Arts & Media❯Museums

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

All Ages // 7 PM Doors // Tickets $25

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

Public Tour of How We Show Up November 5, 2026 Admission: Free, RSVP encouraged Location: Menashe Gallery Share × " class="share-btn"> Share on Facebook &text=Public Tour of How We Show Up" class="share-btn"> Share on Twitter Email Thursday, November 5 | 1pm In celebration of the 250th anniversary of the signing of the Declaration of Independence, How We Show Up: Oregon Jews in Civil Society reflects on the ongoing work of democracy and the roles Jewish Oregonians have played in shaping our state. Join for a free guided tour and leave inspired to show up in your community. This program is presented as part of How We Show Up: Oregon Jews in Civil Society, An America 250 Exhibition . Public Tour of How We Show Up | Thursday, November 5 | 1pm 0 Going 15 remaining, 4 days left to RSVP RSVP Here Going back