Southeast (SE)

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns to build an altar, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Age Recommendation: All Ages
Estimated Running Time: 1 hour 30 minutes, including one intermission

Ticket Availability:

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• Single Tickets: On sale beginning Friday, August 21, 2026

Single Tickets:
Adults – $32
Seniors 50+ – $28
Students – $24

SHOW TIMES:

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Glass. Kill. Bluebeard. Imp. is a collection of four short, surreal plays by acclaimed English playwright Caryl Churchill. Premiering at London's Royal Court Theatre in 2019, these darkly imaginative works weave together myth, fairy tale, and contemporary horror. Moving between collective voices and intimate encounters, Churchill explores violence, power, desire, and the stories we tell to make sense of a fractured world. By turns funny, haunting, and unsettling, the plays invite audiences into a landscape where the familiar becomes strange, and ancient myths reveal modern anxieties without explanation or comfort.

A girl made of glass. Gods and murders. A serial killer's friends. And a secret in a bottle.

Four short plays by Caryl Churchill

Directed by Samantha Van Der Merwe

A one-clown kaleidoscope of beauty, tradition, and tyranny — where a pansori diva, a K-beauty fanatic, and a self-proclaimed dictator collide in a hilarious search for identity and power.
In Take Me to Your Leader: The Seoul of a Clown, beauty, ritual, and absurdity collide in a one-clown fever dream. From the haunting rhythms of pansori to the fluorescent glow of a K-beauty altar, Monel Chang (aka Moldy Melon) shape shifts through characters both divine and deranged: a folk diva, a skincare-obsessed disciple, and a dictator throwing themself a birthday party.

Part satire, part spiritual exorcism, and entirely clown, this genre-defying solo performance unpacks the obsessions that bind — from perfection and purity to power and control. With live sound, ritual gesture, and a face full of toner, The Seoul of a Clown invites audiences into a surreal search for identity, laughter, and liberation.

In this live Dungeons and Dragons show, comedians and performers take to the stage to play some theater games, share some jokes, and play some D&D.

This season of Magic Tea Party, you will join Dungeon Master Juliet Mylan, who will lead:

• Cosmo Reynolds (as Joey, just some guy with a ukulele that frequents Portland open mics)
• Jenna Britann (as Holbrook, a 165,786,084 yr old dilophosaurus),
• Riley McCarthy (as Enoch "Nucky" Fallstar, an apostle of the doomsday cult Threshold of Paradise with some unorthodox powers)

Audience members will take part in controlling the players' fate as they navigate an AU magical Portland in a series of side quests to gather magical artifacts for MOMSI (that's Magical OMSI for the layperson). The show can include strong adult themes and language, so if you bring your 8-year-old, just know they may learn something you were hoping to discuss with them after they hit puberty. Recommended for ages 16+ and parental guidance for those younger.

Small concessions booth with snacks, sodas, seltzers, beer, and wine available at the show. A coffee shop is located in front of the theater, and beverages are welcome in the theater. Tickets are GAYAF (Give As You’re Able Friend) with a suggested donation of $20 to compensate the performers and keep this independent LGBTQ theater running.

SPATCHCOCK!

DEBUT SKETCH SHOW: AMUSE-BOUCHE

Portland’s most exciting new sketch troupe, SPATCHCOCK!, is proud to present their debut show, “Amuse-Bouche,” a delectable first course of strange comedy that’s fast, zany and a little fucked up.

It is a delectable first course of strange comedy from Portland sketch fanatics Carly Leinheiser, Hannah Bodily, Klaus Brenner, Sean O’Neil, and Walker Faison.

Inspired by Mitchell & Webb, Kids in the Hall, The State, the endless absurdities of human existence, dark whispers from the void, and Key and Peele, SPATCHCOCK! is fast, zany and a little fucked up.

Get ready for roughly 45-minutes worth of cuck chairs, fratboy birdwatchers, supervillain contractors, pissed-off aliens, and finding out what those billionaires really need all that money for.

SPATCHCOCK!: Amuse-Bouche will be at 21ten Theater on Friday Nov. 13 and Saturday Nov. 14 at 9:30 PM. Tickets will be $12 presale, $15 at the door, available at TICKET LINK TBD.

Who: Written by and starring Klaus Brenner, Hannah Bodily, Walker Faison, Carly Leinheiser, and Sean O’Neil

Where: 21ten Theater

2110 SE 10th Ave,

Portland, OR 97214

When: Friday 11/13/2026 and Saturday 11/14/2026
9:30 Show

Cost: $12 presale, $15 at the door

Contact: [email protected]

Set in the near future, when the Earth's resources have been depleted and NASA has begun "colonizing" the Moon, Stella and Cassie meet for the first time in years. But this is no ordinary reunion — these fraternal twins have been separated by more than just years and miles. And in her absence, Stella has begun a new life with her fiancé, Bryan — an Earth Advocate who's devoted his life to saving whatever parts of Earth are still left. Over a single weekend, the trio works to find connection and healing after an undefined rupture that constantly threatens to resurface.

Cast and Crew

Directed by Chris Harder

Starring Asher Kondziela as Cassie, Angie Tennant* as Stella and Jonathan Hernandez* as Bryan

Lighting Design by Samantha Kemp

Set Design by Julianne Bodner

*Appearing courtesy of the Actors' Equity Association

What if technology could keep the people we love alive? An intimate, sexy, and quietly unsettling thriller that explores grief, artificial intelligence, and the enduring bonds between sisters. Featuring an all-woman cast, Anthropology asks: “What does it really take to love someone unconditionally?”

by Lauren Gunderson

The Canon Shakespeare Company presents "Troilus and Cressida" by William Shakespeare, adapted and directed by Alec Henneberger.

This production takes Shakespeare’s classic love story, set against the backdrop of the Trojan War, and brings it back to the oral tradition–just people, telling each other a story. Rooted in the mountains of Appalachia during the interwar period of the 1930s, this retelling reflects on the impacts of war at an extremely personal level.

The second play of Chantal Bilodeau’s Arctic Cycle, Forward moves between the story of Norwegian Arctic explorer, Fridtjof Nansen, and our present-day anxiety over the rapidly changing climate. Woven throughout is the relationship between Nansen and the character Ice. A blend of theatre and electropop music, the humorous and poetic play progresses backwards from 2013 to 1893 and zeroes in on 40+ characters whose choices have unintended consequences that ripple through the generations.

Open to the public. Tickets available here. All ticket revenue goes directly to supporting the theatre department at Reed College.

Note that the Thursday, November 12 performance is an open dress rehearsal for invited guests only. All other dates are open to the public and require tickets.

After 25 years of marriage, Maggie Callahan finds herself newly single and thrown into the chaotic world of modern dating. Armed with nothing but a martini and a sense of humor, she endures 10 wildly different first dates, from a narcissistic influencer to a spiritual guru who won’t stop trying to balance her chakras. As Maggie faces the absurd realities of dating apps, mismatched personalities, and midlife crises, she begins to realize that love is more complicated—and hilarious—than she ever imagined. 10 First Dates is a comedic exploration of relationships, self-discovery, and the unexpected joys of being single.

CW: Please note that the script contains profanity, sexual misconduct, and vague reference to sexual violence.

Runtime: approx 60-75 min

Tickets on sale November 1st