Viols at Court

Step into the world of early English consort music, flourishing in Restoration England under Charles II. Curated by Principal Cellist Joanna Blendulf, this year’s Podium concert presents a rare combination of instruments: tenor and bass viols, violas, violins, violone, theorbo, organ, and harpsichord, creating a sound that is intimate and reedy. Purcell’s celebrated Chacony is underpinned by a hypnotically repeating bass line that yields to the Fantasia upon One Note, where a single unchanging pitch anchors the music while the ensemble spirals around it. William Lawes’ Consort Sett No. 6 (a personal favorite of Joanna’s) is dramatic, unpredictable, and ahead of its time. Music by Matthew Locke adds theatrical flair with stormy scenes from The Tempest, before the concert culminates in John Jenkins’s Newark Siege: a musical battle that pits bass viols against one another in a riveting finale.

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