connected as communities. What lessons do earlier technologies, like print, hold for us today in the age of AI and digital overload? And why, despite the speed and convenience of newer technologies, is print more popular than ever?

At the end of the talk, audiences will get the chance to try printing on a portable press.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Geoffrey Turnovsky is professor of French at the University of Washington. His teaching and research focus on the cultural history of early modern France and Europe, and the history of print, books, authorship, and reading. He is the author of Reading Typographically: Immersed in Print in Early Modern France.

Geoffrey lives in Seattle.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1793313188911{margin-bottom: 0px !important;}”]Reservations are now open!

Admission is FREE, but reservations are required due to limited seating.[/vc_column_text][vc_btn title=”RESERVE A SEAT” color=”warning” size=”lg” css=”” link=”url:https%3A%2F%2Fthehistorictrust.rezdy.com%2F781920%2Fpermanent-ink-why-we-still-love-print-in-the-digital-age%3F_gl%3D1*zutbgg*_gcl_au*MTA5ODE3MTY3MS4xNzkwMjg5MTQzLjY2NDI0MTc5MS4xNzkwMjg5MTQ2LjE3OTAyODkxOTkuODQzMTY1ODM2LjE3OTAyODkxNDYuMTc5MDI4OTE5OQ..*_ga*MTM2NDc5Mzk1NS4xNzczODQ4NTkw*_ga_J7SXS0R0D6*czE3OTAzNTA1OTIkbzEyNSRnMSR0MTc5MDM3NTAyMSRqMzckbDAkaDY0Njc2MjQ1MQ..”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”turquoise” border_width=”2″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1791842995682{margin-bottom: 0px !important;}”]The Historic Trust Fall Speakers Series is Presented by University Village

[/vc_column_text][/vc_column][/vc_row]

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl's desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Raqting: PG-13 | CC and AD Available | Accessible Entrance Available

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Join us in honoring our nation’s heroes at the 38th Annual Lough Legacy Veterans Parade presented by Gesa Credit Union. We are excited to continue this community tradition of honoring and celebrating America’s veterans. This free event is open to everyone in the community. Bring a chair and a blanket, get settled in, and enjoy the festivities! Volunteers will be handing out free American flags to the first 1000 guests courtesy of the Salmon Creek American Legion.

The parade will take place RAIN or SHINE, so please dress for the weather. Entries include veterans’ organizations, military vehicles, festive marching bands, ROTC units, equestrian groups, youth organizations, and so much more!

While you are at the parade, we invite you to stop by the Gesa Credit Union sponsor booth for free giveaways!

Additional celebration and veteran support organizations can be found at the Community Military Appreciation Committee (CMAC) Veterans Day Open House, happening 11 a.m.– 3 p.m. at Pearson Air Museum.

Parade Route:

Begins at Evergreen Blvd. & E. Reserve Street (east end of Officers Row) and winds through the Fort Vancouver National Site, ending near Pearson Air Museum.

Parking:

Free parking is available at the Clark Public Utilities building off Mill Plain and Fort Vancouver Way, the open lot south of the O. O. Howard House, and in the Fort Vancouver parking lot on E 5th Street.

Accessible parking:

Located on the west side of the O.O. Howard House, 750 Anderson Street in the staff parking lot.

Parade Map

View the full parade map to view additional information for accessible parking, restrooms, and more. You may also download a map below.

2026 Veterans Parade Map 8.5″ x 11″

2026 Veterans Parade Map 11″ x 17″[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator border_width=”3″ css=”.vc_custom_1788472825842{margin-top: 30px !important;margin-bottom: 30px !important;}”][vc_column_text margin_bottom=”0″ css=”.vc_custom_1793388711349{margin-bottom: 0px !important;}”]

THANK YOU TO OUR 2026 SPONSORS

Presenting Sponsor

With Thanks To

Supporting Sponsor

Supporting Sponsor

Supporting Sponsor

Supporting Sponsor

Route Promotion Sponsor

Route Promotion Sponsor

Media Sponsor

Flag Sponsor

Salmon Creek Post 176

Media Sponsor

Join Cheri Arthur, an Ambassador for American Wild Horse Conservation. Learn about Velma Johnstone, the first woman advocate for wild horses and burros, and the history of Oregon's wilds horses. You'll hear about the challenges of land management and access, and learn ways to get involved if you are interested.

Join us for a talk with Dr. Nazanin Hedayat Munroe, Mary Ausplund Tooze Endowed Visiting Professor of Islamic + Ancient Art!

From luxury silks to patched wool, dress across the early modern Islamic world communicated the inner and outer states of its wearers through a shared language of regional and religious codes. In this lecture, Dr. Munroe examines how clothing and textiles expressed social status, political allegiance, spiritual devotion, and personal taste.

Nazanin Hedayat Munroe is Director of Textiles and Associate Professor of Fashion at City University of New York. An artist and art historian, she is author of several books and articles, including Sufi Lovers, Safavid Silks and Early Modern Identity (Amsterdam University Press, 2023/Routledge, 2025), winner of the R.L. Shep Award from Textile Society of America.

This talk is made possible by the generous support of the Mary Ausplund Tooze Endowed Visiting Professor of Islamic & Ancient Art fund.

Image: Man's Robe (Jama) with Poppies, 17th Century (Metropolitan Museum of Art, 29.135)

Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.

The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.

Station to Station is a journey through our evolving creative culture.

Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Public Tour of One Nation November 1, 2026 Admission: Free, RSVP encouraged Location: Main Gallery Share × " class="share-btn"> Share on Facebook &text=Public Tour of One Nation" class="share-btn"> Share on Twitter Email Sunday, November 1 | 2pm One Nation brings together contemporary artists who explore the ideals and contradictions embedded in the American promise through painting, photography, sculpture, textile, and mixed media. Join for a free guided tour that reflects on how a diverse society strives toward unity while confronting social, political, and cultural divisions. This program is presented as part of One Nation . Public Docent-Led Tour of One Nation | Sunday, November 1 | 2pm 13 Going 2 remaining, Last day to RSVP RSVP Here Going back

In March of 1977, Milwaukie had our own "madness" experience.

With no warning at all, Milwaukie’s HS Boys Basketball team won two Play-In games to qualify for the AAA State Tournament. The basketball play was earnest, but not extraordinary. The FAN support from the school and the community was amazing and fueled the dark horse ride.

We invite any and all who wish to revive the energy of high school basketball showdowns to a special pop-up event!

On Tuesday, November 10, The Riff on Main Street welcomes Ken Yarnell, a key member of the Medford Black Tornado team that derailed Milwaukie’s trip at the ball in the round of eight.

Ken recently published Coaching Against Champions, which draws from his long, highly respected career as a coach. He’ll tip things off by sharing a handful of stories that recapture the magic every community knows as Oregon HS Basketball.

Tuesday, November 10, 2026
Tip Off: 5:00 PM
Final Buzzer: 7:00 PM

No-host Beverages and Light Snacks

Location:
The Riff in Milwaukie
10801 SE Main St., Milwaukie, OR 97222
(971) 206-8896

After the final buzzer at 7 PM, ALL are encouraged to explore the MANY amazing eats within easy dribbling distance!

Learn More

'Who can be a Japanese Emperor?: Japan's Insistence on Male-Line Succession'
A Presentation by Prof. Thomas Naruse, Kokushikan University
Hosted by the Center for Japanese Studies

　The Japanese imperial system has been facing a declining number of imperial family members. Under the current system, only male members of imperial family are eligible for succession. However, at present, there is only one male member under the age of 50. While there are 5 female members under 50 years old, since current legislation stipulates that female members leave the imperial family upon their marriage, there are concerns about the shrinking number of imperial family members.

　Regarding this situation, the Japanese Diet and government are considering countermeasures. While there is strong public support for allowing a female emperor, the Diet and government continue to insist on succession through the male-line. As of June 2026, the government is drafting amendments for Imperial House Law to deal with the situation, but the policy of maintaining male-line succession remains unchanged.

　In this lecture, Prof. Naruse will examine why the Japanese Diet and government continue to adhere to male-line succession and what lies behind this policy. Beginning with the history of the emperor system and the rules governing imperial succession, he will discuss the current challenges facing the imperial system and the measures proposed to address them, how and why the Japanese Diet and government insist on male-line so strongly.

12:45 PM, Thursday, November 12, 2026
Fariborz Maseeh Hall Room 333
Free and Open to the Public
Please use the Broadway Entrance

For more information on the Center for Japanese Studies and our upcoming events, please visit: https://www.pdx.edu/japanese-studies

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Creo's signature Build-a-Bar experience is the perfect outing for a family, date night, or activity for tourists or visiting guests. Guests don hairnets and aprons and get a peek behind the scenes at how Portland's most award-winning chocolatiers craft their chocolates. Guided by one of the owners, guests will learn the history of chocolate and how Creo sources all their cacao from one family farm in Ecuador. Guests sample different types of chocolates throughout the approximately 90-minute experience, which culminates with guests making a custom chocolate bar of their own to take home.

Dates and times vary.