Newmark Theatre

As the trailblazers of progressive Irish dance, Trinity Irish Dance Company has spent 35 years redefining the art form through the vision of Founding Artistic Director Mark Howard. This family-friendly program, featuring live music from the company’s own folk-rock band, draws from new and classic Trinity repertoire. Highlights will include the Portland/Northwest premieres of “Pasture Bedtime, Bleating Hearts,” a whimsical work by Portland’s own Ashley Roland and Jamey Hampton of BodyVox; “Séseacht,” choreographed by renowned tap dancer Michelle Dorrance in collaboration with the company; and “The Sash,” choreographed by Mark Howard, Chelsea Hoy, and Stephanie Martinez. Trinity has sold out stages across Europe, Asia, and North America—a tradition kept restlessly alive through their distinct artistry.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Two composers, separated by 120 years and thousands of miles, use their genius to bring folk songs and dances of their people to the concert stage.

MYS Symphony Orchestra, conducted by Raúl Gómez-Rojas, presents:

• L'Arlésienne Suite No. 1 & Suite No. 2, op.45 by Georges Bizet
• Danzón No. 2 by Arturo Márquez
• The world premiere of a collaborative project by student composers from The Authentic Voice commissioning series, setting classic silent films to brand new music.
• This concert will also showcase one of the winners of MYS’ annual Concerto Competition.

MYS Sinfonietta Orchestra, conducted by Marian Gutiérrez-Curiel, opens the concert.

<p>Both celebrated and debated since its 1935 premiere, Porgy and Bess remains one of the most influential and complex works in the American operatic canon. Featuring a groundbreaking score that blends jazz, blues, gospel, folk music, and spiritual traditions, the opera creates a vivid portrait of life within the tight-knit Catfish Row, as imagined in DuBose Hayward’s 1925 novel Porgy, and based on residents of the Gullah community of South Carolina. Through unforgettable songs arranged by Russell Garcia (known for the seminal 1959 Ella Fitzgerald/Louis Armstrong rendition) the work explores love, resilience, addiction, faith, and the struggle for dignity amid hardship. </p>

<p>Both celebrated and debated since its 1935 premiere, Porgy and Bess remains one of the most influential and complex works in the American operatic canon. Featuring a groundbreaking score that blends jazz, blues, gospel, folk music, and spiritual traditions, the opera creates a vivid portrait of life within the tight-knit Catfish Row, as imagined in DuBose Hayward’s 1925 novel Porgy, and based on residents of the Gullah community of South Carolina. Through unforgettable songs arranged by Russell Garcia (known for the seminal 1959 Ella Fitzgerald/Louis Armstrong rendition) the work explores love, resilience, addiction, faith, and the struggle for dignity amid hardship. </p>

<p>Both celebrated and debated since its 1935 premiere, Porgy and Bess remains one of the most influential and complex works in the American operatic canon. Featuring a groundbreaking score that blends jazz, blues, gospel, folk music, and spiritual traditions, the opera creates a vivid portrait of life within the tight-knit Catfish Row, as imagined in DuBose Hayward’s 1925 novel Porgy, and based on residents of the Gullah community of South Carolina. Through unforgettable songs arranged by Russell Garcia (known for the seminal 1959 Ella Fitzgerald/Louis Armstrong rendition) the work explores love, resilience, addiction, faith, and the struggle for dignity amid hardship. </p>

<p>Both celebrated and debated since its 1935 premiere, Porgy and Bess remains one of the most influential and complex works in the American operatic canon. Featuring a groundbreaking score that blends jazz, blues, gospel, folk music, and spiritual traditions, the opera creates a vivid portrait of life within the tight-knit Catfish Row, as imagined in DuBose Hayward’s 1925 novel Porgy, and based on residents of the Gullah community of South Carolina. Through unforgettable songs arranged by Russell Garcia (known for the seminal 1959 Ella Fitzgerald/Louis Armstrong rendition) the work explores love, resilience, addiction, faith, and the struggle for dignity amid hardship. </p>