Southeast (SE)

Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.

With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.

Enjoy the sound of local musicians.

Latin jazz vocalist Jessie Marquez blends Cuban, Brazilian, jazz and pop sounds for music with lush harmonies and cool grooves. While her themes revolve around love and longing, her soothing vocals are a balm for any heart. Marquez got on-the-job training in Havana, where she recorded with members of the Afro Cuban Allstars. Sana Locura (2004) reached the top of Latin jazz and Salsa charts in the US and Europe. A frequent visitor to the island, she has appeared on Cuban television and radio and has performed throughout the country.

Edda Glass and her long-time collaborator Max Hatt have “forged a unique sound,” says NPR’s Larry Groce. Their alternative musical universe stretches effortlessly from award-winning original material to reinventions ranging from “Wichita Lineman” to “Girl from Ipanema” to “Falling Grace.” Edda’s unmistakable voice and evocative lyrics draw audiences into the immersive textures of Max’s guitar and compositions, creating a cinematic soundscape that resonates like folk, harmonizes like jazz, and grooves like bossa nova.

Ann Powers of NPR Music tags it “Beautiful… #chills” while Nels Cline (Blue Note, Wilco) finds it “subtly poignant, elegantly funky, and haunting without trying to be.” They have been presented by NPR, PBS, NYC’s Lincoln Center, DC’s Kennedy Center, and Wilco's Solid Sound Festival.

A trio will play the first set. There will be a sign-up sheet with 10 tunes picked out, as well as openings for songs of choice and originals. Not just a jazz jam. Any genre, style and flavors welcome. Please be respectful and wear a mask when not drinking, eating or playing a horn. There will be a PA set with 2 mics, Keys with an amp, a guitar amp, a bass with an amp, Drums, and 2 DI boxes. Bring your sticks, instrument, instrument cable, or anything less than the keys and drums.

CITY POP! Japanese Boogie, J-jazz, & New Wave Night at Holocene, Portland, Thursday, November 12, 2026 · 8PM · 21+ · $25.82. CITY POP!! Returns to Holocene! CITY POP!! Returns to Holocene! Come dance away the dark with Holocene’s own Japanese...

Join Farina Bakery every Thursday, Friday and Saturday night for amazing live performances from local musicians. Open late for delicious desserts, a full coffee bar and free live music. Stay up to date on Instagram for updates, our weekly lineup, and opportunities to play at weekly open jams.

AN EVENING WITH JOHN SCOFIELD’S “ELECTROSPECTIVE”

featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Featuring guitar virtuoso Fareed Haque, world-renowned bass master Kai Eckhardt, keyboard wizard Oz Ezzeldin, and drummer Sean Rickman, Garaj Mahal combines a century of musical experience to create a wide spectrum of musical expression.

Fareed Haque is a globally acclaimed guitar virtuoso blending jazz, classical, and world music traditions. Known for his technical mastery and genre-defying style, he has toured and recorded with artists such as Paquito D’Rivera, Sting, and Joe Zawinul. A co-founder of the jam-fusion group Garaj Mahal, Haque has performed extensively worldwide and earned recognition including Guitar Player Magazine’s “Best World Guitarist.” His music seamlessly bridges cultures, delivering a unique and innovative live experience.

Kai Eckhardt is a world-renowned bassist, composer, and educator known for his work at the intersection of jazz, world, and fusion music. A Berklee College of Music graduate, he rose to prominence performing with John McLaughlin and has collaborated with legends including Billy Cobham, Wayne Shorter, and Stanley Clarke. Co-leader of the acclaimed jam-fusion group Garaj Mahal, Eckhardt has toured extensively worldwide and contributed to hundreds of recordings. His dynamic playing and global influences make him a standout voice in modern bass.

Oz Ezzeldin is a pianist, keyboardist, composer, producer, and educator whose virtuosity and versatility have made him a distinctive voice in contemporary jazz and fusion. A North African-American musician based in California, Oz has performed and collaborated with renowned artists including John McLaughlin, Billy Cobham, Randy Brecker, Giovanni Hidalgo, Larry Coryell, Stanley Jordan, and Zakir Hussain. His playing is rooted in sophisticated harmony, deep rhythmic awareness, and a fearless approach to improvisation, allowing him to move effortlessly between jazz, funk, fusion, and world music. As a composer and educator, Oz continues to expand his musical voice while inspiring audiences around the world.

Sean Rickman is an American musician from Washington, D.C. He has worked with Shawn Lane, Garaj Mahal, Dapp Theory, Steve Coleman, Maxwell, Meshell Ndegeocello, Blacksheep, Phil Upchurch, David Fiucynski and Screaming Headless Torsos, Kai Eckhardt, Anthony Tidd's Quite Sane, K'Alyn, Angela Bofill and George Duke. Rickman was lead singer and drummer for Garaj Mahal from 2007 to 2011 and his rock band Big Mouth featuring guitarist Leonard Stevens. He was also featured alongside Herbie Hancock, Wayne Shorter and Marcus Miller on the Tribute to Miles 2011 tour.

Matty V of Lucky Beaucoup sets down the bass and picks up an acoustic guitar to lead a five-piece combo including Mike Danner (Trashcan Joe), Jesse Lee Young (Swamp Thang), Simon Lucas (Tapwater) and Bernard Gomez (everybody), performing a new body of work called Fever Dream.

James Cook, singer/songwriter extraordinaire of Trashcan Joe, unveils The Oompapas group featuring himself on tenor guitar and vocals, Travis Oakley (Love Bomb Orchestra) on sousaphone and Mike Danner (Saloon Ensemble) on accordion and vocals. The oOOMPAPAs play classic jazz-influenced originals and a few choice Jazz standards, with strong elements of jug-band Americana and polka.

Eric Skye Trio @ Show Bar Sun, 11/22/2026 - 7:00pm to 9:00pm Show Bar - Revolution Hall 32.36 Eric Skye Trio plays Miles Davis at the Show Bar What happens when mid-century urban cool meets the organic sustain of a steel-string acoustic? Join us for an evening of late-1950s Miles Davis tunes re-envisioned for acoustic guitar, upright bass, and drums. Stripped-back, atmospheric, and deeply dynamic.

tribute to the composer/drummer

Keilimei Solo & Duo

Keilimei is a vocalist, songwriter and performer born and raised in Hawaii. She grew a love for timeless romantic melodies after spending 10 years in France and learning the language. She captivates audiences around the world with her enchanting dreamy vocals and playful banter. Having toured extensively around France with the French Duo Synapson and performing at various apres-ski resorts in the French Alps, she is well versed in various genres, from Bossanova to Deep House. Her solo acts include ambient vocals and an amalgamation of R&B, Folk and French songs accompanied by her mini electric guitar.

n Duo with Tracy Kim, expect Jazz standards, Cheeky Banter, and Romantic songs in English & French.

Spotify: Keilimei

Instagram: @portlandjazz @keilimei

Award-winning vocalist, instrumentalist and songwriter Curtis Salgado, the man NPR calls “an icon” with “a huge voice,” is revered worldwide for his ability to wring every ounce of soul out of every song he performs. Salgado is famed not only for his powerhouse live shows and eleven previous albums, but also for his passionate and insightful original songs. He has been nominated three times for the Blues Music Award for Song Of The Year, winning in 2018 for Walk A Mile In My Blues from The Beautiful Lowdown. In total, he has won eleven Blues Music Awards, including the B.B. King Entertainer Of The Year. DownBeat calls his songwriting skills “an impressive gift.” Billboard says Salgado’s music is “inspired and powerful.”

Now, Salgado is back with Fine By Me, the latest evidence of Salgado wielding his impressive songwriting and vocal skills to a wide variety of styles. His music has dashes of blues, gospel, R&B, jazz, funk, rock ’n’ roll and soul at any given moment.

What happens when mid-century urban cool meets the organic sustain of a steel-string acoustic? Join an evening of late-1950s Miles Davis tunes re-envisioned for acoustic guitar, upright bass, and drums. Stripped-back, atmospheric, and deeply dynamic.

Pacific Northwest acoustic guitarist Eric Skye occupies a unique niche between jazz and folk. He has always had a bit of a connection to the music of Miles Davis, particularly the seminal modal jazz album, Kind Of Blue and that era. In fact, in 2012 he released his acclaimed album, “A Different Kind Of Blue,” which was a solo acoustic guitar album reimagining of “Kind Of Blue", recorded all in one sitting with improvisational approach as opposed to planned arrangements.

ages 21+, GA seating,

ERIC SKYE TRIO Plays Miles Davis What happens when mid-century urban cool meets the organic sustain of a steel-string acoustic? Join us for an evening of late-1950s Miles Davis tunes re-envisioned for acoustic guitar, upright bass, and drums. Stripped-back, atmospheric, and deeply dynamic.

Pacific Northwest acoustic guitarist Eric Skye occupies a unique niche between jazz and folk. He has always had a bit of a connection to the music of Miles Davis, particularly the seminal modal jazz album, Kind Of Blue and that era. In fact, in 2012 he released his acclaimed album, “A Different Kind Of Blue,” which was a solo acoustic guitar album reimagining of “Kind Of Blue, recorded all in one sitting with improvisational approach as opposed to planned arrangements. Eric Has released nine albums in total. Including other solo acoustic jazz/blues records like 2018’s Ballads and Blues, 2004’s For Lulu, Acoustic Jazz Guitar Solos from 2000.. Or the contemporary improvisational duo album, Artifact, from 2015 with longtime Jackson Browne guitarist, Mark Goldenberg. There’s also several albums of adventuresome improvisation takes on American old-time fiddle tunes with mandolin virtuoso Tim Connell (June Apple 2015) and guitarist Jamie Stillway (Home On The Midrange in 2021, and Over The Waterfall in 2023). It’s a wide-ranging body of work, all threaded together with a minimalist’s aesthetic, a passion for in-the-moment music making, and a love of pure acoustic tone.

“Tone, taste, and technique” -JAZZIZ magazine

"Jazz Interlude Trio - Live Music at Naso Wine Bar 5-8pm Sat. Nov 14th 🎷 Eric Austin — Saxophone 🎹 Kathy James — Keys 🎻 Steve Morgan — Upright Bass

No Cover Charge • All Ages Welcome!

Come early to grab a great seat! Whether you’re meeting friends, enjoying a glass (or two) of wine, or sampling something delicious from the lite-fare menu, NASO offers just the right ambiance for a relaxing evening out.

With its welcoming service, locally owned charm, and a wonderful selection of wines, NASO is a haven for wine enthusiasts and newcomers alike.

🍷 Great wine, great company, and live jazz. We hope to see you there! 🎶 "

Second Saturdays are for Lovers, Jazz Lovers. The Astro Quartet holds a Jazz Night Residency at the Portland Schilling Cider House every second Saturday, starting at 6:30 p.m. This is a free event.

solo guitar jazz, folk, and ambient

Enjoy an open jazz jam session for all ages and levels. An opportunity for younger musicians to play with seasoned pros and learn from experience.

Max Tucker is leading the Student Jazz Jam at Artichoke Music. Max, along with the afternoon's house band, will warm up the stage with a short set, and the jam will follow. The backline includes a keyboard and a drum set. Max Tucker is a drummer, producer and educator living in Portland, Oregon. He relocated to Portland in 2018, moving from NYC, where he studied jazz at the New School and studied with master drummer Michael Carvin. He is currently teaching drums and playing actively in the fertile Portland music scene.

Beginning this fall, Lulu hosts live jazz every Wednesday from 8–11pm.

The night opens with a house set from 8–9pm, featuring:

Dario Lapoma on piano

Patrick Golichnik on bass

Alan Jones on drums

Pablo on trumpet

From 9–11pm, the session opens to guest musicians from across Portland — no two Wednesdays will be alike.

jazz, bossa nova, popular faves