Portland, Oregon · portland or, progressive rock, rock, emo jazz, indie rock, math rock, post-hardcore, post-rock, Portland
Portland, Oregon · alternative, indie rock, noise, portland, post-punk, screamo, Portland
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.
Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.
With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up
“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.
Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.
Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.
Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.
Annam's 3-year anniversary dinner featuring a collaborative kitchen takeover with uncle Peter from @havl.noodles (Hà VL). The evening includes deep-cut à la carte Việt food, cognac, live jazz by Brian's Blade (featuring @chochu_local members @cmlgsn, @Aidan.jacobs._, and grateful_marcus), and a custom jade jewelry pop-up by Le Petit Hoa. Menu to be announced closer to the date; available until sold out.
Mantra, music, and storytelling to awaken the heart. Sacred Dharma is a Pacific Northwest kirtan-fusion jam band. At its core, they facilitate the devotional practice of chanting Sanskrit mantra. The music is colored by world influences ranging from Indian classical to jazz and psychedelic rock, enhancing the mood so that each repetition of the Name can awaken the heart.
Led by Sitaram Dass with Jeanette Kangas on tabla, Clark Stacer on bass, Lance Jordan on guitar, and a rotating selection of some of the PNW's finest musicians.
Sitaram Dass (he/him) spent several years serving his beloved teacher Ram Dass on Maui, where he was shown the path of Bhakti, the yoga of service and devotion to God. He is an author, teacher, kirtan singer, and spiritual counselor. As the director of the Sacred Community Project, he works to provide affordable, free, and donation-based offerings as a praxis of Sacred Community.
$25 Advance / $30 Door
(No one turned away for lack of funds)
In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.
Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).
Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.
Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.
Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.
Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.
Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.
Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week. Stop in for drinks, food, conversation and a rotating lineup of literary-inspired performances, pop-ups and unexpected happenings.
On Wednesday night, 45th Parallel Universe presents a celebration of Allen Ginsberg, featuring live readings of Howl and other works accompanied by live jazz.
The evening brings together voices from Portland’s literary, music, theater and radio communities for a tribute to one of the most influential figures in American poetry, and to Howl, which Ginsberg first read publicly in Portland while studying at Reed College.
Featured participants include Gregory Scholl, Robert McBride, Fred Child, Alexis Hamilton and additional special guests.
TICKETS $50 | ALL AGES
Ben Wolfe - bass
Nicole Glover - saxophone
Ron Steen - drums
We are thrilled to welcome home two of Portland's favored jazz musicians; acclaimed bassist, Ben Wolfe and renowned saxophonist, Nicole Glover. The two will be joined by beloved local jazz legend, Ron Steen for a homecoming show you won't want to miss!
Wolfe has performed and recorded with some of the most celebrated names in jazz and popular music, including Harry Connick Jr., Diana Krall, Wynton Marsalis, and many others. A respected player, composer and Julliard educator, Ben is one of today’s most accomplished jazz bassists. Wolfe brings an extraordinary depth of experience, musicianship, and creativity to the stage.
Joining him is Nicole Glover, whose powerful, adventurous saxophone playing has made her one of the most exciting voices in contemporary jazz. Nicole is a saxophonist, bandleader, composer, and educator based in New York City. In 2026, Nicole was awarded “Up and Coming Musician of the Year” by the Jazz Journalists Association and #1 Rising Star Tenor Saxophonist & #1 Rising Star Soprano Saxophonist by Downbeat Magazine. Nicole is also a sought-after collaborator. She is currently touring with groups led by Christian McBride and Renee Rosnes, including the multi-award winning ARTEMIS. She has also toured and recorded with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Additionally, Nicole has worked under the leadership of drummers Al Foster, Billy Hart, Lenny White, Victor Lewis, Kenny Washington, Carl Allen, Gregory Hutchinson, and Joe Farnsworth; Grammy-winning vocalists Dee Dee Bridgewater and Buika; bassists John Patitucci, Reggie Workman, Harish Raghavan, Ben Wolfe, and Or Bareket; vibraphonist Joel Ross; and pianists Bill Charlap, Geoffrey Keezer, Aaron Diehl, Luis Perdomo, Christian Sands, Micah Thomas, and George Colligan, among others.
Alongside these two will be Portland's hometown favorite, Ron Steen, whose decades of contribution to the city’s jazz scene have earned him legendary status. Drummer, bandleader, Ron is known as the Godfather of the Jazz Jam scene in Portland, Oregon. Writes the JJA’s Rick Mitchell: “The jam session is at the heart of the jazz tradition. While high school and college jazz programs have proliferated in recent decades, there is no substitute for the knowledge gained by sharing a bandstand with one’s elders and peers in an exposed and competitive setting." Ron has built and nurtured that philosophy in Portland for decades.
Three exceptional musicians. Two shows. One unforgettable night of jazz. Don’t miss this special 1905 performance!
Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.
Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.
Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.
Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.
A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.
In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic
Nashville crooner Stephen Day spans pop, rock, soul, and jazz in his music, recognized for its emotional depth and storytelling. He began to make a name for himself by playing live around the city; his debut full-length studio album, Guess I'm Grown Now, followed in 2019. The record had a fuller, more-produced rock band sound than the EP. Comparisons were immediately drawn to John Mayer, which Day welcomed; he also acknowledged Glen Campbell, D'Angelo, Stevie Wonder, and Frank Sinatra as influences. A second EP, Original Songs and Sound, appeared in 2020, and a second album, The Shapes I'm In, arrived in 2021. Day toured the U.S. as a headliner and as support to the likes of Teddy Swims, Ben Rector, Stephen Sanchez, and Lawrence. He also played abroad in Asia and Europe. Only after his third album, 2024's Gold Mine, did he finally sign a record deal, with Riser House Records. The label released his holiday single "It's Christmas All Over" in October of that year.
Hidden Track delivers a nostalgic set spanning 90s and 2000s alternative rock, grunge, and pop punk, packed with sing-along favorites you might not realize you still know by heart. Enjoy food and drinks at The Oswegian while the music plays.
In recent years Thundercat, aka Stephen Bruner, has completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a wholly unique voice, transcending genre. He has become a cornerstone of the Brainfeeder label having released 'The Golden Age of Apocalypse' (2011), 'Apocalypse' (2013), 'Drunk' (2017), and his 2020 album 'It Is What It Is' won Best Progressive R&B Album at the 63rd GRAMMY Awards, featuring Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins and Zack Fox. The record was produced by Thundercat and his longtime partner Flying Lotus who was GRAMMY-nominated in 'Producer of the Year, Non-Classical' for his work on the album.
2023 kicked off with a bang, with Thundercat joining Steve Lacy live onstage at the 65th Annual GRAMMY Awards to perform the hit single 'Bad Habit.' He also released his latest single 'No More Lies' with Tame Impala, and announced a slew of tour dates spanning 5 continents.
2022 was a banner year, with highlights including his vocals and bass heavily featuring on Gorillaz single and title track 'Cracker Island' which hit #1 on the Alternative radio charts. He also starred in the official music video and performed onstage with Gorillaz at Coachella and the MTV European Music Awards ceremony. He also joined Red Hot Chilli Peppers as support on their North American and EU stadium tour.
Thundercat made his acting debut in 2022 with a recurring role in Star Wars' 'The Book of Boba Fett' on Disney+. He also covered 'Fly Like An Eagle' for the 'Minions: The Rise of Gru' OST executive produced by Jack Antonooff. Other film and TV work has included collaborating with Flying Lotus on the original score for 'Yasuke' on Netflix, as well as an episode of Emmy & Golden Globe winning series 'Atlanta' created by Donald Glover.
Live highlights include duetting with Ariana Grande at Adult Swim Festival 2020, a US tour alongside his friend Anderson .Paak (2019), an appearance at the Nile Rodgers curated Meltdown Festival held at the Southbank Centre, London (2019); and previous festival highlights for Thundercat include Glastonbury, Coachella, Sónar, Fuji Rock, Newport Jazz Festival, Primavera Sound and Governors Ball. In 2019 Thundercat was invited by legendary jazz institution Blue Note in New York to play a 14 show residency over the space of 6 days. Special guests for the residency included Reggie Watts, Zack Fox and Hannibal Buress. One memorable sold out show at New York's Irving Plaza in 2017 featured Dave Chappelle making an impromptu appearance as his hype man.
In 2015 he was 'at the creative epicenter' of the 21st century's most influential hip-hop album Kendrick Lamar's 'To Pimp A Butterfly', and he won a GRAMMY for his collaboration on the track ‘These Walls'.
Much celebrated for his inimitable style, Thundercat has appeared as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE.
Bruner found his instrument at the age of 4. That made him a late-bloomer in the house of Ronald Bruner, Sr., who drummed with the Temptations among others. His first bass was a black Harmony, and he practiced to the Ninja Turtles soundtrack until pops played him Jaco Pastorius. He joined thrash legends Suicidal Tendencies as a teenager, and has spent road and studio time with everyone from Stanley Clarke and Herbie Hancock to Leon Ware, N.E.R.D., Travis Scott, HAIM, Silk Sonic (Bruno Mars & Anderson .Paak), Kaytranada, Stevie Wonder and Erykah Badu.
The name Thundercat is a reference to the cartoon he's loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named 'Grune the Destroyer' in Cartoon Network's Thundercats Roar animated series
What happens when mid-century urban cool meets the organic sustain of a steel-string acoustic? Join an evening of late-1950s Miles Davis tunes re-envisioned for acoustic guitar, upright bass, and drums. Stripped-back, atmospheric, and deeply dynamic.
Pacific Northwest acoustic guitarist Eric Skye occupies a unique niche between jazz and folk. He has always had a bit of a connection to the music of Miles Davis, particularly the seminal modal jazz album, Kind Of Blue and that era. In fact, in 2012 he released his acclaimed album, “A Different Kind Of Blue,” which was a solo acoustic guitar album reimagining of “Kind Of Blue", recorded all in one sitting with improvisational approach as opposed to planned arrangements.
ages 21+, GA seating,
Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.
Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.
That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.
Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.
All Ages // 7 PM Doors // Tickets $25
Gully BoysThe Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.
Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).
Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.
PollyannaPollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.
Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.
Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.
Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!
LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.
“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”
That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/
Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/
JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.
The Rivkah Ross QuintetSun, Nov 01TICKETS $25 | ALL AGESRivkah Ross is a Portland-based drummer, composer, and bandleader. Rivkah’s debut album Dare to Hope (PJCE Records) marks the arrival of an inspiring new voice in modern jazz. Moving effortlessly between beautiful melodies and gritty, angular rhythms, her music embodies defiant triumph and hope. A first-generation American raised by a single mother, Rivkah brings a message of hard-won optimism to every note. Taking a page from her hero, Roy Haynes, and paying homage to giants like Coltrane and Shorter, Rivkah is pushing jazz forward with a sound unapologetically all her own. Rivkah is a native Pacific Northwesterner. She has performed her original compositions at the Montavilla Jazz Festival, PDX Jazz Festival, Mount Hood Jazz Festival, and the Vancouver Jazz & Wine Festival. Her other projects include the Stumptown Sirens, Portland’s first all-female big band, which made their debut appearance on the PDX Jazz Festival in 2026 to a sold-out crowd. Rivkah’s drumming hero is Roy Haynes, and in 2026 she put together The Rivkah Ross Sextet, which played two sold-out Roy Haynes tribute sets at The 1905, Portland’s dedicated jazz club. 05:30 PM SHOW 07:30 PM SHOW
Dave Tull Sun, Nov 08 $30 TICKETS | ALL AGES
Dave Tull - drums, vocals
Joe Bagg - piano
Bill Athens - bass
Singing from the drums, Dave brings to the stage a rare combination of joyous songwriting, world-class jazz singing and drumming. Think “Frishberg meets Gershwin”. Dave’s songs have been called both “laugh out loud funny” and inspiring of “soul searching and introspection”. Dave Tull’s latest release, “Texting and Driving” was the #2 most requested new album of 2018 on SiriusXM Real Jazz, and was featured by NPR’s Susan Stamberg on Weekend Edition. “Texting and Driving” rose to #5 on the Billboard Jazz Chart, and #3 on the Billboard Comedy Chart in the same week! Dave’s celebrated first CD, “I Just Want To Get Paid”, continues to get regular airplay many years after its release. When not leading his own trio, Dave is one of the busiest drummers on the scene. In 2016 Dave became the drummer for Barbra Streisand and has played five tours with Streisand including Madison Square Garden in July 2019, and on Barbra’s GRAMMY NOMINATED live Netflix concert video, “Barbra – “The Music..The Mem’ries..The Magic!”. Dave toured from 2000-2010 as drummer and lead vocalist for Chuck Mangione. Dave is the drummer on Pixar’s popular series, “Forky Asks A Question” and Disney’s “Monsters At Work”. Dave has led his trio at the Vail Jazz Festival and Winter Concert Series three times, Catalina Jazz Club in Hollywood, twice at The Los Angeles County Museum of Art (with a two-hour broadcast on KKJZ), San Diego’s KSDS 88.3 FM “Jazz Live” series (a 90-minute live broadcast and interview), the Newport Beach Jazz Party, The Nash in Phoenix, The Arts Garage in Boca Raton FL, The Miami Jazz Coop in Coral Gables, FL, Jazz Showcase in Chicago, the JazzVox house concert series in Seattle, The Strathallan Hotel in Rochester, NY, the “Jazz at Joe’s” concert series in Bend, OR, The California Jazz Arts Society, and countless times at the iconic Lighthouse Café in Hermosa Beach, CA. In May 2022 The Dave Tull Songbook was released by Sher Music, including 21 of Dave’s original compositions available in print for the first time.
05:30 PM SHOW 07:30 PM SHOW
Over the last decade, SPANISH LOVE SONGS have watched a fiercely loyal community take
shape one cramped club show and one new listener at a time. That momentum has carried the
band to tours with The Wonder Years, Alkaline Trio and Hot Mulligan, along with appearances
at Furnace Fest, 2000trees and the revived Vans Warped Tour, following the release of instant
classics Schmaltz (2018), Brave Faces Everyone (2020) and No Joy (2023). This intimate,
powerful connection with their audience is proof that even in an era defined by isolation, people
are still out there yearning for others to stand beside them in the darkness.
That search continues on FUTURE NAUSEA, the Pure Noise quintet’s fourth LP. Drawing from
the widescreen ambition of heartland rock – the anthemic sweep of records like Born in the
U.S.A., Sam’s Town and Full Moon Fever – shimmering synths, ringing guitars and soaring
choruses define an expansive sound crafted across sessions with producers Chris Walla (Death
Cab for Cutie) and Sarah Tudzin (Illuminati Hotties). Against that backdrop, Dylan Slocum’s
characteristically observational lyricism remains the band’s beating heart: deeply empathetic
and unflinchingly honest as he chronicles political violence, climate anxiety, late-stage
capitalism and the quiet ways these existential crises seep into everyday life – and, just as
critically, how moments of love, companionship and shared resilience become the antidote to an
increasingly uncertain future.
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
Under the direction of Dr. Abbie Brown, the fall Jazz Nite will feature standards from prominent composers in jazz, including Gordon Goodwin, Duke Ellington, Count Basie and Sammy Nestico. This concert will also feature works from rising composers like Paul Baker and Ahmad Jamal, and will feature funk, rock, and Latin-inspired works.
Ticket Prices: $11 general admission, $8 for seniors, military and non-Pacific students. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.
Join a lively game of chess and put your skills to the test. Whether you’re brand new or a seasoned player, there’s a spot for you. Instructor Victor will be on hand to guide beginners, while experienced players can jump right in and enjoy the challenge. Amplified holiday jazz from KMHD will play in the background to enhance the experience.
Special Dickens Carolers performances on Dec. 6th and 13th at 2 p.m.
Since 2018, Growing Pains have been writing and performing blue-tinted indie rock, spritzed with emo, power pop, and shoegaze influences. Formed at an after-school music program, the members of Growing Pains communed over a shared love for Joyce Manor and Blink-182. They soon made the rounds through the Portland DIY circuit, playing scene staples such as Blackwater and Fail House. After releasing their debut album Heaven Spots, the band temporarily relocated to Eugene, where they wrote their next project. Leaving their pop-punk influences at home, the group took influence from the frenzied side of indie rock, choosing to channel the phantasmic soundscapes of My Bloody Valentine and disarranged stimulantics of Broken Social Scene. This came to fruition in the 2023 EP Thought I Heard Your Car, a 5 song meditation on nostalgia; l’esprit d’escalier in song form. Playwright Antonin Artaud wrote: “I abandon myself to the fever of dreams, in search for new laws.” For Portland-based indie quartet Growing Pains, the dream world is where apathy ends, and euphoria begins.
Over the decades -- singing, performing, songwriting, collaborating and recording, Gayle Ritt continues to reach listeners with her music and live performances throughout the US and abroad . "The promise of an ongoing love affair with her music will begin the moment you hear the first note." said one friend -- and her live performances are as varied as her styles - from live acoustic at the House of Blues Foundation Room to small club rock shows, hotel residencies, elegant corporate events and picnics. Solo, duo, trio, full rocking band, sweet jazz duo or combo, country, pop, folk, acoustic metal, show tunes, improvisation and freestyles - Ritt sings it all. After 30 years performing, and musical adventures in Chicago, Los Angeles and Miami - she's settled in the NW.
Ritt's National Anthem has been heard over the airwaves and throughout the world for local and National sports teams -- including her standing invitation by the Chicago Cubs. Highlights: Wrigley Field, PGE Park, Dodgers Stadium, The Staples Center, US Cellular Field and the Thomas & Mack Center for the Lakers, Dodgers, White Sox, Timbers and Gladiators. The impact has resulted in millions hearing her voice, news features and national commercials on TV and Radio and her five independent releases have crossed many genres - Acoustic folk, rock, pop, metal, jazz, and improvisation.
Singing throughout the Oregon Countryside with her love and partner, Mike Soto - and their band 23window -- is what she loves best. Having recently released, IN THE RAW, an improvisation project - 13 tracks made up on the spot - she continues to put forward new music. Sweet harmonies on several tracks of the recent Lindsie Feathers release, Neon Renaissance are hers -- and the two perform together in Portland. Releasing from the archives -- live piano and vocals recorded in NYC with Martin Bejerano -- 100% freestyle - a single, "unconditional" Vaut Records 2018. Most importantly -- hearts touched -- souls united and many great times created in the moment.
Endorsements: Levy's Leathers, Dunlop, Gibson Acoustic Guitars, Kyser, Martin Guitar Strings
Chipped Nail Polish - Jill started Chipped Nail Polish with just her electric ukulele and a bad manicure. The project came to life in the basements and living rooms of the lively house show scene at the University of Oregon. The friendships formed there traveled up North to Portland where the band now resides.
Inspired by bands like Beach Bunny, Snail Mail, Soccer Mommy, FIDLAR, and Surf Curse, CNP is heavily influenced by the moshy surf punk music of Jill’s teen years, as well as introspective bedroom pop that has captivated her twenties. The result kinda feels like crying in a mosh pit, which is always encouraged at shows.
Mckenna Esteb - Boise, ID based songwriter.
Frecks - “Frecks” is comprised of one twenty-something member named Jayden from Portland, Oregon. Jayden has been writing music since her early teen years and draws inspiration from all aspects of her life. Pulling from concepts of introspection and undying love, she aims to tug on heartstrings with dreamy guitar riffs and haunting melodies.
21+
DOORS 8:30pm MUSIC 9pm
Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Failthat Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.
Chuck Israels, revered as one of the preeminent bassists in the world, GRAMMY winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.
Among Chuck's many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock; Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio '65; Live at the Trident; and Time Remembered. In 2020 Chuck won a GRAMMY for his work with opera star Joyce DiDonato on her recording "Songplay"
As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.
JAZZ TITAN THURSDAYS
The Jack London Revue proudly presents Jazz Titan Thursdays, featuring the Mel Brown B3 Organ Group and the Chuck Israels Jazz Orchestra.
Join us at Portland’s top jazz club to honor two of the most influential names in Pacific Northwest jazz music: Mel Brown - drummer for Marvin Gaye, Diana Ross, Stevie Wonder, and the Temptations and Chuck Israels - bassist for Billie Holiday, Benny Goodman, Herbie Hancock, and Bill Evans.
This Thursday, immerse yourself in the speakeasy vibe and rich sound of live soul, jazz, and bebop. Two sets starting at 7pm. Enjoy our full bar and menu. General admission and table packages available.
JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.
AN EVENING WITH JOHN SCOFIELD’S “ELECTROSPECTIVE”
featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH
Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.
Following a string of encounters too strange to be coincidence, Robbie Kingsley, Franco Solari, Dylan McCue and Zach Levy came together to form The Hails. Despite first playing in an insular Miami high school music scene, the band officially formed at the University of Florida in Gainesville, turning the tattered carpeting and beer bottle lined shelves of their shitty college house into a distinct, refined sound that is now synonymous with their name.
After graduation, the group made the pilgrimage back to their home of Miami, the city that directly influenced the sound of their early shimmering singles "Younger" and "Stay," debut EP He Seems Upset (2020), and the subsequent Alive in Strange Ways (2021).
After releasing their debut album What's Your Motive (2023) and gaining international praise, The Hails have created their own unique style of collaboration with band members living in Miami, DC and Brooklyn. Recent highlights of the road include holding court at festivals like Governors Ball, III Points and Okeechobee, interspersed between sold-out headline shows and tour support for The Revivalists, Quarters, The Beaches, flipturn and the moss. This year will see The Hails back out on the road as they ready for the release of their second full-length album later this year.
Meldrop is a five-piece jazzy indie rock group hailing from the Seattle/Tacoma, WA area. The band originally started as a four-piece in the fall of 2022, when River Esqueda, Elijah Tuncap, Kirran Medchill, and Aidan Goodman worked together at a Tacoma restaurant called the Lobster Shop. After a routine night of bussing tables, the boys got to talking and learned that they all shared a passion for playing music. They immediately planned a jam session later that week and what followed was a spark that inspired them to practice and write together over the next 6 months. Meldrop made their live debut at a college house venue called Cush Hill in April 2023, and continued playing shows through the spring and summer. However, tragedy struck in August amidst the recording of their debut project, when a pipe burst in their practice space, flooding the building and destroying their equipment. A week later, Medchill had to step away due to his ongoing struggle with addiction, forcing the band to cancel their upcoming shows. They spent the next 2 months finishing the EP before resuming rehearsals and bringing in a new member, Aidan Maggi, to fill the vacancy. The new lineup took to the live scene in November, just in time to play a show celebrating the release of their self-titled EP around Christmas time.
In the new year, the band continued playing shows and growing their following into the Seattle scene, also taking the time to record new singles "Coyote Country" and "Nude Walter Beach." During this time, they had planned on letting Maggi step out upon Medchill's return, but when the time came to make the switch, the boys realized that they all meshed together too well to let anyone go. It was clear that yet another lineup change was in order. In June 2024, the band returned to Cush Hill to unveil Meldrop's final form, a five-piece consisting of Esqueda and Medchill both on guitar and vocals, Tuncap on drums and vocals, Maggi on bass, and Goodman on keys. The new-look Meldrop's style blends influences of jazz, rock, and the blues into a truly unique and smooth sound that has encapsulated listeners in the Seattle area and all around the world. Driven by a genuine love for their craft, the band continues to experiment with new ideas, pushing their music to new places and chasing their dreams of pursuing music full-time.
The Breaks
Roberts • Walter • MooreWhen three modern groove masters of modern funk and soul-jazz converge, sparks are bound to fly. The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades.
Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.
Between them, they’ve logged countless tours, recorded landmark albums, and collaborated with a who’s-who of the modern jam, funk, and jazz worlds. But in The Breaks, the chemistry feels spontaneous—three kindred spirits locking into a groove and letting it ride.
From sweaty club sets to major festival stages, The Breaks deliver a sound that’s both deeply rooted and constantly evolving—a raw, joyful celebration of rhythm and musical conversation.
There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.
For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.
The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.
Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."
Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."
Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.
Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.
Less is more. No bullshit. That's Pretty Deadly.
Punk RockRose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.
A trio will play the first set. There will be a sign-up sheet with 10 tunes picked out, as well as openings for songs of choice and originals. Not just a jazz jam. Any genre, style and flavors welcome. Please be respectful and wear a mask when not drinking, eating or playing a horn. There will be a PA set with 2 mics, Keys with an amp, a guitar amp, a bass with an amp, Drums, and 2 DI boxes. Bring your sticks, instrument, instrument cable, or anything less than the keys and drums.
Guitarist Tracy Kim is best known as one of Portland's foremost gypsy swing guitar enthusiasts and instructors. He is also well-known for his Latin stylings: bossanova, samba, and other Latin jazz forms. Come sip and enjoy!
“Here’s to life” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money.
Today, as Clyne prepares to release his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, americana, indie-pop and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos — collectively known as Roger Clyne and The Peacemakers.
Notes on Seating: Only tables 1-6 are reservable and come with 2 meals. The Reserved seating is first come, first seated. You may be seated with people not in your party. GA Tickets are not guaranteed a seat, and may be standing room only. Meals are available for the $20 Meal Add On, purchased in advance.
Join our hosts, Elevate Unity & B-Fox Productions for this extraordinary night of live music and soul food at this annual holiday Neo Soul and R&B explosion, featuring PDX's #1 sophisticated show stopping dance band,
Enjoy this super soul music mix featuring hits from the 80s, 90s, 2000s and more!
Feel the essence of the music that defined multiple generations, curated to deliver a seamless musical performance to keep you on the floor.
The band is anchored by legendary PDX producer / vocalist & Oregon Hall of Fame percussionist Brian Foxworth.
He's joined by the legendary National touring bass bad boy, Ben Jones and the New York native and nationally recognized keyboardist Nick Rolfe, plus renowned lead guitarist extraordinaire formerly of the historic 70's R&B hit band "Pleasure"
Running out the band is the incredible lead vocal talent Ms.
It doesn't stop there, we've added performances by smooth special guest vocalists & break out talent Madison Rose "Sade Tribute Band"
Singer-songwriter and Neo Soul fenom croner Mr. Eli Hardy!
The Gold Experience Band takes some of the Northwest’s top, world class musicians and provides the best of the best in many genres of music including but certainly not limited to Soul, R&B, Funk, Jazz Neo Soul & Pop. Individually the lineup has backed artist from Curtis Salgado, Buddy Guy, BB King, The late PeeWee Ellis, The Drifters, Frank McComb, Pleasure and Neville Brothers to Sting, Aretha Franklin and Anita Baker.
Simply put, this is the quintessential show band to fit your needs
Music Millennium, Black United Fund, Music Portland, Kettle One Vodka, Riverpoint Medical
Elevate Unity Inc. is a collaborative nonprofit. It was concived during covid from the necessity to support the local arts and musicians, reconnect our community, and promote unity through the healing message of the music!
Our focus is to advocate for inclusion, equality, and equity for al Black Friday Neo Soul Supper Club
Join the City of Sherwood for this annual event honoring all veterans for their service and dedication to our Nation. We will be offering a light refreshments for veterans and their guests, musical entertainment by the Tristan Weitkamp Jazz Ensemble and the Sherwood Mixolydians, and brief remarks from elected officials.
This event is free and open to the public.
Date: Tuesday, November 11
Time: 11:00am (Doors will open for general seating at 10:45am)
Location: Sherwood Center for the Arts
22689 SW Pine Street, Sherwood OR 97140
More information at our website: Sherwood Center for the Arts
Behind The Scene with The Christopher Brown QuartetSun, Nov 01++ PLEASE NOTE - THIS IS EVENT IS FOCUSED ON EDUCATION - PLEASE READ DESCRIPTION ++In an effort to create meaningful culture building moments within a Jazz context for teenage musicians (as well as band instructors), drummer/bandleader Christopher Brown will host an ongoing series entitled “Behind the Scene” with his quartet. And what will separate this event from any other like it is that it’ll combine the Jam session, concert, and clinic experience into a collection of transformative moments for all involved.On the 1st Sunday of each month Christopher teams up with Montavilla Jazz to provide our city with an invaluable Jazz workshop that’s designed to adequately prepare young musicians for the most competitive musical environments in the world (namely NYC). So for the cost of a trip to Starbucks, this event provides:• 30 min concert by Christopher’s quartet.• One hour Q & A with the quartet.• 30 min food, beverage, and mingling break.• One hour of interactive music mentoring with members of Christopher’s quartet.• Access to the quartet’s extended network.**THERE IS NO FOOD OR DRINK SERVED AT THIS EVENT (outside food and drinks are permitted)** 01:00 PM SHOW
Thanksgiving Weekend at Résolu Cellars
Wine • Chocolate • Local Artisans • Holiday Spirit
November 27–29 | Historic Downtown Hillsboro
Company in town? Bring them to our place!
The Thanksgiving feast may be over, but there's still plenty to savor!
Whether you're hosting family, reconnecting with friends or simply looking for a little escape from the holiday bustle, we'd love to welcome you to Résolu for a festive weekend of wine, chocolate, holiday pairings and local discoveries.
Gather. Sip. Discover. Shop Local.
A Few Special Discoveries Await
Wine & Chocolate | A Special Collaboration
We're teaming up with Stache Chocolate for a signature artisan chocolate creation made with Résolu wine. A little something special for gifting, sharing—or keeping for yourself!
Holiday Pairings & Specialty Desserts
Enjoy seasonal desserts and holiday-inspired wine pairings created for the weekend. Settle in, sip, and discover a new favorite combination.
Shop Small. Gift Thoughtfully.
Explore our holiday gift station featuring Barrel Craft Studios, Brick & Twine, and other local artisans. Discover handcrafted gifts, unique finds and thoughtful surprises for the wine lovers on your list.
Holiday Wine Bundle Specials
Stock your cellar, find the perfect host gift or get a head start on holiday gifting with special wine bundles available throughout the weekend.
Friday Night Bonus | Wine & Vibes
Friday, November 27 • 6–8pm
We're welcoming Jack Maiolo for an evening of acoustic jazz. Settle in with a glass of wine, enjoy the music and let the holiday weekend unfold at a slower pace.
No cover. Reservations strongly recommended for Friday evening.
Thanksgiving Weekend Hours
Friday, November 27 | 12–8:30pm
Saturday, November 28 | 12–8:30pm
Sunday, November 29 | 12–5pm
Closed Thursday, November 26, for Thanksgiving.
Résolu Cellars | 262 SE 4th Ave | Historic Downtown Hillsboro
Company in town? Friends to catch up with? Holiday shopping to do? Bring them to our place. We'll have the wine ready!
Good wine. Sweet discoveries. Thoughtful gifts. A little holiday cheer.