Sunday, November 1st, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Domestic Bliss Tour VIP Package...
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
If you want to rage out and turn this season into an eventful alternative bonanza, here's your opportunity to see the most fantastic act in the circuit. Smashing Pumpkins brings a top-rated showdown across the US this fall as they serve a brand new trek. This time, a new album brings different vibes, and Smashing Pumpkins is slated to promote this incredible work. Smashing Pumpkins brings The Rats In A Cage Tour to this city, and they're ready to conquer Moda Center at the Rose Quarter with their viral hits, including "1979," "Tonight Tonight," and the Grammy-winning "Bullet with Butterfly Wings"!
A Tuareg singer/songwriter and guitarist who is known for his innovative and intense playing style, Mdou Moctar rose from a small village in Niger to earn viral success among West Africa's cell phone-trading network. An appearance on an American compilation in 2010 led to international recognition and further exploratory releases on the Sahel Sounds label. After starring in a Tuareg-language homage to Purple Rain, Moctar's sound continued to evolve as he pushed his musical boundaries as a multi-instrumentalist on 2017's Sousoume Tamachek. Subsequent albums like Ilana: The Creator (2019) and Afrique Victime (2021) found him infusing his African influences with wild electric psychedelia and full-blast rock and roll to widespread acclaim. 2024's scintillating Funeral for Justice saw Moctar take a stronger political stance on the injustices faced by Niger and the Tuareg people. A reimagined, all-acoustic version of the album was released in early 2025 as Tears of Injustice.
Forging a muscular sound out of contrasting sonic vistas that include pop hooks, theatrical melodies, jazz-influenced chord voicings, rock rhythms, and sludgy guitars, Slothrust ("sloth-rust") offer a unique spin on the angsty sounds of the '90s. Led by singer/songwriter/guitarist Leah Wellbaum, the group's label debut, 2014's Of Course You Do, included a track that was adopted as the theme song to the FX series You're the Worst. They continued to build and expand their sound with ambitious albums like The Pact and 2021's Parallel Timeline as well as the unpredictable EPs I Promise (2023) and Wildcard (2025).
JOSEPH is the Oregon-bred sister trio of Natalie, Allie, and Meegan Closner, known for
their powerful harmonies, emotionally honest songwriting, and genre-blurring blend of
indie pop, folk, and rock. Since releasing their breakout debut I’m Alone, No
You’re Not in 2016—which featured their hit single “White Flag” and landed them
on The Tonight Show, TODAY, and the Billboard charts—the band has steadily built a
devoted following through gripping live performances, national tours, and appearances
at major festivals including Coachella, Glastonbury, and Bonnaroo.
Over the years, JOSEPH has released a string of critically acclaimed records
including Good Luck, Kid (2019) and The Sun (2023), praised for their rich vocal
arrangements andsoul-baring lyricism. Their most recent release Closer to Happy (2026)
marks their boldest and most personal work to date. Co-produced with Luke Niccoli (Carly
Rae Jepsen, Miya Folick), the project explores themes of grief, self-trust, and radical selfacceptance.
Whether through triumphant anthems like “I Believe In Myself” or gut-punch
ballads like “Bye and Bye,” JOSEPH continues to turn lived experience into songs that
resonate far beyond the surface.
🎂 Turn the party up! Book 3+ tickets with up to 30% off now, get an extra 20% off your next purchase!
⭐ Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Portland. Get your tickets now to discover the music of Coldplay & Imagine Dragons at The Old Church Concert Hall under the gentle glow of candlelight.
This is a tribute concert experience. It is not affiliated with, endorsed by, or sponsored by the artist, their estate, or official representatives.
Concerts:
Friday, September 4 at 8:45pm
Saturday, November 21 at 6:30pm & 8:45pm
Sunday December 27 at 8:45pm
Saturday, January 23, 2027 at 6:30pm
Saturday, February 20, 2027 at 6:30pm
General Info
📍 Venue: The Old Church Concert Hall
📅 Dates and times: select your dates/times directly in the ticket selector
⏳ Duration: 60 minutes. Doors open 45 minutes before the show. No entry once it starts.
👤 Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
♿ Accessibility: this venue is ADA compliant
❓ View the FAQs for this event here
🪑 Seating is assigned on a first come first served basis in each zone
🕯️ If you would like to book a private concert or buy regular tickets for a large group (+30 people), click here
🎻 Check out all the Candlelight concerts in Portland
🎁 To treat your friends and family to a Candlelight gift card, click here
Tentative Program
Performers
In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
The Portland Grief House invites you to join The Lost Table, a welcoming space to gather in community, remember those we’ve lost, and share in the traditions that help us keep them close. Bring a dish, pull up a chair, and make a place at the table for the dead. Grief can be hard to understand, and sometimes what we need most is community, ritual, conversation, and food.
Together, we’ll explore how different cultures and traditions call to, honor, and make offerings to those who have died. In the spirit of Día de Muertos, we’ll create a shared space where the living and the dead can gather around the same table.
We’ll begin with a creative activity led by Mario Mesquita, inviting us to reflect on memory, food, and our relationships with those we’ve lost. Participants will be introduced to the ritual elements that will carry us through the evening.
Laura Green will lead a community conversation about intercultural traditions of Día de Muertos and other ways communities call to and remember their dead. Participants will have an opportunity to share stories, traditions, and memories, and to dedicate an offering to someone they have lost.
Bea Yeh will introduce the tradition of Hungry Ghost and lead us in making an offering to the dead. We’ll set places at our table for those who are no longer with us and share food as an act of remembrance and connection.
Our community offerings and tributes will be gathered at Ximena Morales’s altar, creating a shared space of remembrance that connects the different traditions and offerings brought into the room.
Throughout the evening, we’ll create something together through words, offerings, and remembrance. We’ll dedicate a community poem to the dead and close our gathering with a collective ritual of words, sound, and stillness.
Please bring:
The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a space for English- and Spanish-speaking community members to gather, remember, share traditions, and honor the dead together.
Schedule
4:00–4:30 PM — Opening Ritual & Activity
4:30–5:45 PM — Community Conversation & Offerings
5:45 PM — Dedication & Closing
Estimated Running Time: 3 hours
Age Recommendation: Ages 10+
With whiplash-inducing guitar hooks and sing-along passages mirroring the volatile subject matter, Equipment shifts the spotlight toward the power-pop facet of the modern emo genre. Vulnerability is fully present, yet often shaded by gallows humor and danceable choruses. The Toledo, Ohio quartet has become known as a veteran of the DIY music scene, striving to challenge the medium, play with listener expectations, and champion radical optimism.
Experience an unforgettable night of blues-infused rock as Joanne Shaw Taylor and Robert Jon and The Wreck bring their powerhouse performances to the stage. Renowned for her blistering guitar work and soulful vocals, Joanne Shaw Taylor will perform fan favorites from her acclaimed Billboard-charting album Black and Gold alongside new music from her forthcoming release, The Trouble With Love. Joining her are Robert Jon & The Wreck, celebrated for their driving Southern rock sound, rich harmonies, and electrifying live shows, featuring standout songs from their latest album, Heartbreaks & Last Goodbyes. Blending blues roots, fiery musicianship, and high-octane rock energy, this dynamic lineup promises a night of incredible live music.
21 & Over | $20 Advance / $25 Day Of | The Best Days – Bryan Adams tribute features members of the NW’s most revered tributes, including Jason Fellman (Stone In Love, Radical Revolution) Rich Ray (Ramble On, Superunknown) and more. The band delivers the unmistakable sound and energy of Bryan Adams at his arena-rock peak, powering through a hit-packed catalog that includes “Summer of ’69,” “Run to You,” “Cuts Like a Knife,” and more. With Big guitars, powerhouse vocals and songs made to be sung at full volume, The Best Days brings it all together for in show that’ll make you remember why those really were the best days of your life.
LowKey delivers arena rock hits of the ’70s & ’80s, particularly those keyboard-driven bangers! Consider yourself warned.
– – – –
GET TICKETSReserved Seating Available
King Buffalo, a heavy psych trio featuring vocalist and guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson, shares the bill with L.A. Witch. The Los Angeles trio of Sade Sanchez, Irita Pai, and Ellie English blends reverb-draped rock with a sound that ranges across broader sonic territory on its latest album, DOGGOD, while exploring existential and cosmic themes. This is an all-ages event.
Rock out at the Open Musician's Jam. Join these jam sessions, where music meets fun and friends meet rock 'n roll. It's gonna be a blast. Bring your instruments, your voice, and your A-game.
This venue is 21+
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
Buffalo Jones, Stephen Ashbrook
Portland heavy rock, speed metal and heavy psych with HÖG, Blade and Robots of the Ancient World at The Six Below Midnight.
HÖG - Dark, grimy rock & roll rooted in ’70s heavy rock, with punk and metal running through it. Their debut album BLACKHOLE was recorded entirely on 2-inch tape at Portland’s Arcane Amps.
Blade - Portland heavy metal power trio delivering classic speed metal and traditional metal. Sharp riffs, headbanging rhythms and songs made for raising a fist.
Robots of The Ancient World - Portland heavy psych and stoner rock with desert-rock roots and a dose of doom.
21+
DOORS 8:30pm MUSIC 9pm
Thursday, November 5th, 2026 6:30PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...
Founded in 2004, Federale has released seven cinematic records inspired by obscure spaghetti westerns, folk-based murder ballads, '60s and '70s European soundtracks, and stylishly dramatic vocalists such as Lee Hazelwood and Nick Cave. Federale's music has appeared in films, including A Girl Walks Home Alone at Night, The Bad Batch, and The Lego Movie, while the band has toured extensively throughout North America and Europe.
Federale's newest album Love & Other Lies (2026) teems with a dark sentimentality and a pronounced gloomy sensibility drawing from British new wave, post-punk, goth, and 1960s rock n 'roll. Strains of The Cure, Depeche Mode, The Sisters of Mercy, Siouxsie and the Banshees, Tears for Fears, and even The Beatles abound. Here, lead singer and primary songwriter Collin Hegna's emotive baritone is swathed in period-perfect Prophet-5 synthesizers and glistening counter-melody guitar lines, and supported by intricate but lyrical basslines and coldly mechanical drums.
Love & Other Lies picks up where Federale's previous album, Reverb & Seduction, left off. That album was a radical departure from the band's previous releases which featured mostly instrumentals. "There are a lot more similarities than you think," Hegna says of the group's seemingly two distinct aesthetic periods. "When we were referencing the obscure influences, we liked the drama and darkness. Those elements are in new wave, goth, and post-punk. I just grabbed another couple of colors from the Crayon box."
Holiday Dan (drums) and Rayko Stanislav (piano) started a cacophony of curious clanging helter skelter sounds in 2017. Using a 100 year old upright Meister piano which has travelled across the west and a rickety Pearl drum set they were joined by equally dysfunctional horns: a thrift store tuba (Tubano), knock off Indian valve trombone (Tom Bone) and street find trumpet (Roly). Together they make (mostly) wordless sound eruptions that have only best been described as "if Danny Elfman and Eliot Smith had a baby and if fell down a spiral staircase in New Orleans"
Come try and describe the ear twisting music yourself! See ya on the asphalt!
Eight-time Grammy-winner Beck has traveled light years from his emergence as a reluctant generational spokesperson when “Loser” exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, Beck's singular career has seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.
Surfacing just as the mainstream and alternative rock intersected, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave. But the album that first cemented Beck’s place in the pantheon was 1996’s multi-platinum Best Alternative Grammy winner Odelay. Odelay remains a key cultural touchstone from the indelible hooks of "Devil's Haircut” and “The New Pollution" to the irresistible call and response of the Grammy-winning "Where It's At.”
From the world-tripping atmospherics of 1998's Mutations (Beck's second album to win the Best Alternative Grammy) and the fluorescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero, 2006's sprawling The Information, 2008's acclaimed Danger Mouse-produced Modern Guilt, no Beck record would ever sound like its predecessor.
That pattern would be upended in sublime sonic fashion with the 2014 release of Morning Phase. A companion piece of sorts to his 2002 masterpiece Sea Change, Morning Phase conjured the staggering downtempo impact of that record through the lens of an infectious optimism. The chorus of critical acclaim for Morning Phase was instant and unanimous, as Beck rolled into 2015 taking the Album of the Year top honor at the 57th Annual Grammy Awards, as well as the prize for Best Rock Album. Morning Phase also won in the Best Engineered Album (Non-Classical) category.
True to his chameleonic nature, Beck followed up Morning Phase’s subdued beauty with Colors, an intoxicating rainbow of auditory tricks and treats that went on to win Best Alternative Music Album (Beck’s third) and Best Engineered Album, Non-Classical (the second Beck album to do so) at the 61st Annual Grammy Awards in 2019. That same year, Beck would offer a first glimpse into his 14th studio album Hyperspace with the stunning surprise single “Saw Lightning”—written and produced by Beck and Pharrell Williams, who would be credited as co-writer and co-producer on seven of Hyperspace’s 11 tracks.
Beck has spent much of the last few years dazzling live audiences with a grab bag of engaging performances ranging from a handful of freeform one-off shows, to 2023’s massive Summer Odyssey tour with co-headliners Phoenix. Summer Odyssey played to packed houses from the Kia Forum in L.A. to Madison Square Garden and beyond, and was followed by a historic full concert performance with the Royal Philharmonic Orchestra—which inspired a series of orchestral performances at the likes of New York’s Carnegie Hall and London’s Royal Albert Hall. The past few years have seen Beck embark on limited runs of orchestral dates featuring musicians who played on milestones including Mutations, Sea Change and Morning Phase accompanied by native orchestras in each city, delivering uniformly unforgettable evenings of unique symphonic arrangements of classics and deep cuts from his towering catalog and beyond.
**Linda’s 80s Party**
Join us on Friday, November 6, for an unforgettable 80s party celebrating Linda Lee Michelet’s birthday! Linda will be performing with her band, Rendezvous, at Wilf’s.
Get ready to enjoy classic hits from artists like Blondie, Van Morrison, Pat Benatar, the Supremes, Journey, the Everly Brothers, Donna Summer, and more.
This event will take place at Wilf’s from 7:00 PM to 8:15 PM. Don’t miss out on this fantastic celebration.
Don’t miss this one!
Growing up in Hawaii, music was not an option or choice - it was a way of life for Kaloku that grew into today's passion. Motivated by the desire to share the aloha spirit that was instilled in him as a Native Hawaiian, Kaloku incorporates that same spirit of joyful sharing of life energy in the present, into all of his music. For him, a successful performance draws people from different cultures, backgrounds and walks of life to come together and experience something as one.
To date, Kaloku has recorded 3 CD's which include both originals and song covers. His original songs are motivated by his love for his Hawaiian ancestry. Kaloku and the Krew is high energy Island Reggae/Contemporary/Rock/Funk/Jazz that draws the crowds with those smooth island jams that everyone loves!
Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.
Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.
That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.
Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.
Goodnight, Texas is a band you’ve heard somewhere. You’re going through their catalog, hearing lyrics about trapped coal miners and lovebird bank robbers. Banjos and mandolins, genre tough to pin down. Their new album “Signals” has some teeth. The first single, “Runaways,” even features a guest solo from Metallica’s Kirk Hammett. Beyond the memorable riffs, it seems like they’re stretching sonic roots deeper in every direction on Signals, with studio help from Oakland’s Ian and Jay Pellicci (Deerhoof, Tune-Yards).
Googling, you find recent features in NME, Rolling Stone, No Depression and Consequence of Sound and appearances at festivals like Austin City Limits, Red Wing Roots, SXSW, Old Settlers and Beachlife Ranch. They’ve toured with The Dead South, Larkin Poe, Shakey Graves, Trampled by Turtles, The Brothers Comatose, and John Craigie. In 2020, their song “The Railroad” was the opening montage theme for episode one of Tiger King, which had 53 million streams in its first week. Maybe that was where you heard them. Wait a minute - they have 250 million streams across platforms; maybe you heard them in your friend’s car on a cross-country road trip through the real town of Goodnight, Texas - the exact midpoint between songwriters Avi Vinocur and Patrick Dyer Wolf’s homes on each coast.
For over two decades, Railroad Earth has captivated audiences with gleefully unpredictable live shows and eloquent and elevated studio output. The group introduced its signature sound on 2001’s The Black Bear Sessions. Between selling out hallowed venues such as Red Rocks Amphitheater in Morrison, CO, they’ve been responsible for launching signature festivals Hangtown Music Festival in Placerville, CA and Hillberry: The Harvest Moon Festival in Eureka Springs, AR. Sought after by legends, the John Denver Estate tapped them to put lyrics penned by the late John Denver to music on the 2019 vinyl EP, Railroad Earth: The John Denver Letters. Beyond tallying tens of millions of streams, the collective has earned widespread critical acclaim from David Fricke of Rolling Stone, American Songwriter, Glide Magazine, and NPR, who assured, “Well-versed in rambling around, as you might expect from a band named after a Jack Kerouac poem, the New Jersey-built jam-grass engine Railroad Earth has let no moss grow under its rustic wheels.”
Smashing Pumpkins perform live at the Moda Center at the Rose Quarter in Portland, Oregon.
Monday, November 2, 2026 Mississippi Studios Presents SOLD OUT: Big Star Quintet (Night 1) Ages 21 and up
Portland, Oregon · bipoc, female artists, garage, hag garage, hag punk, hag rock, portland or, punk, rock, Portland
Portland, Oregon · punk, pdx punk, pdxpunk, pop punk, pop punk rock, poppunk, portland, punk rock, Portland
Pedro the Lion marks its 30th anniversary with a live performance centered on the band’s evolving three-decade catalog. Led by David Bazan, the group features longtime collaborator Erik Walters on guitar and backing vocals, with Andrew Rudd on drums. The music explores belief, doubt, guilt, faith, and the search for grace, bringing a sense of warmth and hope to deeply personal songs.
Earlimart
Join us for an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.
Soccer Mommy
Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.
The Portland Grief House invites you to join The Lost Table, a resilient, welcoming space to gather in community and share experiences of loss. Bring a dish, pull up a chair, and share your heart in good company. Grief can be hard to understand, and sometimes what is needed most is community, conversation, and food. During the gathering, each participant will have a few minutes to share their grief in whatever way feels right—whether it's someone who is missed, something that has changed, a loss being carried, or an experience that continues to shape. While one person shares, the rest will listen with care and presence. Save time at the end of the evening to thank one another and connect, but please refrain from interrupting or responding during the sharing portion.
Día de Muertos and the month of November invite you to reflect on and remember loved ones who have passed—a time to celebrate their lives and meet death not with fear, but with love, memory, storytelling, and even humor. Mario Mesquita will lead an opening creative activity exploring memory and the role of cuisine in honoring loved ones, building toward a collective community tribute. Participants are welcome to bring a photograph of a loved one or create an offering featuring their loved one's name.
Bea Ogden will present the Hungry Ghost tradition and make an offering for the community ofrenda, opening a cultural exchange around how different traditions honor and remember the dead. Mario and Bea will also guide participants in writing a community poem, inviting each person to contribute a line or dedication to place on the altar.
Please bring:
The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a welcoming space for both English- and Spanish-speaking community members to gather, remember, and heal together.
Portland Grief House les invita a unirse a La Mesa Perdida, un espacio resiliente y acogedor para reunirnos en comunidad y compartir nuestras experiencias de pérdida. Traigan un platillo, acerquen una silla y compartan su corazón en buena compañía. El duelo puede ser difícil de comprender y, a veces, lo que más necesitamos es comunidad, conversación y comida. Durante el encuentro, cada participante tendrá unos minutos para compartir su duelo de la manera que le resulte más natural: alguien a quien extrañamos, algo que ha cambiado, una pérdida que llevamos con nosotros, o una experiencia que sigue marcando nuestra vida. Mientras una persona comparte, el resto escucha con atención y presencia. Guardaremos tiempo al final de la noche para agradecer y conectar, pero pedimos que los participantes se abstengan de interrumpir ni de responder durante el momento de compartir.
El Día de Muertos y el mes de noviembre nos invitan a reflexionar y recordar a nuestros seres queridos fallecidos—un tiempo para celebrar sus vidas y enfrentar la muerte no con miedo, sino con amor, memoria, relatos e incluso humor. Mario Mesquita dirigirá una actividad creativa de apertura que explora la memoria y el papel de la cocina para honrar a nuestros seres queridos, construyendo hacia un tributo colectivo. Los participantes pueden traer una fotografía de un ser querido, o crear una ofrenda con el nombre de su ser querido.
Bea Ogden presentará la tradición del Fantasma Hambriento y hará una ofrenda a nuestra ofrenda comunitaria, abriendo un intercambio cultural sobre cómo distintas tradiciones honran y recuerdan a los difuntos. Mario y Bea también guiarán a los participantes en la escritura de un poema comunitario, invitando a cada persona a aportar una línea o dedicatoria para colocar en el altar.
Por favor traigan:
Portland Grief House se siente honrado de continuar esta tradición, iniciada originalmente por Side Yard Farm. El Centro Milagro se emociona de asociarse con Portland Grief House para crear un espacio acogedor donde los miembros de las comunidades de habla inglesa y española puedan reunirse, recordar y sanar juntos.
w/ Darkest Hour, Brotality, Ligature Marks Saturday, November 21st, 2026 8:00PM Hawthorne Theatre 21 & Over Only w/ Valid Photo ID No refunds or exchanges. All sales final. If you need any ADA accommodations, please reach out to...
Gram Jam is a celebration of the music of Gram Parsons. A seminal figure at the roots of what is now referred to as Americana. A mix of traditional country, rock n roll, blues and soul. Gram called that mix Cosmic American Music. Gram Parson’s efforts with The International Submarine Band, The Byrds, The Flying Burrito Brothers and his two solo albums, GP and Grievous Angel were not commercial successes but his songs and style influenced all that came after. The Eagles, Little Feat, Workingman’s Dead by the Grateful Dead, The New Riders of The Purple Sage, Linda Ronstadt and Emmylou Harris are just a short list. Cosmic American Music is still alive and well in Portland and many other places around the world.
Shorty and The Mustangs have organized five Gram Jam benefit concerts for the Jeremy Wilson Foundation https://www.thejwf.or since 2016. So why do a sixth now?
In November, Gram Parsons would be turning 80 within two days of Gram Jam VI and will also be inducted into The Rock n Roll Hall of Fame within a few weeks of the show. In addition, Shorty and The Mustangs are celebrating their 30 th Anniversary in 2026. Too many dates have aligned. It’s meant to happen.
A stellar list of local musicians are donating their time and talent to this benefit show. Get your tickets, you don’t want to miss this!
Under the name Squirrel Flower, Boston-bred singer/songwriter Ella O’Connor Williams writes haunting, melancholic indie rock songs that combine lushly textured electric guitar work with her rich and powerful voice. After a pair of independent releases, she made her label debut in 2020 with I Was Born Swimming. Her follow-up, the disaster-themed Planet (i), appeared a year later. Released in late 2023, Squirrel Flower's next album, Tomorrow's Fire, was more overtly rock-driven with grungy textures and an organic full-band sound. Following 2025's career-spanning Live at the Top Note Theatre, Williams collaborated with Babehoven's Maya Bon on a pair of tracks including 2026's "Wheels," which also included Billie Marten. That same year, she delivered the rugged Say a Prayer to the Gods of Getting Going, her sixth Squirrel Flower album.
From Coldplay's emotional ballads to Imagine Dragons' anthems, experience two of the world's most beloved bands brought together in one extraordinary concert. Hear fan favourites like Viva La Vida, Fix You, Believer and Demons in a breathtaking candlelit atmosphere. This concert experience is a tribute. It is not associated with, endorsed by or sponsored by the artist, their heirs or their official representatives.
Tentative Program:
Performed by Listeso String Quartet
November 11 & 12, 2026
Portugal. The Man with the Oregon SymphonySpecial Concerts
OverviewPortugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.
About the Show InfoThis concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).
Concert begins promptly at the time listed.
Loading... Select a Date Arlene Schnitzer Concert Hall, Portland Wed, Nov 11, 2026, 7:30 PM Thu, Nov 12, 2026, 7:30 PM Promo Code Buy TicketsSkeleton Crewe brings together original compositions, reimagined Grateful Dead favorites, and expansive improvisations in a musical journey shaped by traditional Hawaiian influences and psychedelic Americana. The group features Rob Barraco on keyboards and vocals, Barry Sless on pedal steel, electric guitar, and vocals, Stephen Inglis on slack key guitar, electric guitar, and vocals, Pete Sears on bass, and Jay Lane on drums and vocals.
Plini brings the An Unnameable Desire North American Tour to Revolution Hall in Portland, joined by Night Verses and Portraits. The Australian instrumental progressive guitarist, composer, and producer is known worldwide for fluid playing, cinematic writing, and a boundary-blurring take on modern instrumental music. His third full-length, An Unnameable Desire, explores heavier and more experimental ideas while keeping the spacious, melodic touch at the heart of his work, and the set mixes new material with favorites from across his catalog. Night Verses, the Fullerton trio of Aric Improta, Nick DePirro, and Reilly Herrera, is recognized for high-intensity performances and inventive songwriting. Early releases like Out Of The Sky introduced a fusion of prog, alt metal, post rock, and ambient electronic elements, and the instrumental album From The Gallery Of Sleep earned wide acclaim. Their latest, Every Sound Has a Color in the Valley of Night, extends that trajectory, bolstered by millions of streams and consistent praise. Portraits rounds out the bill with progressive instrumental sounds. The project features Joshua De LaVictoria and Joseph Anidjar, known online for virtuosic guitar work and endorsements from Abasi Concepts, Iconic Guitars, and Neural DSP. Based between Southern California and Montreal, they wrote, produced, and recorded their debut album BuyHigh over 2021 and 2022, released it in July, and have since drawn attention for distinctive aesthetics and composition. This event is open to all ages.
Progressive metal band Periphery brings intricate riffs, explosive grooves, and a technically powerful sound to the stage. The performance features music from a band known for songs such as “Marigold,” “Scarlet,” and “Blood Eagle,” with complex musicianship, heavy breakdowns, and high-energy modern metal.
Join an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.
Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.
On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.
The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.
Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).
Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.
Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.
Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.
The self-proclaimed "Kings of Goblin Metal," Los Angeles, California's Nekrogoblikon are melodic hard rock pranksters who deploy gnarly death metal earworms filled with crafty hooks, claw-pumping choruses, lightning-fast riffs, and over the top, EDM-style keyboard flourishes. With their ostentatious costumes and goblin hypeman, the band takes cues from hyperbolic horror-metal enthusiasts like GWAR, Finntroll, and Dethklok, while maintaining an affable, self-referential sense of humor. The group's early outings, like 2007's Goblin Island, were largely low-fidelity affairs, but by the early 2010s Nekrogoblikon were operating at a far higher technical level, and employing a rotating cast of talented players.
There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.
For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.
The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.
Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."
Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."
Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.
Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.
Less is more. No bullshit. That's Pretty Deadly.
Punk RockRose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.
**Atlantis Lounge is All Ages until 9:00 PM, at that time any minors will be asked to leave the space. Thanks for your understanding!
After many years celebrating the music of Big Star via the collective known as Big Star’s Third, Jody Stephens (the last surviving member of the original Big Star lineup) had an idea.
“I truly loved touring the world and performing Big Star’s Third with a core group, a variety of special guests, and a chamber orchestra playing the beautiful orchestrations created by Carl Marsh and Chris Stamey. But when the idea of celebrating the 50th anniversary of #1 Record came up, it was time to pare the production down to a five-piece rock band. So I called a few close and like-spirited musical friends.”
Enter some of the legendary group’s biggest fans, who have long been associated with Big Star and related projects. The band now includes Mike Mills (R.E.M.), Jon Auer (The Posies), Pat Sansone (Wilco), Chris Stamey (The dB's) and Stephens. Dubbing themselves the Big Star Quintet, it’s a lineup that is both personal and close in spirit to #1 Record and Radio City.
Emo Nite at Holocene presented by Emo Nite LA at Holocene, Portland, Friday, November 6, 2026 · 9PM · 21+ · $23.94. $1 per ticket transaction sponsors Emo Nite Gives A F*ck. Donations are allocated for worthwhile organizations focusing on: ·...