Music❯Soul

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

It’s Been Awful marks the moment Isaiah Rashad fully becomes his own genre. The Top Dawg Entertainment visionary returns with his third studio album on May 1, expanding his sonic world beyond hip-hop into cosmic jazz, psychedelic guitar rock, Soulquarian neo-soul, and flashes of genre-blurring experimentation. After five transformative years, Rashad delivers his most vulnerable and fully-realized work yet – an unfiltered reflection on addiction, growth, self-confrontation, and redemption. It’s soul music in its most metaphysical form, anchored by the same lyrical precision and emotional depth that have defined his artistry from the beginning.

Since emerging from Chattanooga, TN in 2012, Rashad has built one of the most impactful and emotionally resonant catalogs in modern rap. His debut Cilvia Demo immediately established him as a critical force, followed by The Sun’s Tirade, which debuted in the Top 20 of the Billboard 200 and earned Gold certification. His 2021 album The House Is Burning further solidified his cultural imprint, amassing nearly one billion global streams and widespread acclaim for its introspective storytelling and sonic evolution. Across his career, Rashad has achieved multiple Gold and Platinum certifications, with standout records including “Wat’s Wrong” (feat. Kendrick Lamar & Zacari) and “Pretty Little Birds” (feat. SZA), while maintaining a loyal, cult-like fanbase drawn to his honesty and depth.

Rashad has consistently pushed beyond trends to create timeless, deeply personal work. Now, with It’s Been Awful, he enters a new chapter defined by clarity, confrontation, and creative rebirth – reaffirming his place not just in rap, but at the forefront of music’s most compelling storytellers.

Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.

With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up

Daley is an acclaimed British singer, songwriter and creative artist from Manchester, UK, whose unmistakable falsetto and soul-bearing songwriting first emerged through London’s underground music scene and swiftly carried him onto the global stage, where he established himself as one of the most distinctive voices in contemporary soul.

Touched by the sounds of Prince, Chaka Khan, Sade, Radiohead and George Michael, Daley's sound seamlessly blends classic soul sensibilities with contemporary, alternative R&B. With two critically acclaimed studio albums and several Top 10 Billboard R&B singles, Daley’s artistry has been acknowledged by the Grammys, MOBO Awards, BET and Soul Train Awards. His collaborations with legends including Stevie Wonder, Jill Scott, Marsha Ambrosius, Gorillaz, Pharrell Williams and Jessie J have further cemented his place among some of the most respected artists in the world.

Now entering a new era, Daley prepares to unveil the next chapter of his artistic journeywith the release of his long-awaited third album project, supported by his USA Tour...

Access to an intimate pre-show Q&A with Daley

Notes on Seating: Open seating, may be limited or standing room only. First come, first seated. Open dance floor may obscure sightlines. Daley - US Tour

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Jamila Woods is a musician, poet, and multidisciplinary artist from the South Side of Chicago. Her critically acclaimed debut album HEAVN – an ode to Blackness, girlhood, and home – was released by JagJaguwar Records in 2017. Her sophomore project, LEGACY! LEGACY!, features twelve tracks named after writers, thinkers, and visual artists who have influenced the creator’s life and work – including James Baldwin, Nikki Giovanni and Frida Kahlo. Her most recent album, Water Made Us, is a genre-blending song cycle on love and the wisdom of surrender.

Jamila has been featured on NPR’s Tiny Desk, CBS This Morning, and The Late Show with Stephen Colbert. She has shared stages with Corinne Bailey Rae, Rafael Saadiq, Bonobo, Common, Chance the Rapper, Brittany Howard, Macklemore, and many others. An award-winning poet, Jamila’s work often blurs boundaries between poem and song. As cultural critic Doreen St. Felix writes, “It makes you wish all singers were poets.”

Acclaimed singer, songwriter, and musician Marc Broussard is a unique performer who\ embodies the essence of American soul and has forged his own distinct musical style. The son of Louisiana Hall of Fame guitarist Ted Broussard of "The Boogie Kings," he nurtured his musical gifts at an early age in the vibrant Lafayette, Louisiana, music scene. After releasing a highly successful independent EP at age 20, Broussard made his major-label debut with Carencro. The album featured the breakout hit "Home" and propelled him into the international spotlight. That album and the others that followed revealed Broussard as a Southern soul singer with a rarefied talent and an innate stylistic and emotional authenticity that has made him one of the most indelible artists of his generation. The Louisiana-born and raised artist has created a wide range of music in his career. Carencro laid the groundwork with unequaled style, illustrating his knack for modern soul music and setting the stage for his long and distinguished career. NPR cited, "His music radiates soulful Louisiana blues, but his songs blend those influences with raucous rock 'n' roll to create unique and infectious music." The Washington Times noted, "Few modern voices are as powerful as Marc Broussard's soulful, Bayou-bred baritone."

Teddy Swims brings The UGLY Tour to Moda Center at the Rose Quarter with Allen Stone and MarcLo. Ticket access includes multiple presale options through Visa, the artist, Spotify, the venue, radio, Ticketmaster, and VIP, followed by a public sale and a Visa post-sale.

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Daley Meet & Greet Package

AN EVENING WITH JOHN SCOFIELD’S “ELECTROSPECTIVE”

featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Chuck Israels, revered as one of the preeminent bassists in the world, GRAMMY winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.

Among Chuck's many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock; Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio '65; Live at the Trident; and Time Remembered. In 2020 Chuck won a GRAMMY for his work with opera star Joyce DiDonato on her recording "Songplay"

As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.

JAZZ TITAN THURSDAYS
The Jack London Revue proudly presents Jazz Titan Thursdays, featuring the Mel Brown B3 Organ Group and the Chuck Israels Jazz Orchestra.

Join us at Portland’s top jazz club to honor two of the most influential names in Pacific Northwest jazz music: Mel Brown - drummer for Marvin Gaye, Diana Ross, Stevie Wonder, and the Temptations and Chuck Israels - bassist for Billie Holiday, Benny Goodman, Herbie Hancock, and Bill Evans.

This Thursday, immerse yourself in the speakeasy vibe and rich sound of live soul, jazz, and bebop. Two sets starting at 7pm. Enjoy our full bar and menu. General admission and table packages available.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.

The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.

Station to Station is a journey through our evolving creative culture.

Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

In recent years Thundercat, aka Stephen Bruner, has completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a wholly unique voice, transcending genre. He has become a cornerstone of the Brainfeeder label having released “The Golden Age of Apocalypse” (2011), “Apocalypse” (2013), “Drunk” (2017), and his 2020 album “It Is What It Is” won Best Progressive R&B Album at the 63rd GRAMMY Awards, featuring Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins and Zack Fox. The record was produced by Thundercat and his longtime partner Flying Lotus who was GRAMMY-nominated in “Producer of the Year, Non-Classical” for his work on the album.

2023 kicked off with a bang, with Thundercat joining Steve Lacy live onstage at the 65th Annual GRAMMY Awards to perform the hit single “Bad Habit.” He also released his latest single “No More Lies” with Tame Impala, and announced a slew of tour dates spanning 5 continents.

2022 was a banner year, with highlights including his vocals and bass heavily featuring on Gorillaz single and title track “Cracker Island” which hit #1 on the Alternative radio charts. He also starred in the official music video and performed onstage with Gorillaz at Coachella and the MTV European Music Awards ceremony. He also joined Red Hot Chilli Peppers as support on their North American and EU stadium tour.

Thundercat made his acting debut in 2022 with a recurring role in Star Wars’ “The Book of Boba Fett” on Disney+. He also covered “Fly Like An Eagle” for the “Minions: The Rise of Gru” OST executive produced by Jack Antonooff. Other film and TV work has included collaborating with Flying Lotus on the original score for “Yasuke” on Netflix, as well as an episode of Emmy & Golden Globe winning series “Atlanta” created by Donald Glover.

Live highlights include duetting with Ariana Grande at Adult Swim Festival 2020, a US tour alongside his friend Anderson .Paak (2019), an appearance at the Nile Rodgers curated Meltdown Festival held at the Southbank Centre, London (2019); and previous festival highlights for Thundercat include Glastonbury, Coachella, Sónar, Fuji Rock, Newport Jazz Festival, Primavera Sound and Governors Ball. In 2019 Thundercat was invited by legendary jazz institution Blue Note in New York to play a 14 show residency over the space of 6 days. Special guests for the residency included Reggie Watts, Zack Fox and Hannibal Buress. One memorable sold out show at New York’s Irving Plaza in 2017 featured Dave Chappelle making an impromptu appearance as his hype man.

In 2015 he was “at the creative epicenter” of the 21st century’s most influential hip-hop album Kendrick Lamar’s “To Pimp A Butterfly”, and he won a GRAMMY for his collaboration on the track ‘These Walls’.

Much celebrated for his inimitable style, Thundercat has appeared as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE.

Bruner found his instrument at the age of 4. That made him a late-bloomer in the house of Ronald Bruner, Sr., who drummed with the Temptations among others. His first bass was a black Harmony, and he practiced to the Ninja Turtles soundtrack until pops played him Jaco Pastorius. He joined thrash legends Suicidal Tendencies as a teenager, and has spent road and studio time with everyone from Stanley Clarke and Herbie Hancock to Leon Ware, N.E.R.D., Travis Scott, HAIM, Silk Sonic (Bruno Mars & Anderson .Paak), Kaytranada, Stevie Wonder and Erykah Badu.

The name Thundercat is a reference to the cartoon he’s loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named “Grune the Destroyer” in Cartoon Network’s Thundercats Roar animated series

⭐ Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Portland. Get your tickets now to discover the music of Michael Jackson at The Old Church Concert Hall under the gentle glow of candlelight.

This is a tribute concert experience. It is not affiliated with, endorsed by, or sponsored by the artist, their estate, or official representatives.

October 17, 2026 / November 7, 2026 / March 14, 2027

General Info
📍 Venue: The Old Church Concert Hall
📅 Dates and times: select your dates/times directly in the ticket selector
⏳ Duration: 60 minutes. Doors open 45 minutes before the show. No entry once it starts
👤 Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
♿ Accessibility: this venue is ADA compliant
❓ View the FAQs for this event here
🪑 Seating is assigned on a first come first served basis in each zone
🕯️ If you would like to book a private concert or buy regular tickets for a large group (+30 people), click here
🎻 Check out all the Candlelight concerts in Portland
🎁 To treat your friends and family to a Candlelight gift card, click here

Tentative Program

• I Want You Back
• Rock With You
• Human Nature
• Billie Jean
• Say Say Say
• We Are the World
• Man in the Mirror
• Smooth Criminal
• Black or White
• Heal the World
• Remember the Time
• The Way You Make Me Feel
• Earth Song
• They Don’t Really Care About Us
• Thriller

Performers

• String Quartet – Listeso – Portland

Warren Miller’s “Days Off” will play at the Kiggins Theater from 7-9 p.m. Nov. 1. Host Katie Burrell will show what the pros do on their days off. Go skijoring in Banff, join Craig McMorris and friends in Whistler, and explore Alaska’s spines with Sam Kuch and Craig Murray. Watch Jess Kimura push snowboarding forward and inspire the next generation in Hokkaido, Japan. Head to Chamonix for an intense high-alpine pivot with Christina “Lusti” Lustenberger. Hit Deer Valley with Ted Ligety, Kaylin Richardson, Pep Fujas and Chuck Mumford. Get tickets ($32) at kigginstheatre.com/movie/warren-millers-day-off.

Hailing from the vibrant music scene of Portland, OR, Soul Rose is a dynamic 6-piece band that fuses the essence of soul and funk. With captivating rhythms and powerful melodies, they deliver an electrifying live experience. Follow Soul Rose on Instagram for show announcements and new music! Dedicated to reviving funk’s heart and soul, Soul Rose crafts infectious grooves that move audiences and stir deep emotions. Their sound is a modern twist on classic soul, appealing to both nostalgic fans and newcomers.

The Mellow Rebels are a Portland, Oregon-based rootsy reggae collective – a 7+ piece group of musicians brought together by a shared love of roots, rhythm, and the magic that happens when a group vibes. From intimate spaces to energetic rooms, the Rebels bring it with a sound that blends reggae, blues, soul, rock, and jazz into something uniquely their own.

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.

CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.

Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week, a place to meet before a show, keep the conversation going after a reading or make Book Bar the destination for the evening.

On Friday night, DJ Flor Violenta takes over the decks from 6:00–10:00pm with a vinyl set weaving together tropical cumbia, Latin funk, disco, neo-soul and more.

A Portland-based vinyl DJ, Flor Violenta (they/them) brings together contemporary cumbia with the nostalgic sounds of funk, soul and psych rock, shaped by their Latin heritage and roots in the San Francisco Bay Area. The former host of Freeform Portland’s Vinyl Pleasures Radio has recently brought their crates to Pickathon Music Festival and shared bills with acts including Orquestra Pacifico Tropical and The Sinseers.

Come by for a cocktail, grab a bite, meet fellow festivalgoers and settle in for whatever the night has in store.

Gram Jam is a celebration of the music of Gram Parsons. A seminal figure at the roots of what is now referred to as Americana. A mix of traditional country, rock n roll, blues and soul. Gram called that mix Cosmic American Music. Gram Parson’s efforts with The International Submarine Band, The Byrds, The Flying Burrito Brothers and his two solo albums, GP and Grievous Angel were not commercial successes but his songs and style influenced all that came after. The Eagles, Little Feat, Workingman’s Dead by the Grateful Dead, The New Riders of The Purple Sage, Linda Ronstadt and Emmylou Harris are just a short list. Cosmic American Music is still alive and well in Portland and many other places around the world.

Shorty and The Mustangs have organized five Gram Jam benefit concerts for the Jeremy Wilson Foundation https://www.thejwf.or since 2016. So why do a sixth now?

In November, Gram Parsons would be turning 80 within two days of Gram Jam VI and will also be inducted into The Rock n Roll Hall of Fame within a few weeks of the show. In addition, Shorty and The Mustangs are celebrating their 30 th Anniversary in 2026. Too many dates have aligned. It’s meant to happen.

A stellar list of local musicians are donating their time and talent to this benefit show. Get your tickets, you don’t want to miss this!

Repping from Atlanta, Daily Bread (the sonic vision of producer Rhett Whatley) has spent the last decade carving out a sound that feels both timeless and forward-leaning. Rooted in jazz guitar, crate-digging, and early beat experiments from his bedroom studio, Daily Bread’s music has always thrived at the intersection of vintage soul, gritty hip-hop, and bass-forward production. Guided by an instinct to bring old sounds to new ears, his tracks unfold like lived-in stories: warm, textured, and unmistakably his own.

As Daily Bread moves into 2026, the focus remains on forward motion. Kicking off the year with new music on the horizon and confirmed festival appearances at Lightning in a Bottle, Bonnaroo, Electric Forest, and Elements, Daily Bread continues to push his sound into new territory while staying rooted in the soulful, sample-driven foundation that built his devoted following.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Award-winning vocalist, instrumentalist and songwriter Curtis Salgado, the man NPR calls “an icon” with “a huge voice,” is revered worldwide for his ability to wring every ounce of soul out of every song he performs. Salgado is famed not only for his powerhouse live shows and eleven previous albums, but also for his passionate and insightful original songs. He has been nominated three times for the Blues Music Award for Song Of The Year, winning in 2018 for Walk A Mile In My Blues from The Beautiful Lowdown. In total, he has won eleven Blues Music Awards, including the B.B. King Entertainer Of The Year. DownBeat calls his songwriting skills “an impressive gift.” Billboard says Salgado’s music is “inspired and powerful.”

Now, Salgado is back with Fine By Me, the latest evidence of Salgado wielding his impressive songwriting and vocal skills to a wide variety of styles. His music has dashes of blues, gospel, R&B, jazz, funk, rock ’n’ roll and soul at any given moment.

Soul'd Out Presents: Down in the Delta with Ms Vee and Yella P
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

You won't want to miss this Annual Birthday Celebration with the Bad Girl of the Blues! Harp/Guitar Extraordinaire Yella P joins Portland's Bad girl of the Blues, Ms Vee and a Badass Band. Damion “Yella P” Pearson is a Memphis-born harmonica virtuoso, multi-instrumentalist, and educator whose sound blends blues, soul, jazz, funk, and hip-hop, shaped by influences ranging
from Marvin Gaye, John Coltrane, Stevie Wonder, Billie Holiday, and George Clinton to Southern rap icons like 8Ball & MJG and Playa Fly.

A fixture in the Memphis music scene, he has collaborated and shared stages with artists including Eric Gales, The Bar-Kays, Kirk Whalum, Eddie Floyd, Bobby Rush, and Robert Finley, and co-founded the award-winning duo Memphissippi Sounds with Cam Kimbrough—whose debut album Welcome to the Land charted internationally and fueled tours across the U.S.,
Europe, and Canada. Now fully dedicated to his art, Yella P continues to release new music while delivering powerful, genre-bending performances that honor tradition and boldly push it forward.

Ms. Vee Singer, Musician, Writer, and Comedienne; 2023 Muddy Awards Nominee for Best Female Vocalist, 2021 Band & 2019 Solo Granite State Blues Challenge Winner & International Blues Challenge Semifinalist: Ms Vee's style of Soul Blues is infused with black southern gospel and a lot of soul! In 2018, Ms Vee launched her own music project, founding Ms Vee and a Badass Band.

Hailing from Arkansas by way of Memphis Tennessee, the award-winning Ms Vee brings powerhouse vocals and a razor sharp wit to every show.In January 2023, Ms Vee launched a Pacific Northwest configuration of Ms Vee and a Badass Band. Backed by some of the most accomplished musicians in Portland, including Chance Hayden, Jake Koprowski, Terrell "Peanut" Reed, and Ron Solomon, Ms Vee and her Badass Band has been rocking houses since their 2022 debut. They’ve quickly risen to the top of the PDX music scene.
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JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Down in the Delta with Ms Vee and Yella P

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.

Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.

The Galen Clark Organ Trio brings a genre-bending approach to the classic organ trio instrumentation, exploring entropic soundscapes, psychedelic funk, and groove-heavy, electronic-tinged jazz. The music ranges from organ trio classics to soaring originals and takes influence from legends such as Jimmy McGriff, John Scofield, and The Meters.

The lineup features Micah Hummel on drums and Dan Balmer on guitar. Galen Clark is a keyboardist, songwriter, producer, and educator based in Portland, OR. He leads the soul funk collective Outer Orbit and the genre-bending group Trio Subtonic, and he is 1/3 of the NW collaboration Patterns Fly with D'Vonne Lewis and Andy Coe.

Dan Balmer has performed or toured with Joey DeFrancesco, Dr. Lonnie Smith, Les McCann, Javon Jackson and Karrin Allyson, Benny Golson, Jeff Hamilton, Gerald Clayton, John Clayton, Terell Stafford, Ingrid Jensen, Duduka da Fonseca, Kendrick Scott, Taylor Eigsti, Buddy De Franco, Bruce Forman and countless others.

$15 Advance/$20 DOS - tickets are non-refundable

https://www.tickettomato.com/event/10385

Jamila Woods is a musician, poet, and multidisciplinary artist from the South Side of Chicago. Her critically acclaimed debut album HEAVN — an ode to Blackness, girlhood, and home — was released by JagJaguwar Records in 2017. Her sophomore project, LEGACY! LEGACY!, features twelve tracks named after writers, thinkers, and visual artists who have influenced the creator’s life and work — including James Baldwin, Nikki Giovanni and Frida Kahlo. Her most recent album, Water Made Us, is a genre-blending song cycle on love and the wisdom of surrender.

Jamila has been featured on NPR’s Tiny Desk, CBS's This Morning, and The Late Show with Stephen Colbert. She has shared stages with Corinne Bailey Rae, Rafael Saadiq, Bonobo, Common, Chance the Rapper, Brittany Howard, Macklemore, and many others. An award-winning poet, Jamila’s work often blurs boundaries between poem and song. As cultural critic Doreen St. Felix writes, “It makes you wish all singers were poets.

Memorie Olfattive is a film documentary about perfumer and visionary Meo Fusciuni, exploring his life and creative process. The film beautifully follows his early beginnings and path into the present, exploring themes of identity and personal transformation.

One of the best parts of art is that it is often hard to describe, difficult to put words to, and ultimately must be experienced for oneself. The artists making such profound works as these produce pieces that are much more difficult to describe, as they are not just the source of this feeling, this heart, this soul, but also the hand that offers it into our collective existence. Portland fragrance enthusiasts have shown great care and passion for Meo Fusiuni’s works of fragrant art over the years; anyone who has smelled these vulnerable and singular scents from this honest and big-hearted perfumer knows how moving, evocative, and emotional they are. Meo, in turn, cares deeply for Portland and Fumerie Parfumerie, and is responsible for Fumerie‘s very first original fragrance, Ponte Etereo, which is inspired in equal measure by Portland and the emotional bond between Tracy Tsefalas (Fumerie Founder, Owner, & Creative Director) and Meo Fusciuni. This documentary, directed by Francesco Spagnuolo and produced by Angelika Vision, is an intimate and poetic journey through scent, memory, and identity.

Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.

“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”

That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/

Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

For Tank and the Bangas, music is a vessel for unbridled joy and transcendent connection—forces as integral to their essence as their wildly original sound. On their new album, The Last Balloon, the New Orleans-bred outfit channels those impulses into something celebratory yet profoundly human, exploring themes of frustration, resilience, and self-realization with equal parts raw emotionality and playful exuberance. A shapeshifting collective helmed by lead singer Tarriona “Tank” Ball and multi-instrumentalist Norman Spence II, the globally beloved group completed the LP after winning a Grammy for 2024’s spoken-word powerhouse The Heart, The Mind, The Soul, moving from incendiary poetry to a euphoric collision of soul and hip-hop and forward-thinking R&B. As the final installment in a trilogy of albums that began with 2019’s Green Balloon (a critical triumph that earned them a Grammy nomination for Best New Artist), The Last Balloon ultimately solidifies Tank and the Bangas’ legacy as one of modern music’s most steadfast voices of sublime exhilaration.

Jalen Ngonda honours soul music’s rich history while pushing it forward into new territory, an artist who’s both archivist and explorer, a disciple of the greats actively shaping the future of music. Having spent the last three years growing this new soul vision from small clubs to arenas and festivals across the world Ngonda stands poised to become the new spokesman of authentic soul with the release of his second album Doctrine Of Love.

Doctrine Of Love is an instant classic of an album, a long player alive with a confidence and swagger that seals the young singer’s reputation as not only the spiritual heir of soul’s great leading men but a one-off songwriting talent stepping far out from the shadows of his artistic ancestors. The title track ‘Doctrine Of Love’ sets both the emotional tone and musical template for the rest of the album, “I wrote that track when I was trying to do anything to get out of the studio” remembers Ngonda. “I was listening to a lot of James Brown at the time and that was an inspiration – Doctrine to me was a word no-one ever uses, I took it to be like a certificate, the ‘Certificate of Love’ – look, I think maybe I meant ‘doctorate’, but we wrote it and recorded it and now it’s a whole thing.” The Doctrine of Love is multi-faceted of course – yes, it can be a cool word that fits the song, it can be a code, a philosophy, words to live by, words to love by, words to write some classic music by. ““I just write the song,” Ngonda enthuses, “the listener can interpret it however they want.”

Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.

In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.

Popular demand - Second Night Added!

OZ NOY
Virtuoso guitarist and composer Oz Noy has carved out a distinctive niche within the contemporary music landscape by creating an electrifying fusion of jazz, funk, rock, blues, and R&B. His innovative approach, described succinctly by Noy himself as “Jazz—it just doesn’t sound like it,” has captivated audiences worldwide and earned him widespread acclaim among fans, critics, and fellow musicians alike.

Born in Israel, Oz embarked on his professional music career at the remarkably young age of 13, swiftly distinguishing himself across multiple genres. By age 16, he had already established himself as a leading guitarist, performing alongside many of Israel’s most prominent artists. By age 24, Oz had become one of the most in-demand session guitarists in the country and held a pivotal role as a member of the house band on Israel’s top-rated television show for over two years.

Oz’s artistic journey took a transformative leap when he relocated to New York City in 1996. His arrival in the vibrant music scene of New York marked the beginning of a prolific career, characterized by an infectious groove and genre-defying sonic explorations. Quickly making his mark, he began collaborating with some of the most revered musicians in the industry, including drummers Keith Carlock, Anton Fig, Vinnie Colaiuta, and Dave Weckl, as well as bassists Will Lee, James Genus, and Reggie Washington.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Tickets available at the door Fundraiser for Snowday’s Foundation; raffle ticket included! LIFEFORM broadcasts the exploits of 10 riders on the vangaurd of gritty, urban riding as they seek out spots, stack shots, and travel the globe in order to bring their regimen of style and progression to screens everywhere. Directed by Justin Meyer.

Under the direction of Dr. Abbie Brown, the fall Jazz Nite will feature standards from prominent composers in jazz, including Gordon Goodwin, Duke Ellington, Count Basie and Sammy Nestico. This concert will also feature works from rising composers like Paul Baker and Ahmad Jamal, and will feature funk, rock, and Latin-inspired works.

Ticket Prices: $11 general admission, $8 for seniors, military and non-Pacific students. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Witness an electrifying tribute to SADE, with PDX-based Paradise Band, featuring vocalist Madison Rose. This 9-piece band breathes life into beloved classics like “Smooth Operator”, “The Sweetest Taboo”, “No Ordinary Love”, and more... reawakening romance.

Plus, with lead vocalist Madison capturing the grace, romantic mystique and uncanny likeness and vocal delivery to the band’s namesake singer, Sade Adu, coupled with Music Director and Cascade Blues Hall of Fame drummer Brian Foxworth and an all-star backing band of veteran musicians, each song seamlessly transports you right back to witnessing SADE live once again.

Make this a night to remember with the timeless music of SADE.

It's Been Awful marks the moment Isaiah Rashad fully becomes his own genre. The Top Dawg Entertainment visionary returns with his third studio album on May 1, expanding his sonic world beyond hip-hop into cosmic jazz, psychedelic guitar rock, Soulquarian neo-soul, and flashes of genre-blurring experimentation. After five transformative years, Rashad delivers his most vulnerable and fully-realized work yet - an unfiltered reflection on addiction, growth, self-confrontation, and redemption. It's soul music in its most metaphysical form, anchored by the same lyrical precision and emotional depth that have defined his artistry from the beginning.

Since emerging from Chattanooga, TN in 2012, Rashad has built one of the most impactful and emotionally resonant catalogs in modern rap. His debut Cilvia Demo immediately established him as a critical force, followed by The Sun's Tirade, which debuted in the Top 20 of the Billboard 200 and earned Gold certification. His 2021 album The House Is Burning further solidified his cultural imprint, amassing nearly one billion global streams and widespread acclaim for its introspective storytelling and sonic evolution. Across his career, Rashad has achieved multiple Gold and Platinum certifications, with standout records including 'Wat's Wrong' (feat. Kendrick Lamar and Zacari) and 'Pretty Little Birds' (feat. SZA), while maintaining a loyal, cult-like fanbase drawn to his honesty and depth.

Rashad has consistently pushed beyond trends to create timeless, deeply personal work. Now, with It's Been Awful, he enters a new chapter defined by clarity, confrontation, and creative rebirth — reaffirming his place not just in rap, but at the forefront of music's most compelling storytellers.

Nashville crooner Stephen Day spans pop, rock, soul, and jazz in his music, recognized for its emotional depth and storytelling. He began to make a name for himself by playing live around the city; his debut full-length studio album, Guess I'm Grown Now, followed in 2019. The record had a fuller, more-produced rock band sound than the EP. Comparisons were immediately drawn to John Mayer, which Day welcomed; he also acknowledged Glen Campbell, D'Angelo, Stevie Wonder, and Frank Sinatra as influences. A second EP, Original Songs and Sound, appeared in 2020, and a second album, The Shapes I'm In, arrived in 2021. Day toured the U.S. as a headliner and as support to the likes of Teddy Swims, Ben Rector, Stephen Sanchez, and Lawrence. He also played abroad in Asia and Europe. Only after his third album, 2024's Gold Mine, did he finally sign a record deal, with Riser House Records. The label released his holiday single "It's Christmas All Over" in October of that year.

The Breaks

When three modern groove masters of modern funk and soul-jazz converge, sparks are bound to fly. The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades.

Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.

Between them, they’ve logged countless tours, recorded landmark albums, and collaborated with a who’s-who of the modern jam, funk, and jazz worlds. But in The Breaks, the chemistry feels spontaneous—three kindred spirits locking into a groove and letting it ride.

From sweaty club sets to major festival stages, The Breaks deliver a sound that’s both deeply rooted and constantly evolving—a raw, joyful celebration of rhythm and musical conversation.