HOPE Dementia Support presents “Meet Me at the Movies” at the Kiggins Theatre, 1011 Main St., Vancouver. A different musical will start at 1:00 p.m. on the second Friday of every month. Visit kigginstheatre.com to see what musical will be shown next. The cost is $10 per person.
One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.
Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.
Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:
Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.
November 4, 2026
Powaqqatsi: Live with The Philip Glass EnsembleSpecial Concerts
OverviewThe Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.
po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.
About the ShowThis concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.
Concert begins promptly at the time listed.
Loading... Select a Date Arlene Schnitzer Concert Hall, Portland Wed, Nov 4, 2026, 7:30 PM Promo Code Buy TicketsFeaturing special guest Gary Hershberger (Mike Nelson) in person!
Joins us for the complete Twin Peaks series on the big screen for the first time in history! We continue our year-long celebration of the greatest TV show of all time The Missing Pieces. Rarely shown in theaters, this feature film presents deleted scenes from Twin Peaks: Fire Walk with Me assembled together as an untold portion of the story’s prequel. Following a Q&A, we’ll then begin The Return with episodes “My Log Has a Message for You” and “The Stars Turn and a Time Presents Itself.”
Gary Hershberger will be signing autographs and taking photos with fans for an additional fee at the event.
Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.
Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”
Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”
Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.
James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.
It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.
While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.
ON SCREEN: Afro-Punk
2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.
This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.
This program is co-presented by Literary Arts as part of the Cover-to-Cover program.
Agape Grief Group provides a caring environment where people connect to talk, listen, and offer mutual support while navigating the challenges of loss. This ongoing gathering centers on empathy and understanding, giving participants space to process their feelings in a supportive community.
Parallel Worlds Bookshop and the Hollywood Theatre present a special author conversation with Jane Schoenbrun and SenLinYu, celebrating the release of Jane’s debut novel, Public Access Afterworld, followed by a screening of Schoenbrun’s acclaimed film I Saw the TV Glow.
When: November 5, 2026 at 7:30 PM
Where: Hollywood Theatre 4122 NE Sandy Blvd, Portland, OR 97212
Tickets: $18 sold via Hollywood Theatre
Ticket price does not include a copy of the book. Preorder Here!
A mysterious realm waits on the other side of our screens. A dark force draws victims into its static. An unlikely hero must save them, and herself, from an electric hell.
Spanning decades and realities, Public Access Afterworld follows an unforgettable ensemble of outcasts and obsessive television viewers whose lives become entangled with a surreal pirate network. At the center is Bethany Peters, a trans content moderator working the night shift at a sprawling tech corporation. When a young streamer begins appearing in her feed and calling out to Public Access Afterworld, Bethany is pulled into a conspiracy stretching across screens, timelines, and realities.
A mesmerizing collision of speculative fiction, horror, conspiracy, and queer transformation, Public Access Afterworld marks the literary debut of the celebrated filmmaker behind I Saw the TV Glow and We’re All Going to the World’s Fair.
About Jane SchoenbrunJane Schoenbrun is an award-winning filmmaker and writer. Their films include I Saw the TV Glow and We’re All Going to the World’s Fair. Their newest film, Teenage Sex and Death at Camp Miasma, starring Gillian Anderson and Hannah Einbinder, releases in 2026. Public Access Afterworld is their first novel.
Event and Pre-Signing InformationTickets for the screening and conversation are sold through the Hollywood Theatre. Copies of Public Access Afterworld will be available for purchase onsite from Parallel Worlds Bookshop.
Jane Schoenbrun and SenLinYu will not be signing books. Pre-ordered books or books purchased at event will be pre-signed.
Still photography is permitted. Audio and video recording are not permitted unless approved in advance.
Pre-Order Books HerePublic Access Afterworld by Jane Schoenbrun - Signed Edition
(Pub Date: October 27, 2026)
A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma.
Alchemised by Senlinyu 3 Volume Deluxe Boxset(Pub Date: October 13)
In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past.
Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.
If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.
This film is featured as part of Portland Book Festival’s Cover to Cover.
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.
Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.
“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.
What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.
Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.
Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
The Portland Grief House invites you to join The Lost Table, a resilient, welcoming space to gather in community and share experiences of loss. Bring a dish, pull up a chair, and share your heart in good company. Grief can be hard to understand, and sometimes what is needed most is community, conversation, and food. During the gathering, each participant will have a few minutes to share their grief in whatever way feels right—whether it's someone who is missed, something that has changed, a loss being carried, or an experience that continues to shape. While one person shares, the rest will listen with care and presence. Save time at the end of the evening to thank one another and connect, but please refrain from interrupting or responding during the sharing portion.
Día de Muertos and the month of November invite you to reflect on and remember loved ones who have passed—a time to celebrate their lives and meet death not with fear, but with love, memory, storytelling, and even humor. Mario Mesquita will lead an opening creative activity exploring memory and the role of cuisine in honoring loved ones, building toward a collective community tribute. Participants are welcome to bring a photograph of a loved one or create an offering featuring their loved one's name.
Bea Ogden will present the Hungry Ghost tradition and make an offering for the community ofrenda, opening a cultural exchange around how different traditions honor and remember the dead. Mario and Bea will also guide participants in writing a community poem, inviting each person to contribute a line or dedication to place on the altar.
Please bring:
The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a welcoming space for both English- and Spanish-speaking community members to gather, remember, and heal together.
Portland Grief House les invita a unirse a La Mesa Perdida, un espacio resiliente y acogedor para reunirnos en comunidad y compartir nuestras experiencias de pérdida. Traigan un platillo, acerquen una silla y compartan su corazón en buena compañía. El duelo puede ser difícil de comprender y, a veces, lo que más necesitamos es comunidad, conversación y comida. Durante el encuentro, cada participante tendrá unos minutos para compartir su duelo de la manera que le resulte más natural: alguien a quien extrañamos, algo que ha cambiado, una pérdida que llevamos con nosotros, o una experiencia que sigue marcando nuestra vida. Mientras una persona comparte, el resto escucha con atención y presencia. Guardaremos tiempo al final de la noche para agradecer y conectar, pero pedimos que los participantes se abstengan de interrumpir ni de responder durante el momento de compartir.
El Día de Muertos y el mes de noviembre nos invitan a reflexionar y recordar a nuestros seres queridos fallecidos—un tiempo para celebrar sus vidas y enfrentar la muerte no con miedo, sino con amor, memoria, relatos e incluso humor. Mario Mesquita dirigirá una actividad creativa de apertura que explora la memoria y el papel de la cocina para honrar a nuestros seres queridos, construyendo hacia un tributo colectivo. Los participantes pueden traer una fotografía de un ser querido, o crear una ofrenda con el nombre de su ser querido.
Bea Ogden presentará la tradición del Fantasma Hambriento y hará una ofrenda a nuestra ofrenda comunitaria, abriendo un intercambio cultural sobre cómo distintas tradiciones honran y recuerdan a los difuntos. Mario y Bea también guiarán a los participantes en la escritura de un poema comunitario, invitando a cada persona a aportar una línea o dedicatoria para colocar en el altar.
Por favor traigan:
Portland Grief House se siente honrado de continuar esta tradición, iniciada originalmente por Side Yard Farm. El Centro Milagro se emociona de asociarse con Portland Grief House para crear un espacio acogedor donde los miembros de las comunidades de habla inglesa y española puedan reunirse, recordar y sanar juntos.
Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.
Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available
$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.
DATES:
Saturday, October 24 at 12pm, 2:45pm
Sunday, October 25 at 1pm, 3:45pm, 6:30pm
Tuesday, October 27 at 4pm, 6:45pm
Wednesday, October 28 at 3:30pm
Thursday, October 29 at 4pm, 6:45pm
Friday, October 30 at 5pm, 7:45pm
Saturday, October 31 at 2pm, 4:45pm, 7:30pm
Sunday, November 1 at 1pm, 3:45pm, 6:30pm
Tuesday, November 3 at 4pm, 6:45pm
Wednesday, November 4 at 4pm, 6:45pm
Thursday, November 5 at 4pm, 6:45pm
After-party following the Cronos film screening (a Guillermo del Toro debut feature), hosted at Low Tide Lounge. Features music by DJ Dead Steady. Free entry/Entrada libre.
It’s simple. They play bingo to the most awesome movie cliches ever committed to celluloid, like “long boring scene or male ponytail," "teamed up with rookie or animal," and "white suit or tropical ending.” For maybe the first time in a theater, see the relatives and employees of A-list actors you know and love, like Sylvester Stallone, whose brother bears a remarkable resemblance to him. Compete for prizes. Yell at your fellow movie nerds over the elusive and mysterious “blank square!” Relax: it’s B-Movie Bingo.
Every first Tuesday of the month at 7:30 pm, Hollywood Theater plays B-Movie Bingo, a game that is exactly like it sounds. Or more.
Cost: $10 - $12The Portland Grief House invites you to join The Lost Table, a welcoming space to gather in community, remember those we’ve lost, and share in the traditions that help us keep them close. Bring a dish, pull up a chair, and make a place at the table for the dead. Grief can be hard to understand, and sometimes what we need most is community, ritual, conversation, and food.
Together, we’ll explore how different cultures and traditions call to, honor, and make offerings to those who have died. In the spirit of Día de Muertos, we’ll create a shared space where the living and the dead can gather around the same table.
We’ll begin with a creative activity led by Mario Mesquita, inviting us to reflect on memory, food, and our relationships with those we’ve lost. Participants will be introduced to the ritual elements that will carry us through the evening.
Laura Green will lead a community conversation about intercultural traditions of Día de Muertos and other ways communities call to and remember their dead. Participants will have an opportunity to share stories, traditions, and memories, and to dedicate an offering to someone they have lost.
Bea Yeh will introduce the tradition of Hungry Ghost and lead us in making an offering to the dead. We’ll set places at our table for those who are no longer with us and share food as an act of remembrance and connection.
Our community offerings and tributes will be gathered at Ximena Morales’s altar, creating a shared space of remembrance that connects the different traditions and offerings brought into the room.
Throughout the evening, we’ll create something together through words, offerings, and remembrance. We’ll dedicate a community poem to the dead and close our gathering with a collective ritual of words, sound, and stillness.
Please bring:
The Portland Grief House is honored to continue this tradition, originally started by Side Yard Farm. El Centro Milagro is excited to partner with Portland Grief House to create a space for English- and Spanish-speaking community members to gather, remember, share traditions, and honor the dead together.
Schedule
4:00–4:30 PM — Opening Ritual & Activity
4:30–5:45 PM — Community Conversation & Offerings
5:45 PM — Dedication & Closing
Estimated Running Time: 3 hours
Age Recommendation: Ages 10+
Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.
What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.
Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.
Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.
Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.
The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.
A documentary detailing the storied history of drug-addled teen punks-turned-icons.
Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.
Doors open at 6:30 PM. Film at 7:00 PM.
Villages Clark County Has offers Aging Solo in Clark County, a group for seniors age 50 and up, anyone who cares for someone age 50 and up and businesses and organizations that work with clients age 50 and up. The group meets from 1:30-3 p.m. on the first Tuesday of every month at the 40 et 8 Boxcar Room, 2809 N.E. 78th St., Vancouver. A different topic will be explored each month. Attendance is free but donations are welcome. Questions? Contact Christina Keys at [email protected] or call 360-358-5018.
Based on the novel by Maurice Renard, this is the tale of Orlac (Conrad Veidt), a famous concert pianist, who is severely injured in a train wreck that fractures his skull and mutilates his hands. The supervising surgeon, however, decides to amputate Orlac’s ruined hands and replace them with the hands of a recently executed prisoner who was serving time for murder. Once the pianist recovers and realizes that his hands are those of a killer, he becomes too distraught to resume his career and begins to question his sanity. Who is that strange man who is shadowing him? Why do his hands seem to have a life of their own? Limited number of discount passes to see all the films in the Weimar Germany: Queer Visions series while supplies last. Director: Robert Wiene Year: 1924 Country: Germany, Austria Runtime: 92 minutes
Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.
Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.
“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis
Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.
Co-presented by KMHD.
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
Join a screening of Union County, starring Will Poulter and Noah Centineo alongside a cast of non-actors from central Ohio. Set in the shadow of the opioid epidemic, this hopeful drama follows two brothers navigating court-mandated recovery and the community that helps them imagine a different future.
Ohio-born filmmaker Adam Meeks drew inspiration from the real-life recovery community he encountered in his hometown, full of people healing and rebuilding their lives. Some of them were cast in the film, and the result is an intimate, compassionate portrait of people rebuilding their lives and finding solidarity and hope in the aftermath of a devastating drug crisis.
Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop
A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.
Anthology (2025)
Photo–montage printed on wallpaper
Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.
These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.
A fisherwoman in a small seaside village gets so tired of her neighbors' teasing that she commissions a husband woven from wicker, and the village is thrown into an uproar. For one week, Pairings Portland is pairing a wine flight to Wicker, the Sundance favorite starring Olivia Colman, Alexander Skarsgård, Peter Dinklage and Elizabeth Debicki. Each wine is matched to a piece of the story: the fisherwoman, her handmade husband and the scandalized neighbors. Pairings is a neighborhood wine shop and bar in Northeast Portland that builds a new themed flight every week. You can taste as few as five wines or as many as the lineup holds, and nine or more gets you 10% off bottles.
A small selection of non-alcoholic wines and sodas is also available. All are welcome, and fun will be had.
The Portland Art Museum is pleased to present the recently acquired two-channel video installation, Do I Look Like a Lady? (Comedians and Singers), by internationally renowned artist Mickalene Thomas. Thomas’s work addresses themes of beauty and identity expressed through the myriad subjectivities of African-American women. Her multidisciplinary practice reconsiders Black womanhood and desire through a queer lens.
In recent years, Thomas has turned to video production as a way to expand her critical investigation into how mass media and entertainment distill the experiences of African-American women into a handful of archetypes. Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of Black women in the United States.
PLUS PLUS Bizarre Bazaar is a brand new market bringing together a curated group of artists, publishers, exhibitors, game designers, community organizations, indie distributors, and creative collectives. It is free and open to the public. Stop by to browse and shop artist editions, books, comics, zines, physical media, prints, apparel, games, and more- then stick around to connect with the people who make it all happen!
Film & New MediaLive Soundtrack, Cello
Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.
Join for Nora Ephron’s endlessly charming You’ve Got Mail, the cozy, bookish romantic comedy that makes the dial-up internet age feel magical. Grab a bingo card curated by Violet Hex and play along as Kathleen Kelly and Joe Fox fall in love one anonymous email at a time.
Book superstore magnate Joe Fox (Tom Hanks) and independent book shop owner Kathleen Kelly (Meg Ryan) fall in love in the anonymity of the Internet—both blissfully unaware that he’s trying to put her out of business.
1998. Directed by Nora Ephron. Runtime: 1hr 59min. Rated PG.
The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by a masterful Philip Glass score that features native, classical, and electronic instruments. Enjoyed alone or as the second in the Qatsi series, you won’t want to miss this thought-provoking performance with the Oregon Symphony and The Philip Glass Ensemble, led by conductor Michael Riesman.
po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.
The Pyxis Quartet’s Portland School III continues an ongoing conversation about what it means to compose from this place. Featuring works by Tomas Svoboda, Charles Rose, Nicole Buetti, and Jennifer Wright, the program also marks the premiere of Habitat, a new short film by animator Zak Margolis and composer Nancy Ives – the first chapter of House of Scordatura’s Animated Oregon anthology. An evening about Portland’s creative inheritance, and where it’s headed.
Join us each month to discuss infant and toddler feeding in a supportive, community environment. Led by International Board Certified Lactation Consultants (IBCLCs), this group covers a wide range of topics, including breast/bodyfeeding, pumping, bottle feeding, introducing solids, and weaning.
Because feeding is deeply connected to daily life, we also welcome open discussions on related parenting topics such as sleep patterns, soothing a crying baby, and navigating the postpartum adjustment. Come connect, share experiences, and get expert guidance on your family's feeding journey.
Tomorrow Theater is teaming up with MUBI for this screening of Eleanor Coppola’s Making Marie Antoinette, a lush, intimate documentary about Sofia Coppola creating Marie Antoinette. The mother-daughter duo began creating this documentary at the beginning of the COVID lockdown, and Sofia finished the film after her mother passed in 2024.
In 2005, Sofia Coppola shot her third feature film, Marie Antoinette, starring Kirsten Dunst and Jason Schwartzman, at the Palace of Versailles, securing unprecedented filming permission that had never before been granted to any production. Her mother, acclaimed documentarian Eleanor Coppola, accompanied her on set, capturing approximately eighty hours of footage chronicling her daughter’s journey throughout the making of the film. This year, on the occasion of the 20th anniversary of the release of Marie Antoinette and in fulfilment of her mother’s wish, Sofia Coppola reviewed that previously unseen material. Making Marie Antoinette explores the craftsmanship and care that brought the film to life, follows legendary costume designer Milena Canonero at work, and offers a glimpse into what it meant to be a young female director at that time. The result is a fascinating look at the creative process behind a landmark film and, at the same time, a surprisingly intimate family portrait.
Doors open at 6:15 pm
A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.
The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.
A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.
In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic
Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.
The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.
Station to Station is a journey through our evolving creative culture.
Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit
We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.
Black Arts PDX is a display of ephemera and an extended documentary trailer that foregrounds the history of the Black visual arts community in Northeast Portland. Curated by Dr. Kiara Hill, this rotating installation sheds light on the practices of key figures who were instrumental in shaping the perception of Black arts and culture in Portland. Whether utilitarian or decorative, these materials highlight ways Black artists sought to beautify the city and utilize their technical skills to address the needs of Black people. Black Arts PDX stems from a collaboration between Dr. Hill and Cultural Bearers Archive, Inc., on an archival project dedicated to preserving the unique lived experiences of Black artists and cultural workers in Portland.
CREATE SPACE is an interactive environment within the Black Art & Experiences (BAE) galleries that invites visitors to slow down, reflect, and respond. Designed as a rest area, reading room, art studio, and community gathering space, it supports connection, creativity, and dialogue. Through artist-led programs, hands-on activities, and quiet areas for reading or reflection, visitors can engage with the Black Art and Experiences gallery in a personal, generative way. This first year, CREATE SPACE is activated alongside Conductions: Black Imaginings II, which centers Black performance art and its archives. Both spaces emphasize process — research, writing, improvisation, and experimentation — as essential to the creative journey.
Search and Destroy (S.A.D. for short) is a multimedia variety show happening on the last friday of every month featuring artists and local leaders sharing their craft and talking about what matters most to them. Through storytelling, live conversations, audience interaction, and heavy doses of honesty and humor, S.A.D. seeks to give hope and to be an entertaining and informative space for all to have fun, let loose, and be reminded that we as a people have the agency and ability to initiate change by working together as one.
S.A.D. was partly inspired by late-night television talk shows and variety hours and follows a similar format: an eye-catching opening number, a charming Emcee willing to play the fool, and a shared evening of dance, music, film, comedy, and conversations/interviews, all loosely tied to a theme of the night. The show ends with a dance party where the audience is invited to join the party on stage.
One of the main goals of each S.A.D. show is to dissolve the separation between artist and audience by directly engaging, conversing, and interacting with the audience, inviting them to participate in their seats as well as on the stage.
Every show features dance movement, improvisation, visual imagery and soundscapes, conversations and spoken word, and various bits that play with the blurring of boundaries between the scripted and unscripted, all through an honest and humorous lens and the intention to entertain, educate, and inspire. Each episode of S.A.D. showcases different artists and acts than the previous one, guaranteeing that every iteration is unique and can only be experienced once.
S.A.D. is a show for everybody and every body, regardless of their identity, background, age, and anything else used to describe oneself.
*Revenue generated from each show is split evenly amongst the contributing artists