Music❯Rock❯Punk

$10 at the door Cash Only, 21+, 7PM Doors/8PM Music

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Emotion Entertainment Presents

https://linktr.ee/Emotionent444

https://www.instagram.com/emotionent444/

B R Y 4 4 4 N

https://linktr.ee/BRY444N

https://www.instagram.com/emotion_isnt_weakness/

MAJOR PAIN

https://emotionent.net/

LOCALBOYJOJO

https://soundcloud.com/user-38125941

https://linktr.ee/LocalBoyJojo_official

https://www.instagram.com/official_localboyjojo/

OZ

https://www.ozblues.com/

https://www.instagram.com/actualoz

XZETRA

https://xzetra.bandcamp.com/

https://xzetra.dimensions.fm/

https://www.instagram.com/mrxzetra/

Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

All Ages // 7 PM Doors // Tickets $25

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Experience an unforgettable night of blues-infused rock as Joanne Shaw Taylor and Robert Jon and The Wreck bring their powerhouse performances to the stage. Renowned for her blistering guitar work and soulful vocals, Joanne Shaw Taylor will perform fan favorites from her acclaimed Billboard-charting album Black and Gold alongside new music from her forthcoming release, The Trouble With Love. Joining her are Robert Jon & The Wreck, celebrated for their driving Southern rock sound, rich harmonies, and electrifying live shows, featuring standout songs from their latest album, Heartbreaks & Last Goodbyes. Blending blues roots, fiery musicianship, and high-octane rock energy, this dynamic lineup promises a night of incredible live music.

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

Allison Russell is a compelling singer, songwriter, and multi-instrumentalist with strong ties to the folk community. She first made her name in the 2000s as a member of the eclectic Canadian roots group Po' Girl before forming the duo Birds of Chicago in 2012 with her husband and creative partner JT Nero. Taking inspiration from a wide array of sources, Russell's songs have threaded through jazz, country, folk, Celtic, klezmer, and blues to become a distinctive amalgam of her own making. Not unlike fellow Renaissance woman and Our Native Daughters bandmate Rhiannon Giddens, her musical versatility has made her difficult to pigeonhole while also helping to establish her as a linchpin of roots music in general. In 2021, after two decades of musical exploration, Russell made her solo debut with the Juno Award-winning Outside Child. Her solo follow-up, the joyful, Grammy-winning The Returner, arrived two years later. She also made her Broadway debut in 2024, returning a year later with the protest-fueled Annie Lennox collaboration "Superlover" and "Comes a Time" with the Doobie Brothers. Russell's guest-heavy third album, In the Hour of Chaos, arrived in 2026, featuring appearances from artists like Norah Jones and Ruby Amanfu.

Soul'd Out Presents: Down in the Delta with Ms Vee and Yella P
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

You won't want to miss this Annual Birthday Celebration with the Bad Girl of the Blues! Harp/Guitar Extraordinaire Yella P joins Portland's Bad girl of the Blues, Ms Vee and a Badass Band. Damion “Yella P” Pearson is a Memphis-born harmonica virtuoso, multi-instrumentalist, and educator whose sound blends blues, soul, jazz, funk, and hip-hop, shaped by influences ranging
from Marvin Gaye, John Coltrane, Stevie Wonder, Billie Holiday, and George Clinton to Southern rap icons like 8Ball & MJG and Playa Fly.

A fixture in the Memphis music scene, he has collaborated and shared stages with artists including Eric Gales, The Bar-Kays, Kirk Whalum, Eddie Floyd, Bobby Rush, and Robert Finley, and co-founded the award-winning duo Memphissippi Sounds with Cam Kimbrough—whose debut album Welcome to the Land charted internationally and fueled tours across the U.S.,
Europe, and Canada. Now fully dedicated to his art, Yella P continues to release new music while delivering powerful, genre-bending performances that honor tradition and boldly push it forward.

Ms. Vee Singer, Musician, Writer, and Comedienne; 2023 Muddy Awards Nominee for Best Female Vocalist, 2021 Band & 2019 Solo Granite State Blues Challenge Winner & International Blues Challenge Semifinalist: Ms Vee's style of Soul Blues is infused with black southern gospel and a lot of soul! In 2018, Ms Vee launched her own music project, founding Ms Vee and a Badass Band.

Hailing from Arkansas by way of Memphis Tennessee, the award-winning Ms Vee brings powerhouse vocals and a razor sharp wit to every show.In January 2023, Ms Vee launched a Pacific Northwest configuration of Ms Vee and a Badass Band. Backed by some of the most accomplished musicians in Portland, including Chance Hayden, Jake Koprowski, Terrell "Peanut" Reed, and Ron Solomon, Ms Vee and her Badass Band has been rocking houses since their 2022 debut. They’ve quickly risen to the top of the PDX music scene.
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JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Down in the Delta with Ms Vee and Yella P

Popular demand - Second Night Added!

OZ NOY
Virtuoso guitarist and composer Oz Noy has carved out a distinctive niche within the contemporary music landscape by creating an electrifying fusion of jazz, funk, rock, blues, and R&B. His innovative approach, described succinctly by Noy himself as “Jazz—it just doesn’t sound like it,” has captivated audiences worldwide and earned him widespread acclaim among fans, critics, and fellow musicians alike.

Born in Israel, Oz embarked on his professional music career at the remarkably young age of 13, swiftly distinguishing himself across multiple genres. By age 16, he had already established himself as a leading guitarist, performing alongside many of Israel’s most prominent artists. By age 24, Oz had become one of the most in-demand session guitarists in the country and held a pivotal role as a member of the house band on Israel’s top-rated television show for over two years.

Oz’s artistic journey took a transformative leap when he relocated to New York City in 1996. His arrival in the vibrant music scene of New York marked the beginning of a prolific career, characterized by an infectious groove and genre-defying sonic explorations. Quickly making his mark, he began collaborating with some of the most revered musicians in the industry, including drummers Keith Carlock, Anton Fig, Vinnie Colaiuta, and Dave Weckl, as well as bassists Will Lee, James Genus, and Reggie Washington.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.

“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Gram Jam is a celebration of the music of Gram Parsons. A seminal figure at the roots of what is now referred to as Americana. A mix of traditional country, rock n roll, blues and soul. Gram called that mix Cosmic American Music. Gram Parson’s efforts with The International Submarine Band, The Byrds, The Flying Burrito Brothers and his two solo albums, GP and Grievous Angel were not commercial successes but his songs and style influenced all that came after. The Eagles, Little Feat, Workingman’s Dead by the Grateful Dead, The New Riders of The Purple Sage, Linda Ronstadt and Emmylou Harris are just a short list. Cosmic American Music is still alive and well in Portland and many other places around the world.

Shorty and The Mustangs have organized five Gram Jam benefit concerts for the Jeremy Wilson Foundation https://www.thejwf.or since 2016. So why do a sixth now?

In November, Gram Parsons would be turning 80 within two days of Gram Jam VI and will also be inducted into The Rock n Roll Hall of Fame within a few weeks of the show. In addition, Shorty and The Mustangs are celebrating their 30 th Anniversary in 2026. Too many dates have aligned. It’s meant to happen.

A stellar list of local musicians are donating their time and talent to this benefit show. Get your tickets, you don’t want to miss this!

Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.

Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.

That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.

Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.

Over the last decade, SPANISH LOVE SONGS have watched a fiercely loyal community take
shape one cramped club show and one new listener at a time. That momentum has carried the
band to tours with The Wonder Years, Alkaline Trio and Hot Mulligan, along with appearances
at Furnace Fest, 2000trees and the revived Vans Warped Tour, following the release of instant
classics Schmaltz (2018), Brave Faces Everyone (2020) and No Joy (2023). This intimate,
powerful connection with their audience is proof that even in an era defined by isolation, people
are still out there yearning for others to stand beside them in the darkness.

That search continues on FUTURE NAUSEA, the Pure Noise quintet’s fourth LP. Drawing from
the widescreen ambition of heartland rock – the anthemic sweep of records like Born in the
U.S.A., Sam’s Town and Full Moon Fever – shimmering synths, ringing guitars and soaring
choruses define an expansive sound crafted across sessions with producers Chris Walla (Death
Cab for Cutie) and Sarah Tudzin (Illuminati Hotties). Against that backdrop, Dylan Slocum’s
characteristically observational lyricism remains the band’s beating heart: deeply empathetic
and unflinchingly honest as he chronicles political violence, climate anxiety, late-stage
capitalism and the quiet ways these existential crises seep into everyday life – and, just as
critically, how moments of love, companionship and shared resilience become the antidote to an
increasingly uncertain future.

Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Failthat Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.

21+/ No Cover, Please tip the band and waitstaff!

Chipped Nail Polish - Jill started Chipped Nail Polish with just her electric ukulele and a bad manicure. The project came to life in the basements and living rooms of the lively house show scene at the University of Oregon. The friendships formed there traveled up North to Portland where the band now resides.

Inspired by bands like Beach Bunny, Snail Mail, Soccer Mommy, FIDLAR, and Surf Curse, CNP is heavily influenced by the moshy surf punk music of Jill’s teen years, as well as introspective bedroom pop that has captivated her twenties. The result kinda feels like crying in a mosh pit, which is always encouraged at shows.

Mckenna Esteb - Boise, ID based songwriter.

Frecks - “Frecks” is comprised of one twenty-something member named Jayden from Portland, Oregon. Jayden has been writing music since her early teen years and draws inspiration from all aspects of her life. Pulling from concepts of introspection and undying love, she aims to tug on heartstrings with dreamy guitar riffs and haunting melodies.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/ChippedNailPolishAtTheSix

**Atlantis Lounge is All Ages until 9:00 PM, at that time any minors will be asked to leave the space. Thanks for your understanding!

Award-winning vocalist, instrumentalist and songwriter Curtis Salgado, the man NPR calls “an icon” with “a huge voice,” is revered worldwide for his ability to wring every ounce of soul out of every song he performs. Salgado is famed not only for his powerhouse live shows and eleven previous albums, but also for his passionate and insightful original songs. He has been nominated three times for the Blues Music Award for Song Of The Year, winning in 2018 for Walk A Mile In My Blues from The Beautiful Lowdown. In total, he has won eleven Blues Music Awards, including the B.B. King Entertainer Of The Year. DownBeat calls his songwriting skills “an impressive gift.” Billboard says Salgado’s music is “inspired and powerful.”

Now, Salgado is back with Fine By Me, the latest evidence of Salgado wielding his impressive songwriting and vocal skills to a wide variety of styles. His music has dashes of blues, gospel, R&B, jazz, funk, rock ’n’ roll and soul at any given moment.

“Here’s to life” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money.

Today, as Clyne prepares to release his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, americana, indie-pop and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos — collectively known as Roger Clyne and The Peacemakers.

With whiplash-inducing guitar hooks and sing-along passages mirroring the volatile subject matter, Equipment shifts the spotlight toward the power-pop facet of the modern emo genre. Vulnerability is fully present, yet often shaded by gallows humor and danceable choruses. The Toledo, Ohio quartet has become known as a veteran of the DIY music scene, striving to challenge the medium, play with listener expectations, and champion radical optimism.

Rock out at the Open Musician's Jam. Join these jam sessions, where music meets fun and friends meet rock 'n roll. It's gonna be a blast. Bring your instruments, your voice, and your A-game.

• Gear Galore: Pianos, electric/acoustic guitars, tube amps, bass (4 or 5 string), drum set, ukulele, ready for you. Plus, extra mics for singers and whatever else you want to bring.
• Covers welcome: Bring your band, or team up with fellow jammers. There are often lots of blues, rock, pop, and funk, plus a load of awesome covers from all decades, especially the '90s. This is a jam of any genre, tends to be rock/soul/bluesy pop/fusion/jazzy funk, but whatever you play, that's what it'll be.
• Game On: Ping Pong tables and arcade machines for friendly competition.
• No Limits: Bring your musical mojo, and get wild. Whether you're a pro or just here for the good times, it's all about the music and the good vibes.

This venue is 21+

Portland heavy rock, speed metal and heavy psych with HÖG, Blade and Robots of the Ancient World at The Six Below Midnight.

HÖG - Dark, grimy rock & roll rooted in ’70s heavy rock, with punk and metal running through it. Their debut album BLACKHOLE was recorded entirely on 2-inch tape at Portland’s Arcane Amps.

Blade - Portland heavy metal power trio delivering classic speed metal and traditional metal. Sharp riffs, headbanging rhythms and songs made for raising a fist.

Robots of The Ancient World - Portland heavy psych and stoner rock with desert-rock roots and a dose of doom.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/HOGatTheSix

Pinhead Gunpowder performs at Roseland Theater. General admission floor access is open to all ages, while reserved balcony seating is for guests 21 and over.

Kevin Selfe’s Blues Jam is a high-energy Sunday afternoon session kicking off at 5 PM, led by acclaimed guitarist and vocalist Kevin Selfe. Featuring a rotating lineup of top Portland musicians, the jam delivers spontaneous collaborations, extended grooves, and plenty of room for musical surprises.

Band members: Kevin Selfe (guitar, harmonica, vocals), Jimi Bott (drums), Allen Markel (bass), and friends.

Doors open at 4 PM for dinner & drinks
Music kicks off at 5 PM

Here’s the quick rundown so everyone has a blast:

• No reservations needed — first come, first served. Grab a good spot early!
• There’s a $6 cover
• 21+ show

Emo Nite at Holocene presented by Emo Nite LA at Holocene, Portland, Friday, November 6, 2026 · 9PM · 21+ · $23.94. $1 per ticket transaction sponsors Emo Nite Gives A F*ck. Donations are allocated for worthwhile organizations focusing on: ·...

Formed in 2018, The Gibbons are an all original, stripped down, blues influenced rock n' roll band. Their music features locked in drum and bass grooves provided by bassist Schuyler Dinsdale and drummer Greg Montplaisir, complimented by the dual Les Paul guitar attack of Peter Boone and Nathan Zito. They released a self titled album available on Spotify, Apple Music, and BandCamp.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Soul'd Out Presents: Stop Light Observations
Doors: 7:00pm
Show: 8:00pm
Ages 21+
https://www.stoplightobservations.com/

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

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Stop Light Observations is a dynamic four-piece group hailing from Charleston, South Carolina. Their versatile sound is a unique blend of blues, pop, and indie rock infused with electronic beats and the soulful vocals of Will Blackburn. From songs like “2young” to “Security” their music is a true reflection of their unique personalities, and their live shows are a testament to their authenticity and raw talent.

SLO is Will Blackburn (vocals), Oleg Terentiev (drums), David Beam (guitar) and Jeremiah King (keys).

Notes on Seating: Open seating, may be limited or standing room only. First come, first seated. Open dance floor may obscure sightlines. Stop Light Observations

Artichoke Community Music class hosted by Megan Cronin, $175 for seven sessions, drop-ins $30 per session. This class will be held at Taborspace, an off-site location. This class is for beginner-ish and intermediate violin and fiddle players who want a chance to play their favorite songs with others in a supportive setting. At the start of this series the instructor will present 10 tunes in the genres of folk, jazz, bluegrass, Irish, blues, pop and/or classical. Students will vote in three of these tunes to work on over the course of the term. Financial Hardship Discount Available Wondering if you are at the right aptitude for this class? If you can work through some or most of the Suzuki Violin Book One, then you will be totally fine in this class (just google "Suzuki Violin Book One PDF" to check it out). You’re welcome to pay the instructor directly at your first class to avoid service fees. Contact Megan via email when you register for a drop-in date, if you plan to pay in-person or if you have any other questions about the class. More information & registration: megancroninmusic.com/violin-fiddle-democracy Website: https://www.megancroninmusic.com/ Feel free to contact the instructor for more information: musiclessonsbymegan(*at*)gmail.com Refund Policy: Refunds up to 7 days before event

The JT Wise Band performs high energy good time music. They have found a special calling to perform the music of the Grateful Dead with authentic jams and guitarist JT Wise channeling Jerry Garcia. Also performing is bassist Maggie Wise, drummer Ken Woodside and on piano Byron Ady.

"JT Wise sounds like no one else on the planet"-Mary Flower

"JT Wise Band performs American roots music with an expertise rarely heard"- journalist Daniel Curran

"Best Grateful Dead in the area"- Portland Notes Notable performance, Paul Lankow

Saturday, November 28th, 2026 7:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

A Los Angeles-based comedian, avid skateboarder, filmmaker, and actor, Whitmer Thomas added rocker to his credentials in 2020 with the release of the soundtrack to his HBO musical/comedy one-man show, The Golden One. It was followed by a stand-alone music EP, the Jay Som-produced Can't Believe You're Happy Here, in 2022.

A native of Gulf Shores, Alabama, Thomas first found success in 2014 with Stone Quackers, a surreal FX adult animated television series. Power Violence, a popular monthly show Whitmer hosted with friends, helped to secure his status in the upper echelons of the Los Angeles independent comedy scene, as did his numerous short films like Blue Line and Fast and Loose, and appearances on The Walking Dead and Glow. In 2020, Whitmer released his one-man show, The Golden One, on HBO. Featuring pop-punk songs composed and performed by Whitmer (a longtime fan of blink-182), which covered everything from millennial anxiety and sex to abandonment and addiction, the special spawned the companion LP Songs from the Golden One. Between guest spots on series like I Think You Should Leave with Tim Robinson and Search Party, he followed it up with a music EP titled Can't Believe You're Happy Here in 2022, also on the Hardly Art label. Led by the sincere acoustic track "Don't Have a Cow," the EP was produced by Melina Duterte, better known as Jay Som.co

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.

For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.

The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.

Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."

Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."

Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.

Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.

Less is more. No bullshit. That's Pretty Deadly.

Rose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.

w/ Black Season Witch Tuesday, November 17th, 2026 8:00PM Hawthorne Lounge 21 & Over only with valid photo ID No refunds or exchanges. All sales final. w/ Black Season WitchTuesday, November 17th, 2026 8:00PMHawthorne Lounge21 & Over only with...

Since 2018, Growing Pains have been writing and performing blue-tinted indie rock, spritzed with emo, power pop, and shoegaze influences. Formed at an after-school music program, the members of Growing Pains communed over a shared love for Joyce Manor and Blink-182. They soon made the rounds through the Portland DIY circuit, playing scene staples such as Blackwater and Fail House. After releasing their debut album Heaven Spots, the band temporarily relocated to Eugene, where they wrote their next project. Leaving their pop-punk influences at home, the group took influence from the frenzied side of indie rock, choosing to channel the phantasmic soundscapes of My Bloody Valentine and disarranged stimulantics of Broken Social Scene. This came to fruition in the 2023 EP Thought I Heard Your Car, a 5 song meditation on nostalgia; l’esprit d’escalier in song form. Playwright Antonin Artaud wrote: “I abandon myself to the fever of dreams, in search for new laws.” For Portland-based indie quartet Growing Pains, the dream world is where apathy ends, and euphoria begins.

Formed by musicians with a passion for the Northwest outdoors, Jawbone Flats takes its name from the ghost town of the same name nestled deep in the Opal Creek Wilderness of Oregon. Since 2008 JBF has traveled throughout Oregon, Washington, Idaho, and Northern California playing an eclectic blend of original and cover songs drawing from the influences of bluegrass, country, alternative country, blues, and rock music led by five alternating lead singers backed by lush harmonies. Interlocking melodies from B-bender Telecaster and acoustic guitars, mandolin, harmonica, and pedal steel guitar are woven into the solid rhythmic fabric of fretless bass and drums to produce a wonderfully entertaining, irresistibly danceable, and downright “flatifying” sound.

The Northwest’s Premier Vocal Rock Band, GENERATOR is a high energy 5-piece group playing popular rock, blues and pop songs. The band’s hallmarks are dazzling vocals, brilliant 5-part harmonies, and a rock-solid groove. Generator keeps dance floors packed, and audiences mesmerized. They genuinely have fun playing together, and are a delight to watch.

Trails End Boys feat Jason (JT) Thomas, Marty Henninger, Jim Solberg, Drew Baird

Bottleneck Blues Band was voted Best New Blues Act in 2015 and nominated for the Best CD of the Year by the Cascade Blues Association. The band is a featured act this year at the Waterfront Blues Festival, Cathedral Park Jazz Festival, Illwaco Seafood and Blues Festival, The Taste of Tacoma, the Wallace Idaho Blues Festival and the Crawdad Festival.

Bottleneck is fronted by Noah Bell and is backed up by an all-star lineup with Randy Monroe on the bass guitar, Pete Moss on saxophone, Franklin Spicer on keys and Devon Shazier kickin' the drums. Bottleneck plays red-hot funky blues designed to make your body move. They are currently debuting new material to be featured on their second album. Their first CD "Twenty First Century Blues" was warmly received and the band is looking forward to their next recording project.

Leading a stellar six-piece ensemble, Ms. Rudolph belts, caresses and struts

her way through the music of Etta James, Aretha Franklin and Blondie: three

DIVA DELUXE spans Etta’s blues-drenched sass, Aretha’s sanctified soul and

Blondie’s downtown rock-and-roll cool, with iconic hits, hidden treasures and

Rudolph’s own songs woven through the night: music shaped by love,

swagger and tenderness. Shelly Rudolph is a Portland-based vocalist, songwriter and poet known for her “honey-glazed throat” and “powerfully romantic” originals. Her music moves freely between jazz, blues and soul. Her international single “I Love

LOVE,” featuring guitarist Charlie Hunter, has reached radio playlists in 17

countries; her multidisciplinary jazz myth suite Orfea Rising premiered at the

OR Music Hall of Fame saxophonist Renato Caranto has performed with

Soul-fire guitarist Dan Gildea, praised by O ArtsWatch for his “sizzling yet sensitive” playing, has performed with jazz legends Ron Carter and Leroy Vinnegar.

Trumpeter Paul Mazzio is a veteran of the Woody Herman Orchestra who has

performed with Tony Bennett, Larry Carlton and The Moody Blues.

Keyboardist Joe Bagg, hailed by DownBeat as “a highly refined player with a

light touch who listens,” is a longtime member of Jeff Goldblum’s Mildred

Bassist Bill Athens has a beautifully eclectic résumé stretching from Seamus

Blake and Ben Wendell to Stephen Malkmus and Sleater-Kinney.

Muddy Award-winning drummer Edwin Coleman III is a deeply

rooted blues-and-soul player whose credits include LaRhonda Steele and

DRESS to EXPRESS: Feeling fabulous is encouraged! Channel your own inner

diva with sequins, boas, wigs, leather... you do YOU

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JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Forever Came Calling, Fox Royale