Music❯Indie

Would you like to experience the finest expression of Scotch whisky produced today? Would you like to expand your knowledge of Scotch and the many styles and flavours that make up quality whisky? Do you love smoky whisky?!

Join The Scotch Malt Whisky Society for a rare single malt Scotch whisky tasting experience at The Scotch Lodge! Attendees will be among the first to taste six (6) unique single malts from our upcoming November Peated Outturn in a seated, guided tasting format designed to expand your knowledge and appreciation for Scotch whisky.

Based in Edinburgh, Scotland, The Scotch Malt Whisky Society is the world’s largest whisky club of whisky lovers. More than just a club, the Society is known for offering the finest expression of Scotch whisky produced today. It acquires exceptional whisky casks from distilleries across Scotland and beyond. Each cask is then bottled and offered exclusively to its community of members through the Society’s online shop smwsa.com.

While Society whisky is available for purchase by members only, this event is open to anyone eager to taste and learn in the company of fellow whisky lovers. Members enjoy a reduced price for admission and all attendees who order tickets before 2pm PT on October 15th will get the early bird special pricing.

Slàinte Mhath!

Taylor Bickett is a storyteller at heart. Hailing from Indiana, she's been writing music since before she can remember. Taylor's intimate lyrics and outstanding vocal range gracefully overlay organic indie pop production to create introspective singer/songwriter tunes. After her wistful, Gen Z anthem "QUARTER LIFE CRISIS" hit the internet in 2022, the track compelled a generation struggling with their newfound adulthood to share their own photos and stories on TikTok soundtracked by her song. The trending audio amassed nearly half a million fan-made videos, and celebrities including Drew Barrymore and Kevin Jonas showcased their own transformations since age sixteen atop Taylor's track, which features the lyrics, "I swear 16 was yesterday, but now I'm closer to 28."

Taylor's subsequent 2023 EP grown up and lonely demonstrates her knack for writing honest and unfiltered songs that resonate with an entire generation. She kicked off 2024 with her single "I Like Mondays" which resonated with fans when she quickly wrote and posted the song on the 1st of January (a Monday). After spending the spring on the road, Taylor released her second EP, This Isn't Me Missing You, on September 19th.

Taylor spent 2024 touring with artists like Ron Pope, Blü Eyes, Andi and Áine Deane, which took her all over the US and UK. Her new song "The Crime," based on a traumatic incident that sparked a passion for ending violence against women, will come out in honor of Women's History Month in March of 2025. She is currently writing new music for her debut full length album.

King Buffalo, a heavy psych trio featuring vocalist and guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson, shares the bill with L.A. Witch. The Los Angeles trio of Sade Sanchez, Irita Pai, and Ellie English blends reverb-draped rock with a sound that ranges across broader sonic territory on its latest album, DOGGOD, while exploring existential and cosmic themes. This is an all-ages event.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Los Angeles-based nineteen-year-old Jeremiah Mark (they/he) released their first full-length endeavor under the moniker Lucy Bedroque, their debut on deadAir Records. With no prior singles, the breakneck seventeen-track shotgun blast of Digicore and Hardcore Hip Hop, titled “Unmusique,” has established them as a bastion of these underground sounds. The release date coincided with their first show on the Jane Remover and Dazegxd tour “TURN UP OR DIE”, along with a full west coast run.

Leading up to this moment, Lucy Bedroque gained a cult following in the shadowy sectors of the online underground, with a breakout debut LP, “Sisterhood,” as Lostrushi. This is the name that raised them to notoriety alongside peers 9lives, prettifun, and egobreak. The new material continues further down the same path, combining cutthroat rage with the eclecticism and sensitivities of Stereolab, Radiohead, and Deftones.

While forging their distinct multimedia surrealism, Mark also developed a penchant for customized linguistics and for contorting the English language. Most notably, the title “Glutmother” (the name fans chose for a hyper-active Subreddit) graces the cover art of the debut and the packaging of “Unmusique. “The role of motherhood here is representative of a superiority to everything around it. But beyond humans, it’s a reference to Mother Nature and creation.” They explain. As for why it’s juxtaposed with gluttony, that’s because “People want more than anyone can handle, and I’ve responded to it with a perfectionist’s mindset.” They combine into a deep resonance of identity that’d easily evade a new listener.

A Tuareg singer/songwriter and guitarist who is known for his innovative and intense playing style, Mdou Moctar rose from a small village in Niger to earn viral success among West Africa's cell phone-trading network. An appearance on an American compilation in 2010 led to international recognition and further exploratory releases on the Sahel Sounds label. After starring in a Tuareg-language homage to Purple Rain, Moctar's sound continued to evolve as he pushed his musical boundaries as a multi-instrumentalist on 2017's Sousoume Tamachek. Subsequent albums like Ilana: The Creator (2019) and Afrique Victime (2021) found him infusing his African influences with wild electric psychedelia and full-blast rock and roll to widespread acclaim. 2024's scintillating Funeral for Justice saw Moctar take a stronger political stance on the injustices faced by Niger and the Tuareg people. A reimagined, all-acoustic version of the album was released in early 2025 as Tears of Injustice.

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

London-born singer and songwriter SIENNA SPIRO announces the “My House” tour, including an extensive North American fall run followed by dates in Asia, Australia, New Zealand, UK and Europe.

Just last week, SIENNA released the official music video for her enthralling single “The Visitor.” Written and produced by SIENNA with Omer Fedi (SZA, Lil Nas X) and Michael Pollack (Justin Bieber, Miley Cyrus), the song draws its power from a spellbinding vocal recorded in one take, lyrics that cut to the bone, and a 20-piece string orchestra led and arranged by Academy Award-winner Peter Rotter (Oppenheimer, The Last Repair Shop). While SIENNA’s poetry and the video nod to matters of the heart, by the song’s end, we sense that she’s singing about something more: a strong awareness of impermanence — of things ending and people leaving — that can quickly turn into paralyzing fear. That sentiment is the driving force behind the concept that powers Visitor, the album.

Of course, SIENNA is very much here to stay. Her music has amassed over 1.2 billion global streams so far and, in late March, she had a trio of singles climbing the Hot 100 all at once: “The Visitor” (which so far peaked at #43), heartwrenching UK Platinum smash “Die On This Hill” (#19), and the enduring “You Stole The Show” (#55). All three are set to appear on Visitor, which was executive produced by Fedi with additional production from an elite crew including Blake Slatkin, Yakob, and Pollack, plus composers like Larry Gold (Al Green, Silk Sonic) and Rotter. SIENNA and her hand-picked collaborators brought her vision to life in an array of legendary spaces like Electric Lady Studios in New York, Abbey Road Studios in London, and Valentine Recording Studios in Los Angeles.

Monday, November 2, 2026 Mississippi Studios Presents SOLD OUT: Big Star Quintet (Night 1) Ages 21 and up

JOSEPH is the Oregon-bred sister trio of Natalie, Allie, and Meegan Closner, known for
their powerful harmonies, emotionally honest songwriting, and genre-blurring blend of
indie pop, folk, and rock. Since releasing their breakout debut I’m Alone, No
You’re Not in 2016—which featured their hit single “White Flag” and landed them
on The Tonight Show, TODAY, and the Billboard charts—the band has steadily built a
devoted following through gripping live performances, national tours, and appearances
at major festivals including Coachella, Glastonbury, and Bonnaroo.

Over the years, JOSEPH has released a string of critically acclaimed records
including Good Luck, Kid (2019) and The Sun (2023), praised for their rich vocal
arrangements andsoul-baring lyricism. Their most recent release Closer to Happy (2026)
marks their boldest and most personal work to date. Co-produced with Luke Niccoli (Carly
Rae Jepsen, Miya Folick), the project explores themes of grief, self-trust, and radical selfacceptance.
Whether through triumphant anthems like “I Believe In Myself” or gut-punch
ballads like “Bye and Bye,” JOSEPH continues to turn lived experience into songs that
resonate far beyond the surface.

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

Annam's 3-year anniversary dinner featuring a collaborative kitchen takeover with uncle Peter from @havl.noodles (Hà VL). The evening includes deep-cut à la carte Việt food, cognac, live jazz by Brian's Blade (featuring @chochu_local members @cmlgsn, @Aidan.jacobs._, and grateful_marcus), and a custom jade jewelry pop-up by Le Petit Hoa. Menu to be announced closer to the date; available until sold out.

Eight-time Grammy-winner Beck has traveled light years from his emergence as a reluctant generational spokesperson when “Loser” exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, Beck's singular career has seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.

Surfacing just as the mainstream and alternative rock intersected, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave. But the album that first cemented Beck’s place in the pantheon was 1996’s multi-platinum Best Alternative Grammy winner Odelay. Odelay remains a key cultural touchstone from the indelible hooks of "Devil's Haircut” and “The New Pollution" to the irresistible call and response of the Grammy-winning "Where It's At.”

From the world-tripping atmospherics of 1998's Mutations (Beck's second album to win the Best Alternative Grammy) and the fluorescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero, 2006's sprawling The Information, 2008's acclaimed Danger Mouse-produced Modern Guilt, no Beck record would ever sound like its predecessor.

That pattern would be upended in sublime sonic fashion with the 2014 release of Morning Phase. A companion piece of sorts to his 2002 masterpiece Sea Change, Morning Phase conjured the staggering downtempo impact of that record through the lens of an infectious optimism. The chorus of critical acclaim for Morning Phase was instant and unanimous, as Beck rolled into 2015 taking the Album of the Year top honor at the 57th Annual Grammy Awards, as well as the prize for Best Rock Album. Morning Phase also won in the Best Engineered Album (Non-Classical) category.

True to his chameleonic nature, Beck followed up Morning Phase’s subdued beauty with Colors, an intoxicating rainbow of auditory tricks and treats that went on to win Best Alternative Music Album (Beck’s third) and Best Engineered Album, Non-Classical (the second Beck album to do so) at the 61st Annual Grammy Awards in 2019. That same year, Beck would offer a first glimpse into his 14th studio album Hyperspace with the stunning surprise single “Saw Lightning”—written and produced by Beck and Pharrell Williams, who would be credited as co-writer and co-producer on seven of Hyperspace’s 11 tracks.

Beck has spent much of the last few years dazzling live audiences with a grab bag of engaging performances ranging from a handful of freeform one-off shows, to 2023’s massive Summer Odyssey tour with co-headliners Phoenix. Summer Odyssey played to packed houses from the Kia Forum in L.A. to Madison Square Garden and beyond, and was followed by a historic full concert performance with the Royal Philharmonic Orchestra—which inspired a series of orchestral performances at the likes of New York’s Carnegie Hall and London’s Royal Albert Hall. The past few years have seen Beck embark on limited runs of orchestral dates featuring musicians who played on milestones including Mutations, Sea Change and Morning Phase accompanied by native orchestras in each city, delivering uniformly unforgettable evenings of unique symphonic arrangements of classics and deep cuts from his towering catalog and beyond.

After many years celebrating the music of Big Star via the collective known as Big Star’s Third, Jody Stephens (the last surviving member of the original Big Star lineup) had an idea.

“I truly loved touring the world and performing Big Star’s Third with a core group, a variety of special guests, and a chamber orchestra playing the beautiful orchestrations created by Carl Marsh and Chris Stamey. But when the idea of celebrating the 50th anniversary of #1 Record came up, it was time to pare the production down to a five-piece rock band. So I called a few close and like-spirited musical friends.”

Enter some of the legendary group’s biggest fans, who have long been associated with Big Star and related projects. The band now includes Mike Mills (R.E.M.), Jon Auer (The Posies), Pat Sansone (Wilco), Chris Stamey (The dB's) and Stephens. Dubbing themselves the Big Star Quintet, it’s a lineup that is both personal and close in spirit to #1 Record and Radio City.

The Tallest Man on Earth is known for animated, expressive performances and songwriting that critics have compared to Bob Dylan. Influenced by Dylan and early American folk artists, Kristian Matsson describes his music as shaped by what feels natural to him. His 2023 album, “Henry St.,” was his first recorded with a band and brings together a range of musical ideas and sounds.

With Andrea von Kampen. All Ages

DOSS (DJ Set) + CFCF (DJ Set) at Holocene, Portland, Thursday, November 5, 2026 · 9PM · 21+ · $28.18 – $31.99. Over the past ten years, the mononym “ Doss ” has come to represent something increasingly rare in the world of dance music: not just a...

So far evolved from who they were when they first began releasing music in 2017, The Aces deserve the sense of celebration they feel in their new music. With 3 albums, over 250 million streams, and countless other milestones under their belts, sisters Cristal and Alisa Ramirez (lead vocals/guitar and drums), Katie Henderson (lead guitar/vocals), and McKenna Petty (bass) are in full form on their 4th LP, Gold Star Baby. Continuing to reach new pop heights, the band is rapidly becoming one of the genre’s most exciting and authentic voices.

The Aces have toured with the likes of 5 Seconds of Summer, X Ambassadors, The Vamps, COIN, Goth Babe, and have played at festivals all over the world, including NY Pride, Lollapalooza, Firefly, Bonnaroo, OUTFEST, Sziget, Pukkelpop, All Things Go, Summerfest, and more. After an exciting run supporting Louis Tomlinson’s 2026 North American arena tour, the Aces are ready to hit the road again on their own fall headline tour and are steadily continuing to release new music.

Station to Station: A Roadtrip Through Modern Creativity, Directed by Doug Aitken. 62min. Not Rated.

The Station to Station feature film is made-up of 62 one-minute films including conversations, performances and unrepeatable moments from the journey, bringing together an amazing cross- section of people and places, from icons of culture to a hitchhiker found on a desert road. With each changing minute the film explores creativity through a different artist, musician, place or perspective, ultimately revealing a larger sense of modern expression transcending the individual voices.

Station to Station is a journey through our evolving creative culture.

Featuring: Beck / Jackson Browne / Thurston Moore / Patti Smith / Ed Ruscha / Doug Aitken / Giorgio Moroder / Mavis Staples / Cat Power / Lawrence Weiner / William Eggleston / Mark Bradford / No Age / Urs Fischer / Olafur Eliasson / Ariel Pink’s Haunted Graffiti / Dan Deacon / Christian Jankowski / Ernesto Neto / Thomas Demand / Sasha Frere-Jones / Cold Cave / Stephen Shore / Suicide / Lucky Dragons / Eleanor Friedberger / Gary Indiana / Paolo Soleri / Scott Dadich / The Congos / Savages / Aaron Koblin / Sun Araw / Liz Glynn / Yoshimio Trio / Theesatisfaction / White Mystery / Sam Falls / Black Monks Of Mississippi / Cornbread Harris / Bloodbirds / The Conquerors / Destruction Unit

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Founded in 2004, Federale has released seven cinematic records inspired by obscure spaghetti westerns, folk-based murder ballads, '60s and '70s European soundtracks, and stylishly dramatic vocalists such as Lee Hazelwood and Nick Cave. Federale's music has appeared in films, including A Girl Walks Home Alone at Night, The Bad Batch, and The Lego Movie, while the band has toured extensively throughout North America and Europe.

Federale's newest album Love & Other Lies (2026) teems with a dark sentimentality and a pronounced gloomy sensibility drawing from British new wave, post-punk, goth, and 1960s rock n 'roll. Strains of The Cure, Depeche Mode, The Sisters of Mercy, Siouxsie and the Banshees, Tears for Fears, and even The Beatles abound. Here, lead singer and primary songwriter Collin Hegna's emotive baritone is swathed in period-perfect Prophet-5 synthesizers and glistening counter-melody guitar lines, and supported by intricate but lyrical basslines and coldly mechanical drums.

Love & Other Lies picks up where Federale's previous album, Reverb & Seduction, left off. That album was a radical departure from the band's previous releases which featured mostly instrumentals. "There are a lot more similarities than you think," Hegna says of the group's seemingly two distinct aesthetic periods. "When we were referencing the obscure influences, we liked the drama and darkness. Those elements are in new wave, goth, and post-punk. I just grabbed another couple of colors from the Crayon box."

Holiday Dan (drums) and Rayko Stanislav (piano) started a cacophony of curious clanging helter skelter sounds in 2017. Using a 100 year old upright Meister piano which has travelled across the west and a rickety Pearl drum set they were joined by equally dysfunctional horns: a thrift store tuba (Tubano), knock off Indian valve trombone (Tom Bone) and street find trumpet (Roly). Together they make (mostly) wordless sound eruptions that have only best been described as "if Danny Elfman and Eliot Smith had a baby and if fell down a spiral staircase in New Orleans"

Come try and describe the ear twisting music yourself! See ya on the asphalt!

Jake Xerxes Fussell is a North Carolina-based musician and thoughtful interpreter of folk songs, drawing on nineteenth- and twentieth-century vernacular music and archival field recordings. He has released five studio albums, including his latest, When I’m Called, produced by James Elkington and featuring a range of guest musicians. Fussell and Elkington also collaborated on the soundtrack for the film Rebuilding. Dougie Poole is also featured.

Closing out the Portland Book Festival with a special edition Soju Party, celebrating Korean food, drinking culture, and Irene Yoo’s James Beard Award-winning cookbook, Soju Party: How to Drink (and Eat!) Like a Korean, as part of Portland Book Festival’s “living cookbook” weekend.

Expect Han Oak favorites and anju-inspired bites with specialty soju + wine cocktails with CHO Wines, and plenty of reasons to raise a glass. Irene will be there celebrating the book, with copies available for purchase throughout the evening. Come eat, drink, and learn to party like a Korean. Everyone’s invited.

About the author:

Irene Yoo is a Korean American food writer, recipe developer, chef and co-owner of Brooklyn’s Orion Bar, whose work explores Korean food, drinking traditions, and the culture of gathering around the table.

All Ages // 6 PM Show // Tickets $24

Taylor Bickett is a storyteller at heart. Hailing from Indiana, she's been writing music since before she can remember. Taylor's intimate lyrics and outstanding vocal range gracefully overlay organic indie pop production to create introspective singer/songwriter tunes. After her wistful, Gen Z anthem "QUARTER LIFE CRISIS" hit the internet in 2022, the track compelled a generation struggling with their newfound adulthood to share their own photos and stories on TikTok soundtracked by her song. The trending audio amassed nearly half a million fan-made videos, and celebrities including Drew Barrymore and Kevin Jonas showcased their own transformations since age sixteen atop Taylor's track, which features the lyrics, "I swear 16 was yesterday, but now I'm closer to 28."

Taylor's subsequent 2023 EP grown up and lonely demonstrates her knack for writing honest and unfiltered songs that resonate with an entire generation. She kicked off 2024 with her single "I Like Mondays" which resonated with fans when she quickly wrote and posted the song on the 1st of January (a Monday). After spending the spring on the road, Taylor released her second EP, This Isn't Me Missing You, on September 19th.

Taylor spent 2024 touring with artists like Ron Pope, Blü Eyes, Andi and Áine Deane, which took her all over the US and UK. Her new song "The Crime," based on a traumatic incident that sparked a passion for ending violence against women, will come out in honor of Women's History Month in March of 2025. She is currently writing new music for her debut full length album.

Goldie is a Portland-based artist creating alternative-pop that blends a sense of nostalgia with a distinctly modern sound. Drawing inspiration from artists both past and present, her music is rooted in honest songwriting, warm melodies, and an ever-evolving approach to pop. With four singles released, Goldie is currently working on her debut EP and carving out a sound entirely her own.

Saturday, Nov. 7 | 3–7pm

Experience the vibrancy of Historic Downtown Hillsboro during the holidays. We have your passport to retail therapy at over a dozen merchants, to meet and greet up to 14 wineries and more perks in Downtown as we launch the 6th Annual Sip & Shop November 7th 2026 3:00PM - 7:00PM.

What’s Pouring This Year

Sip, stroll & shop your way between 2nd and 4th Avenue and Washington to Lincoln, discovering wine, cider, and zero-proof tastings all along Main Street and beyond.

Score while you shop! Select merchants are offering bonus prizes during your visit.

Win big! Collect just 7 passport stamps to enter the raffle drawings for themed gift baskets valued between $30–$75 — no purchase required.

Hands-free shopping. Our Wine Concierge Service will whisk your purchases off to designated pickup spots so you can keep sipping and shopping worry-free.

️> Tickets

• Snag your Sip & Shop Passport tickets by Nov. 1 for the early-bird rate of $22, or bundle up — 4 for $74 (just $18.50 each!).
• After Nov. 1, tickets are $25, so don’t wait!

> Your passport includes:

• Complimentary tastings
• Reusable shopping bag filled with merchant swag + promos
• A logo wine glass *(while supplies last)*
• Dining guide to deals at local restaurants and food carts
• Use the ticket link to grab yours today and join the fun!

---

Cheers for a Cause

Beneficiary: Proceeds from this year's event support the Family Peace Center of Washington County

---

Check-In Locations

• > LaHaie's at 277 E Main Street
• > Colours Art at 270 E Main Street

---

️Participating Merchants:

Artful Garden | Belladonna | Bowies Bargains | Catherine Bede Gallery | Colours Art |Dee's Divine Finds | Gimre's Shoes | LaHaie's | Le'Stuff Antique Mall (Co-Sponsor) |Merrill Gardens |Piccolo Mondo | Rock It Resell | Snider's Antique Mall | 3 Goats Vineyard | Willow & Ash | Urban River Spirits

Pouring Partners:

Chris James Cellars | DAnu Wines | Dion Vineyards | Flipturn Cellars | Helvetia Winery | La Randonnée | Résolu Cellars (Co-Sponsor) | Parra Wine Co | Patton Valley Wines | Scotch Church Road Vineyard | 3 Goats Vineyard | 2 Towns Cider | Bull Run Cider | Urban River Spirits

Shout Out to our Community Sponsors: Le'Stuff, Lithtex Printing

> Refund Policy - Stuff happens! Ticket cancellations before Nov. 4 are eligible for a refund.

Questions? Contact:

> Sandie Nelson, Le'Stuff Antique Mall 503-860-3663

> Kathleen Floistad, Cedar Street Antiques/ Le'Stuff Antique Mall 503-780-0785

>Kathie Nelson, Résolu Cellars 503-803-9270

Montreal-born, Nashville-based Allison Russell is a Grammy, Juno, Americana, SOCAN, and Folk Award–winning artist and Polaris Prize–shortlisted singer-songwriter, producer, author, actor, and human rights advocate.

Her acclaimed solo debut Outside Child (2021) was followed by The Returner (2023), released via Concord/Fantasy. Prior to her solo work, she co-founded and toured internationally with Po’Girl, Birds of Chicago, and Our Native Daughters, and remains an active collaborator with OND and a member of Joni Mitchell’s Joni Jam.

In 2024, Russell joined Hozier’s Unreal Unearth tour across the U.S. and Europe, with their duet “Wildflower & Barley” earning her first Billboard Hot 100 entry. Her Rainbow Coalition ensemble and All Returners tour continued through 2025 across Australia and North America. She also co-wrote “Human Mind” with Hozier for Mavis Staples.

Russell has received eight Grammy nominations and one win, alongside multiple honors including Americana Award nominations and Album of the Year, a Juno Award for Contemporary Roots Album of the Year, International Folk Music Awards, Canadian Folk Music Awards, and UK Americana Awards. She was also named Billboard Women in Music Canada’s Breakthrough Artist of the Year and shortlisted for the Polaris Prize.

She made her Broadway debut as Persephone in Anaïs Mitchell’s Hadestown in November 2024 and has since completed a second run in the role. Offstage, Russell is a powerful advocate and organizer, curating the historic Once and Future Sounds set at Newport Folk Festival and co-founding Love Rising, which has raised over $550,000 in support of LGBTQIA+ communities.

Her forthcoming memoir will be published by Little, Brown, and her third album is slated for release in 2026.

Standard Ticket | 6:30 PM | $169 per guest

A five-course dinner paired with exceptional wines and handcrafted whiskey cocktails.

Premium Ticket | 6:00 PM | $218 per guest

Join us for the full five-course dinner, plus:

• Exclusive pre-party Wagyu Tartare tasting at 6:00 PM
• Pairing: Sea Smoke, ‘Sea Spray,’ Blanc de Noirs, Sta. Rita Hills
• Limited-edition Morton’s and Westholme commemorative two-piece gift set.

Limited spots available. Reserve early.

-------------------------------

-FIRST COURSE-

Wagyu Bone Marrow Crostini
Grilled Baguette, Goat Cheese, Wild Mushrooms

Pairing | 'Blue Sky'
High West Double Rye, High West Bourbon, Sweet Vermouth, Charred Rosemary

-SECOND COURSE-

Candied Wagyu Bacon
Butter Lettuce, Spiced Walnut, Red Radish, Mustard Vinaigrette

Pairing | Sea Smoke, Chardonnay, Sta. Rita Hills

-THIRD COURSE-

Braised Wagyu Short Rib
Parsnips, Butternut Squash, Crispy Leeks

Pairing | Lingua Franca, ‘AVNI,’ Pinot Noir, Willamette Valley

-FOURTH COURSE-

Sliced Wagyu Strip
Whipped Yukon Golds, Roasted Asparagus, Fig Demi

Pairing | Double Diamond, Cabernet Sauvignon, Oakville

-FIFTH COURSE-

Hazelnut Chocolate Tart
Biscoff Crumbs, Frangelico Cream, Sea Salt

Pairing | 'Golden Hour'
High West Bourbon, High West Double Rye, Hazelnut, Chocolate, Mocha Foam, 24K Gold Leaf

MUST BE 21 YEARS OF AGE OR OLDER. REFUNDS NOT PERMITTED.

'Blue Sky' cocktail (left). Sliced Wagyu Strip, paired with Double Diamond, Cabernet Sauvignon, Oakville (center). Hazelnut Chocolate Tart paired with 'Golden Hour' cocktail (right)

Premium Ticket holders receive an exclusive Morton’s and Westholme branded commemorative two-piece gift set.

Premium Ticket holders join us at 6:00 PM for a Wagyu Tartare tasting, paired with Sea Smoke, 'Sea Spray,' Blanc de Noirs, Sta. Rita Hills

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Wednesday, November 4, 2026 Mississippi Studios Presents Improvement Movement - Your Perfect Real LIVE '26 Adron, Languid Machinations (DJ Set) Ages 21 and up

Quadeca makes genre-defiant music that bends experimental hip-hop, neo-psychedelia, alternative R&B, pop, bossa nova, and more to his whims. Over the years, he transitioned from a career in content creation to a more personal artistry. He started out making videos where he replicated the styles of various popular rappers, eventually parlaying this viral online content into attention for his own original music. Quadeca replaced the trends and tropes of commercial rap that made up his earlier work with a sharpened focus on musicianship, melody, and atmospheric songwriting on his 2022 album I Didn't Mean to Haunt You. The critically acclaimed 2024 mixtape Scrapyard continued in this experimental direction, touching on everything from Björk-indebted electronica to shoegaze to emo rap. Quadeca's fourth proper studio album, Vanisher, Horizon Scraper, appeared in 2025.

New York City's Pretty Sick emerged in the late 2010s with a raw and gritty sound rooted in 1990s alt-rock and grunge. Led by vocalist and bassist Sabrina Fuentes, the band issued a pair of EPs before unleashing their fiery, full-length debut, Makes Me Sick Makes Me Smile, in 2022. They returned in 2024 with the Streetwise EP.

Pretty Sick was founded in 2014 by Manhattanite musician and model Sabrina Fuentes, who was just 13 at the time. Coalescing around an early lineup that included friends Ella Moore and Eva Kaufman, the band honed their chops in the Lower East Side D.I.Y. venues and built a loyal following in the process. With Fuentes splitting her time between modeling and music, Pretty Sick became a revolving door for musicians. A lineup consisting of Fuentes, ex-Virgins guitarist Wade Oates, and Onyx Collection drummer Austin Williamson helped push the group's indie rock sound into a grungier style reminiscent of bands like Hole and Pixies. Pretty Sick's live shows and videos became more theatrical, with blood and hospital imagery featuring prominently, and Fuentes' lyrics adopting a darker and more dystopian tone.

Jamila Woods is a musician, poet, and multidisciplinary artist from the South Side of Chicago. Her critically acclaimed debut album HEAVN — an ode to Blackness, girlhood, and home — was released by JagJaguwar Records in 2017. Her sophomore project, LEGACY! LEGACY!, features twelve tracks named after writers, thinkers, and visual artists who have influenced the creator’s life and work — including James Baldwin, Nikki Giovanni and Frida Kahlo. Her most recent album, Water Made Us, is a genre-blending song cycle on love and the wisdom of surrender.

Jamila has been featured on NPR’s Tiny Desk, CBS's This Morning, and The Late Show with Stephen Colbert. She has shared stages with Corinne Bailey Rae, Rafael Saadiq, Bonobo, Common, Chance the Rapper, Brittany Howard, Macklemore, and many others. An award-winning poet, Jamila’s work often blurs boundaries between poem and song. As cultural critic Doreen St. Felix writes, “It makes you wish all singers were poets.

Since their inception in 1996, Drive-By Truckers have carved out a unique niche in the music scene with their raw, unflinching storytelling, heavy-hitting guitar riffs, and blend of Alternative and Southern rock. Founded by Patterson Hood and Mike Cooley, Drive-By Truckers have released 14 studio albums and played more than 2,500 shows over the last three decades. Notable members include long-time drummer Brad Morgan and current members Jay Gonzalez and Matt Patton, who have helped define the band’s evolving sound.

The band’s work has often reflected the state of American society, particularly through their celebrated trilogy of albums — American Band (ATO, 2016), The Unraveling (ATO, 2020), and The New OK (ATO, 2020) — which marked a bold foray into politically charged and topical songwriting, earning acclaim for its insightful commentary and fearless expression.

In 2022, they released Welcome 2 Club XIII (ATO), an introspective look back at their early days and the realities of adult life and parenting. The band continued revisiting key moments from their past with The Complete Dirty South in 2023 and the deluxe reissue of Southern Rock Opera in 2024, followed by a reissue of American Band that reaffirmed the album’s ongoing cultural resonance. The deep-dive into their own legacy continues with the release of Definitive Decoration Day in November 2025, a comprehensive and expanded edition of their beloved 2003 album that first solidified them as one of America’s great rock storytellers.

As they continue to push boundaries and explore new musical territories, Drive-By Truckers remain a vital and dynamic force in rock music — celebrated for their powerful narratives, unflinching honesty, and unwavering dedication to their craft.

Part of the Portland Book Festival, ‘Sight Reading - Musical Dialects’ features world-renowned songwriters performing newly created arrangements alongside musicians from 45th Parallel Universe. Night one features Jimmie Herrod, Black Belt Eagle Scout, and Nick Jaina.

True West Presents Greg Freeman Trinity Ace Tue, November 3rd, 2026 Doors: 7PM / Show: 8PM Aladdin Theater

Pedro the Lion marks three decades of music shaped by questions of faith, doubt, guilt, and the search for grace. Led by David Bazan, the project has traced personal histories and the places that shape them through albums including Phoenix, Havasu, and Santa Cruz. For this anniversary tour, Bazan performs with longtime collaborator Erik Walters on guitar and backing vocals and drummer Andrew Rudd, revisiting the band’s catalog as an evolving body of work.

Earlimart

If you need any ADA accommodations, please reach out to [email protected].

Jamila Woods is a musician, poet, and multidisciplinary artist from the South Side of Chicago. Her critically acclaimed debut album HEAVN – an ode to Blackness, girlhood, and home – was released by JagJaguwar Records in 2017. Her sophomore project, LEGACY! LEGACY!, features twelve tracks named after writers, thinkers, and visual artists who have influenced the creator’s life and work – including James Baldwin, Nikki Giovanni and Frida Kahlo. Her most recent album, Water Made Us, is a genre-blending song cycle on love and the wisdom of surrender.

Jamila has been featured on NPR’s Tiny Desk, CBS This Morning, and The Late Show with Stephen Colbert. She has shared stages with Corinne Bailey Rae, Rafael Saadiq, Bonobo, Common, Chance the Rapper, Brittany Howard, Macklemore, and many others. An award-winning poet, Jamila’s work often blurs boundaries between poem and song. As cultural critic Doreen St. Felix writes, “It makes you wish all singers were poets.”

HAZL’s music lives in the in-between: folk and pop, intimate and cinematic. Her performances are communal. She might crack a joke mid-ballad or hand you a piece of her heart after a final chord. You might walk into a HAZL show carrying something heavy, and realize that somehow, by the end, an entire room is holding it with you. There’s something tender and unguarded in the way HAZL crafts songs, like she’s speaking to the part of you that you don’t show to strangers. The part that might feel like too much and not enough. But she’s not a sad song machine. She’s funny. Warm. Like hug you didn’t know you needed.

Tuesday, November 3, 2026 Mississippi Studios Presents SOLD OUT: Big Star Quintet (Night 2) Ages 21 and up

Join a festive holiday celebration at the 6th annual Portland Holiday Market. This event brings together the community to enjoy a delightful array of food, gifts and holiday spirit. Come get all your holiday shopping done in one weekend while getting your Santa photos and enjoying a fun family outing.

More than 100,000 square feet of display space is filled with hundreds of exhibitors. Food items, gifts, artwork, jewelry, home décor, clothing, spirits, craft items, books, ornaments, leather goods, bath and body, and much more. This show features handcrafted, artisan and unique items you’ll never find in big-box stores.

Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.

Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.

That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.

Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.

Aterciopelados, Colombia's most influential rock band, is celebrating a landmark year in 2026 with the 30th anniversary of La Pipa de la Paz, the groundbreaking album that transformed Latin American rock and earned the band's first Grammy nomination. Led by Andrea Echeverri and Héctor Buitrago, the duo has spent more than three decades shaping Latin alternative music, earning 4 Latin Grammy Awards, two Grammy nominations (1998 and 2026), and releasing 10 studio albums that have made them one of the most influential bands in the Spanish-speaking world.

The La Pipa de la Paz 30th Anniversary Tour continues across the Americas and Europe, celebrating one of Latin rock's most iconic records. As part of the anniversary, Aterciopelados is releasing a commemorative EP featuring newly reimagined versions of songs from the album. The project launched with "Te Juro Que No," with additional singles and collaborations arriving throughout 2026. This year also marked the band's acclaimed NPR Tiny Desk Concert, which received widespread praise from critics and fans alike, reaffirming Aterciopelados as one of Latin America's most compelling live acts.

Join us for an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Soccer Mommy

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.

“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”

That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/

Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Georgia Parker is a singer-songwriter from Kent, England, now based in Los Angeles. She released her debut album, Same Time Tomorrow, in August 2024, establishing herself as a distinctive voice in contemporary folk and indie music. Her sophomore album, Pumpkin (March 20, 2026), is largely self-produced and further defines her richly textured, sonically delicate sound.

Rooted in indie folk, chamber pop, and indie rock, Pumpkin explores the limits of emotional self-protection. Beneath that guarded exterior, the songs return to an inner child still longing for safety, tenderness, and rest - a theme distilled, somewhat wryly, in the album's title and final track, "Pumpkin," a term of endearment that gestures toward softness rather than defense. Haunting, cinematic, and deeply reflective, Parker crafts immersive, emotionally resonant songs that balance vulnerability with sharp, intelligent lyricism.

Houndmouth is an American rock band from New Albany, In 2026, the band returns with Lordy, a stripped-back, emotionally direct record that marks a new chapter for frontman Matt Myers. After a period of creative stagnation shaped by major life changes, Myers reconnected with his songwriting through raw, unfiltered expression, largely writing alone for the first time. The result is an intimate, roots-driven album focused on rebuilding, acceptance, and forward motion. Supported by producer Brad Cook and a close-knit group of collaborators, the band continues its evolution while retaining the melodic instincts and Americana foundation that first defined its sound.

Bonnie Bishop & Ryan McMullan