Arts & Media❯Readings

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert will also include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

Sarah Hicks, Conductor

Dessa, Vocals

Oregon Symphony

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

BOOK FEST IS SOLD OUT.

For more than a decade, Portland Art Museum has been proud to partner with Literary Arts and serve as a home base for the Portland Book Festival, bringing thousands of writers, readers, and book lovers downtown for one of the city’s biggest literary celebrations.

Festival activity fills the PAM campus and Cultural District throughout the day, making it an especially lively time to visit.

How does PAM ticketing work on Portland Book Festival Day?

With regular Museum admission (including PAM member admission), visitors can enjoy the galleries along with select festival activities happening in them, including:

• Pop-up author readings thematically paired with artworks, 11 a.m.–4 p.m.
• KMHD Jazz Radio Listening Lounge in Gallery 300, 12–4 p.m.

PAM members receive their usual free Museum admission; a Festival Pass is required for full festival access.

Visit the Portland Book Festival website for the complete schedule.

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl's desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Raqting: PG-13 | CC and AD Available | Accessible Entrance Available

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Toolbox Gallery ishonored to welcome the highly regarded Milwaukie Poetry Series for its biannual invited poet readings followed by an open mic.

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

Join us for a poetry reading presented by Spare Room, featuring Ariel Resnikoff and Ivan Sokolov.

Ariel Resnikoff's recent works include Raisin in Every Bite (Furniture Press, 2022), A Paradise of Hearing (The Swan, 2021), and Unnatural Bird Migrator (The Operating System, 2020) which was awarded an Anne and Robert Cowan Writers Prize. His newest poetry collection, Poems with Friends and Ghosts, is forthcoming from Chax Press in 2027. With Pierre Joris, he is also the co-editor of In Between, Keep Moving: A Pierre Joris Reader (Contra Mundum 2026). Ariel is a translator of Yiddish, Hebrew and Spanish poetry and prose, and his own writing has been translated into German, French, Russian, and Mandarin, among other languages. In 2025 he was a visiting writer and translator in China at Central China University in Wuhan and the University of Fudan in Shanghai. Ariel lives in El Cerrito, California – the little hill – with his partner, the artist Rivka Weinstock and their kiddo. With E. Tracy Grinnell, he co-directs Litmus Press and Ether Sea Projects.

Ivan Sokolov is a poet, translator and critic from St. Petersburg, Russia, currently based in Portland. Author of five books of poetry in Russian, he also translates the international avant-garde, from Gertrude Stein to Paul Celan. His Russian version of Ron Silliman's "You" and a translation of Richard Foreman's "Samuel II" were recently published. Sokolov's translations from contemporary Russian writing are available in World Literature Today and the Back Room. His own work has been featured in a Deep Vellum anthology Verses on the Vanguard.

Live Wire teams up with the Portland Art Museum during First Thursday and the Portland Book Festival. From 4:30 to 6 p.m., complimentary pop-up performances roam the museum galleries, no ticket needed. At 7 p.m., host Luke Burbank and announcer Elena Passarello lead a seated, ticketed taping with poet and rapper Dessa, children’s author Mac Barnett, Pulitzer Prize finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors open at 6:30 p.m.. Portland Book Festival passholders get 10% off.

Join Oregon Poet Laureate Ellen Waterston for a free and public event in the Lincoln City Cultural Center. The event will include a presentation and time for audience Q&A.

Join the Portland release of I Believe in Everything: A Memoir of Illness, Motherhood and Magic. Jen Dary will give a reading from her debut memoir before local Portland artist Lisa Congdon facilitates a conversation and and audience Q&A. Jen will sign books as well.

Books and drinks will be available for purchase. This event is for ages 21+.

Bring a friend or a book club, or come alone, ready to make some new friends. Whether you've known Jen for years or stumbled upon this event by accident, you are welcome.

Tickets cost $10. $5 of every ticket will be donated to the American Brain Tumor Association.

Celebrate Día de los Muertos at M&M Marketplace with two days of culture, music, food, and family fun. Join us on Saturday, October 31 and Sunday, November 1 from 2 PM to 7 PM for a free community celebration in Hillsboro.

Enjoy live music, traditional altars, Calenda, Calaveritas Literarias, a Concurso de Catrinas, food, shopping, and family entertainment. Bring your family and friends as we come together to honor loved ones and celebrate Día de los Muertos traditions.

Dates: Saturday, October 31 and Sunday, November 1
Time: 2 PM to 7 PM
Location: M&M Marketplace, 346 SW Walnut St., Hillsboro, OR 97123
Admission: Free

¡Acompáñanos con toda la familia para celebrar nuestras tradiciones, recordar a nuestros seres queridos y disfrutar un fin de semana especial en comunidad!

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

We've all heard the phrase, "If it ain't broke, don't fix it." Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We'll explore how it happens, why evolution keeps repeating itself, and what these evolutionary "reruns" can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Science Pub Mission Theater is a monthly event that is open to anyone and everyone. No scientific background required. Just bring your curiosity, sense of humor, and appetite for food, drinks and knowledge! For more information or to sign up for our mailing list, email: [email protected].

When the nation and culture you grew up in and love have been taken over by a war-waging fascist dictatorship, how do you come to understand the nature and causes of what has happened? Perhaps you can do this only after you fled for your life. How then would you look at the ruins left inside yourself? This was the situation faced by one of the most sophisticated and profound thinkers of the twentieth century, Theodor Adorno (1903–1969), when he found himself living in Los Angeles during World War II after escaping from Nazi Germany.

In this Delve we will study Adorno’s Minima Moralia: Reflections from Damaged Life—the amazing book he wrote between 1944 and 1949 to explore his feelings about the calamitous situation of a world facing despotism. We will read the entire book and focus on selected essays. The book is made up of 153 very short essays, ranging from 1-3 pages. The essays focus his philosophical genius on deeply observed and subtle aspects of ourselves that contribute to or resist the ways in which we are socialized that result in alienation, loss of will and agency, and unfulfillment. He explores consumer culture, the arts, and politics along with his recollections of the rise of fascism. Each essay is a deep and intricate knot of feelings and ideas, presented by a contemplative, perseverant, unblinking thinker of the highest order Although written in grief, Adorno always seeks hope by confronting, with maximum honesty and penetration, the deep roots of the problems human society faces. Minima Moralia is a monument to the sensitive study of culture and our psyches amidst disaster trauma. Adorno’s brilliant and strong style make this book a pleasure to think with. In this Delve we will read the entire book and focus on selected entries.

Text:
Minima Moralia: Reflections from Damaged Life<, Theodor Adorno, translator E. F. N. Jephcott (Verso)

Access Program
We want our writing classes and seminars to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and seminar tuitions at a reduced rate. Most writing classes have at least one access spot available.

Please apply here for access rate tuition. Contact Susan Moore at [email protected] if you have questions.

Liaison position
Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform specific duties for each class meeting. If you are a liaison for a class or seminar, the full amount of your tuition is covered by Literary Arts.

Apply here for the liaison position.

Julia Wertz reads from her new memoir Bury Me Already (It’s Nice Down Here) at Portland Art Museum in the Prints & Drawings gallery (Level 0, Room 007), paired with Mary Kay Nitchie, Jump, from the portfolio Wayzgoose.

Raw, honest, and hilarious, Bury Me Already (It’s Nice Down Here) chronicles the joy and horror of becoming a mother during challenging times.

In this follow-up to the acclaimed memoir Impossible People—a book about getting sober and becoming a professional artist in New York City—cartoonist Julia Wertz returns home to Northern California where she reunites with her family and rekindles a relationship with an ex-boyfriend. After a surprise pregnancy and a marriage proposal, Julia settles (somewhat reluctantly) into a quiet life in a small town. But as 2020 approaches, her world, and the world at large, takes a sharp turn toward unexpected chaos. Through comic vignettes, essays, and diary doodles, Julia recounts the events of her pregnancy and its attendant body horror, a miscarriage, family trauma, marriage, a life-altering accident, and the joy and surprises of parenthood as it all unfolds against the backdrop of local wildfires and a global pandemic. The result of this unconventional collection is a heart-wrenching and hilarious story of adversity, resilience, and, ultimately, love.

Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.

Followed by book signing at The Shop at PAM.

A major collection of performance works by artist and agitator Anthony Hudson.

Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.

The Literary Arts Bookstore is pleased to welcome Kimberly Blaeser to celebrate her latest book Red Ants. Blaeser will be joined in conversation by Christopher Diaz.

About the book:

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Please be aware that tour availability is subject to change due to private reservations of the venue. If you are looking to rent the Marshall House or any of our other historic venues, please visit Event Venues | Event Space Rentals | Historic Properties in Vancouver WA (historictrustproperties.org)

The Marshall House is named in honor of General George C. Marshall, who lived there from 1936 to 1938, serving as Commander of the Barracks and the regional Civilian Conservation Corps (CCC). This home’s Queen Anne architecture serves a striking example of late 19th century American architecture, with ornate features including stained glass, decorative woodwork, and a round turret. The museum-like setting features period furnishings, military memorabilia, and an interpretation of Marshall’s study.

Some historians credit Marshall’s stay here and experience directing thousands of young CCC workers across the Pacific Northwest with his later success integrating an estimated eight million draftees into a cohesive, motivated fighting force in World War II.

Some of the public areas in our buildings may not be fully accessible to visitors with limited mobility. Please call in advance for more specific information: 360-992-1800.

Public parking is available on Evergreen Blvd, across the street from the Marshall House. For guests using public transportation C-Tran Route 32 serves the Historic Reserve and stops adjacent to Marshall House. For more information visit: https://www.c-tran.com/

Enjoy free hot cocoa and cookies for everyone! ☕🍪
Every child will receive a special 1:1 moment with Santa — don’t forget your camera to capture the magic. ❤️🎅
(Professional photos are optional and available for $20 each.)

Must Register for a time slot!

Admission
• Adults: Free (up to 2 adults per child). Additional adults may join with a purchased full-priced ticket.
• Infants younger than 12 months: Free with a paying sibling; otherwise, a ticket is required.
• All ages welcome!

On the first Wednesday of the month, join us in the Discovery Museum’s reading nook for Forest Stories. A storytime dedicated to forests and forest-themed books that connect adults and children and engage the imagination. Coloring pages are also available.

This offering is included with museum admission.

Started in 1999 and organized by writer Willa Schneberg, this annual event features readings by prominent Oregon Jewish poets and writers. The writers in the 2026 program span a range of genres, including fiction, poetry, non-fiction, and essays. Each author will share selections from their work.

Embark on a heartwarming adventure with picture book authors Andy Harkness (Find the Sun), Christopher Myers (Night Ride), and Rae Wynn-Grant (You Belong in the Wild) as they read from their newest releases! Hosted by Emily Arrow.

Take a leap and find the sun . . . Eddie doesn’t like Mondays. He’d rather burrow under the covers than face the day. Then an unexpected friend arrives to take him on a journey. Eddie is afraid, but that’s okay, journeys can sometimes be frightening. Step by step Eddie grows braver. Before long, he understands . . . Through any storm, you can always find the sun.

A stunning wordless picture book in the never before seen medium of stained glass about a group of kids riding through NYC, capturing the joy of Black childhood and the freedom of exploring a city that feels like it belongs to you. Setting out on a warm and glorious night, a group of kids grab their bikes to explore a city that for a moment in time feels like it belongs entirely to them. Riding from Harlem, through Central Park, to Chinatown, and over the Brooklyn Bridge, the iconic landmarks of New York City become mirrors that reflect their joy and freedom.

In this heartfelt, stunning picture book, a young child with a love for science discovers that while they don’t see other people like them working in nature, they do belong there.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Inspired by Davide De Pierro’s newly released novel The Letters I Never Sent, his live show blends personal storytelling, humor, and audience conversation. Throughout the night, De Pierro will deliver a monologue and read selections from the book, followed by an open Q&A with the audience. Limited meet-and-greet opportunities will also be available for those who purchase in advance. Davide is a New Jersey native that has cultivated over 3M followers on TikTok and 2.7M followers on Instagram and has been earning millions of views online. Known for his commentary on relationships, finances, and those relatable moments that capture the human experience, Davide is excited to be expanding into a fresh medium.

Join Mary Miller Doyle and friends for a presentation of Wonder Is a Lovely Place to Be: 365 Days of Wit, Wisdom, and Irrepressible Imagination by Brian Doyle and Mary Miller Doyle. Drawing from both beloved and previously unpublished Brian Doyle works, this collection of essays, poems and sketches invites readers to notice holiness woven through ordinary, everyday moments.

Mary Miller Doyle and John and Cindy McPhee will read passages from Wonder is a Lovely Place to Be and retired Lake Oswego Public Library director Bill Baars will host. We'll also be serving apple and marionberry pie, Brian's favorite flavors.

Brian Doyle (1956-2017) was the author of many books, including the novels Mink River and The Plover; The Grail, his account of a year in a pinot noir vineyard in Oregon; and The Wet Engine, a memoir about his infant son’s heart surgery and the young doctor who saved his life. He edited Portland Magazine at the University of Portland.

This program is supported by the Friends of the Lake Oswego Public Library. Participation is free, and no registration is required. Please note, seating is limited due to the size of the space. Seats will be available on a first-come, first-served basis.A livestream will be available.

Lake Oswego Public Library is located at 706 Fourth Street, Lake Oswego. For more information, contact Alicia Yokoyama at 503-534-4228 or [email protected]

(link sends e-mail)

We are delighted to welcome Gavin Van Horn, editor of the new anthology Sensoria: Attending to the Wonder and Vitality of Nature to Broadway Books. He will be joined by poet Brittney Corrigan, one of the contributors to the anthology.

A stunning gathering of creative nonfiction, research, and poetry, Sensoria transports readers into compelling stories and ethical reflections that stretch the limits of the moral imagination, calling attention to the wondrous ways in which humans and other-than-human beings experience and perceive the world. By exploring the sensorium among all forms of life endowed with different kinds of consciousness and communicative abilities, this volume highlights ecologically and socially diverse ways of touching the world with mind, and touching mind with the world.

Develop your writing in a welcoming, creative environment alongside friends and local best-selling YA author Jamie Pacton. This is time to write, share ideas, ask questions, and meet other teen writers!

Chatter PDX is a performing arts series in Portland inspired by the success of the innovative Chatter series in Albuquerque, New Mexico, which has captivated audiences for over 15 years. Chatter PDX brings a unique blend of music, spoken word, coffee, and reflection to Portland's vibrant cultural landscape. Chatter performances take place weekly and offer audiences the opportunity to hear a wide variety of classical chamber music and spoken word, performed by local artists. Coffee and mingling with the audience and performers before and after the show are an essential part of the Chatter PDX experience.

Each week, join a unique program of music and poetry.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Closing out the Portland Book Festival with a special edition Soju Party, celebrating Korean food, drinking culture, and Irene Yoo’s James Beard Award-winning cookbook, Soju Party: How to Drink (and Eat!) Like a Korean, as part of Portland Book Festival’s “living cookbook” weekend.

Expect Han Oak favorites and anju-inspired bites with specialty soju + wine cocktails with CHO Wines, and plenty of reasons to raise a glass. Irene will be there celebrating the book, with copies available for purchase throughout the evening. Come eat, drink, and learn to party like a Korean. Everyone’s invited.

About the author:

Irene Yoo is a Korean American food writer, recipe developer, chef and co-owner of Brooklyn’s Orion Bar, whose work explores Korean food, drinking traditions, and the culture of gathering around the table.

Monthly on every first Tuesday

We want your BOLD stories!

Come to our monthly open mic to share your latest work in progress or previously published piece. We welcome short stories, personal essays, poetry, slam, and other spoken word art forms.

10% off for performers!

BOLD is a safe place. We strive to uplift stories by and about people from underrepresented and diverse communities. We do not tolerate hate speech of any kind.

See you there!

Join the Columbia Writers Series for a reading and conversation with the novelist, journalist, and editor Ed Park. Park is the author of the novels Same Bed Different Dreams and Personal Days, and the short story collection An Oral History of Atlantis (2025). He has been a finalist for the Pulitzer Prize, the PEN Hemingway Award, and other honors, and has won the Los Angeles Times Book Prize and Asian Pacific American Award for Literature. His writing has appeared in The New Yorker, The New York Review of Books, The Atlantic, Harper’s, McSweeney’s, and many other places. He is a founding editor of The Believer and was executive editor at Penguin Press. He teaches creative writing at Princeton.