Arts & Media❯Galleries

One Last Gathering of the Crows. Join Darcelle XV Plaza for the Wildwood: Follow the Crows Farewell Weekend. After soaring across Portland all season, all 30 spectacular crow sculptures are coming together for one final celebration. This free, family-friendly event is your last chance to see the crows in Portland—and the only opportunity to experience the entire flock in one place.

Meet some of the talented artists behind the crows, collect autographs, take plenty of photos and support OHSU Doernbecher Children’s Hospital through optional donations.

Costumes are highly encouraged. At 2 p.m. on Halloween Day, costumed guests can strut, flap or swoop through the plaza in a festive Costume Parade. Prizes will be awarded in both Adult and Under-18 divisions for:

• People’s Choice
• Best Themed Costume
• Best Crow Costume

Admission is free, and all ages are welcome. Bring your family, gather your flock and help give Portland’s beloved crows a send-off to remember.

In Smith Claudel's third solo exhibition with Carnation Contemporary, the yard is both a symbol and a physical source material, juxtaposing the enclosure of nature and its display with the control of the body. In this exhibition, temporary sculptures of raw clay, harvested from the artist’s yard, will soon return to the earth. A series of botanical drawings was made with the artist's menstrual blood. And a site-specific installation displays a collection of yard work specimens: a small patch of grass unnaturally maintained, nail enamel coating unfired pinch pots, and plant clippings caught in resin.

Yard Work examines the absurdity and care of maintaining one's landscape, and the tension between being kept and being desired.

Kim Smith Claudel is an artist and visual designer based in Portland, Oregon. Working across painting, sculpture, and installation, Smith Claudel creates work that exists in deliberate flux. Her process-driven approach embraces the ephemeral, the decaying, and the mundane, building visual systems that resist completion. Her work has been exhibited nationally and internationally, including a recent solo exhibition (End Cycle) at The Vestibule in Seattle. Other recent solo exhibitions include The Arts Center (Corvallis, OR), The Painting Center (NYC), Mt. Hood Community College (OR), and KyotoBA (Japan). Recent residencies include Building 5 in Portland and the Boston Center for the Arts. She holds an MFA from the School of Visual Arts. She received an MS in Media Arts and Sciences from the MIT Media Lab, where she was a Learning Innovation Fellow. She is a member of Carnation Contemporary Gallery and the WAVE artist collective.

Opening Saturday, October 03, 5–8 p.m.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

Church of Art's collaborative neurographics is a mindfulness-based creative activity that provides therapeutic relaxation through intuitive mark-making on a grand scale. For this mindfulness-based collaborative art activity, Church of Art will cover a long row of tables with a roll of paper and acrylic paint pens in a variety of sizes and colors. Participants will move freely around the table, filling the paper with sweeping, colorful doodles to the sounds of calming music. The giant scale allows for whole-arm movements, which signal brains to move out of fight-or-flight mode and into a state of mental relaxation and improved focus. The collaborative aspect of this workshop teaches one to let go of perfection and expectation through shared creative exploration, while working large encourages greater freedom of expression.

Neurographic art is a relatively new form of focused, intentional mark-making that uses curved, bold lines, vibrant colors and calming patterns. Physician and neurographics practitioner Ruben Halperin, M.D., will be the guide, co-facilitating this workshop with artist and Church of Art founder, Erika Halperin.

Immerse yourself in this beneficial form of meditative doodling and experience the mood-boosting effect of creativity coupled with community gathering.

Using paper and acrylic markers. All materials and supplies are provided by the studio.

Tickets Include:

• 2 hours of guided creative exploration in a supportive, friendly environment with all supplies included.
• Light snacks and non-alcoholic beverages are included.
• That wonderful feeling of joy and connectedness that comes from a few hours of in-person artistic play with other adults.

Doomsday is an MF Doom-themed group art exhibition celebrating the life, legacy, music, and unmistakable visual identity of one of hip-hop’s most influential and mysterious artists. Presented in partnership with Unspoken and More Than February Art Gallery, the exhibition brings together a diverse group of artists working across painting, illustration, sculpture, design, fashion, and mixed media to reinterpret the world of MF Doom through their own creative lens.

Timed around the anniversary of Doom's passing, Doomsday is both a tribute and a celebration—honoring an artist whose impact extended far beyond music. From the iconic metal mask and comic-book-inspired mythology to his intricate lyricism, production, and independent spirit, MF Doom created a universe that continues to inspire artists, musicians, designers, and fans around the world.

The exhibition will feature original artwork and special installations inspired by Doom, including sculpture, collectible objects, apparel, prints, collaborative pieces, and one-of-a-kind interpretations of the mask and character. Guests will also be able to experience interactive elements including an MF Doom-inspired photo booth, music, merchandise, raffles, and special collaborations created specifically for the exhibition. At its core, Doomsday is about bringing together art, hip-hop, community, and independent creativity while giving artists a space to celebrate a cultural figure whose influence remains deeply present.

Opening Reception: Thursday 6 p.m.–9 p.m.

Two artists. Two Galleries. One Block. Join The Tracy Piper + Philip A. Robinson Jr. for a First Thursday art walk in Portland. Join contemporary artists The Tracy Piper and Philip A. Robinson Jr. for First Thursday in downtown Portland, connecting two neighboring gallery spaces just one block apart. Start at either gallery, explore the work, meet the artists, then make the short walk to the second space.

Feral — an Evolving Exhibition: Feral isn’t a traditional exhibition. It’s a living, evolving body of work unfolding over 13 months. Through paintings, sculpture, objects, and installations, contemporary artist The Tracy Piper explores desire, autonomy, forbidden knowledge, and the radical act of choosing oneself. The gallery changes as the work grows. New pieces appear, ideas evolve, and visitors are invited to witness the creative process as it happens. Every First Thursday is another opportunity to step inside Feral.

Come explore the work, meet the artist, and see what’s changed since your last visit. Whether it’s your first time or your fifth, there’s always something new to discover.

Featuring music by resident DJ Joe Strange, bringing the soundtrack to an evening of art, connection, and a little rebellion. Come curious. Leave a little more Feral.

Explore the work: www.thetracypiper.com

Philip A. Robinson Jr. — Hollis: Explore the sculptural work of Philip A. Robinson Jr., an award-winning multimedia artist whose striking wood portraiture explores identity, culture, and the human experience. Using wood as both material and metaphor for temporality and natural cycles, Robinson creates dimensional works rooted in both popular and marginalized cultures. His work has been exhibited nationally and internationally, including Portland International Airport, the Morris Museum, High Line Nine, and during Miami Art Week.

See all his work: www.philiparobinsonjr.com

Free and open to the public. RSVP encouraged, but walk-ins are absolutely welcome.

Join us the night before the full Portland Book Festival begins as authors Michelle St. Romain, Tara Badstubner, and Liz Collins discuss their recently released novels and the remarkable animals who play starring roles in their work. The evening will include interesting discussion, Q&A, and music by Free the Internet, a Portland area band. Animal-themed trivia will be sprinkled throughout the evening, with great prizes available, including copies of the books and other swag.

Join the Farewell Weekend at Darcelle XV Plaza. See the entire flock gathered together for the first—and final—time before the sculptures head to auction in support of OHSU Doernbecher Children’s Hospital.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

The pace and compression of time are relentless, like getting whiplash while watching the sun rise. In Borne’s recent work, he uses sound, color, texture and motion to reflect on the experience of time. While some works attempt to freeze time by using gesture and color to elicit a bodily response, others playfully attempt to capture the doldrums of minutes passing us by, inviting meditation on seizing the mercurial moment.

From flower to pollen to fruit to seed, fitting perfectly into the migration of birds and the life cycles of insects or the feelings of being embodied by the physical sensations of having to pee, hunger or breathe, Laughery’s work is an exploration of the anatomical systems that sustain us within their cycles. His drawings use the aesthetics of our organs' unique folds, puckers and sacs to imagine new biologies, different systems.

Russell Borne received his BFA from Oregon State University in 2007 and his MFA from Cranbrook Academy of Art in 2014. Russell’s artwork creates a dialogue invented through the interaction of objects to tell a story. He explores micro- and macro-cultural identity to pause and flip preconceptions of what you are looking at. Borne has spent the majority of his career in design and art direction for various international companies. Most recently, Borne leads North America Brand Design for Adidas. Borne lives and works in Portland, Oregon.

Drew Laughery is an artist and musician working across many media, though he tends to return again and again to drawing as a generative space to explore ideas. He was born and raised in rural Oregon. He loves paper and working with its unique qualities. He is a founding member of the rock band Blitzen Trapper and has toured the world performing on keyboards. He left in 2011 to pursue his visual art career, earning RACC grants and exhibiting around the Portland area. He is excited to debut at Carnation Contemporary for the first time as a new member.

Celebrating 20 years of cinema, culture, and community—a very special milestone celebrating two decades of building bridges between Latin America and Portland through film.

Over these 20 years, the stories have made audiences laugh, reflect, and feel deeply, while offering new perspectives on identity, collective memory, and cultural diversity. What began as a dream has grown into a vibrant community of filmmakers, artists, volunteers, sponsors, and audience members who believe in the power of cinema to bring the community closer together.

This year features the generous collaboration of musician and composer José Manuel Aguilera, who has authorized the use of his song "Confabulario"—from the album *Tinta negra y roja*—as the official theme for this anniversary edition. The official poster for the twentieth edition was designed by Gilberto Martínez and inspired by the work of renowned graphic artist Joel Rendón. Its visual power and rich symbolism reflect the creative spirit and cultural diversity that have defined the festival over the past two decades.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Adornment is often reserved for the aristocracy. The common person is expected to wear plain colors and utilitarian shapes meant for labor; clothes that blend in. In Loose Threads and Raw Edges, the GMS Collective explores adornment as a form of identity. The exhibition celebrates our artists’ love of color, texture, and responsiveness to material. These creations are meant to be seen and felt. They are the antithesis of the erasure that many artists experience in this capitalist society.

First and foremost, the GMS artists create for themselves. In a world obsessed with production, efficiency, and exploitation, it is a solace to experience art made to fulfill individual creative impulses rather than be commodified. This exhibition asks, “How can I make the most creative impact with the least amount of environmental impact?” In the hands of the GMS artists, simple threads, notions, and trims are alchemized through countless hours of experimentation. Gold spun from rubbish. Discarded textiles are treated like jewels, meticulously assembled into garments and tapestries fit for royalty — creating a kingdom of one’s own.

Funded in part by the Regional Arts & Culture Council and the Arts Access Fund.

Show Opening: Thursday, September 3, 2026, 5:30–7:30 p.m.
Gather:Make:Shelter Group Exhibition

(21+) Games @ 6pm & 7pm

Grab your friends! Every Wednesday in The Tack Room we've got free Pub Trivia Night from Sporcle Events!

• Games start at 6pm & 7pm
• Each game has $75 dollars worth of Langer's gift cards up for grabs!
• Bring your friends
• +21 only in The Tack Room

Join Portland Japanese Garden and experience the awe-inspiring artistry of NUNO, the iconic Japanese textile design studio. Featuring vibrant and compelling fabrics produced across eight specific regions of Japan, NUNO’s championing of small-community makers illuminates the breadth and depth of contemporary Japanese textile design. This unforgettable exhibition includes site-specific installations and a hands-on touch wall that will make you rethink your relationship to cloth.

Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation, is a bold and expansive exploration of nearly four decades of Kapoor’s printmaking practice and marks the artist’s first retrospective survey dedicated to this collaborative and technical practice. This exhibition presents an immense catalog of the artist’s printmaking–over 150 prints spanning from his earliest experiments to his most recent work.

Visit the exhibition, meet the curator, and enjoy light refreshments on the evening of October 22, 5 p.m.

Nuwave Runway is a celebration of the Pacific Northwest fashion community and the many designers, models, creatives, businesses, nonprofits, and organizations that make it unique. This year’s theme is “Awareness,” focusing on increasing visibility of the fashion industry in the PNW and highlighting communities and talent that deserve more recognition.

The evening will begin with a pre-show dinner social at 6:00 p.m., followed by the fashion show at 7:00 p.m., featuring over nine designers from across the Pacific Northwest, showcasing their unique designs and perspectives on the runway.
Throughout the show, designers will have an opportunity to introduce themselves, share the stories and inspiration behind their designs, and talk about who they are. Select sponsors will also have the opportunity to speak about their fashion-related business or nonprofit, helping connect the audience with organizations contributing to the growth of the PNW fashion community. The dress code is to wear anything fun and fashionable in your own way.

Join us Saturday, November 7, 2026, from 3pm to 9pm for a playful Pee-Wee Herman-themed adventure through the Clinton/Division Street neighborhood of Portland, Oregon. You may see Miss Yvonne at Double Barrel, or cross paths with Cowboy Curtis at the Reel ‘m’ Inn. You might share some fries with Pee-wee himself at Dot’s. Don your best Pee-wee Herman-themed costume and join us on this one-of-kind, epic bar crawl. The group will hit about half a dozen bars, all featuring Pee-wee themed drink and food specials. In honor of Paul Reubens, Pee-wee Herman himself, a devoted animal lover, we're donating 75% of proceeds directly to PDX Cat Trapper, a grassroots Portland feral cat rescue and registered 503c charity. If you love the world of Pee-wee Herman and cats, then this is the event for you! Tickets are $20 and available at https://peeweepubcrawl.com/tickets. The secret meet-up location will be sent only to ticket holders. During the pub crawl, there will be multiple costume contests, a Pee-wee trivia competition, a scavenger hunt, a sound-alike contest, dance-offs, and more fun than you can shake a stick at! Stick around for the after-party featuring a special DJ spinning records. Prizes will be awarded for the various contests at this time. The Pee-wee Pub Crawl is the brainchild of Meredith Walter, a devoted Pee-wee fan! She’d long dreamt of doing a pub crawl in tribute to Paul Reubens, so she enlisted Portland's pub crawl expert, former BarFly Bus hostess with the mostess and planner-in-chief, Jen Lane. Together, they enlisted the help of their fellow Pee-wee afficionados, prolific publisher and dynamic graphic artist, Jared Prophet, the noted artist, deejay, and event creator, Matt Stanger, and The Photobooth Chick, herself, Jocelyn Dean. Together, this dynamic team has whipped together a frothy day of pure fandom fun - get your Pee-wee Pub Crawl tickets today!

This immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 50 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

• Tastings from more than 50 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Five featured artists and winery pairings
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Art in the Burbs was purposefully and creatively designed to weave local artists with student artists. During the show, 20% of each artist’s sales will be retained to benefit The Foundation for Tigard Tualatin Schools’ Art in the Burbs Grant program. Grants are awarded to each of the district’s schools to use only in their arts programs – writing, music, fine art, and performing arts. The Foundation is a 501(c)3 organization.

Art in the Burbs provides a financial vehicle to enrich students’ lives through the arts. Click the button below to see how proceeds from last year’s show were used at your local school.

tell ___ ‘hi’ from me showcases the work of 27 self-taught, neurodivergent artists who live and create in Oregon and are members of the Portland-based Progressive Art Studio, North Pole Studio. This diverse collection of contemporary 2D and 3D works reflects honest creative expression and raw innovation. It invites the viewer to deepen their understanding of the Progressive Art Studio movement and artists working within it, both regionally and nationally. tell ___ ‘hi’ from me offers a warm greeting and a long overdue introduction. It speaks to presence, persistence, and belonging: ‘we’ve always been here, won’t you get to know us?’ … ‘it’s time you get to know us’.

Join us during Hillsboro Art Walk to stroll through the gallery and meet the artists. Enjoy hands-on art activities, refreshments, and more!

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

PLUS PLUS Bizarre Bazaar is a brand new market bringing together a curated group of artists, publishers, exhibitors, game designers, community organizations, indie distributors, and creative collectives. It is free and open to the public. Stop by to browse and shop artist editions, books, comics, zines, physical media, prints, apparel, games, and more- then stick around to connect with the people who make it all happen!

• Video.Store.Age (indie film distributor)
• Midslumber Media (horror film shop and also books!)
• Cryptic Trinket Studio (animation / stop motion)
• Spencer Garland (VR Artist)
• Hungry Mantis (VR Artist)
• Fumerie Parfumerie (scent+film)
• Mind Marrow (scent + book + film)
• MENOPUNKS (doc + podcast)
• Estella Tse (VR/AR)
• Women In FIlm (film org /collective for women)
• NW Docs (doc org)
• Open Signal (community media center)
• AE PDX (motion design and animation community org)

• LIMINAL Music (record and music shop inspired by japan + more)
• KOOP radio (community radio hub)
• Tape Op Magazine (music recording magazine)

• Buckman Journal (publisher of artists and illustrators)
• Floating World Comics (comics shop)
• Nathan Mckee (paper cut/ layered images and screen prints)
• Sketchy People (illustrators)
• Kory Bing Illustration (risographs, zines, mostly about animals alive and extinct)
• Studio Mantissa (comics)
• S Mirk Comics (queer/nonbinary zines and comics maker/teacher)

• MADRE Linen (artisen linens/hometextiles)
• Mai Ide (the art of mending, sewing and kintsugi)

• Grilka Press (screen printers)
• Broccoli (art magazine)
• Storyboard Books + Art Supplies (book and art supplies for storytellers)
• Selected Stories (book store)
• Microcosm Publishing (beloved indie publisher)
• Sous les pavés la page (secondhand books and periodicals)

• Pink Tiger Games (founder/creator of former XOXO festival, pink tiger is primarily card games)
• PIGSquad (coming with three tables and an interactive projector)

• Nucleus Portland (contemporary art gallery)
• Mardeluna (art prints, apparel, plushies, giant mascot costumes)
• Lil Planets (360 photography art)
• Lauren Johnson Fine Art (cyanotypes, film+digital+watercolor images)
• Indui (fantasy art)
• Art Headliner (has murals all over NE portland that are rad!)
• Hustle Home Decor (electric colored sun catchers and mirror art)
• Swana Rose Center (Southwest Asia +North African art/culture community org)

• Portland Art Museum
• PAM CUT // Center for an Untold Tomorrow
• Kickstarter
• Portland Films and Events

First Friday – November 6th: “Thankful for YOU (and pie :)) Multicultural Celebration!” We love the fall and we are SO thankful for you! We all come from different places and have different heritages and we want to celebrate that. Our diversity makes us special and interesting! Bring your friends and family downtown for pie tastings, pie raffles, a pie walk dance party, multicultural displays and so much more!

• Ribbon Cutting at 6pm for the new expansion at Evergreen Vinyl! 321 NE 4th Ave.
• Enter Pie Raffles all around town!
• Yummy pie tastings at Fuel donated by Lore Tea + Coffee
• “Pie Walk Dance Party”–try to win a delicious pie! at 7:30pm inside of Journey, 304 NE 4th Ave. The Pie Walk is generously sponsored by Synkwise!
• Complete the “Gratitude Passport” throughout downtown businesses & be entered to win!
• Learn about your neighbors and our diverse backgrounds, cultures and histories!
• Drop off your unwrapped toys at registration at Fuel Medical for the Toys for Tots drive!
• Kids’ autumn art, crafts, games and treats
• S’mores roasting, weather permitting
• Art Shows and Receptions in Attic Gallery, 419 NE Cedar; Gallery 408, 408 NE 4th; RedDoor Gallery, 411 NE Dallas; and Second Story Gallery, 625 NE 4th Ave, upstairs at the Camas Library.
• After hours shopping, dining, live music, more!

Start your evening at the DCA tables in the Fuel Medical lobby, 314 NE Birch St. See you in beautiful Downtown Camas for all the fall fun!

This eye-opening exhibition introduces North American audiences to the diverse and distinct visual iconographies of Indigenous Australia, which is made up of more than 250 distinct Indigenous nations. Explore this rich and living history of creativity through over 200 works made by more than 130 artists. Drawn exclusively from the collection of Melbourne’s National Gallery of Victoria, The Stars We Do Not See offers a rare opportunity to experience some of the most significant examples of modern and contemporary Australian Indigenous art. Charting watershed moments in Indigenous art from the late 19th century to the present, this exhibition reveals a rich history of creativity that predates the arrival of the British.

Join us for 7 rounds of audio, visual and live hosted trivia. Geeks Who Drink rules limit the total number of players on your team to 6, so gather your smartest friends and come down to win sweet prizes!

https://www.geekswhodrink.com

In this Talk, Portland-based mixed media artist Diane Archer will discuss her work, process, inspirations and motivations. Diane Archer was born and spent her early life in Ohio, where she received a BFA from The University of Akron and an MFA from Kent State University. In 1999, a residency at the Sitka Center brought her west. She fell in love with the Pacific Northwest and decided to make Oregon her home. In 2007, Diane was interviewed for Oregon Art Beat and in 2023 her work was included in the Harvard Map Library Collections.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

The Curio | Exhibition & Sale, a collaboration between The Reser and City of Beaverton celebrates the creativity and diversity of regional Northwest artists and craftspeople. Whether looking for a gift or a unique work of art to adorn your home or office, The Curio features dozens of artists in this exhibition and sale. Forging connections between artists and the broader community, The Curio provides the perfect setting to discover creativity during the giving season.

Join us as we celebrate the fourth year of our tradition at our Artist Reception Friday, November 6th from 6 – 9 pm. Spotlighting the creative works of nearly 40 local and regional artists, guests will have an opportunity to browse a collection of unique works of art, functional and decorative wares, and numerous wearable pieces.

IMAGE: Justine Vanderpool

New Room Studios is proud to present this Portland debut show by the Genius Artist Fellow and matter painter Jeff Beers. “Paper & Raincoat” are the two main ingredients of a new series that unfolds like a mythic cycle of life and death. Beers painstakingly made it out of scraps of thin sheets of paper that he’s aged for 30 years, and surplus raincoat material from Columbia Sportswear. (Beers got the latter from the local nonprofit SCRAP Creative Reuse.) After 16 months of meticulous work, these two simple ingredients have found cosmic depths in this series of 8 pieces. The show also includes a series of Beers’ earlier, more earthy and elemental works. These pieces use tars, paints, emulsions and waxes to explore the microcosms and macrocosms of the materials simultaneously.

Rarely able to afford art supplies, Beers learned at an early age how to make his own. He still makes his own paints and emulsions, and his subject matter often includes materials he’s foraged from the built and natural environments. He works with the materials until he learns their languages and how they want to be seen, and much of his art is in the discipline of letting them speak through him.

This show is hosted by The Salmonberry Trail Foundation, which is dedicated to building an 82-mile trail for hiking and biking from Banks to the Oregon Coast. “Jeff Beers: Paper & Raincoat” will take over their spacious and historic office in downtown Portland in November.

Get ready to laugh, get ready to learn, get ready to make some new nerdy friends.

Nerd Nite is a monthly event held in 100+ cities across the globe during which folks give 20-minute fun-yet-informative presentations across all disciplines – while the audience drinks along!

There are often bands, trivia, speed-friending, and other shenanigans as well.

Imagine learning about math feuds, the emu war of Australia, the genealogy of Godzilla, or zombie insects, while having a few drinks.

Gallery 408, 408 N.E. Fourth Ave., Camas, will feature an exhibit of tiny art by noted local miniaturist Lara Blair, host of the podcast Tiny Worlds, Big Stories. Blair creates detailed, story-driven miniature art displayed in shadow boxes and as small-scale scenes. This past spring, Blair appeared on NPR’s Think Out Loud to share her work and perspective on the world of miniatures. She is also the co-creator of the Tiny Gallery at Gallery 408, a miniature gallery featuring tiny art by local artists, which will also be on display with new art. Meet Blair and other artists at the exhibit’s opening reception from 5-8 p.m. Nov. 6.

Gather your friends and join Untapped Trivia at Paydirt Bar every 1st and 3rd Monday for free bar trivia. Voted “Best Trivia Night” in PDX.

For over a decade, Paydirt has been a dedicated drinking establishment with a soft spot for whiskey, Fernet on draft, and serious cocktails (without being too serious about cocktails). We are nestled in the Zipper Building on 28th and Sandy, with four restaurant neighbors and plenty of seating both inside and on our spacious patio. Paydirt bar is from the same boozy bar folks who brought you The Old Gold, Tough Luck, Hi-Top Tavern, Holy Ghost, and The Last Rodeo.

No apps required. Untapped Trivia keeps it old school with pen and paper. Trivia is always free to play, with prizes for the top three teams. Enjoy a mix of general knowledge and rotating topics, along with delicious drinks, beer, tasty food, and more. Follow @untappedtrivia on your favorite social media channels for weekly themes and hints for trivia at Paydirt.

Untapped Trivia formed as the brainchild of a few close friends with a passion for craft beer, cocktails, great food, and cozy pub interiors. Gathering, commingling, and quizzically entertaining Portlanders and visitors from near and far since 2016. Voted “Best Trivia” in Portland, Oregon, in 2022, 2023, 2024, 2025, and nominated “Best Trivia” in Portland, Oregon, in 2017, 2018, 2019, and 2020 in Willamette Week’s Best of Portland Readers Poll.

The Portland Art Museum is pleased to present the recently acquired two-channel video installation, Do I Look Like a Lady? (Comedians and Singers), by internationally renowned artist Mickalene Thomas. Thomas’s work addresses themes of beauty and identity expressed through the myriad subjectivities of African-American women. Her multidisciplinary practice reconsiders Black womanhood and desire through a queer lens.

In recent years, Thomas has turned to video production as a way to expand her critical investigation into how mass media and entertainment distill the experiences of African-American women into a handful of archetypes. Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of Black women in the United States.

Step into autumn’s splendor as the garden transforms with the colors and textures of chrysanthemums, a flower of nobility and longevity in Chinese culture. Stroll among 81 mum varieties, cascading displays along the waterfall, and sweeping floral sculptures that transform the garden into a living gallery.

From dazzling floral artistry to hands-on learning opportunities, Chrysanthemum Festival is one of the garden's most anticipated annual celebrations—and an unforgettable way to experience Lan Su in fall. Explore this beautiful flower and time of year.

Nov. 5-8 — Nights of the Golden Flower: Immerse yourself in the illuminated works of 18 talented local floral artists and featured designer Toni Tibbits as they interpret this year’s theme, Golden Blooms Upon Autumn Waters. Plus, enjoy gentle music by Lulu Guzheng Studio, dance performances by YZ Dance Academy, floral jewelry-making, and all-ages fun as you wander among glowing lanterns and vote for your favorite designs of the showcase. Sensory Night November 14.

In her first solo show, Cathy Aster explores the public and private layers women wear at different life stages. Using image transfer and cut-collage techniques, she creates formal and metaphorical transparencies across a series of 14 images. She bathes the scenes in the autumnal glow provided by vintage magazines, then excavates the images for tenderness, risk and danger. She hooks the viewer with nostalgic images, then transforms the image by revealing unseen psychic realms. The women in Aster’s work look away even as they look directly at you; they look directly at you even as they look away.

Cathy Aster is a cut paper collage artist based in Portland, Oregon. After years of experience working in rare book conservation and digital library settings, she spends her time making art and creating community for collage artists. She has shown work at Alberta Street Gallery, Art at the Cave and Taylor Street Kitchen. She is part of the organizing group of the Pacific Northwest Collage Collective.

Here we are surveys contemporary art from the Portland Art Museum’s collection. Featuring work across a range of media, the exhibition showcases recent acquisitions alongside signature works and reflects on the constant change and shifting narratives that mark the contemporary world and networked lives.

In the current globalized, digitized ecology, contemporary artists observe, document, and reflect. Their voices and visions imagine what is possible and tell stories that expand knowledge. They question, prompt, and call to action, while creating both beauty and criticism. The exhibited artworks invite the viewer to ponder the real, virtual, and imagined spaces humanity currently inhabits, alongside the moments, thoughts, and experiences that define selfhood and purpose. Highlights in this gallery include works about our sense of self and identity such as Sentinel IV (Gold) by Simone Leigh, Fred Wilson’s black glass mirror I Saw Othello’s Visage in His Mind, and Maja Ruznic’s painting Daughter (Red). Large scale works by Chiho Aoshima, Carrie Mae Weems, and Wolfgang Tillmans consider relationships to place, another prominent theme. Others, including Jeppe Hein’s Please Participate, Katherine Bradford’s Ritual, and Jeffry Mitchell and Tivon Rice’s Panda speak to the human connection and the creative process.

Portland Art Museum invites the community to join a Free First Thursday event featuring free museum admission for all. This unique day includes a chance to explore the special exhibitions and PAM’s transformed campus and reinstalled permanent collection galleries.

October’s Free First Thursday features a special free film program presented in conjunction with The Stars We Do Not See: Australian Indigenous Art. The screenings celebrate film and video work by and about Aboriginal and Torres Strait Island people, offering another way to explore the stories, histories, and perspectives at the heart of The Stars We Do Not See.

The Chronic Pain Project is holding its next exhibition in the Aubrey R. Watzek Library at Lewis and Clark College. CPP showcases art by anyone with experiences relating to chronic pain. Some of the artists have been creating for decades, and others have only just begun. Through art, these artists make visible what millions live with but few understand.

This exhibition asks one to consider what embodiment means while living with an invisible condition. CPP seeks to shift dominant narratives, educate the broader public, and create community. What does embodiment mean to you? We invite you to consider our theme as you peruse "Embodied Existence."

One Grand Gallery is delighted to welcome back Portland-based Ashley Anson for her second solo exhibition with the gallery. Home Sweet Home expounds on Anson’s fondness for found textiles and materials and processes historically associated with feminine domestic labor. Drawing on traditionally gendered art forms such as quilting and embroidery, she combines textiles with painting and small sculpture to create narratives about the unseen worlds within people’s homes. Home is central to her work, a place that can hold peace, chaos, and danger all at once.

Anson transforms personal family folklore into layered narratives, exploring how stories imagined in childhood are remembered, exaggerated, and reinterpreted across generations. Her work also examines gender roles in art, asking what gives a painting masculine or feminine attributes and whether an artist’s gender can be sensed in the work. By combining the historically male-dominated practice of painting with embroidery and textiles, she challenges conventional distinctions between artistic mediums.

Join the opening reception on Friday, Oct. 30 from 6- 9 p.m. In the spirit of the Halloween season, the opening will transition into a party as the evening approaches. Costumes are strongly encouraged.

Celebrate Dinovember with dinosaur trivia and crafts! Play solo or as part of a team. Test your knowledge and win bragging rights!

Enjoy Leslie McMillan’s one-of-a-kind handcrafted jewelry and painter bd dombrowsky’s visual explorations of the mischievous silver night and the many insights the capricious muse offers.

Painter bd dombrowsky's visual style is derived from an interest in vintage illustrated books — encyclopedias, primers, comics, and stories — all the simple visual devices used as a culture to educate and socialize. Much of their work is informed by myths and folklore, as they retell old stories and weave them into new ones. Drawing on a background in drama, sculpture and printmaking, bd dombrowsky's goal is to craft a resonant space in which these stories can unfold, drawn from a shared mythos but reimagined by the artist and narrated by the viewer.

Jewelry Artist Leslie McMillan

As a jewelry smith, Leslie McMillan is all over the place. To begin with, they have ADHD, so their mind is manic. Leslie roams from fusing gold on steel to traditional silversmithing to bonding Japanese silver leaf. When working with steel and gold, Leslie is drawn to the truth that you cannot control the outcome. When heated high enough to fuse with the steel, the gold takes on a life of its own and travels where it wants to go. When working with sterling silver and natural stones, Leslie follows a more traditional approach. Creating hand-forged settings and sourcing stones from First Nation lapidary artists are fundamental to the work. No matter the process, Leslie relies on inspiration from the great Pacific Northwest and all its natural beauty to influence the final piece.

Last Thursday Opening Reception, Oct. 29, 6–9 p.m.

In Tenderhead, Lisa Jarrett weaves together her interest in migration and tracing lost familial histories to Beauty Supply stores and salons—critical intersections of Black life. The artist’s first solo museum exhibition in Oregon features new works and site-responsive installations that activate the abundant patterns, colors, images and textures found at the Beauty Supply. She says, “The Beauty Supply is my art supply store.” It is a site where she accesses physical materials as well as the less tangible memories activated by these materials, so important to her work.

Jarrett suggests that the Beauty Supply, salon, and kitchen sink are places undeniably linked to migration and diaspora as surrogate homelands. The geographic locations, aesthetics, layout, products, customers, and economies of the Beauty Supply locate it firmly in this “in-between” place, setting it apart as a complicated site of joy, nostalgia, desire, and unmet need. Jarrett investigates how these relatively mundane places and objects function as dynamic living archives in Black communities and families that accompany us from generation to generation. Places like the Beauty Supply (as well as the people, objects, ideas, and experiences contained therein) are the foundation of the work in this exhibition. Tenderhead refers to a question that she (and many others) vividly remember being asked while getting their hair done as children: “Are you tenderheaded?” Jarrett says, “It’s a loaded question,” and this exhibition offers windows into her reply.

Grief Holiday represents both an artistic experiment and a community commitment: a way to be present with grief and connection through the power of art. By presenting art in a nontraditional venue dedicated to community care, cultural access is expanded beyond typical gallery audiences. This project affirms art’s power to serve urgent human needs while honoring Portland’s diverse communities. Grief Holiday invites participants to step away from daily life and enter an immersive environment designed to support reflection and community in the face of grief. Guests will move through artist-created spaces, soundscapes, ritual installations, visual works, and participatory storytelling, each encouraging different ways of engaging with loss.

Developed by artists Miche McCausey, Kendra Roberts, Alice Christine Walker, and Emily Fusaro the project transforms grief from an isolated burden into a collective experience. The intent is to provide a supportive setting where participants can acknowledge grief openly, share stories, and engage with tools for connection. Unlike traditional exhibitions, Grief Holiday places the audience at the center of the work, blending art, ritual, and community care into an active journey of presence.

The Grief Holiday team was assembled to combine artistic vision with practical expertise. Emily Fusaro is a design strategist, musician, and songwriter; Miche McCausey is a master carpenter, muralist, and certified death doula; Kendra Roberts is an artist, curator and producer with experience managing large-scale public art; and Alice Christine Walker is a photographer and multimedia installation artist. In partnership and individually, we have organized land art exhibitions, curated community-driven shows, and produced immersive experiences in Portland. This blend of independent and collective work ensures we bring both diverse expertise and proven capacity to Grief Holiday.

Due to the sensitive nature of this experience, all participants are encouraged to be mindful and respectful when entering the space.

The venue is ADA-accessible, and the event will include ASL interpretation, bilingual materials, and trauma-informed facilitators. Spaces will accommodate varied sensory needs, with both quiet reflection and participatory areas. Groups of 25 guests will enter on the hour and move through the experience for approximately 1 hour. Participants will encounter multiple immersive spaces designed to honor and process loss. The program offers a rare opportunity to engage with grief collectively in an art-centered setting.

This installation celebrates prints by Black artists of the twentieth and twenty-first centuries, including many recent acquisitions shown for the first time at the Portland Art Museum. The work offers stories of the Black experience in the United States, allowing visitors to trace serious issues as brutal labor practices, as in Kara Walker’s Cotton, and lynching, in Hale Woodruff’s harrowing By Parties Unknown, as well as leisure and joy, evident in the bathers of Emma Amos and Derrick Adams.

Artistic production is another throughline. Viewers can trace the broad influence of Robert Blackburn, the founder of the influential Blackburn Print Workshop, who taught Romare Bearden, among others. Ron Adams honors Blackburn with a portrait. Although working across various printmaking media, including etching, lithography, and screen printing, the artists share a commitment to graphic expression and bearing witness to the breadth of Black representation in America.

What does it mean to be the Best Bi? No one knows — but you get to decide during Bye Bye, Bi, a quirky queer comedy/trivia contest, created by hostess with the mostest Molly Callahan. Three bisexual comedians will show their smarts by answering trivia questions about great bi icons. The top two scoring comics perform their sets, then the audience votes to tell one of them Bye Bye, Bi — and crown one winner the gold star bisexual.

In addition to jokes, you can enjoy tasty treats from Aegir Foods, or drinks from Field Day Book and Bottle Shop.

Why does one artist's drawing of a vase look mesmerizing while another artist's drawing of the same thing looks, well, boring? Composition has a lot to do with it, as does the idea of taking artistic license. In this class, we'll learn about how to use both composition and artistic license to find your own artistic style.

Artist and Church of Art founder, Erika Halperin, will start the workshop by leading the group in a discussion of selected artworks, with a particular focus on composition and artistic license. She will then guide the group through a series of hands-on drawing exercises, working with each student individually to answer questions and provide feedback.

This workshop is for anyone new to drawing or looking to strengthen their drawing skills.

All supplies and materials included. Using graphite and charcoal primarily on a variety of drawing papers.

Includes:

• 3.5 hours of instruction and drawing in a supportive, friendly environment
• Doughnut holes and non-alcoholic beverages
• That wonderful feeling of joy and connectedness that comes from a few hours of creative, artistic play with other adults.

Located in NW Portland, Church of Art is an art-centered community space offering approachable, low-pressure workshops for adults. Come as you are, spend a few hours making art, meet some new people, and enjoy a creative Portland experience—no need to “be an artist.”