Music❯Indie

DOSS (DJ Set) + CFCF (DJ Set) at Holocene, Portland, Thursday, November 5, 2026 · 9PM · 21+ · $28.18 – $31.99. Over the past ten years, the mononym “ Doss ” has come to represent something increasingly rare in the world of dance music: not just a...

Los Angeles based nineteen year old Jeremiah Mark (they/he) released their first full-length endeavor under the moniker Lucy Bedroque, their deadAir Records debut. With no prior singles, the breakneck seventeen track shotgun blast of Digicore and Hardcore Hip Hop, titled “Unmusique” has established them as a bastion of these underground sounds. The release date coincided with their first show on the Jane Remover and Dazegxd tour “TURN UP OR DIE”, along with a full west coast run.

Leading up to this moment, Lucy Bedroque gained a cult following in the shadowy sectors of the online underground, with a break-out debut LP “Sisterhood” as Lostrushi. This is the name that raised them to notoriety alongside peers 9lives, prettifun, and egobreak. The new material continues further down the same path, combining cutthroat rage, with the eclecticism and sensitivities of Stereolab, Radiohead, and Deftones.

While forging their distinct multi-media surrealism, Mark also found a penchant for customized linguistics and contorting the English language. Most notably, the title “Glutmother” (the name fans chose for a hyper-active Subreddit) graces the cover art of the debut and the packaging of “Unmusique. “The role of motherhood here is representative of a superiority to everything around it. But beyond humans, it’s a reference to mother nature and creation.” They explain. As for why it’s juxtaposed with gluttony, that’s because “People want more than anyone can handle, and I’ve responded to it with a perfectionist’s mindset.” They combine into a deep resonance of identity that’d easily evade a new listener.

The one-man band without a plan, Mattress started in 2006. To quote a sassy pal (with initials IB): “You are wildly unpopular for that amount of time.” Amen. Who cares? Art for art’s sake. For the first time ever–Mattress is putting together a full band for this show. 5 guitars? 8 keyboards? 12 drummers? Yodelers and a glass harmonica? Probably.

Mattress has made some friends over 20 years and put together this stellar bill (more of a mini-fest), bringing together acts he met 20 years ago and 2 years ago. Check this out:

Black Shelton (solo), a one-man band powerhouse of wit, sleaze and electro boogie. Songs "I'm Back in the Doghouse Again" and “White Lover” will warp your mind.

Dragging an Ox Thru Water fingerpicking melody noise glitch heart string puller.

THRONES Joe Preston is coming out of semi-retirement to do this show. Hopefully this will get some elder goths and heshers out of their LazyBoys and into the show.

Joe Von Appen, the monologue performance semi-comedy satirist who has toured with Mattress for close to 10,000 miles. He will host the show; his dry wit will confuse and entertain most in attendance.

Special guest TBA, probably famous, very name-droppable.

Who is in the Mattress band? Members of Modest Mouse, The Fur Coats, Dommengang, Room, WIBG, Black Shelton and others.

Quadeca makes genre-defiant music that bends experimental hip-hop, neo-psychedelia, alternative R&B, pop, bossa nova, and more to his whims. Over the years, he transitioned from a career in content creation to a more personal artistry. He started out making videos where he replicated the styles of various popular rappers, eventually parlaying this viral online content into attention for his own original music. Quadeca replaced the trends and tropes of commercial rap that made up his earlier work with a sharpened focus on musicianship, melody, and atmospheric songwriting on his 2022 album I Didn't Mean to Haunt You. The critically acclaimed 2024 mixtape Scrapyard continued in this experimental direction, touching on everything from Björk-indebted electronica to shoegaze to emo rap. Quadeca's fourth proper studio album, Vanisher, Horizon Scraper, appeared in 2025.

Born on Cape Cod, Cooper B. Handy started releasing music as LUCY in 2009. In the years since, the Western Massachusetts-based singer/producer has made a career of self-releasing music and videos, unpolished & posted in near real time. LUCY’s captivating live performance has earned him a cult following on the DIY circuit, playing shows in basements and warehouses across the country. His music is experimental and raw – at times even abrasive. His GarageBand-based production has never swayed far from the sample packs and synth sounds he started writing music with 14 years ago. Aggressively prolific, Handy has amassed an extensive catalog that is both eccentric and earnest. His music channels a sense of creative exploration, and his lyrics pack real wisdom into unassuming one-liners.

A night of goth, industrial, darkwave, hyperpop and experimental electronic music, featuring two touring acts alongside Portland support.

REGAL NONCHALANT | Bend, OR

Combining goth, industrial and darkwave with electronic production, live bass, guitar and vocals. Led by multi-instrumentalist Genre alongside Elizabeth Marino, Regal Nonchalant brings elements of live performance and DJ mixing together, drawing on EBM, deathrock and alternative club music.

LUST 4 BLOOD | California

The Bay Area project of Giovanti, working across dark alternative and electronic music. Combining pop-oriented songwriting with gothic atmosphere, Lust 4 Blood has released a string of recordings, including BLEEDING..CITY. and the self-titled LUST 4 BLOOD album.

SURGERY SEASON | Portland, OR

Portland experimental electronic duo featuring Wolfgang Black and Jamie Brito. Describing their music as trans body-horror hyperpop, Surgery Season blends elements of emo, electronic music and shoegaze with theatrical, high-energy performances.

DREAM THEORY | Portland, OR

The experimental electronic project of Kristen Denning, moving between hyperpop, ambient electronics, glitchy production and melodic songwriting. Their September 2026 album parable of a happy girl continues a catalog of deeply personal, genre-crossing electronic music.

21+ DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/RegalL4BatTheSix

Sunday, November 15th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Wednesday, November 4, 2026 Mississippi Studios Presents Improvement Movement - Your Perfect Real LIVE '26 Adron, Languid Machinations (DJ Set) Ages 21 and up

Join us for a cozy Sunday afternoon of POWERDRONE, with sets by PNW electro-minimalist legend Spiritual Exit and cronewave duo Stars Without

Bayonne’s music captures the indescribable. For 10 years, the Austin, Texas-based experimental avant-pop/electronic musician, born Roger Sellers, has been creating atmospheric soundscapes brimming with layers, texture, and deep emotional resonance. On his fourth and most immersive album to date, Filters, Sellers picks up where he left us on 2023’s mournful yet pop-minded Temporary Time. With its elegantly constructed melodies, silken synth-work, a sprinkle of field recordings, and an upbeat yet blissful blend of piano and percussion, Filters finds Sellers entering a new phase of existence as he works through the grief around losing his father and into a place of acceptance.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

So far evolved from who they were when they first began releasing music in 2017, The Aces deserve the sense of celebration they feel in their new music. With 3 albums, over 250 million streams, and countless other milestones under their belts, sisters Cristal and Alisa Ramirez (lead vocals/guitar and drums), Katie Henderson (lead guitar/vocals), and McKenna Petty (bass) are in full form on their 4th LP, Gold Star Baby. Continuing to reach new pop heights, the band is rapidly becoming one of the genre’s most exciting and authentic voices.

The Aces have toured with the likes of 5 Seconds of Summer, X Ambassadors, The Vamps, COIN, Goth Babe, and have played at festivals all over the world, including NY Pride, Lollapalooza, Firefly, Bonnaroo, OUTFEST, Sziget, Pukkelpop, All Things Go, Summerfest, and more. After an exciting run supporting Louis Tomlinson’s 2026 North American arena tour, the Aces are ready to hit the road again on their own fall headline tour and are steadily continuing to release new music.

With each release, Lime Garden continue to further their reputation as ones to watch — with a host of tips behind them from NME to The Independent, BBC 6music to KEXP, and even Johnny Marr to Hayley Williams. Across Maybe Not Tonight, the exhilarating second album from Lime Garden (released via So Young Records), the intensity of the Brighton four-piece’s writing winds itself into bolts from the blue. The pleasures and perils of partying serve as a thematic through-line, tracking the arc of a night out where unplanned adventures hold sway, fresh impulses are inhabited feverishly, and only the rush matters.

Produced by Charlie Andrew (Wolf Alice, alt-J), with additional production from drummer Annabel Whittle, Maybe Not Tonight reflects the band’s rapid evolution. Glitchy vocal fragments, hypnotic drum lines, garage-rock guitars, detuned synths and even bongos weave together into immersive, richly detailed songs. Many began life as Whittle’s home-produced demos, drawing influence from Bon Iver, A.G. Cook, and Jim-E Stack, while pulling from a wide pool of inspirations including Magdalena Bay, The Breeders, St. Vincent, and New Order.

Taylor Bickett is a storyteller at heart. Hailing from Indiana, she's been writing music since before she can remember. Taylor's intimate lyrics and outstanding vocal range gracefully overlay organic indie pop production to create introspective singer/songwriter tunes. After her wistful, Gen Z anthem "QUARTER LIFE CRISIS" hit the internet in 2022, the track compelled a generation struggling with their newfound adulthood to share their own photos and stories on TikTok soundtracked by her song. The trending audio amassed nearly half a million fan-made videos, and celebrities including Drew Barrymore and Kevin Jonas showcased their own transformations since age sixteen atop Taylor's track, which features the lyrics, "I swear 16 was yesterday, but now I'm closer to 28."

Taylor's subsequent 2023 EP grown up and lonely demonstrates her knack for writing honest and unfiltered songs that resonate with an entire generation. She kicked off 2024 with her single "I Like Mondays" which resonated with fans when she quickly wrote and posted the song on the 1st of January (a Monday). After spending the spring on the road, Taylor released her second EP, This Isn't Me Missing You, on September 19th.

Taylor spent 2024 touring with artists like Ron Pope, Blü Eyes, Andi and Áine Deane, which took her all over the US and UK. Her new song "The Crime," based on a traumatic incident that sparked a passion for ending violence against women, will come out in honor of Women's History Month in March of 2025. She is currently writing new music for her debut full length album.

From the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre and The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines. When she falls under the spell of the roguish Anatole, it is up to Pierre, a family friend in the middle of an existential crisis, to pick up the pieces of her shattered reputation. Following a critically exalted premiere at Ars Nova in New York City, a subsequent off-Broadway transfer and an acclaimed run on Broadway, this award-winning musical expands the possibilities for the genre with its daring score and bold storytelling.

Music and Lyrics By Dave Malloy

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

London-born singer and songwriter SIENNA SPIRO announces the “My House” tour, including an extensive North American fall run followed by dates in Asia, Australia, New Zealand, UK and Europe.

Just last week, SIENNA released the official music video for her enthralling single “The Visitor.” Written and produced by SIENNA with Omer Fedi (SZA, Lil Nas X) and Michael Pollack (Justin Bieber, Miley Cyrus), the song draws its power from a spellbinding vocal recorded in one take, lyrics that cut to the bone, and a 20-piece string orchestra led and arranged by Academy Award-winner Peter Rotter (Oppenheimer, The Last Repair Shop). While SIENNA’s poetry and the video nod to matters of the heart, by the song’s end, we sense that she’s singing about something more: a strong awareness of impermanence — of things ending and people leaving — that can quickly turn into paralyzing fear. That sentiment is the driving force behind the concept that powers Visitor, the album.

Of course, SIENNA is very much here to stay. Her music has amassed over 1.2 billion global streams so far and, in late March, she had a trio of singles climbing the Hot 100 all at once: “The Visitor” (which so far peaked at #43), heartwrenching UK Platinum smash “Die On This Hill” (#19), and the enduring “You Stole The Show” (#55). All three are set to appear on Visitor, which was executive produced by Fedi with additional production from an elite crew including Blake Slatkin, Yakob, and Pollack, plus composers like Larry Gold (Al Green, Silk Sonic) and Rotter. SIENNA and her hand-picked collaborators brought her vision to life in an array of legendary spaces like Electric Lady Studios in New York, Abbey Road Studios in London, and Valentine Recording Studios in Los Angeles.

King Buffalo, a heavy psych trio featuring vocalist and guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson, shares the bill with L.A. Witch. The Los Angeles trio of Sade Sanchez, Irita Pai, and Ellie English blends reverb-draped rock with a sound that ranges across broader sonic territory on its latest album, DOGGOD, while exploring existential and cosmic themes. This is an all-ages event.

Who said shopping was boring? The shelves are stocked with some of the most inspiring artists The White Owl Social Club knows. They've got familiar favorites, unexpected finds, and a few things you didn’t know you needed.

Auckland’s ASHEZ stops through on his US tour with the heavy, culture-blending bass he’s carried across continents. Comisar steps up for his first-ever solo set in Portland. hobi lands his first Objective show outside of a festival, and it’s been a long time coming. Swell Times makes the trip up from Bend with a catalog full of bangers, and Portland’s own Florescent rounds it out, a fresh act already way ahead of the curve.

The White Owl Social Club is proud to host Ethos Audio with their Intent Audio Sound System and a full-stage production by Beam Collective. It's exciting to be back at a venue where with a little more control over the environment.
21+

Eight-time Grammy-winner Beck has traveled light years from his emergence as a reluctant generational spokesperson when “Loser” exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, Beck's singular career has seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.

Surfacing just as the mainstream and alternative rock intersected, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave. But the album that first cemented Beck’s place in the pantheon was 1996’s multi-platinum Best Alternative Grammy winner Odelay. Odelay remains a key cultural touchstone from the indelible hooks of "Devil's Haircut” and “The New Pollution" to the irresistible call and response of the Grammy-winning "Where It's At.”

From the world-tripping atmospherics of 1998's Mutations (Beck's second album to win the Best Alternative Grammy) and the fluorescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero, 2006's sprawling The Information, 2008's acclaimed Danger Mouse-produced Modern Guilt, no Beck record would ever sound like its predecessor.

That pattern would be upended in sublime sonic fashion with the 2014 release of Morning Phase. A companion piece of sorts to his 2002 masterpiece Sea Change, Morning Phase conjured the staggering downtempo impact of that record through the lens of an infectious optimism. The chorus of critical acclaim for Morning Phase was instant and unanimous, as Beck rolled into 2015 taking the Album of the Year top honor at the 57th Annual Grammy Awards, as well as the prize for Best Rock Album. Morning Phase also won in the Best Engineered Album (Non-Classical) category.

True to his chameleonic nature, Beck followed up Morning Phase’s subdued beauty with Colors, an intoxicating rainbow of auditory tricks and treats that went on to win Best Alternative Music Album (Beck’s third) and Best Engineered Album, Non-Classical (the second Beck album to do so) at the 61st Annual Grammy Awards in 2019. That same year, Beck would offer a first glimpse into his 14th studio album Hyperspace with the stunning surprise single “Saw Lightning”—written and produced by Beck and Pharrell Williams, who would be credited as co-writer and co-producer on seven of Hyperspace’s 11 tracks.

Beck has spent much of the last few years dazzling live audiences with a grab bag of engaging performances ranging from a handful of freeform one-off shows, to 2023’s massive Summer Odyssey tour with co-headliners Phoenix. Summer Odyssey played to packed houses from the Kia Forum in L.A. to Madison Square Garden and beyond, and was followed by a historic full concert performance with the Royal Philharmonic Orchestra—which inspired a series of orchestral performances at the likes of New York’s Carnegie Hall and London’s Royal Albert Hall. The past few years have seen Beck embark on limited runs of orchestral dates featuring musicians who played on milestones including Mutations, Sea Change and Morning Phase accompanied by native orchestras in each city, delivering uniformly unforgettable evenings of unique symphonic arrangements of classics and deep cuts from his towering catalog and beyond.

The Tallest Man on Earth is known for animated, expressive performances and songwriting that critics have compared to Bob Dylan. Influenced by Dylan and early American folk artists, Kristian Matsson describes his music as shaped by what feels natural to him. His 2023 album, “Henry St.,” was his first recorded with a band and brings together a range of musical ideas and sounds.

With Andrea von Kampen. All Ages

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.

TAIPEI CITY, TAIWAN

Birdy

“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver

Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute

The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.

Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .

JOSEPH is the Oregon-bred sister trio of Natalie, Allie, and Meegan Closner, known for
their powerful harmonies, emotionally honest songwriting, and genre-blurring blend of
indie pop, folk, and rock. Since releasing their breakout debut I’m Alone, No
You’re Not in 2016—which featured their hit single “White Flag” and landed them
on The Tonight Show, TODAY, and the Billboard charts—the band has steadily built a
devoted following through gripping live performances, national tours, and appearances
at major festivals including Coachella, Glastonbury, and Bonnaroo.

Over the years, JOSEPH has released a string of critically acclaimed records
including Good Luck, Kid (2019) and The Sun (2023), praised for their rich vocal
arrangements andsoul-baring lyricism. Their most recent release Closer to Happy (2026)
marks their boldest and most personal work to date. Co-produced with Luke Niccoli (Carly
Rae Jepsen, Miya Folick), the project explores themes of grief, self-trust, and radical selfacceptance.
Whether through triumphant anthems like “I Believe In Myself” or gut-punch
ballads like “Bye and Bye,” JOSEPH continues to turn lived experience into songs that
resonate far beyond the surface.

Jamila Woods is a musician, poet, and multidisciplinary artist from the South Side of Chicago. Her critically acclaimed debut album HEAVN — an ode to Blackness, girlhood, and home — was released by JagJaguwar Records in 2017. Her sophomore project, LEGACY! LEGACY!, features twelve tracks named after writers, thinkers, and visual artists who have influenced the creator’s life and work — including James Baldwin, Nikki Giovanni and Frida Kahlo. Her most recent album, Water Made Us, is a genre-blending song cycle on love and the wisdom of surrender.

Jamila has been featured on NPR’s Tiny Desk, CBS's This Morning, and The Late Show with Stephen Colbert. She has shared stages with Corinne Bailey Rae, Rafael Saadiq, Bonobo, Common, Chance the Rapper, Brittany Howard, Macklemore, and many others. An award-winning poet, Jamila’s work often blurs boundaries between poem and song. As cultural critic Doreen St. Felix writes, “It makes you wish all singers were poets.

Grab your gear and strap on your tunic, because The Hyrule Ball is here. A niche, nerdy, nightlife celebration of everyone's favorite action-adventure franchise, just in time for the latest release. Featuring Zelda-inspired DJ sets and drag performances, specialty cocktails, local vendors, and consoles and cabinets for playing games with friends.

Come dressed in your cosplay best, grab your wallet of rupees, and get ready to dance until the Sun Song plays.

After many years celebrating the music of Big Star via the collective known as Big Star’s Third, Jody Stephens (the last surviving member of the original Big Star lineup) had an idea.

“I truly loved touring the world and performing Big Star’s Third with a core group, a variety of special guests, and a chamber orchestra playing the beautiful orchestrations created by Carl Marsh and Chris Stamey. But when the idea of celebrating the 50th anniversary of #1 Record came up, it was time to pare the production down to a five-piece rock band. So I called a few close and like-spirited musical friends.”

Enter some of the legendary group’s biggest fans, who have long been associated with Big Star and related projects. The band now includes Mike Mills (R.E.M.), Jon Auer (The Posies), Pat Sansone (Wilco), Chris Stamey (The dB's) and Stephens. Dubbing themselves the Big Star Quintet, it’s a lineup that is both personal and close in spirit to #1 Record and Radio City.

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Join an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.

On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.

Jake Xerxes Fussell is a North Carolina-based musician and thoughtful interpreter of folk songs, drawing on nineteenth- and twentieth-century vernacular music and archival field recordings. He has released five studio albums, including his latest, When I’m Called, produced by James Elkington and featuring a range of guest musicians. Fussell and Elkington also collaborated on the soundtrack for the film Rebuilding. Dougie Poole is also featured.

Two artists. Two Galleries. One Block. Join The Tracy Piper + Philip A. Robinson Jr. for a First Thursday art walk in Portland. Join contemporary artists The Tracy Piper and Philip A. Robinson Jr. for First Thursday in downtown Portland, connecting two neighboring gallery spaces just one block apart. Start at either gallery, explore the work, meet the artists, then make the short walk to the second space.

Feral — an Evolving Exhibition: Feral isn’t a traditional exhibition. It’s a living, evolving body of work unfolding over 13 months. Through paintings, sculpture, objects, and installations, contemporary artist The Tracy Piper explores desire, autonomy, forbidden knowledge, and the radical act of choosing oneself. The gallery changes as the work grows. New pieces appear, ideas evolve, and visitors are invited to witness the creative process as it happens. Every First Thursday is another opportunity to step inside Feral.

Come explore the work, meet the artist, and see what’s changed since your last visit. Whether it’s your first time or your fifth, there’s always something new to discover.

Featuring music by resident DJ Joe Strange, bringing the soundtrack to an evening of art, connection, and a little rebellion. Come curious. Leave a little more Feral.

Explore the work: www.thetracypiper.com

Philip A. Robinson Jr. — Hollis: Explore the sculptural work of Philip A. Robinson Jr., an award-winning multimedia artist whose striking wood portraiture explores identity, culture, and the human experience. Using wood as both material and metaphor for temporality and natural cycles, Robinson creates dimensional works rooted in both popular and marginalized cultures. His work has been exhibited nationally and internationally, including Portland International Airport, the Morris Museum, High Line Nine, and during Miami Art Week.

See all his work: www.philiparobinsonjr.com

Free and open to the public. RSVP encouraged, but walk-ins are absolutely welcome.

A Tuareg singer/songwriter and guitarist who is known for his innovative and intense playing style, Mdou Moctar rose from a small village in Niger to earn viral success among West Africa's cell phone-trading network. An appearance on an American compilation in 2010 led to international recognition and further exploratory releases on the Sahel Sounds label. After starring in a Tuareg-language homage to Purple Rain, Moctar's sound continued to evolve as he pushed his musical boundaries as a multi-instrumentalist on 2017's Sousoume Tamachek. Subsequent albums like Ilana: The Creator (2019) and Afrique Victime (2021) found him infusing his African influences with wild electric psychedelia and full-blast rock and roll to widespread acclaim. 2024's scintillating Funeral for Justice saw Moctar take a stronger political stance on the injustices faced by Niger and the Tuareg people. A reimagined, all-acoustic version of the album was released in early 2025 as Tears of Injustice.

Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.

The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.

Station to Station is a journey through our evolving creative culture.

Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.

Monday, November 2, 2026 Mississippi Studios Presents SOLD OUT: Big Star Quintet (Night 1) Ages 21 and up

This year, 70k Oregonians lost access to food stamps. The LGBTQ+ Community experiences more than double the national food insecurity rate. Join Euphoria Presents in conjunction with Pride Northwest and Birch Grove Massage in tackling food insecurity at She Ate! which is taking place on Saturday November 7th, and Saturday December 12th from 4:30pm till 7pm at Turn Turn Turn.

$10 Suggested Donation to cover expenses. Any remaining funds will be donated to Esther’s Pantry.

Music By: Dj Breadstick

Performances by:

Boogie Brick House

More TBA

4:30pm - 7pm

Turn Turn Turn!

Pride Northwest Resilience Program:

https://www.pridenw.org/community-resilience-program

Esther’s Pantry:

https://www.capnw.org/esthers

If you would like to be involved, or volunteer for these events, please speak to Kevin Williams and email him at euphoriapresentspdx.@gmail.com

Euphoria Presents is the fully realized dream, that what we desire isn’t delusional, it’s our highest form of truth, beyond what we’re told to believe about ourselves. It’s the spark we feel when we’re in our bliss through community events and queer joy.

All Ages // 6 PM Show // Tickets $24

Taylor Bickett is a storyteller at heart. Hailing from Indiana, she's been writing music since before she can remember. Taylor's intimate lyrics and outstanding vocal range gracefully overlay organic indie pop production to create introspective singer/songwriter tunes. After her wistful, Gen Z anthem "QUARTER LIFE CRISIS" hit the internet in 2022, the track compelled a generation struggling with their newfound adulthood to share their own photos and stories on TikTok soundtracked by her song. The trending audio amassed nearly half a million fan-made videos, and celebrities including Drew Barrymore and Kevin Jonas showcased their own transformations since age sixteen atop Taylor's track, which features the lyrics, "I swear 16 was yesterday, but now I'm closer to 28."

Taylor's subsequent 2023 EP grown up and lonely demonstrates her knack for writing honest and unfiltered songs that resonate with an entire generation. She kicked off 2024 with her single "I Like Mondays" which resonated with fans when she quickly wrote and posted the song on the 1st of January (a Monday). After spending the spring on the road, Taylor released her second EP, This Isn't Me Missing You, on September 19th.

Taylor spent 2024 touring with artists like Ron Pope, Blü Eyes, Andi and Áine Deane, which took her all over the US and UK. Her new song "The Crime," based on a traumatic incident that sparked a passion for ending violence against women, will come out in honor of Women's History Month in March of 2025. She is currently writing new music for her debut full length album.

Goldie is a Portland-based artist creating alternative-pop that blends a sense of nostalgia with a distinctly modern sound. Drawing inspiration from artists both past and present, her music is rooted in honest songwriting, warm melodies, and an ever-evolving approach to pop. With four singles released, Goldie is currently working on her debut EP and carving out a sound entirely her own.

Montreal-born, Nashville-based Allison Russell is a Grammy, Juno, Americana, SOCAN, and Folk Award–winning artist and Polaris Prize–shortlisted singer-songwriter, producer, author, actor, and human rights advocate.

Her acclaimed solo debut Outside Child (2021) was followed by The Returner (2023), released via Concord/Fantasy. Prior to her solo work, she co-founded and toured internationally with Po’Girl, Birds of Chicago, and Our Native Daughters, and remains an active collaborator with OND and a member of Joni Mitchell’s Joni Jam.

In 2024, Russell joined Hozier’s Unreal Unearth tour across the U.S. and Europe, with their duet “Wildflower & Barley” earning her first Billboard Hot 100 entry. Her Rainbow Coalition ensemble and All Returners tour continued through 2025 across Australia and North America. She also co-wrote “Human Mind” with Hozier for Mavis Staples.

Russell has received eight Grammy nominations and one win, alongside multiple honors including Americana Award nominations and Album of the Year, a Juno Award for Contemporary Roots Album of the Year, International Folk Music Awards, Canadian Folk Music Awards, and UK Americana Awards. She was also named Billboard Women in Music Canada’s Breakthrough Artist of the Year and shortlisted for the Polaris Prize.

She made her Broadway debut as Persephone in Anaïs Mitchell’s Hadestown in November 2024 and has since completed a second run in the role. Offstage, Russell is a powerful advocate and organizer, curating the historic Once and Future Sounds set at Newport Folk Festival and co-founding Love Rising, which has raised over $550,000 in support of LGBTQIA+ communities.

Her forthcoming memoir will be published by Little, Brown, and her third album is slated for release in 2026.

Some artists need to be experienced in person. Eivør is one of them.

Originally from the Faroe Islands, Eivør brings her extraordinary voice and full band to the Wonder Ballroom on November 18th —a rare chance to encounter an artist whose music feels both deeply intimate and otherworldly.

Dark atmospheric rock, pulsing electronics and primal vocals meet in a live show that moves from a whisper to overwhelming power. Having opened for Heilung as their special guest on numerous tours, she now brings her own world to Portland.

Known for her unmistakable voice on The Last Kingdom and God of War soundtracks, Eivør is celebrating her new album TUNGL, released 16 October on Nuclear Blast.

“Gave even the mighty Chelsea Wolfe a run for her money” — Kerrang!, ArcTanGent live review, 2026

For fans of Chelsea Wolfe, Wardruna and Heilung.

Join us Saturday, November 7, 2026, from 3pm to 9pm for a playful Pee-Wee Herman-themed adventure through the Clinton/Division Street neighborhood of Portland, Oregon. You may see Miss Yvonne at Double Barrel, or cross paths with Cowboy Curtis at the Reel ‘m’ Inn. You might share some fries with Pee-wee himself at Dot’s. Don your best Pee-wee Herman-themed costume and join us on this one-of-kind, epic bar crawl. The group will hit about half a dozen bars, all featuring Pee-wee themed drink and food specials. In honor of Paul Reubens, Pee-wee Herman himself, a devoted animal lover, we're donating 75% of proceeds directly to PDX Cat Trapper, a grassroots Portland feral cat rescue and registered 503c charity. If you love the world of Pee-wee Herman and cats, then this is the event for you! Tickets are $20 and available at https://peeweepubcrawl.com/tickets. The secret meet-up location will be sent only to ticket holders. During the pub crawl, there will be multiple costume contests, a Pee-wee trivia competition, a scavenger hunt, a sound-alike contest, dance-offs, and more fun than you can shake a stick at! Stick around for the after-party featuring a special DJ spinning records. Prizes will be awarded for the various contests at this time. The Pee-wee Pub Crawl is the brainchild of Meredith Walter, a devoted Pee-wee fan! She’d long dreamt of doing a pub crawl in tribute to Paul Reubens, so she enlisted Portland's pub crawl expert, former BarFly Bus hostess with the mostess and planner-in-chief, Jen Lane. Together, they enlisted the help of their fellow Pee-wee afficionados, prolific publisher and dynamic graphic artist, Jared Prophet, the noted artist, deejay, and event creator, Matt Stanger, and The Photobooth Chick, herself, Jocelyn Dean. Together, this dynamic team has whipped together a frothy day of pure fandom fun - get your Pee-wee Pub Crawl tickets today!

GET TICKETS HERE!

Red Cube + The Den Present:

Christian Löffler LIVE – Fall 2026 Tour

Support By: Paris

Tickets are on sale Thursday, August 20th at 10:00AM!

DOORS OPEN @ 10:00PM

EVENT HOURS: 10:00PM - 2:00AM

21+ w/ Valid I.D.

View Upcoming Red Cube Events at : https://www.redcubepresents.com/events

The Den

116 SE Yamhill St.

Portland, OR 97217

https://www.thedenpdx.com

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❤ We believe in CONSENT, RESPECT, & EQUALITY! All of our events are a judgment-free, hate-free, & a safe zone for ALL races and/or preferences! We have ZERO tolerance for any level of racism, sexism, homophobia, transphobia, misogyny, or any other form of hate/abuse. Anyone exhibiting these types of behaviors will be asked to leave, and not welcomed back. If you see something, say something - tell a staff member nearby and we'll be sure to act on it promptly. ❤

There are no refunds. All appeals for refund should be directed towards the Promoter, not the Venue.

11•7•26 • THE DEN • 116 SE Yamhill Street • 21+ w/ Valid ID

Founded in 2004, Federale has released seven cinematic records inspired by obscure spaghetti westerns, folk-based murder ballads, '60s and '70s European soundtracks, and stylishly dramatic vocalists such as Lee Hazelwood and Nick Cave. Federale's music has appeared in films, including A Girl Walks Home Alone at Night, The Bad Batch, and The Lego Movie, while the band has toured extensively throughout North America and Europe.

Federale's newest album Love & Other Lies (2026) teems with a dark sentimentality and a pronounced gloomy sensibility drawing from British new wave, post-punk, goth, and 1960s rock n 'roll. Strains of The Cure, Depeche Mode, The Sisters of Mercy, Siouxsie and the Banshees, Tears for Fears, and even The Beatles abound. Here, lead singer and primary songwriter Collin Hegna's emotive baritone is swathed in period-perfect Prophet-5 synthesizers and glistening counter-melody guitar lines, and supported by intricate but lyrical basslines and coldly mechanical drums.

Love & Other Lies picks up where Federale's previous album, Reverb & Seduction, left off. That album was a radical departure from the band's previous releases which featured mostly instrumentals. "There are a lot more similarities than you think," Hegna says of the group's seemingly two distinct aesthetic periods. "When we were referencing the obscure influences, we liked the drama and darkness. Those elements are in new wave, goth, and post-punk. I just grabbed another couple of colors from the Crayon box."

Holiday Dan (drums) and Rayko Stanislav (piano) started a cacophony of curious clanging helter skelter sounds in 2017. Using a 100 year old upright Meister piano which has travelled across the west and a rickety Pearl drum set they were joined by equally dysfunctional horns: a thrift store tuba (Tubano), knock off Indian valve trombone (Tom Bone) and street find trumpet (Roly). Together they make (mostly) wordless sound eruptions that have only best been described as "if Danny Elfman and Eliot Smith had a baby and if fell down a spiral staircase in New Orleans"

Come try and describe the ear twisting music yourself! See ya on the asphalt!

After-party following the Cronos film screening (a Guillermo del Toro debut feature), hosted at Low Tide Lounge. Features music by DJ Dead Steady. Free entry/Entrada libre.

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

If you need any ADA accommodations, please reach out to [email protected].