Music❯Rock❯Punk

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

All Ages // 7 PM Doors // Tickets $25

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.

“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

The Portland Grief House invites you to join The Lost Table, a welcoming space to gather in community, remember those we’ve lost, and share in the traditions that help us keep them close. Bring a dish, pull up a chair, and make a place at the table for the dead. Grief can be hard to understand, and sometimes what we need most is community, ritual, conversation, and food.

Together, we’ll explore how different cultures and traditions call to, honor, and make offerings to those who have died. In the spirit of Día de Muertos, we’ll create a shared space where the living and the dead can gather around the same table.

We’ll begin with a creative activity led by Mario Mesquita, inviting us to reflect on memory, food, and our relationships with those we’ve lost. Participants will be introduced to the ritual elements that will carry us through the evening.

Laura Green will lead a community conversation about intercultural traditions of Día de Muertos and other ways communities call to and remember their dead. Participants will have an opportunity to share stories, traditions, and memories, and to dedicate an offering to someone they have lost.

Bea Yeh will introduce the tradition of Hungry Ghost and lead us in making an offering to the dead. We’ll set places at our table for those who are no longer with us and share food as an act of remembrance and connection.

Our community offerings and tributes will be gathered at Ximena Morales’s altar, creating a shared space of remembrance that connects the different traditions and offerings brought into the room.

Throughout the evening, we’ll create something together through words, offerings, and remembrance. We’ll dedicate a community poem to the dead and close our gathering with a collective ritual of words, sound, and stillness.

Please bring:

• A dish to share, plus any serving utensils it needs. Consider bringing something that reminds you of a loved one or connects you to a family or cultural tradition.
• Please label your food with a card identifying any allergens or dietary considerations.
• Your own dinnerware (plate, bowl, utensils, napkin).
• A beverage for yourself, if you’d like something other than water.
• A photograph, name, or other small tribute to a loved one for the community altar, if you’d like.
• Please do not bring chips, salsa, or guacamole—Milagro will provide these.

The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a space for English- and Spanish-speaking community members to gather, remember, share traditions, and honor the dead together.

Schedule
4:00–4:30 PM — Opening Ritual & Activity
4:30–5:45 PM — Community Conversation & Offerings
5:45 PM — Dedication & Closing

Estimated Running Time: 3 hours
Age Recommendation: Ages 10+

Chipped Nail Polish - Jill started Chipped Nail Polish with just her electric ukulele and a bad manicure. The project came to life in the basements and living rooms of the lively house show scene at the University of Oregon. The friendships formed there traveled up North to Portland where the band now resides.

Inspired by bands like Beach Bunny, Snail Mail, Soccer Mommy, FIDLAR, and Surf Curse, CNP is heavily influenced by the moshy surf punk music of Jill’s teen years, as well as introspective bedroom pop that has captivated her twenties. The result kinda feels like crying in a mosh pit, which is always encouraged at shows.

Mckenna Esteb - Boise, ID based songwriter.

Frecks - “Frecks” is comprised of one twenty-something member named Jayden from Portland, Oregon. Jayden has been writing music since her early teen years and draws inspiration from all aspects of her life. Pulling from concepts of introspection and undying love, she aims to tug on heartstrings with dreamy guitar riffs and haunting melodies.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/ChippedNailPolishAtTheSix

The Portland Grief House invites you to join The Lost Table, a resilient, welcoming space to gather in community and share experiences of loss. Bring a dish, pull up a chair, and share your heart in good company. Grief can be hard to understand, and sometimes what is needed most is community, conversation, and food. During the gathering, each participant will have a few minutes to share their grief in whatever way feels right—whether it's someone who is missed, something that has changed, a loss being carried, or an experience that continues to shape. While one person shares, the rest will listen with care and presence. Save time at the end of the evening to thank one another and connect, but please refrain from interrupting or responding during the sharing portion.

Día de Muertos and the month of November invite you to reflect on and remember loved ones who have passed—a time to celebrate their lives and meet death not with fear, but with love, memory, storytelling, and even humor. Mario Mesquita will lead an opening creative activity exploring memory and the role of cuisine in honoring loved ones, building toward a collective community tribute. Participants are welcome to bring a photograph of a loved one or create an offering featuring their loved one's name.

Bea Ogden will present the Hungry Ghost tradition and make an offering for the community ofrenda, opening a cultural exchange around how different traditions honor and remember the dead. Mario and Bea will also guide participants in writing a community poem, inviting each person to contribute a line or dedication to place on the altar.

Please bring:

• A dish to share, along with any serving utensils it requires. You're welcome to bring something simple—such as a bag of chips or fresh fruit—or a favorite dish that reminds you of a loved one.
• Your own dinnerware (plate, bowl, utensils, and napkin).
• Optional: A beverage for yourself if you would like something other than water.
• Optional: A photograph of a loved one to include in our community tribute

The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a welcoming space for both English- and Spanish-speaking community members to gather, remember, and heal together.

Portland Grief House les invita a unirse a La Mesa Perdida, un espacio resiliente y acogedor para reunirnos en comunidad y compartir nuestras experiencias de pérdida. Traigan un platillo, acerquen una silla y compartan su corazón en buena compañía. El duelo puede ser difícil de comprender y, a veces, lo que más necesitamos es comunidad, conversación y comida. Durante el encuentro, cada participante tendrá unos minutos para compartir su duelo de la manera que le resulte más natural: alguien a quien extrañamos, algo que ha cambiado, una pérdida que llevamos con nosotros, o una experiencia que sigue marcando nuestra vida. Mientras una persona comparte, el resto escucha con atención y presencia. Guardaremos tiempo al final de la noche para agradecer y conectar, pero pedimos que los participantes se abstengan de interrumpir ni de responder durante el momento de compartir.

El Día de Muertos y el mes de noviembre nos invitan a reflexionar y recordar a nuestros seres queridos fallecidos—un tiempo para celebrar sus vidas y enfrentar la muerte no con miedo, sino con amor, memoria, relatos e incluso humor. Mario Mesquita dirigirá una actividad creativa de apertura que explora la memoria y el papel de la cocina para honrar a nuestros seres queridos, construyendo hacia un tributo colectivo. Los participantes pueden traer una fotografía de un ser querido, o crear una ofrenda con el nombre de su ser querido.

Bea Ogden presentará la tradición del Fantasma Hambriento y hará una ofrenda a nuestra ofrenda comunitaria, abriendo un intercambio cultural sobre cómo distintas tradiciones honran y recuerdan a los difuntos. Mario y Bea también guiarán a los participantes en la escritura de un poema comunitario, invitando a cada persona a aportar una línea o dedicatoria para colocar en el altar.

Por favor traigan:

• Un platillo para compartir, junto con los utensilios de servir que necesite. Algo sencillo es bienvenido—como una bolsa de papas fritas o fruta fresca—o un platillo favorito que les recuerde a un ser querido.
• Su propia vajilla (plato, tazón, cubiertos y servilleta).
• Una bebida para ustedes mismos, si desean algo más que agua.
• Una fotografía de un ser querido para incluir en nuestro tributo comunitario (opcional).

Portland Grief House se siente honrado de continuar esta tradición, iniciada originalmente por Side Yard Farm. El Centro Milagro se emociona de asociarse con Portland Grief House para crear un espacio acogedor donde los miembros de las comunidades de habla inglesa y española puedan reunirse, recordar y sanar juntos.

Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Failthat Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.

Emo Nite at Holocene presented by Emo Nite LA at Holocene, Portland, Friday, November 6, 2026 · 9PM · 21+ · $23.94. $1 per ticket transaction sponsors Emo Nite Gives A F*ck. Donations are allocated for worthwhile organizations focusing on: ·...

The National Alliance on Mental Health Southwest Washington offers a Veterans Support Group from 6 to 7:30 p.m. on the first and third Mondays of every month at 907 Harney St., Vancouver. Learn more at namiswwa.org.

Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.

Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.

That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.

Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

A safe place where ALL are welcome to be themselves. Find support, eat snacks, get creative, discuss favorite books, and more! Bring a friend, or make a new one. For grades 5-8.

Queer Youth Club is a youth-run club for that unites LGBTQIA+ and allied youth from neighboring schools. Email [email protected] for more information.

Over the last decade, SPANISH LOVE SONGS have watched a fiercely loyal community take
shape one cramped club show and one new listener at a time. That momentum has carried the
band to tours with The Wonder Years, Alkaline Trio and Hot Mulligan, along with appearances
at Furnace Fest, 2000trees and the revived Vans Warped Tour, following the release of instant
classics Schmaltz (2018), Brave Faces Everyone (2020) and No Joy (2023). This intimate,
powerful connection with their audience is proof that even in an era defined by isolation, people
are still out there yearning for others to stand beside them in the darkness.

That search continues on FUTURE NAUSEA, the Pure Noise quintet’s fourth LP. Drawing from
the widescreen ambition of heartland rock – the anthemic sweep of records like Born in the
U.S.A., Sam’s Town and Full Moon Fever – shimmering synths, ringing guitars and soaring
choruses define an expansive sound crafted across sessions with producers Chris Walla (Death
Cab for Cutie) and Sarah Tudzin (Illuminati Hotties). Against that backdrop, Dylan Slocum’s
characteristically observational lyricism remains the band’s beating heart: deeply empathetic
and unflinchingly honest as he chronicles political violence, climate anxiety, late-stage
capitalism and the quiet ways these existential crises seep into everyday life – and, just as
critically, how moments of love, companionship and shared resilience become the antidote to an
increasingly uncertain future.

Portland heavy rock, speed metal and heavy psych with HÖG, Blade and Robots of the Ancient World at The Six Below Midnight.

HÖG - Dark, grimy rock & roll rooted in ’70s heavy rock, with punk and metal running through it. Their debut album BLACKHOLE was recorded entirely on 2-inch tape at Portland’s Arcane Amps.

Blade - Portland heavy metal power trio delivering classic speed metal and traditional metal. Sharp riffs, headbanging rhythms and songs made for raising a fist.

Robots of The Ancient World - Portland heavy psych and stoner rock with desert-rock roots and a dose of doom.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/HOGatTheSix

Join us for a Death Café—an open, group-directed conversation about death with no set agenda or themes. This is a space for thoughtful discussion, not a grief support or counseling session. Together, we’ll explore ideas and questions about death and dying in a respectful, welcoming environment.

Saturday, November 28th, 2026 7:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

HOPE Dementia Support presents “Meet Me at the Movies” at the Kiggins Theatre, 1011 Main St., Vancouver. A different musical will start at 1:00 p.m. on the second Friday of every month. Visit kigginstheatre.com to see what musical will be shown next. The cost is $10 per person.

• Community members 50 and up
• Aging Solo Seniors
• Anyone who cares for someone age 50 and up
• Businesses and Organizations that work with clients ages 50 and up or caregivers
• Businesses and Organizations that offer products and services for clients age 50 and up or caregivers
• EVERYONE IS WELCOME feel free to share the information, social media posts on Villages Clark County or the attached flyer

HOPE Dementia Support Group is a weekly support group for those caring for individuals living with all types of dementia from 10 a.m. to noon Wednesdays at Columbia Presbyterian Church, 805 S.E. Columbia Ridge Dr., Vancouver.

With whiplash-inducing guitar hooks and sing-along passages mirroring the volatile subject matter, Equipment shifts the spotlight toward the power-pop facet of the modern emo genre. Vulnerability is fully present, yet often shaded by gallows humor and danceable choruses. The Toledo, Ohio quartet has become known as a veteran of the DIY music scene, striving to challenge the medium, play with listener expectations, and champion radical optimism.

There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.

For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.

The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.

Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."

Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."

Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.

Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.

Less is more. No bullshit. That's Pretty Deadly.

Rose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.

Portland, Oregon

Portland, Oregon · funk soul, grunge, rock, alternative rock, emo, pop, power pop, rock, shoegaze, Portland

w/ Ben Quad & Super Sometimes Tuesday, November 24th, 2026 7:30PM Hawthorne Theatre All Ages | Bar w/ valid photo ID No refunds or exchanges. All sales final. If you need any ADA accommodations, please reach out to [email protected]. w/ Ben...

Senses Fail have been called any number of things across their near 25 years as a band - emo, screamo, post-hardcore, metalcore, pop punk. It's testament to the band's perpetual evolution as much as it is their steely endurance - a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It's through the songs of Senses Failthat Nielsen has forever made sense of and peace with life's highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music's most cherished, celebrated names.

Join us each month to discuss infant and toddler feeding in a supportive, community environment. Led by International Board Certified Lactation Consultants (IBCLCs), this group covers a wide range of topics, including breast/bodyfeeding, pumping, bottle feeding, introducing solids, and weaning.

Because feeding is deeply connected to daily life, we also welcome open discussions on related parenting topics such as sleep patterns, soothing a crying baby, and navigating the postpartum adjustment. Come connect, share experiences, and get expert guidance on your family's feeding journey.

Cooper Mountain Ale Works hosts a high energy emo and pop-punk showcase featuring four local acts performing originals and throwback covers from the early 2000s. The lineup includes Craig James & The Hawthorns on pop-punk, CARD3N with post-hardcore and emo, Lucky As Us bringing pop-rock, and Sintillation blending emo and pop-punk. This all-ages show is $10 at the door, with cash, Venmo, and Cash App accepted.

$10 at the door Cash Only, 21+, 7PM Doors/8PM Music

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NOAlarm

https://www.instagram.com/n0alarm/

Star Machine

https://www.instagram.com/starmachin3/

Fairweather Fugitive

https://www.instagram.com/fairweather.fugitive/

Mountainfall

https://www.instagram.com/mountainfall_music/

Hidden Track delivers a nostalgic set spanning 90s and 2000s alternative rock, grunge, and pop punk, packed with sing-along favorites you might not realize you still know by heart. Enjoy food and drinks at The Oswegian while the music plays.

21+ · <p>NOW THAT'S WHAT I CALL GOTH!</p><p>------------------------------------------------<br>DJF brings the doom and boom out from the shadows.<br>---------------<br>Gothix Classix<br>Waves Dark & Cold<br>Definitive Post-Punk<br>NeoSpooky<br>Traditional Industrial<br>Ethereal Ambience<br>Pure Unadulterated TransShadow<br>8pm 21+ $5</p>

Wacheno Welcome Center Conference Room (WC225) Monday, November 16, 2026, 12 – 1pm Join NAMI (National Alliance on Mental Illness) for our weekly club meetings. We meet on Mondays, from noon – 1 p.m. in the Multicultural Center, room 161, located in the Wacheno Welcome Center, Oregon City Campus. Come for friendship, laughs, and community, because your mental health matters.

Offering recovery services for ages 14-35:

• Peer Mentoring
• Treatment
• Housing
• Mental Health
• Family Support

Pinhead Gunpowder performs at Roseland Theater. General admission floor access is open to all ages, while reserved balcony seating is for guests 21 and over.

This BIPOC support space is facilitated by Sielo Kaí Solar (he/him/el), a peer support worker who identifies as 2S, trans, disabled, mixed race, and a first-generation Mexican-American. As an artist, abolitionist, and community-centered facilitator, Sielo brings a warm, creative, and welcoming energy to the space.

Participants are invited to gather in a relaxed and flexible environment to snack, make art, chat, and play games as they wish. This space is intended to foster connection, creativity, and community care, allowing everyone to show up as they are and engage in ways that feel most comfortable.

A Los Angeles-based comedian, avid skateboarder, filmmaker, and actor, Whitmer Thomas added rocker to his credentials in 2020 with the release of the soundtrack to his HBO musical/comedy one-man show, The Golden One. It was followed by a stand-alone music EP, the Jay Som-produced Can't Believe You're Happy Here, in 2022.

A native of Gulf Shores, Alabama, Thomas first found success in 2014 with Stone Quackers, a surreal FX adult animated television series. Power Violence, a popular monthly show Whitmer hosted with friends, helped to secure his status in the upper echelons of the Los Angeles independent comedy scene, as did his numerous short films like Blue Line and Fast and Loose, and appearances on The Walking Dead and Glow. In 2020, Whitmer released his one-man show, The Golden One, on HBO. Featuring pop-punk songs composed and performed by Whitmer (a longtime fan of blink-182), which covered everything from millennial anxiety and sex to abandonment and addiction, the special spawned the companion LP Songs from the Golden One. Between guest spots on series like I Think You Should Leave with Tim Robinson and Search Party, he followed it up with a music EP titled Can't Believe You're Happy Here in 2022, also on the Hardly Art label. Led by the sincere acoustic track "Don't Have a Cow," the EP was produced by Melina Duterte, better known as Jay Som.co

Portland, Oregon · metal, rock, doom metal, hardcore, heavy metal, heavy rock, Portland

Portland, Oregon · rock, garage rock, hardcore melodic, metal rockabilly, punk, Portland

Portland, Oregon · post-hardcore, dumpster prog, Rock, noise rock

Did you recently have a baby? Do you have questions? Are you feeling all the feelings? Join postpartum doula Krystal Williams for a program of connection and caring for new moms. No registration required. Meets in the Community Room.

21+ · <p>Portland's original exclusive Goth Night Oubliette is now once a month at The Coffin Club. Founded in 2005 Oubliette plays the best in Modern and classic Goth, Death Rock, Post Punk. Join us for a night with request friendly Djs who know and love Goth. Every 2nd Wednesday.</p>

Reach out to Carol to join: [email protected]

Meets in person every Third Monday 12:30pm - 2:25pm in the Library

“Here’s to life” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money.

Today, as Clyne prepares to release his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, americana, indie-pop and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos — collectively known as Roger Clyne and The Peacemakers.

Wednesday, November 4th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Roger Clyne & The Peacemakers bring a dynamic mix of punk rock, Americana, indie pop, and mariachi influences, drawing from their new album, “Hell To Breakfast!”

The BIPOC (Black, Indigenous, and People of Color) affinity group meets on the 2nd Sunday of the month after service. We hope you can join us!

Since 2018, Growing Pains have been writing and performing blue-tinted indie rock, spritzed with emo, power pop, and shoegaze influences. Formed at an after-school music program, the members of Growing Pains communed over a shared love for Joyce Manor and Blink-182. They soon made the rounds through the Portland DIY circuit, playing scene staples such as Blackwater and Fail House. After releasing their debut album Heaven Spots, the band temporarily relocated to Eugene, where they wrote their next project. Leaving their pop-punk influences at home, the group took influence from the frenzied side of indie rock, choosing to channel the phantasmic soundscapes of My Bloody Valentine and disarranged stimulantics of Broken Social Scene. This came to fruition in the 2023 EP Thought I Heard Your Car, a 5 song meditation on nostalgia; l’esprit d’escalier in song form. Playwright Antonin Artaud wrote: “I abandon myself to the fever of dreams, in search for new laws.” For Portland-based indie quartet Growing Pains, the dream world is where apathy ends, and euphoria begins.

A safe place where ALL are welcome to be themselves. Find support, eat snacks, get creative, discuss favorite books, and more! Bring a friend, or make a new one. For grades 5-8.

Queer Youth Club is a youth-run club for that unites LGBTQIA+ and allied youth from neighboring schools.