Southeast (SE)

The Literary Arts Bookstore is pleased to welcome Kimberly Blaeser to celebrate her latest book Red Ants. Blaeser will be joined in conversation by Christopher Diaz.

About the book:

Join us for the Portland launch of Any Time But This Time (Mad Creek Books), the debut story collection from LA filmmaker and author Adam Peterson, in conversation with Portland poet, novelist, and painter Zachary Schomburg.

The human condition is dire. We knew that. But it's also always been that way–we've always craved to be sometime else, from the first human woman (Denise, stuck with neanderthals) to the final man (Keith, losing all his language but the name of his girl–that, he'll save). In between, Peterson introduces himself as a shapeshifter, voicing a semi-delinquent and moderately depressed teenage Jesus in "Jesus Does a Hero;" a convincingly polyamorous prairie romance; 1983's fiber optic saleswoman to the local government of Shanghai, Barbara Roach; and a hormonal crop of teenagers sent to fight "the Schmoopys" once their orbit arrives and their hair has gone gray.

As they'll tell you, the findings are fairly straightforward. In all of human history, we have only been one thing: lonely. Well, two things. We've been horny, too.

Unrelenting, bold, and cynical in the way that only a child of Nebraska-gone-Hollywood could write, Any Time But This Time gifts us 300,000 years of humans destined to be alone, willing to give it all up for connection.

"As history tends to shave off the weird bumps and ridges of our past, it's exhilarating and unsteadying to read a collection that ambitiously seeks to provide a kind of bizarro reimagining of our world. Any Time But This Time is odd and hilarious and yet so tenderly human, so unafraid of cataloging all the strange desires and cruelties and moments of true connection that have somehow gotten us to this moment in time, and then it rockets beyond that to imagine an even stranger future. This is wildness of the highest order, unforgettable and highly original."
—Kevin Wilson, author of Now Is Not The Time To Panic

"The stories in Adam Peterson's Any Time But This Time are funny, but, like, really, really funny, but like, the kind of funny that make you laugh and laugh and then make you question your own soul, or whether you even have a soul, because Adam Peterson has slyly tricked you into laughing at some of the worst possible things, the most terrible of people, the most dire of situations. He has made you laugh the kind of laughter that keeps you honest, makes you see the world as it really is. This is a fabulous, unrelenting collection of stories, full of gorgeous, punchy, compulsively readable prose. Do yourself a favor: pick it up, take it home, and start reading."
—Manuel Gonzales, author of The Miniature Wife and other stories

"Deeply entertaining, the stories in this collection crackle with the spark of imagination, invention, and compassion. Peterson writes with a satisfying blend of humor and pathos, fearless in both wit and empathy. For lovers of George Saunders and Haruki Murakami, with a dash of Aimee Bender, this collection also feels somehow entirely fresh."
—Aja Gabel, author of Lightbreakers

"Each story in this collection is a window into unseen moments of history, and deftly conveys the "incomprehensible beauty, all too comprehensible horror" of the human experience. Peterson's voice carries an almost prophetic weight, masterfully balancing the lyrical, existential, heartbreaking, and humorous with a skill and style akin to writers like George Saunders and Nana Kwame Adjei-Brenyah. From the first cave woman to identify as human, to the unraveling of language as our species dies off, I was enraptured by this book, and felt genuinely changed after reading it. Uniquely funny, profoundly moving, and innovatively written, Any Time But This Time is a rare and exciting feat of literature."
—Erin Slaughter, author of A Manual for How to Love Us and The Dead Dad Diaries

Adam Peterson is a writer and filmmaker living in Los Angeles. He's the author of the prose poetry collections My Untimely Death, The Flasher, and [SPOILER ALERT] (with Laura Eve Engel). His short fiction has appeared in Epoch, The Kenyon Review, The Southern Review, and a mess of other places. His films have played at HollyShorts, Fantasia Fest, and Just for Laughs, among many other festivals.

Zachary Schomburg has written books of poems like Wool Moon (Black Ocean, 2026)and a novel, Mammother (Featherproof, 2017). And he's a painter too. In fact, he once painted a painting owned by Adam Peterson. He lives in Portland with B and Y.

Readings from Transformations: Wood/Metal/Stone/Sundry (Raven Chronicles, 2026). Transformations celebrates the discovery of, and connection with, found objects that hide within landscapes of urban decay and nature. Objects that, when revealed, stand as testaments to time, place, and the transformative effects of nature and the elements. Readers include Dan Raphael, Allison Green, Nora Martin, and Scott Martin.

Join us for a poetry reading from Householding with Tom Blood, Shannon Baird, and Brian Hebb.

Tom Blood is the author of the sky position which was awarded the Oregon Book Award for Poetry. Published the raccoon, dot dot, the act, if ever then always, exp, and exp3. He also performs as the lead vocalist in the bands rob walmart, Tom Blood and Jordan Dykstra and Dream Center. Tom is Published in journals in NY, SF, Portland, London, Seattle and elsewhere. He believes the only purpose in life is to communicate love.

Shannon Baird is a Portland native, real estate broker, and award-winning designer whose work reflects a longstanding appreciation for architecture, art, and the character of place. With more than 24 years in real estate and as the founder of SBaird Design, she brings a distinctive perspective to the relationship between people, homes, and the stories they hold.

Shannon conceived the idea for this collection of poetry, originally written to accompany actual real estate listings. What began as an unconventional approach to presenting homes evolved into a book celebrating the character, atmosphere, and individuality of the places we inhabit.

Working closely with book designer Fredrik Averin, Shannon guided the creative development and design of the publication. The collection features poems primarily by Tom Blood, with additional contributions from Shannon Baird and Brian Hebb. Charlotte Moore wrote the foreword and afterword, and Rory Sparks produced the foil-stamped covers.

The book reflects an appreciation for the ways poetry can reveal something beyond the physical details of a property—offering a more personal evocative perspective on the meaning of home, a subject of perennial longing.

Brian Hebb is a failed capitalist, former journalist and chronic penman for hire, furnishing other people’s ad copy and speeches with his favorite daydreams. For these sins, and others less relevant, he is at work on his first novel, The Last Days of Fake Bears, and a short story collection, Target Audience. He lives with his wife in Portland, Oregon where fleeting glimpses of their dead pets are most persistent.

LitFootA new, year-long series of author readings, curated by Sellwood Community House Volunteer & Two-Time Moth GrandSLAM Champion Sarah Bunger. Readings take place from 7-9pm at Sellwood Community HouseAuthors include:September 16: Willy Vlautin & The Left and the LuckyOctober 21: Liz Prato & PurgatoireNovember 18: Emma Pattee & TiltJanuary 20: Dr. Michelle Chappel & The Power of AuthenticityFebruary 17: Kristin Jeffries & Red Wine LoverMarch 17: Olufunke Grace Bankole & The Edge of WaterApril 21: Tom Alkire & Western WatersMay 19: Ling Ling Huang & Immaculate ConceptionClick Here to RSVP!

Chatter LateWORKS is a late-night series that explores modern, experimental, and avant-garde trends within contemporary classical music. Hear local composers alongside rarely heard masters from the past 75 years in a relaxed, welcoming atmosphere inspired by our Sunday morning performances. Doors open at 7pm, show at 8pm; beer, wine, and refreshments are available for purchase at Hallowed Halls Tiki Bar.

Featuring spoken word performance by Hieu Minh Nguyen.

Sunday, Nov. 22 - Piano, Poetry & Songs with Naomi LaViolette & Beth Wood Concert begins at 7pm in the Sanctuary Singer-songwriter-poet Beth Wood and pianist-singer-songwriter Naomi Laviolette are teaming up for an intimate evening of piano, poetry, and songs in the beautiful Sanctuary at Moreland Presbyterian Church in SE Portland. Naomi and Beth discovered the delicious alchemy of combining Naomi’s calming, peaceful solo piano compositions (under the name Lucente Skye) with Beth’s moving and grounding poetry, and they can’t wait to share it with you! They will share these unique collaborations for the first set and then put on their singer-songwriter hats for a set of songs, stories, and harmonies. A portion of this event’s proceeds will support the Interfaith Movement for Immigrant and Refugee Justice (IMIrJ). IMIrJ works alongside communities and people of faith in Oregon to advance justice for immigrants, migrants, and asylum seekers through direct accompaniment of people facing detention and deportation, policy advocacy, and community organizing. As the needs of immigrant and refugee communities grow, IMIRJ has also expanded its direct services, connecting people with temporary housing, legal assistance, food, health care, employment resources, and other essential support. With funding sources shrinking while the need for these services continues to grow, community support is more important than ever. We are grateful for the opportunity to share this evening of music and poetry while raising awareness and funds for IMIRJ’s vital work toward a more just and welcoming world for our immigrant and refugee neighbors. For more info on IMIrJ: https://www.imirj.org/ All ages are welcome. Tickets are $20 for Moreland PC members/$25 General Admission in advance/$30 General Admission at the door. To buy your ticket: https://morelandprespdx.breezechms.com/form/naomiandbeth

Join us for Transformations: Wood / Metal / Stone / Sundry, from Raven Chronicles Press's celebrates the discovery of, and connection with, found objects that hide within landscapes of urban decay and nature. Objects that, when revealed, stand as testaments to time, place, and the transformative effects of nature and the elements. Editor Scott Martin, local poets dan raphael and Allison Green, plus other readers.

Join us for a reading and celebration of Paul Maziar’s Junebug. The evening with feature musical guests Kelli Schaefer and Drew Grow.

When asked for eight words to describe Junebug, Maziar channeled Agent Cooper: “Everyday, once a day, give yourself a present.” But did he mean the present? Either way, Junebug is a gift.

Junebug situates Paul Maziar’s latest acts of listening and attending, transmission and transcription. He’s built a modular space suggestive of both the theatre and the gallery, performance and (inter)play. The aphoristic title sequence hones sharp accessibilities — we find words available to us, for our limbs and limbics to hold, hurrumph, to slap our knees and share. A mysterious dramatis personae pervades Junebug’s expanse across the mental maps Maziar graphs as he organizes streets of words and questions what their design might reference. We encounter, among others, Toulouse-Lautrec, Agnes Martin, Eva Hesse, Jack Whitten, Colette, Robert Walser. Who are all these characters in Maziar’s parade? Maybe there’s some insight in the final serial sequence, “Hives,” which states that “The real thing is inside of what everything appears as.” The real in Junebug asks us to admire the distance between the surface and the subject. We already have the right tools.

Charles North: From short poems to prose poems to the wonderful fragments collected in its title poem, Paul Maziar’s writing revels in imaginative discontinuity. Junebug is smart, witty, surprising—and inspiring—throughout.

Merrill Gilfillan: These works step up in the name of Poetry and its heartwood, its ever-salvational “What’s on the river today?”

Tetra Balestri: Maziar manages to resurrect a conversation started sometime in the early to mid-20th century that cuts through the present-day pandemonium with polish and swagger. Junebug is a pair of pants worth trying on.

Simone Kearney: Reading Paul Maziar’s Junebug, I feel the tightrope walker’s high-wire balance between the forces of levity and gravity, the contexts of interior and exterior, the concocted and the perceived, thought and overheard speech. These poems make me wonder how it is that we move through the world, which is also a moving-through language.

I’m reminded that language bears a strange mystery. It’s always received and always being made at the same time; it’s a material we inherit and get to play with. In Maziar’s work, overheard phrases and sayings arrive solidified, brick-like things. The language resembles the fragments of familiar tunes — an echo, or memory of one — appearing as the freshest, strangest thing newly imagined.

I feel the intimacy and elusiveness of unspoken thought in the poems: words not yet uttered, still inside the mind. This makes me feel the dynamics of inside and outside that are part of the human drama. Am I looking at something the poet is looking at, or am I inside his head? Maziar lets us inhabit uncertainty. This is living language just being breathed, catapulted from lips, cemented into freshly-thought speech.

Junebug lets me delight in the way language can tend to trip over itself: “I’d rather stimulate than simulate”; “a certain vigor (or vinegar?).” Decontextualized, speech is absurd, funny, strangely moving: “I’m not going anywhere until I see a horse.”

What emerges is a tour de force composed of song, slogan, slip of the tongue, reverie, note, advertisement, fragment, nonsense, musing, hiccup, rupture, tidbit, epiphany. “The only faith he had was in the confusion of his experiences,” Maziar writes, suggesting that one thing we can do amid such confusion is continue to place words onto the page — in relation to ourselves, to others, to images, and to other words. And those words keep coming to meet us: flat, full, flowing, tired, zippy, and ready for more.

Kelli Schaefer's latest record, Even Still, could be the soundtrack to a modern gothic, a playlist for a trudge through a muddy forest or the accompaniment to a subconscious mantra. She demonstrates deftness in refusing to confine herself to a single genre. Schaefer excavates her past while planting herself deeper into the avant-garde, offering a fresh take on the age-old singer-songwriter trope, delivering haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass.

The Pacific Northest's beloved troubadour, musician/artist Drew Grow (Slang, Modern Kin, Pastor's Wives) is back with new songs and a new stripped down method. Spotted playing solo shows around Portland this summer, he is out on his own, debuting new music and packing a wall of little guitar amps. It's new digs for the artist. Drew's solo approach, raw and exposed, is even more striking than the bands of his past. His powerful voice still ringing through as ever, magnetic and arching over the solo guitar and twisted old amps. The sound is momentous and vulnerable, seeming to come from a deeper place. What have you brought us?

A $10 ticket supports our musical guests, Kelli Schaefer and Drew Grow.

Join us for the Mountain Writers Series readingswith:
Gerald Costanzo & Michele Glazer

Gerald Costanzo’s Badlands: First Poems, was published by Copper Canyon Press in 1973, and in 1974, In the Aviary, won the Devins Award. Other of his poetry collections include Nobody Lives on Arthur Godfrey Boulevard (BOA, 1992), The Laps of the Bridesmaids (Bits Press, 1992), and most recently, Regular Haunts (Nebraska, 2018). Founder of the Carnegie Mellon University Press (1972), Costanzo served as Director of the Press, also teaching writing and literature courses at Carnegie Mellon University, until he retired in 2024. Costanzo has edited numerous anthologies, among them Three Rivers, Ten Years: An Anthology of Poems from Three Rivers Poetry Journal, and American Poetry: The Next Generation. He has received two N.E.A. Creative Writing Fellowships as well as two Pushcart Prizes for his poetry. He divides his time between Mt. Lebanon, PA and a home on the Oregon Coast.

Michele Glazer is the author of four books of poetry, most recently, fretwork (Iowa, 2021). Others include On Tact, & the Made Up World (Iowa, 2010); Aggregate of Disturbances (Iowa Poetry Prize, 2004); and It Is Hard to Look at What We Came to Think We’d Come to See (Pittsburgh, 1997; AWP Award). She has published poems in The New Yorker, Boston Review, and Lo-Ball, among others. Glazer was the founding director of the MFA Creative Writing program at Portland State University and has been a visiting professor at the Iowa Writers’ Workshop and at the University of Montana as the Richard Hugo Chair in Poetry. She lives in Portland.

Join us for a poetry reading presented by Spare Room, featuring Ariel Resnikoff and Ivan Sokolov.

Ariel Resnikoff's recent works include Raisin in Every Bite (Furniture Press, 2022), A Paradise of Hearing (The Swan, 2021), and Unnatural Bird Migrator (The Operating System, 2020) which was awarded an Anne and Robert Cowan Writers Prize. His newest poetry collection, Poems with Friends and Ghosts, is forthcoming from Chax Press in 2027. With Pierre Joris, he is also the co-editor of In Between, Keep Moving: A Pierre Joris Reader (Contra Mundum 2026). Ariel is a translator of Yiddish, Hebrew and Spanish poetry and prose, and his own writing has been translated into German, French, Russian, and Mandarin, among other languages. In 2025 he was a visiting writer and translator in China at Central China University in Wuhan and the University of Fudan in Shanghai. Ariel lives in El Cerrito, California – the little hill – with his partner, the artist Rivka Weinstock and their kiddo. With E. Tracy Grinnell, he co-directs Litmus Press and Ether Sea Projects.

Ivan Sokolov is a poet, translator and critic from St. Petersburg, Russia, currently based in Portland. Author of five books of poetry in Russian, he also translates the international avant-garde, from Gertrude Stein to Paul Celan. His Russian version of Ron Silliman's "You" and a translation of Richard Foreman's "Samuel II" were recently published. Sokolov's translations from contemporary Russian writing are available in World Literature Today and the Back Room. His own work has been featured in a Deep Vellum anthology Verses on the Vanguard.