Old Town

the tudor choir
+ doug fullington

Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

Program

• Sacred Masterworks from Tudor England

Tudor England (c. 1485–1603) was deeply unstable—yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant served as the basis for devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program—among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

Selected chants from Tudor England

Join the Adult and Youth Choirs of Cantores in Ecclesia accompanied by chamber orchestra under the direction of Blake Applegate for a performance of Gabriel Fauré’s beloved Requiem in the beautiful setting of St. Mary’s Cathedral of the Immaculate Conception. This special concert is dedicated to the memory of Cantores’ friends and supporters who have passed away during the choir’s nearly 45-year history. For more information visit cantoresinecclesia.org.

Special Guest: Founder & Director Doug Fullington Tudor England (c1485–1603) was deeply unstable—yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program—among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.