Downtown, Pearl & NW

London-born singer and songwriter SIENNA SPIRO announces the “My House” tour, including an extensive North American fall run followed by dates in Asia, Australia, New Zealand, UK and Europe.

Just last week, SIENNA released the official music video for her enthralling single “The Visitor.” Written and produced by SIENNA with Omer Fedi (SZA, Lil Nas X) and Michael Pollack (Justin Bieber, Miley Cyrus), the song draws its power from a spellbinding vocal recorded in one take, lyrics that cut to the bone, and a 20-piece string orchestra led and arranged by Academy Award-winner Peter Rotter (Oppenheimer, The Last Repair Shop). While SIENNA’s poetry and the video nod to matters of the heart, by the song’s end, we sense that she’s singing about something more: a strong awareness of impermanence — of things ending and people leaving — that can quickly turn into paralyzing fear. That sentiment is the driving force behind the concept that powers Visitor, the album.

Of course, SIENNA is very much here to stay. Her music has amassed over 1.2 billion global streams so far and, in late March, she had a trio of singles climbing the Hot 100 all at once: “The Visitor” (which so far peaked at #43), heartwrenching UK Platinum smash “Die On This Hill” (#19), and the enduring “You Stole The Show” (#55). All three are set to appear on Visitor, which was executive produced by Fedi with additional production from an elite crew including Blake Slatkin, Yakob, and Pollack, plus composers like Larry Gold (Al Green, Silk Sonic) and Rotter. SIENNA and her hand-picked collaborators brought her vision to life in an array of legendary spaces like Electric Lady Studios in New York, Abbey Road Studios in London, and Valentine Recording Studios in Los Angeles.

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Join an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.

On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Eight-time Grammy-winner Beck has traveled light years from his emergence as a reluctant generational spokesperson when “Loser” exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, Beck's singular career has seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.

Surfacing just as the mainstream and alternative rock intersected, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave. But the album that first cemented Beck’s place in the pantheon was 1996’s multi-platinum Best Alternative Grammy winner Odelay. Odelay remains a key cultural touchstone from the indelible hooks of "Devil's Haircut” and “The New Pollution" to the irresistible call and response of the Grammy-winning "Where It's At.”

From the world-tripping atmospherics of 1998's Mutations (Beck's second album to win the Best Alternative Grammy) and the fluorescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero, 2006's sprawling The Information, 2008's acclaimed Danger Mouse-produced Modern Guilt, no Beck record would ever sound like its predecessor.

That pattern would be upended in sublime sonic fashion with the 2014 release of Morning Phase. A companion piece of sorts to his 2002 masterpiece Sea Change, Morning Phase conjured the staggering downtempo impact of that record through the lens of an infectious optimism. The chorus of critical acclaim for Morning Phase was instant and unanimous, as Beck rolled into 2015 taking the Album of the Year top honor at the 57th Annual Grammy Awards, as well as the prize for Best Rock Album. Morning Phase also won in the Best Engineered Album (Non-Classical) category.

True to his chameleonic nature, Beck followed up Morning Phase’s subdued beauty with Colors, an intoxicating rainbow of auditory tricks and treats that went on to win Best Alternative Music Album (Beck’s third) and Best Engineered Album, Non-Classical (the second Beck album to do so) at the 61st Annual Grammy Awards in 2019. That same year, Beck would offer a first glimpse into his 14th studio album Hyperspace with the stunning surprise single “Saw Lightning”—written and produced by Beck and Pharrell Williams, who would be credited as co-writer and co-producer on seven of Hyperspace’s 11 tracks.

Beck has spent much of the last few years dazzling live audiences with a grab bag of engaging performances ranging from a handful of freeform one-off shows, to 2023’s massive Summer Odyssey tour with co-headliners Phoenix. Summer Odyssey played to packed houses from the Kia Forum in L.A. to Madison Square Garden and beyond, and was followed by a historic full concert performance with the Royal Philharmonic Orchestra—which inspired a series of orchestral performances at the likes of New York’s Carnegie Hall and London’s Royal Albert Hall. The past few years have seen Beck embark on limited runs of orchestral dates featuring musicians who played on milestones including Mutations, Sea Change and Morning Phase accompanied by native orchestras in each city, delivering uniformly unforgettable evenings of unique symphonic arrangements of classics and deep cuts from his towering catalog and beyond.

Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.

The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.

Station to Station is a journey through our evolving creative culture.

Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.

“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”

That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/

Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Part of the Portland Book Festival, ‘Sight Reading - Musical Dialects’ features world-renowned songwriters performing newly created arrangements alongside musicians from 45th Parallel Universe. Night one features Jimmie Herrod, Black Belt Eagle Scout, and Nick Jaina.

Tuesday, November 10th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Houndmouth is an American rock band from New Albany, In 2026, the band returns with Lordy, a stripped-back, emotionally direct record that marks a new chapter for frontman Matt Myers. After a period of creative stagnation shaped by major life changes, Myers reconnected with his songwriting through raw, unfiltered expression, largely writing alone for the first time. The result is an intimate, roots-driven album focused on rebuilding, acceptance, and forward motion. Supported by producer Brad Cook and a close-knit group of collaborators, the band continues its evolution while retaining the melodic instincts and Americana foundation that first defined its sound.

Join us for an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Soccer Mommy

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Haley Johnsen is a Portland-based Americana artist blending alt-pop edge with powerhouse vocals and emotionally charged songwriting. Often compared to Brandi Carlile and Bonnie Raitt, she delivers heart-forward storytelling wrapped in bold, anthemic hooks and an electrifying live presence. Haley has toured with and opened for artists including Allen Stone, KT Tunstall, Joseph, The Talbott Brothers, and Liam St. John, and performed at the nation’s largest festival. Summerfest, last year in Milwaukie, WI. Her 2026 NPR Tiny Desk Contest submission featuring her single “Lyin’ Man” marks a bold new chapter of new music dropping May 2026. With millions of streams worldwide via the Virgin Music Group, sponsorships with Fender and Breedlove, and a headline slot at Seattle’s Fremont Fair Festival this summer, Haley Johnsen is bringing the Pacific Northwest’s freshest sound to the world, one unforgettable performance at a time.

The second night of 'Sight Reading - Musical Dialects' at the Portland Book Festival features world-renowned songwriters Anna Tivel, Willy Vlautin, and Wonderly collaborating in real time. Performers are accompanied by new arrangements from 45th Parallel Universe.

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Sunday, November 15th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Eight-time Grammy winner Beck has built a singular career by drawing on many eras and styles of music, blurring boundaries between them and pairing musical exploration with unexpected turns. From his breakthrough with “Loser” and the debut album Mellow Gold to the influential Odelay and later releases including Mutations, Midnite Vultures, Sea Change, Guero, The Information, and Modern Guilt, each record has taken a distinct direction.

Allison Russell has partnered with PLUS1 so that $1 from every ticket sold goes to ACLU and their work to protect the civil rights and civil liberties of all people in the United States.

Soul'd Out Presents: Stop Light Observations
Doors: 7:00pm
Show: 8:00pm
Ages 21+
https://www.stoplightobservations.com/

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

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Stop Light Observations is a dynamic four-piece group hailing from Charleston, South Carolina. Their versatile sound is a unique blend of blues, pop, and indie rock infused with electronic beats and the soulful vocals of Will Blackburn. From songs like “2young” to “Security” their music is a true reflection of their unique personalities, and their live shows are a testament to their authenticity and raw talent.

SLO is Will Blackburn (vocals), Oleg Terentiev (drums), David Beam (guitar) and Jeremiah King (keys).

Notes on Seating: Open seating, may be limited or standing room only. First come, first seated. Open dance floor may obscure sightlines. Stop Light Observations

Portland-based alt-rock band Portugal. The Man’s energy is unstoppable and, in their words, “Best consumed in community/as family.” Experience music from across their catalog and songs from their 2025 album SHISH at the Arlene Schnitzer Concert Hall in two electric performances, amplified by the Oregon Symphony.

Wednesday, November 18th at Crystal Ballroom in Portland, OR

Houndmouth is an American rock band from New Albany. In 2026, the band returns with Lordy, a stripped-back, emotionally direct record that marks a new chapter for frontman Matt Myers. After a period of creative stagnation shaped by major life changes, Myers reconnected with his songwriting through raw, unfiltered expression, largely writing alone for the first time. The result is an intimate, roots-driven album focused on rebuilding, acceptance, and forward motion. Supported by producer Brad Cook and a close-knit group of collaborators, the band continues its evolution while retaining the melodic instincts and Americana foundation that first defined its sound.

Join Ringler's Pub every 4th Wednesday to see Portland, Oregon-based artist Kendall Lujan.

Kendall Lujan embarks on her first full-length album, "Lucky Penny' released February 21st, 2025. After her debut self-titled EP was released in Spring 2023, it was featured on official playlists on Spotify and Apple Music. Lujan has also been gaining attention from NPR's Tiny Desk, MTV, Rolling Stone Germany, and the John Lennon Songwriting Contest. Recently voted one of Portland's Willamette Week's Best New Bands 2024. Sharing the stage with Amos Lee, Frazey Ford (of The Be Good Tanyas), Allie Crow Buckley, Early James, and The Magnetic Fields.

Pinhead Gunpowder performs at Roseland Theater. General admission floor access is open to all ages, while reserved balcony seating is for guests 21 and over.

Tuesday, November 10th at Crystal Ballroom in Portland, OR

Wednesday, November 4th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Houndmouth is an American rock band from New Albany, In 2026, the band returns with Lordy, a stripped-back, emotionally direct record that marks a new chapter for frontman Matt Myers. After a period of creative stagnation shaped by major life changes, Myers reconnected with his songwriting through raw, unfiltered expression, largely writing alone for the first time. The result is an intimate, roots-driven album focused on rebuilding, acceptance, and forward motion. Supported by producer Brad Cook and a close-knit group of collaborators, the band continues its evolution while retaining the melodic instincts and Americana foundation that first defined its sound.

Haley Johnsen is a Portland-based Americana artist blending alt-pop edge with powerhouse vocals and emotionally charged songwriting. Often compared to Brandi Carlile and Bonnie Raitt, she delivers heart-forward storytelling wrapped in bold, anthemic hooks and an electrifying live presence. Haley has toured with and opened for artists including Allen Stone, KT Tunstall, Joseph, The Talbott Brothers, and Liam St. John, and performed at the nation's largest festival. Summerfest, last year in Milwaukie, WI. Her 2026 NPR Tiny Desk Contest submission featuring her single 'Lyin' Man' marks a bold new chapter of new music dropping May 2026. With millions of streams worldwide via the Virgin Music Group, sponsorships with Fender and Breedlove, and a headline slot at Seattle's Fremont Fair Festival this summer, Haley Johnsen is bringing the Pacific Northwest's freshest sound to the world, one unforgettable performance at a time.

Saturday, November 14th, 2026 8:00PM Roseland Theater All Ages | Bar w/ ID General admission event. No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be displayed on your phone...