John Bunzow’s mix of eclectic musical influences – melding blues, country, rock and even jazz – have helped establish him as an original artist of heartfelt depth, substance and style.
Growing up in Hawaii, music was not an option or choice - it was a way of life for Kaloku that grew into today's passion. Motivated by the desire to share the aloha spirit that was instilled in him as a Native Hawaiian, Kaloku incorporates that same spirit of joyful sharing of life energy in the present, into all of his music. For him, a successful performance draws people from different cultures, backgrounds and walks of life to come together and experience something as one.
To date, Kaloku has recorded 3 CD's which include both originals and song covers. His original songs are motivated by his love for his Hawaiian ancestry. Kaloku and the Krew is high energy Island Reggae/Contemporary/Rock/Funk/Jazz that draws the crowds with those smooth island jams that everyone loves!
Portland, Oregon · portland or, progressive rock, rock, emo jazz, indie rock, math rock, post-hardcore, post-rock, Portland
Portland, Oregon · alternative, indie rock, noise, portland, post-punk, screamo, Portland
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”