Arts & Media❯Film

Search and Destroy (S.A.D. for short) is a multimedia variety show happening on the last friday of every month featuring artists and local leaders sharing their craft and talking about what matters most to them. Through storytelling, live conversations, audience interaction, and heavy doses of honesty and humor, S.A.D. seeks to give hope and to be an entertaining and informative space for all to have fun, let loose, and be reminded that we as a people have the agency and ability to initiate change by working together as one.

S.A.D. was partly inspired by late-night television talk shows and variety hours and follows a similar format: an eye-catching opening number, a charming Emcee willing to play the fool, and a shared evening of dance, music, film, comedy, and conversations/interviews, all loosely tied to a theme of the night. The show ends with a dance party where the audience is invited to join the party on stage.
One of the main goals of each S.A.D. show is to dissolve the separation between artist and audience by directly engaging, conversing, and interacting with the audience, inviting them to participate in their seats as well as on the stage.
 Every show features dance movement, improvisation, visual imagery and soundscapes, conversations and spoken word, and various bits that play with the blurring of boundaries between the scripted and unscripted, all through an honest and humorous lens and the intention to entertain, educate, and inspire. Each episode of S.A.D. showcases different artists and acts than the previous one, guaranteeing that every iteration is unique and can only be experienced once.
S.A.D. is a show for everybody and every body, regardless of their identity, background, age, and anything else used to describe oneself.

*Revenue generated from each show is split evenly amongst the contributing artists

Some evenings stay with you forever. This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night. More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets, including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dances such as the thrilling Hopak, set to music by legendary composers such as Tchaikovsky. Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection. Guests are warmly encouraged to attend in evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by a masterful Philip Glass score that features native, classical, and electronic instruments. Enjoyed alone or as the second in the Qatsi series, you won’t want to miss this thought-provoking performance with the Oregon Symphony and The Philip Glass Ensemble, led by conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

Featuring special guest Gary Hershberger (Mike Nelson) in person!

Joins us for the complete Twin Peaks series on the big screen for the first time in history! We continue our year-long celebration of the greatest TV show of all time The Missing Pieces. Rarely shown in theaters, this feature film presents deleted scenes from Twin Peaks: Fire Walk with Me assembled together as an untold portion of the story’s prequel. Following a Q&A, we’ll then begin The Return with episodes “My Log Has a Message for You” and “The Stars Turn and a Time Presents Itself.”

Gary Hershberger will be signing autographs and taking photos with fans for an additional fee at the event.

Vienna, 1815. Napoleon, vanquished for the moment, awaits his fate on the island of Elba while Europe’s Old Guard meets in Vienna to carve up the continent for themselves. But there are other intrigues abounding,those of the heart. When a glove saleswoman (Lilian Harvey) finds herself enraptured by the Russian Czar Alexander (Willi Fritsch), the fate of nations may be forever changed. A cherished masterwork of elegant humor and sexual intrigue, and the pinnacle of the star pairing of Fritsch and Harvey, THE CONGRESS DANCES is a treasure of Weimar operetta and comedy!

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Derek Hough Dance for the Holidays is a joyous celebration of the most festive time of the year! With jingle bells and sleigh bells, holiday carols and cheer, Hough’s latest dance spectacular is a show stopping event for the whole family. Fans will be thrilled and delighted as Hough and his cast of phenomenal dancers bring your favorite holiday tunes to life through dance, from the well sung classics to modern pop hits with all of the incredible choreography, exciting stage production and dance mastery that audiences have come to expect. Creative team and EMMY® winners, Napoleon and Tabitha Dumo, also known as NappyTabs (Jennifer Lopez’s ‘All I Have’, Michael Jackson: The Immortal World Tour, GRAMMYs®), co-create, direct and supervise choreography for the tour.

Emmy Award-winning and New York Times Best-Selling author Derek Hough started dancing in his hometown of Salt Lake City, UT, at age 11. Just one year later, he moved to London to live and train with the top dance coaches in the world and attend the prestigious Italia Conti performing arts school where he studied theatre, music, and dance. He is a four-time Emmy Award winner and 13-time nominee, his four Emmys tie him for most in Television Academy history.

Hough is the current host of the long-running television program Extra. He has also appeared in film, television, and stage projects as an actor. He made his feature film debut for director Duane Adler and producer Robert Cort in the feature film Make Your Move and had a recurring role on the ABC series Nashville and in High School Musical The Musical for Disney+. His stage performances include Radio City Music Hall’s Spring Spectacular costarring alongside the Tony Award-winning Laura Benanti and the critically acclaimed production of Footloose in which he starred as the male lead in London's West End. In December 2016, Hough starred with Jennifer Hudson, Ariana Grande, Martin Short and Harvey Fierstein in NBC’s Hairspray Live!

As a cast member of the ABC series Dancing with the Stars, Hough is part of the judging panel alongside Carrie Ann Inaba and Bruno. A multi-talented entertainer and the only six-time champion in franchise history, Hough had previously performed on the show as a pro-dancer. His mirror ball wins came with celebrity partners that included Brooke Burke, Jennie Garth, Ricki Lake, Nicole Scherzinger, Jennifer Grey, Kellie Pickler, Amber Riley, Amy Purdy and Bindi Irwin.

In May of 2017, Hough joined Jennifer Lopez and Ne-Yo at the judges table for the NBC series World of Dance. The show, which he was part of for 4 seasons, launched as the highest rated summer show in over ten years and was unparalleled dance competition that featured solo artists competing against duos and crews in all genres of dance, including hip hop, tap, ballet, break dancing, ballroom, and more competing for a million-dollar prize.

Hough can also add best-selling author to his list of credits. His memoir Taking the Lead; Lessons from a Life in Motion hit stands in August 2014 and rapidly was named to the prestigious New York Times Best-Seller list during two non-consecutive time periods, a rare feat.

In 2021 and 2022, Hough headlined his residency Derek Hough: No Limit in the entertainment capital of the world, Las Vegas, Nevada. The critically acclaimed dance-centric show at the Venetian Resort takes Fans on a journey through a true fusion of dance and music, as Hough explores styles ranging from ballroom and tap to salsa, hip-hop and everything in between.

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Parallel Worlds Bookshop and the Hollywood Theatre present a special author conversation with Jane Schoenbrun and SenLinYu, celebrating the release of Jane’s debut novel, Public Access Afterworld, followed by a screening of Schoenbrun’s acclaimed film I Saw the TV Glow.

When: November 5, 2026 at 7:30 PM
Where: Hollywood Theatre 4122 NE Sandy Blvd, Portland, OR 97212
Tickets: $18 sold via Hollywood Theatre
Ticket price does not include a copy of the book. Preorder Here!

A mysterious realm waits on the other side of our screens. A dark force draws victims into its static. An unlikely hero must save them, and herself, from an electric hell.

Spanning decades and realities, Public Access Afterworld follows an unforgettable ensemble of outcasts and obsessive television viewers whose lives become entangled with a surreal pirate network. At the center is Bethany Peters, a trans content moderator working the night shift at a sprawling tech corporation. When a young streamer begins appearing in her feed and calling out to Public Access Afterworld, Bethany is pulled into a conspiracy stretching across screens, timelines, and realities.

A mesmerizing collision of speculative fiction, horror, conspiracy, and queer transformation, Public Access Afterworld marks the literary debut of the celebrated filmmaker behind I Saw the TV Glow and We’re All Going to the World’s Fair.

Jane Schoenbrun is an award-winning filmmaker and writer. Their films include I Saw the TV Glow and We’re All Going to the World’s Fair. Their newest film, Teenage Sex and Death at Camp Miasma, starring Gillian Anderson and Hannah Einbinder, releases in 2026. Public Access Afterworld is their first novel.

Tickets for the screening and conversation are sold through the Hollywood Theatre. Copies of Public Access Afterworld will be available for purchase onsite from Parallel Worlds Bookshop.

Jane Schoenbrun and SenLinYu will not be signing books. Pre-ordered books or books purchased at event will be pre-signed.

Still photography is permitted. Audio and video recording are not permitted unless approved in advance.

1. Public Access Afterworld by Jane Schoenbrun - Signed Edition
   (Pub Date: October 27, 2026)
   A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma.

2. Alchemised by Senlinyu Signed Edition (Out Now)

3. Alchemised by Senlinyu 3 Volume Deluxe Boxset(Pub Date: October 13)
   In this riveting dark fantasy debut, a woman with missing memories fights to survive a war-torn world of necromancy and alchemy—and the man tasked with unearthing the deepest secrets of her past.

Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest - the most difficult and dangerous climb on the mountain and the most coveted ski line on earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route — and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge.

“Everest: The Other Side” is directed and produced by Elizabeth Chai Vasarhelyi and Jimmy Chin, and produced by Shannon Dill, Anna Barnes, Bob Eisenhardt, Janet Yang. The executive producers are Carolyn Bernstein, Tim Horsburgh, Nina Fialkow, David Fialkow, Andrew Reiner, Elizabeth Reiner, Moudhy Al-Rashid, Sam Frohman, Kenneth A. Howery, Jason Bowden, Will Griffith, Bettina Kadoorie. The film is edited by Bob Eisenhardt, ACE, and Simona Ferrari. The directors of photography are Clair Popkin, Jimmy Chin, Christopher Murphy.

In this lecture demonstration, members of Hung Dance will provide an introduction to Taiwanese dance company Hung Dance’s movement language, including how their acclaimed work Birdy blends traditional Chinese exercises and materials with contemporary dance. The company will also delve into the inspiration and concepts behind Birdy, followed by a short excerpt of the work. Guests will have the opportunity to have their questions about the dance answered by members of the company. This lecture demonstration will be delivered primarily in Mandarin, with live translation between Mandarin and English.

Wildwood is a handcrafted epic fantasy that transports audiences into a secret, dangerously alive world. A girl’s desperate quest to save her baby brother unfolds into a spectacular, high-stakes adventure through a forbidden forest full of enchanted creatures, endearing allies, and formidable adversaries — where an entire hidden realm hangs in the balance. In an era of automation, LAIKA delivers its most ambitious and globally accessible film yet — a bold fusion of human-crafted artistry and cinematic storytelling from the makers of Coraline.

Duration: 2h 19m | Rating: PG-13 | CC and AD Available | Accessible Entrance Available

$9 Adults, $8 Seniors, $7 Youth | OMSI Members receive 50% admission for this screening
Member Empirical vouchers are not applicable.

DATES:

Saturday, October 24 at 12pm, 2:45pm

Sunday, October 25 at 1pm, 3:45pm, 6:30pm

Tuesday, October 27 at 4pm, 6:45pm

Wednesday, October 28 at 3:30pm

Thursday, October 29 at 4pm, 6:45pm

Friday, October 30 at 5pm, 7:45pm

Saturday, October 31 at 2pm, 4:45pm, 7:30pm

Sunday, November 1 at 1pm, 3:45pm, 6:30pm

Tuesday, November 3 at 4pm, 6:45pm

Wednesday, November 4 at 4pm, 6:45pm

Thursday, November 5 at 4pm, 6:45pm

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

As the trailblazers of progressive Irish dance, Trinity Irish Dance Company has spent 35 years redefining the art form through the vision of Founding Artistic Director Mark Howard. This family-friendly program, featuring live music from the company’s own folk-rock band, draws from new and classic Trinity repertoire. Highlights will include the Portland/Northwest premieres of “Pasture Bedtime, Bleating Hearts,” a whimsical work by Portland’s own Ashley Roland and Jamey Hampton of BodyVox; “Séseacht,” choreographed by renowned tap dancer Michelle Dorrance in collaboration with the company; and “The Sash,” choreographed by Mark Howard, Chelsea Hoy, and Stephanie Martinez. Trinity has sold out stages across Europe, Asia, and North America—a tradition kept restlessly alive through their distinct artistry.

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns to build an altar, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Age Recommendation: All Ages
Estimated Running Time: 1 hour 30 minutes, including one intermission

Ticket Availability:

• Season Packages: Tickets may be secured now when you purchase a Milagro Season Package, offering savings of 12.5% – 20%, depending on the package specified.
  To see package options, please CLICK HERE.
• Group Sales: Groups of 10+ may book now to order.
  Please CLICK HERE to send us an email with your desired performance date/time, the number of tickets you are seeking.
  Your order will not be processed until after we have confirmed with you. Someone will respond to your email within approximately 72 hours.
• Single Tickets: On sale beginning Friday, August 21, 2026

Single Tickets:
Adults – $32
Seniors 50+ – $28
Students – $24

SHOW TIMES:

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

The Portland Ballet celebrates 25 years with a holiday double bill. Paquita brings the color and energy of 19th-century Spain to the stage, its classical solos and group dances building to a lively finale. And Benjamin Britten’s The Young Person’s Guide to the Orchestra comes to life through vibrant movement, introducing each section of the orchestra before it all comes together.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.

Based on the novel by Maurice Renard, this is the tale of Orlac (Conrad Veidt), a famous concert pianist, who is severely injured in a train wreck that fractures his skull and mutilates his hands. The supervising surgeon, however, decides to amputate Orlac’s ruined hands and replace them with the hands of a recently executed prisoner who was serving time for murder. Once the pianist recovers and realizes that his hands are those of a killer, he becomes too distraught to resume his career and begins to question his sanity. Who is that strange man who is shadowing him? Why do his hands seem to have a life of their own? Limited number of discount passes to see all the films in the Weimar Germany: Queer Visions series while supplies last. Director: Robert Wiene Year: 1924 Country: Germany, Austria Runtime: 92 minutes

The 4th Annual MOST Pageant

Saturday, November 7th

Doors 6pm, Show 7pm

Tickets $20 in advance, $25 at the door

The MOST Pageant returns in thanks to our sponsors The Property Weirdos, Outrage Onstage, Demand Drag, Greg Lemix, and more!

9 extraordinary drag and burlesque entertainers will push their artistry to the limits, as they compete for fame and fortune ($500 and bookings and 2 drink tickets!) The contestant who brings the most extreme, bold, extravagant, avant-garde, out of this world, over the top, never before seen, mind blowing package will win the title of The MOST! This year’s contestants were chosen for their exemplification and commitment to mostness in their approaches to fashion, performance and living art. An esteemed panel of judges will be evaluating each contestant on their creativity and presentation to determine who will take the crown. Come ready to cheer and tip your favorite performers!

Who will be The MOST?

Anna Karenema

Baby LeStrange

Boujee Cherry

Harlow Quinzel

HOTTBOXX9000

Max Little

Seven

The Artist Formerly Known As Given

Tomboy

This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Diwali, “the festival of lights,” is a holiday celebrated all across India. In collaboration with the Indian-American community, NWCT is excited to bring the festivities back to The Judy. Create a beautiful rangoli, make a lantern, learn a diya (lamp) dance, and enjoy savory and sweet Indian treats.

Free to attend with a suggested donation of $10 per family.

RSVPs are strongly encouraged.
All ages welcome.

Saturday, November 28 at 11am

Sunday, November 29 at 11am

Sunday, November 29 at 2:30pm (Sensory Friendly Performance)

Saturday, December 5 at 11am & 2:30pm

Sunday, December 6 at 11:00am

Saturday, December 12 at 11am & 2:30pm

Sunday, December 13 at 11am & 2:30pm

Saturday, December 19 at 11am & 2:30pm

Sunday, December 20 at 11am & 2:30pm

Tuesday, December 22 at 11am

Wednesday, December 23 at 11am

Saturday, December 26 at 11am & 2:30pm

Sunday, December 27 at 11am & 2:30pm

Tuesday, December 29 at 11am

Wednesday, December 30 at 11am

Saturday, January 2 at 11am & 2:30pm

Sunday, January 3 at 11am & 2:30pm

Join a screening of Union County, starring Will Poulter and Noah Centineo alongside a cast of non-actors from central Ohio. Set in the shadow of the opioid epidemic, this hopeful drama follows two brothers navigating court-mandated recovery and the community that helps them imagine a different future.

Ohio-born filmmaker Adam Meeks drew inspiration from the real-life recovery community he encountered in his hometown, full of people healing and rebuilding their lives. Some of them were cast in the film, and the result is an intimate, compassionate portrait of people rebuilding their lives and finding solidarity and hope in the aftermath of a devastating drug crisis.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

It’s simple. They play bingo to the most awesome movie cliches ever committed to celluloid, like “long boring scene or male ponytail," "teamed up with rookie or animal," and "white suit or tropical ending.” For maybe the first time in a theater, see the relatives and employees of A-list actors you know and love, like Sylvester Stallone, whose brother bears a remarkable resemblance to him. Compete for prizes. Yell at your fellow movie nerds over the elusive and mysterious “blank square!” Relax: it’s B-Movie Bingo.

Every first Tuesday of the month at 7:30 pm, Hollywood Theater plays B-Movie Bingo, a game that is exactly like it sounds. Or more.

Centerpiece event of Milagro’s 31st Annual Día de los Muertos Celebration.

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by their ancestors, a younger generation rediscovers the heart of Día de Muertos, the meaning behind each of its elements, from candles and marigolds to ofrendas and cherished recuerdos. Through song, dance, and short theatrical vignettes, an altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

An Ensemble-Devised Piece
Directed by Juliana Morales Carreño

Age recommendation: All ages
Running time: About 1 hour 30 minutes, including one intermission
Tickets: Adults $32, seniors (50+) $28, and students $24; groups of 10 or more $18 each

A documentary detailing the storied history of drug-addled teen punks-turned-icons.

Featuring interviews with Fat Mike, Eric Melvin, Aaron ‘El Hefe’ Abeyta, and Erik Sandin.

Doors open at 6:30 PM. Film at 7:00 PM.

• Director: James Buddy Day
• Year: 2026
• Country: United States
• Runtime: 120 minutes

Ornette: Made In America (1985) Directed by Shirley Clarke. 1hr 17min. Not Rated.

Guest programmed by Rob Lewis, PAM CUT @ The Whitsell presents Ornette: Made In America (1985). This freewheeling documentary is a portrait of Ornette Coleman’s life, legacy, and evolution over three decades. Featuring William S. Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez, and John Rockwell, the film features a free-jazz approach and style, using video collage and experimental segments to tell Coleman’s story.

“I’ve always been interested in films about artists. I think because they end up being a conversation not just between filmmaker and subject in a traditional way but also between two uniquely creative people. This film is a really interesting study of that relationship and connection.” – Rob Lewis

Rob Lewis is an artist and art director living and working in Portland, Oregon with his wife Joy Alise Davis, M.A. who serves as the Executive Director of Portland based, Black advocacy organization, Imagine Black.

Co-presented by KMHD.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

A fisherwoman in a small seaside village gets so tired of her neighbors' teasing that she commissions a husband woven from wicker, and the village is thrown into an uproar. For one week, Pairings Portland is pairing a wine flight to Wicker, the Sundance favorite starring Olivia Colman, Alexander Skarsgård, Peter Dinklage and Elizabeth Debicki. Each wine is matched to a piece of the story: the fisherwoman, her handmade husband and the scandalized neighbors. Pairings is a neighborhood wine shop and bar in Northeast Portland that builds a new themed flight every week. You can taste as few as five wines or as many as the lineup holds, and nine or more gets you 10% off bottles.

A small selection of non-alcoholic wines and sodas is also available. All are welcome, and fun will be had.

Screening of Cronos, Guillermo del Toro's debut feature film, as part of the Portland Latin American Film Festival's 20th anniversary season (September 23 – November 18). $10 tickets.

The World’s MOST Iconic Ballet — With a LIVE Orchestra!

The legendary tale of Swan Lake takes flight in a breathtaking production from World Ballet Company, as fate and magic entwine in a timeless battle between good and evil. Performing with a Live Orchestra, and featuring a cast of 50 international dancers, over 150 radiant hand-sewn costumes, and stunning hand-crafted sets, this spellbinding ballet captures every heart-pounding moment — from the Dance of the Little Swans to the Black Swan’s 32 fouettés, and every pirouette in between.

With Tchaikovsky’s unforgettable score soaring through the air and played LIVE, immerse yourself in this mesmerizing journey where dreams, heartbreak, and hope unfold right before your eyes.

Duration: 2 hours 30 minutes (including 20-minute intermission)
Audience: For ages 5 & over

*About the Company: Based in Los Angeles, and led by Sasha Gorskaya and Gulya Hartwick, World Ballet Company presents the most beloved and iconic ballets of our time in cities nationwide. Driven by the belief that ballet is for everyone, performances appeal to newcomers and seasoned ballet goers alike. The company attracts many international artists and comprises renowned professional dancers representing over ten countries.

To date, World Ballet Company has traveled to more than 300 cities, reaching an audience of more than 500,000 fans.

Make it a group experience! Special pricing is available for groups of 10 or more.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

Live Soundtrack, Cello

The Understudies, Portland’s hottest new musical improv group, is debuting their one-hour fully improvised musical, The Understudies: A Fully Improvised Musical. It’s curtain time, but the musical’s principal cast has all mysteriously fallen ill! Can the Understudies fill in and perform a show they’ve never even heard of, much less practiced? Come enjoy a fully improvised musical comedy filled with drama, epic songs, joy, dance, and a heaping helping of laughs.

21Ten Theatre is a cozy 40-seat black box theater in Southeast Portland, providing an up close and personal experience with some of Portland's most talented performance artists.

The Understudies are Sean Arlo (Dropped Notes, Curious Comedy), Whitney Kemper (Mouth Stuff, Kickstand Comedy, Curious Comedy), Lydia Manning (Slydia, Bike Play, Kickstand Comedy), Heather Riggs (Mouth Stuff, Kickstand Comedy), Megan Monroe (Kickstand Comedy, Curious Comedy), Wren Reynolds (Kickstand Comedy), Brantley Bacon (pianist extraordinaire, No Soap Radio, Los Mal Hablados), and Bloom Davis (Kickstand Comedy).

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Clark College welcomes award-winning journalist Abby Martin of the Empire Files for a screening of her documentary film, “Earth’s Greatest Enemy,” 6-9:30 p.m. Nov. 19 in Foster Hall. This free community event is sponsored by the Clark College ASCC Student Life Philosophy Program. This film reveals a truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter, tracing the link between war, empire and ecological destruction. Drawing on powerful testimonies from veterans, scientists and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming and sacrifice the future for expansion.