Southeast (SE)

The Literary Arts Bookstore is pleased to welcome Kimberly Blaeser to celebrate her latest book Red Ants. Blaeser will be joined in conversation by Christopher Diaz.

About the book:

The In Bocca books are a curious and beautiful collection of 20 Italian cookbooks, each devoted to a different region of Italy. Originally published in the 1970s, they’re filled with recipes, hand-drawn illustrations, folk art, and wonderfully wonky English translations, offering a glimpse into the food and character of Italy from region to region. Long out of print, they’ve become cult objects for collectors and lovers of Italian food.

For the past three years, Cathy Whims and the Nostrana team have cooked their way through the entire collection, creating 19 dinners: one for each book. Now, for the Portland Book Festival, that journey comes to an end with Roma in Bocca the 20th book.

For this special finale, Cathy Whims is welcoming Italia in Bocca director Robert Serrini, an expert and passionate champion of these remarkable books. Robert will mingle with guests throughout the evening and document the dinner as part of a short film about Roma in Bocca. He also dreams of one day seeing the full collection published once again, bringing these quirky, art-filled books back into the hands of a new generation.

Whether you’ve followed the series from the beginning or are discovering these peculiar books for the first time, come take one last trip Italy in Bocca with us.

Cathy Whims recently published her own culinary book: The Italian Summer Kitchen: Recipes for La Dolce Vita. During this event her book will be available for purchase and signing.

Reservations required. Limited seating available.

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

When Toni Morrison declares that she “can't wait for the ultimate liberation theory to imagine its practice and do its work,” she raises an issue at the heart of modern democratic life: What does freedom mean in the shadow of racial slavery and colonialism? While Morrison's literary achievements are widely celebrated, her contributions as a “revolutionary political thinker” remain underappreciated. Lawrie Balfour approaches Morrison’s political thought through her account of “word-work,” or the creative use of language, as a practice of freedom. First, Balfour considers Morrison’s defense of the necessity of writers to the flourishing of democracy and her reflections on the political implications of her own literary practice. Second, Balfour examines Morrison’s use of the language of “sovereignty” to convey what writers do, when they create worlds out of words. Third, she asks what Morrison might say about the part her novel Beloved played in the 2021 governor’s race in Virginia and concludes with some thoughts about the political urgency of Morrison’s word-work today.

Lawrie Balfour is James Hart Professor of Politics and a member of the American Studies faculty at the University of Virginia, where she offers courses on race, gender, democracy, and literature. She is the author of Toni Morrison: Imagining Freedom; Democracy’s Reconstruction: Thinking Politically with W. E. B. Du Bois; and The Evidence of Things Not Said: James Baldwin and the Promise of American Democracy. Lawrie’s current projects include a series of essays on reparations for slavery and a study of the Black feminist visions of the journal Freedomways (1961-1985).

Free and open to the public.

Join a special evening with trailblazing drag artist, activist, and political candidate Marti Cummings and Portland-based constitutional law professor and author Robin Maril. Before the film, Marti and Robin will sit down for a live conversation about queer representation, civic engagement, and the power of showing up for your community. The conversation will be moderated by Kyndall Mason of Basic Rights Oregon.

Following the conversation, stick around for Queen of New York, the acclaimed documentary following Marti Cummings’ groundbreaking 2020 campaign to become one of the first openly nonbinary members of the New York City Council. This evening also celebrates the launch of Robin Maril’s new book, A Queer Guide to Saving American Democracy. Copies will be available for purchase on site.

ON SCREEN: Queen of New York

2023. Directed by Emma Fidel. Runtime: 1 hour 20 minutes.

Welcome to a different kind of drag race. As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics — one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

The In Bocca books are a curious and beautiful collection of 20 Italian cookbooks, each devoted to a different region of Italy. Originally published in the 1970s, they’re filled with recipes, hand-drawn illustrations, folk art, and wonderfully wonky English translations, offering a glimpse into the food and character of Italy from region to region. Long out of print, they’ve become cult objects for collectors and lovers of Italian food.

For the past three years, Cathy Whims and the Nostrana team have cooked their way through the entire collection, creating 19 dinners: one for each book. Now, for the Portland Book Festival, that journey comes to an end with Roma in Bocca the 20th book.

For this special finale, Cathy Whims is welcoming Italia in Bocca director Robert Serrini, an expert and passionate champion of these remarkable books. Robert will mingle with guests throughout the evening and document the dinner as part of a short film about Roma in Bocca. He also dreams of one day seeing the full collection published once again, bringing these quirky, art-filled books back into the hands of a new generation.

Whether you’ve followed the series from the beginning or are discovering these peculiar books for the first time, come take one last trip Italy in Bocca with us.

Cathy Whims recently published her own culinary book: The Italian Summer Kitchen: Recipes for La Dolce Vita. During this event her book will be available for purchase and signing.

Reservations required. Limited seating available. Paid reservations sold by Nostrana nostrana.com/romabook

Join us for the Portland launch of Any Time But This Time (Mad Creek Books), the debut story collection from LA filmmaker and author Adam Peterson, in conversation with Portland poet, novelist, and painter Zachary Schomburg.

The human condition is dire. We knew that. But it's also always been that way–we've always craved to be sometime else, from the first human woman (Denise, stuck with neanderthals) to the final man (Keith, losing all his language but the name of his girl–that, he'll save). In between, Peterson introduces himself as a shapeshifter, voicing a semi-delinquent and moderately depressed teenage Jesus in "Jesus Does a Hero;" a convincingly polyamorous prairie romance; 1983's fiber optic saleswoman to the local government of Shanghai, Barbara Roach; and a hormonal crop of teenagers sent to fight "the Schmoopys" once their orbit arrives and their hair has gone gray.

As they'll tell you, the findings are fairly straightforward. In all of human history, we have only been one thing: lonely. Well, two things. We've been horny, too.

Unrelenting, bold, and cynical in the way that only a child of Nebraska-gone-Hollywood could write, Any Time But This Time gifts us 300,000 years of humans destined to be alone, willing to give it all up for connection.

"As history tends to shave off the weird bumps and ridges of our past, it's exhilarating and unsteadying to read a collection that ambitiously seeks to provide a kind of bizarro reimagining of our world. Any Time But This Time is odd and hilarious and yet so tenderly human, so unafraid of cataloging all the strange desires and cruelties and moments of true connection that have somehow gotten us to this moment in time, and then it rockets beyond that to imagine an even stranger future. This is wildness of the highest order, unforgettable and highly original."
—Kevin Wilson, author of Now Is Not The Time To Panic

"The stories in Adam Peterson's Any Time But This Time are funny, but, like, really, really funny, but like, the kind of funny that make you laugh and laugh and then make you question your own soul, or whether you even have a soul, because Adam Peterson has slyly tricked you into laughing at some of the worst possible things, the most terrible of people, the most dire of situations. He has made you laugh the kind of laughter that keeps you honest, makes you see the world as it really is. This is a fabulous, unrelenting collection of stories, full of gorgeous, punchy, compulsively readable prose. Do yourself a favor: pick it up, take it home, and start reading."
—Manuel Gonzales, author of The Miniature Wife and other stories

"Deeply entertaining, the stories in this collection crackle with the spark of imagination, invention, and compassion. Peterson writes with a satisfying blend of humor and pathos, fearless in both wit and empathy. For lovers of George Saunders and Haruki Murakami, with a dash of Aimee Bender, this collection also feels somehow entirely fresh."
—Aja Gabel, author of Lightbreakers

"Each story in this collection is a window into unseen moments of history, and deftly conveys the "incomprehensible beauty, all too comprehensible horror" of the human experience. Peterson's voice carries an almost prophetic weight, masterfully balancing the lyrical, existential, heartbreaking, and humorous with a skill and style akin to writers like George Saunders and Nana Kwame Adjei-Brenyah. From the first cave woman to identify as human, to the unraveling of language as our species dies off, I was enraptured by this book, and felt genuinely changed after reading it. Uniquely funny, profoundly moving, and innovatively written, Any Time But This Time is a rare and exciting feat of literature."
—Erin Slaughter, author of A Manual for How to Love Us and The Dead Dad Diaries

Adam Peterson is a writer and filmmaker living in Los Angeles. He's the author of the prose poetry collections My Untimely Death, The Flasher, and [SPOILER ALERT] (with Laura Eve Engel). His short fiction has appeared in Epoch, The Kenyon Review, The Southern Review, and a mess of other places. His films have played at HollyShorts, Fantasia Fest, and Just for Laughs, among many other festivals.

Zachary Schomburg has written books of poems like Wool Moon (Black Ocean, 2026)and a novel, Mammother (Featherproof, 2017). And he's a painter too. In fact, he once painted a painting owned by Adam Peterson. He lives in Portland with B and Y.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.