Music❯Rock❯Punk

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

All Ages // 7 PM Doors // Tickets $25

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

For over two decades, Railroad Earth has captivated audiences with gleefully unpredictable live shows and eloquent and elevated studio output. The group introduced its signature sound on 2001’s The Black Bear Sessions. Between selling out hallowed venues such as Red Rocks Amphitheater in Morrison, CO, they’ve been responsible for launching signature festivals Hangtown Music Festival in Placerville, CA and Hillberry: The Harvest Moon Festival in Eureka Springs, AR. Sought after by legends, the John Denver Estate tapped them to put lyrics penned by the late John Denver to music on the 2019 vinyl EP, Railroad Earth: The John Denver Letters. Beyond tallying tens of millions of streams, the collective has earned widespread critical acclaim from David Fricke of Rolling Stone, American Songwriter, Glide Magazine, and NPR, who assured, “Well-versed in rambling around, as you might expect from a band named after a Jack Kerouac poem, the New Jersey-built jam-grass engine Railroad Earth has let no moss grow under its rustic wheels.”

In a darkening musical landscape where viral fads and AI-generated fakery share chart space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope. A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse. The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with the energy and conviction of a band half their age.

“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored with being on the road, but I’m institutionalized. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July. “There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realize the beauty of words and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Nick Dumas leads on mandolin and vocals, bringing the soulful foundation he learned from his dobro-playing grandfather in Washington State, now living in Wisconsin. Nick is a former member of Grammy-nominated Special Consensus and a three-time IBMA award winner. Nick has performed across the globe and recently released his solo album "Details" on Nashville's Skyline Records. Nick now has three new singles released on Skyline Records from a soon-to-come project, all of which have made it to #1 on the bluegrass airplay charts. When not touring with the trio or his own band, "Nick Dumas and Branchline," Nick teaches mandolin lessons at home and with The Fiddler's Farm Band in WI. He also co-founded the well-known Northwest bands "Northern Departure" and "North Country Bluegrass".

Chris Luquette showcases his virtuosic guitar work alongside vocals, drawing from his 11 years with the celebrated Frank Solivan and Dirty Kitchen. This multi-instrumentalist has shared stages with Jerry Douglas, Emmylou Harris, and The Steep Canyon Rangers, earning multiple IBMA awards and a Grammy nomination along the way. Originally from Seattle's vibrant music scene and now based in New York City, Chris brings an eclectic musical palette that spans from traditional bluegrass to world music influences. Chris is a co-founder of Northern Departure along with Nick.

Andrew Knapp anchors the trio with his exceptional bass playing and rich vocals. He is one of the premier bassists to come out of the Pacific Northwest. Andrew can also be seen with Seattle-based bluegrass band The Warren G. Hardings, as well as Nick Dumas and Branchline. As a classically trained jazz bassist, he has performed with nationally recognized artists such as Kenny Garrett and Terence Blanchard, toured Europe and Brazil, and played on ships for Carnival Cruise Lines. Also, a graduate of the Whitworth University Jazz program. He is one of the best in the business.

Chipped Nail Polish - Jill started Chipped Nail Polish with just her electric ukulele and a bad manicure. The project came to life in the basements and living rooms of the lively house show scene at the University of Oregon. The friendships formed there traveled up North to Portland where the band now resides.

Inspired by bands like Beach Bunny, Snail Mail, Soccer Mommy, FIDLAR, and Surf Curse, CNP is heavily influenced by the moshy surf punk music of Jill’s teen years, as well as introspective bedroom pop that has captivated her twenties. The result kinda feels like crying in a mosh pit, which is always encouraged at shows.

Mckenna Esteb - Boise, ID based songwriter.

Frecks - “Frecks” is comprised of one twenty-something member named Jayden from Portland, Oregon. Jayden has been writing music since her early teen years and draws inspiration from all aspects of her life. Pulling from concepts of introspection and undying love, she aims to tug on heartstrings with dreamy guitar riffs and haunting melodies.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/ChippedNailPolishAtTheSix

A bluegrass "Pickin' On" series

Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Failthat Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.

What The Dance presents: Dear Diary: An Emo & Pop Punk Night. Portland is for lovers. It’s time to venture down memory boulevard and party to your favorite emo and pop punk hits.

DJ @djsappho will be spinning your favorite emo classics from My Chemical Romance, Fall Out Boy, Pierce The Veil, AFI, Panic! At The Disco, Paramore, All Time Low, Green Day, blink-182, Avril Lavigne, Evanescence, and more.

21+

Super-Deluxe Fiddle, Banjo, and Song

Through twenty years and a couple of thousand shows together in bands such as The Foggy Hogtown Boys and The Lonesome Ace Stringband, John Showman and Chris Coole have developed a deep and instinctual musical bond. Their music lurks in a truly unique space, somewhere on the outskirts of old-time, bluegrass, and folk. The songs of John Hartford, Hank Williams, Dock Boggs, and The Band share space with the fiddle tunes of Eck Robertson and Ed Haley. The duo's original songs and tunes take in all these vistas and paint something both personal and timely.

They have performed across North America and Europe at festivals such as Merlefest, Rockygrass, Greyfox, Winnipeg Folk Festival, Mariposa, Wintergrass, The Delaware Valley Bluegrass Festival, and The Bluegrass Hall of Fame and Museum. In addition to the five Lonesome Ace albums, John and Chris have released two duo albums - " Afield" a collection of old-time fiddle tunes, and "Much Further Out than Inevitable - A Tribute to Some Music of John Hartford."

"Powerful musicians, playing and singing some powerful music" - Bluegrass Unlimited

"Danceable, poppy, and soulful, it's old-time that's modern and timeless, both" - Bluegrass Situation

(Roddy Campbell, Penguin Eggs Magazine)

Emo Nite at Holocene presented by Emo Nite LA at Holocene, Portland, Friday, November 6, 2026 · 9PM · 21+ · $23.94. $1 per ticket transaction sponsors Emo Nite Gives A F*ck. Donations are allocated for worthwhile organizations focusing on: ·...

Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established herself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.

Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.

That momentum has continued through 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.

Now fully independent, Sueco continues to build momentum through major film placements, high profile collaborations, and a growing international audience while maintaining full creative control over his music and career. His fearless songwriting, genre bending creativity, and instinct for connecting with fans have positioned him among a new generation of artists redefining what an independent career can look like.

The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitarist Kathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharing dreams and building a friendship amongst racks of forgotten treasures. When Kathy confided her desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair of drumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass. From there, a cover of Best Coast's "Girlfriend" marked the start of a journey fueled by undeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Hole into a sound that's galvanizingly Gully.

Two years of relentless gigging followed, and earned Gully Boys the Best New Band crown by their local Minneapolis City Pages in 2018, shortly after the release of their debut demo collection, Not So Brave. Their anticipated follow-up EP, Phony, arrived in late 2019, just months before the live music world came to a halt. Inspired by this break in the action, the band added lead guitarist Mariah Mercedes (they/them), and worked with producer Zach Zurn at Carpet Booth Studio to release their Favorite Son EP (2021) and standout singles "See You See" (2022) and "Optimist" (2023).

Grounded in a bond as fierce as their sound, Gully Boys' electrifying live performances have earned them spots on SXSW stages, Audiotree sessions, and tours alongside Nova Twins, Motion City Soundtrack, Destroy Boys, Bad Bad Hats, and more. From the iconic stage at Minneapolis' First Avenue to national gigs that defy expectations, Gully Boys capture an ethos of equal parts anger and tenderness-fueling a journey that feels like it's just getting started.

Pollyanna are a three-piece New Jersey band - Jill Beckett (vocals/guitar), Daniel McCool (drums), and Brandon Bolton (bass) - blending elements of loud rock, pop and punk into an emotional roller coaster of fury and catharsis. Born from the DIY touring scene, Pollyanna have become a force in the tri-state music scene, fusing pissed-off, "burn the world down" energy with moments of queer joy, trans pride, and raw vulnerability.

Following their I Surrender Records debut "Slime", the band are keeping momentum high with their razor-sharp new single "Gravedigger," recorded with Brett Romnes (Hot Mulligan, Mom Jeans, The Front Bottoms). With their new sophomore album, "Weirdo", Pollyanna are taking bold new steps, articulating the journey of trading hatred for joy, and they're just getting started.

Formed by musicians with a passion for the Northwest outdoors, Jawbone Flats takes its name from the ghost town of the same name nestled deep in the Opal Creek Wilderness of Oregon. Since 2008 JBF has traveled throughout Oregon, Washington, Idaho, and Northern California playing an eclectic blend of original and cover songs drawing from the influences of bluegrass, country, alternative country, blues, and rock music led by five alternating lead singers backed by lush harmonies. Interlocking melodies from B-bender Telecaster and acoustic guitars, mandolin, harmonica, and pedal steel guitar are woven into the solid rhythmic fabric of fretless bass and drums to produce a wonderfully entertaining, irresistibly danceable, and downright “flatifying” sound.

In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”

While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”

Artichoke Community Music class hosted by Megan Cronin, $175 for seven sessions, drop-ins $30 per session. This class will be held at Taborspace, an off-site location. This class is for beginner-ish and intermediate violin and fiddle players who want a chance to play their favorite songs with others in a supportive setting. At the start of this series the instructor will present 10 tunes in the genres of folk, jazz, bluegrass, Irish, blues, pop and/or classical. Students will vote in three of these tunes to work on over the course of the term. Financial Hardship Discount Available Wondering if you are at the right aptitude for this class? If you can work through some or most of the Suzuki Violin Book One, then you will be totally fine in this class (just google "Suzuki Violin Book One PDF" to check it out). You’re welcome to pay the instructor directly at your first class to avoid service fees. Contact Megan via email when you register for a drop-in date, if you plan to pay in-person or if you have any other questions about the class. More information & registration: megancroninmusic.com/violin-fiddle-democracy Website: https://www.megancroninmusic.com/ Feel free to contact the instructor for more information: musiclessonsbymegan(*at*)gmail.com Refund Policy: Refunds up to 7 days before event

$10 at the door Cash Only, 21+, 7PM Doors/8PM Music __________________________________ NOAlarm https://www.instagram.com/n0alarm/ Star Machine https://www.instagram.com/starmachin3/ Fairweather Fugitive...

Over the last decade, SPANISH LOVE SONGS have watched a fiercely loyal community take
shape one cramped club show and one new listener at a time. That momentum has carried the
band to tours with The Wonder Years, Alkaline Trio and Hot Mulligan, along with appearances
at Furnace Fest, 2000trees and the revived Vans Warped Tour, following the release of instant
classics Schmaltz (2018), Brave Faces Everyone (2020) and No Joy (2023). This intimate,
powerful connection with their audience is proof that even in an era defined by isolation, people
are still out there yearning for others to stand beside them in the darkness.

That search continues on FUTURE NAUSEA, the Pure Noise quintet’s fourth LP. Drawing from
the widescreen ambition of heartland rock – the anthemic sweep of records like Born in the
U.S.A., Sam’s Town and Full Moon Fever – shimmering synths, ringing guitars and soaring
choruses define an expansive sound crafted across sessions with producers Chris Walla (Death
Cab for Cutie) and Sarah Tudzin (Illuminati Hotties). Against that backdrop, Dylan Slocum’s
characteristically observational lyricism remains the band’s beating heart: deeply empathetic
and unflinchingly honest as he chronicles political violence, climate anxiety, late-stage
capitalism and the quiet ways these existential crises seep into everyday life – and, just as
critically, how moments of love, companionship and shared resilience become the antidote to an
increasingly uncertain future.

Portland heavy rock, speed metal and heavy psych with HÖG, Blade and Robots of the Ancient World at The Six Below Midnight.

HÖG - Dark, grimy rock & roll rooted in ’70s heavy rock, with punk and metal running through it. Their debut album BLACKHOLE was recorded entirely on 2-inch tape at Portland’s Arcane Amps.

Blade - Portland heavy metal power trio delivering classic speed metal and traditional metal. Sharp riffs, headbanging rhythms and songs made for raising a fist.

Robots of The Ancient World - Portland heavy psych and stoner rock with desert-rock roots and a dose of doom.

21+

DOORS 8:30pm MUSIC 9pm

GET TIX HERE: https://tinyurl.com/HOGatTheSix

Saturday, November 28th, 2026 7:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Weekend matinees play from 1-3 pm, free, all ages. Oct 3 (Sat): Blue Pine - Americana/alt-country rock band Oct 4 (Sun): Tuba Django - playing in the style of Django Reinhardt with a twist of Tuba! Oct 10 (Sat): Thunder Ridge - straight-ahead bluegrass Oct 11 (Sun): Ashley Seaton & the TK Swing All-Stars - Portland’s hottest jazz ensemble Oct 17 (Sat): Marilee Hord‘s Bluegrass Matinee (subbing for Josh Cole) - good, old-fashioned bluegrass Oct 18 (Sun): Kung Pao Chickens - the finest in Django-esque Roma jazz Oct 24 (Sat): Filthy Skillets (bluegrass matinee) - putting their own twist on traditional bluegrass Oct 25 (Sun): Sleepy Lagoon - Pete Krebs, Doug Sammons (Midnight Serenaders) playing 20s/30s jazz, Hawaiian, and exotica with vocal harmonies Oct 31 (Sat): The Sixties (Frank "Buzz Holland" Goodman & Joe Chiusano) - laying down the grooves of that golden era Nov 1 (Sun): Ashley Seaton & the TK Swing All-Stars - Portland’s hottest jazz ensemble Nov 7 (Sat): Blue Pine - Americana/alt-country rock band Nov 8 (Sun): Sweet Preserves - traditional acoustic New Orleans jazz Nov 15 (Sun): Kung Pao Chickens - the finest in Django-esque Roma jazz Nov 21 (Sat): Josh Cole‘s Bluegrass Matinee - good, old-fashioned bluegrass

Portland, Oregon

Portland, Oregon · funk soul, grunge, rock, alternative rock, emo, pop, power pop, rock, shoegaze, Portland

With whiplash-inducing guitar hooks and sing-along passages mirroring the volatile subject matter, Equipment shifts the spotlight toward the power-pop facet of the modern emo genre. Vulnerability is fully present, yet often shaded by gallows humor and danceable choruses. The Toledo, Ohio quartet has become known as a veteran of the DIY music scene, striving to challenge the medium, play with listener expectations, and champion radical optimism.

Some of the best bands start with a plan. Others start with a few musicians, a couple of beers, and a shared love of bluegrass.

Meadowlark String Band was born right here at Tomorrow’s Verse Taproom, where its members first connected through our weekly Bluegrass & Brews jam. What began as Tuesday night pickin’ sessions grew into a band built on musical chemistry, friendship, and a love for making music together.

Rooted in the communal spirit of bluegrass, Meadowlark String Band is a perfect example of what happens when musicians come together, share a few tunes, and let the music take them somewhere new.

From our weekly jam to the Tomorrow’s Verse stage, we couldn't be happier to see this band take flight!

$5 cover

There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.

For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.

The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.

Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."

Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."

Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.

Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.

Less is more. No bullshit. That's Pretty Deadly.

Rose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.

$10 at the door Cash Only, 21+, 7PM Doors/8PM Music

__________________________________

Sure

https://surepdx.bandcamp.com/

https://www.instagram.com/abandcalledsure/

Sean Martin West

https://www.seanmartinwest.com/

https://www.instagram.com/seanmartinwest/

Terrible Pop

https://terriblepop.bandcamp.com/

https://www.instagram.com/terrible.pop/

About a month ago, we lost our beloved fellow musician Jere Hudson. Jere was a true light in every gathering, and he will be sorely missed. We are planning a jam in his honor, where we will play some of his favorite tunes. Cajun, old-time, bluegrass, folk, Irish: anything goes. All are welcome. Also please note that we need to buy any alcohol at the venue.

w/ Ben Quad & Super Sometimes Tuesday, November 24th, 2026 7:30PM Hawthorne Theatre All Ages | Bar w/ valid photo ID No refunds or exchanges. All sales final. If you need any ADA accommodations, please reach out to [email protected]. w/ Ben...

Senses Fail have been called any number of things across their near 25 years as a band - emo, screamo, post-hardcore, metalcore, pop punk. It's testament to the band's perpetual evolution as much as it is their steely endurance - a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It's through the songs of Senses Failthat Nielsen has forever made sense of and peace with life's highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music's most cherished, celebrated names.

21+ · <p>NOW THAT'S WHAT I CALL GOTH!</p><p>------------------------------------------------<br>DJF brings the doom and boom out from the shadows.<br>---------------<br>Gothix Classix<br>Waves Dark & Cold<br>Definitive Post-Punk<br>NeoSpooky<br>Traditional Industrial<br>Ethereal Ambience<br>Pure Unadulterated TransShadow<br>8pm 21+ $5</p>

Every Tuesday, something pretty special happens at Tomorrow's Verse Taproom. Musicians pull up a chair, listeners grab a pint, and for a couple of hours the room turns into the kind of community space that's getting harder and harder to find. No stage, no spotlight, no barriers—just people sharing songs, stories, and a love of live music.

Whether you play, listen, or just enjoy being around good people, Bluegrass and Brews is a place to connect. Discover your new favorite musician, catch up with neighbors, and support a group of local pickers who keep traditional music alive, one tune at a time.

Pull up a chair. Order a pint. Stay awhile. The music's better when the room (or courtyard) is full.

Join us every Monday from 6:30–10 pm at The Hostel Cafe for our weekly Open Mic Night, a cozy, community-focused space where local and traveling musicians share original songs, covers, and acoustic sets. Enjoy live music, good vibes, and cafe drinks while discovering new talent and supporting our featured performers. If you‘re looking for open mic music events in Portland or a friendly spot to play, The Hostel Cafe is the place to be every Monday night. This is a free event, but we encourage you to tip our featured performers! 10/19 (Sat): Ross Island Ramblers featuring Richard Melling (lead guitar and songwriter), Karen McCracken (guitar and clawhammer banjo), the hot fiddle of Olivia Horgan, melodic mandolin of Rollie Champe and the rock-solid bass of Michelle Traver.

Music in the country style, including western & western swing, cowboy & country blues, country folk, bluegrass, rockabilly, hillbilly, Americana, and honky tonk. hosted by Robert Parish, Wayne and Kathy Johnson, Wayne Selzer, Mary Rondthaler, and Gary Baysinger. 1st Saturday - Robert Parish along with son Graham play sets featuring particular artists as well as sets with a variety of artist. 2nd Saturday, Wayne and Kathy - Variety of country, western, western swing, country folk, country blues, bluegrass, rockabilly and Americana. 3rd Saturday - Will Selzer - Blends all types & styles of country music from 50+ years, rooted in mid-20th century, men and women artists equally. The goal is to entertain our listeners and to have fun. 4th Saturday - Mary - Bringing a musician’s ear to the collective with a focus on older country and Western swing from the ‘30s to the ‘70s, always with a good dose of women artists. 5th Saturday - Gary - Countrypolitan Blues - A mix of eastern philosophy and western swing; the yin, the yang, and the do-si-do. Past shows available on the program page at https://kboo.fm/program/swing-n-country.

Pinhead Gunpowder performs at Roseland Theater. General admission floor access is open to all ages, while reserved balcony seating is for guests 21 and over.

All performances 6-8 pm (unless otherwise extended), free, 21+ Oct 20 (Tue): The Pagan Jug Band - a delightful mix of jug, blues, country, bluegrass and hokum Oct 21 (Wed): The Get Down Funk Collective [extended to 9 pm] - infectious blend of funk, soul, R&B, and jazz Oct 23 (Fri): Michelle Alany & The Mystics - soulful interpretations of traditional and original sephardic, balkan, and israeli songs infused with her tasty Austin-blues stylings Oct 24 (Sat): Bad Assets [extended to 9 pm] - rowdy country-rock with blazing Telecaster guitar Oct 25 (Sun): Freak Mountain Ramblers - off-beat, edgy, weird, wonderful Oct 26 (Mon): Portland Country Underground - a bunch of old friends hanging out and playing roots and country music they love. Oct 27 (Tue): Jackstraw - bluegrass, honky-tonk, and rock ‘n roll Oct 28 (Wed): Rhapsody in Red [extended to 9 pm] - excellent female-fronted Grateful Dead cover band Oct 29 (Thu): Lewi Longmire & The Lookouts - Lewi Longmire (guitar) and Sydney Nash (bass) will be bringing in Micah Kassell (drums- Scott Law Band) and perhaps other guests Oct 30 (Fri): Supernatural Beavers - rock ‘n‘ roll, blues, psych, and outlaw country Oct 31 (Sat): The Electric Stomp - solidly earthy Americana and folk-rock with a touch of island breeze Nov 1 (Sun): An Evening of Jimmy Boyer Music [extended to 10 pm] Nov 2 (Mon): The Waysiders - a new brand of classic country all their own Nov 3 (Tue): Lost Creek Bluegrass Band - two parts traditional bluegrass, one part old-time fiddle tunes, and a splash of honkytonk Nov 4 (Wed): QuEasy Gumbo [extended to 9 pm] - the Quick and Easy Boys with Steve Kerin Nov 5 (Thu): Lewi Longmire & The Left Coast Roasters - rowdy roots rock and roll with a classic heart! Nov 6 (Fri): The Family Band - country-fried and southern roots-rock Nov 7 (Sat): The Resolectrics - rock & soul power trio Nov 8 (Sun): Freak Mountain Ramblers - off-beat, edgy, weird, wonderful

Platinum certified singer, songwriter, producer, and multi instrumentalist Sueco has established himself as one of alternative music’s most versatile independent artists, amassing over 1 billion global streams and billions of views across social platforms. Since breaking onto the scene in 2018, he has been at the forefront of a new generation of internet native artists, leveraging viral storytelling, digital marketing, and direct fan engagement to build a global audience. By consistently creating moments that resonate both online and on stage, Sueco has cultivated a loyal worldwide fanbase while establishing himself as one of alternative music’s most recognizable voices.

Known for seamlessly blending rock, punk, metal, hip hop, and pop into a sound entirely his own, Sueco has built a catalog that refuses to be confined by genre. Equal parts songwriter, producer, and performer, his ability to pair massive hooks with raw emotion and explosive energy has earned him a reputation as one of the genre’s most exciting crossover artists while maintaining an unmistakable artistic identity.

That momentum has continued throughout 2026. Sueco returned with “REARRANGING SCARS,” featured in the latest installment of the Scream franchise, before joining forces with blackbear on the explosive single “ENEMY.” He followed it with “ARE YOU ENTERTAINED?” alongside longtime friend and collaborator Jeris Johnson, delivering one of the year’s standout alternative collaborations and further showcasing his versatility as both a songwriter and artist.

Portland, Oregon · metal, rock, doom metal, hardcore, heavy metal, heavy rock, Portland

Portland, Oregon · rock, garage rock, hardcore melodic, metal rockabilly, punk, Portland

Portland, Oregon · post-hardcore, dumpster prog, Rock, noise rock

A Los Angeles-based comedian, avid skateboarder, filmmaker, and actor, Whitmer Thomas added rocker to his credentials in 2020 with the release of the soundtrack to his HBO musical/comedy one-man show, The Golden One. It was followed by a stand-alone music EP, the Jay Som-produced Can't Believe You're Happy Here, in 2022.

A native of Gulf Shores, Alabama, Thomas first found success in 2014 with Stone Quackers, a surreal FX adult animated television series. Power Violence, a popular monthly show Whitmer hosted with friends, helped to secure his status in the upper echelons of the Los Angeles independent comedy scene, as did his numerous short films like Blue Line and Fast and Loose, and appearances on The Walking Dead and Glow. In 2020, Whitmer released his one-man show, The Golden One, on HBO. Featuring pop-punk songs composed and performed by Whitmer (a longtime fan of blink-182), which covered everything from millennial anxiety and sex to abandonment and addiction, the special spawned the companion LP Songs from the Golden One. Between guest spots on series like I Think You Should Leave with Tim Robinson and Search Party, he followed it up with a music EP titled Can't Believe You're Happy Here in 2022, also on the Hardly Art label. Led by the sincere acoustic track "Don't Have a Cow," the EP was produced by Melina Duterte, better known as Jay Som.co

21+ · <p>Portland's original exclusive Goth Night Oubliette is now once a month at The Coffin Club. Founded in 2005 Oubliette plays the best in Modern and classic Goth, Death Rock, Post Punk. Join us for a night with request friendly Djs who know and love Goth. Every 2nd Wednesday.</p>

Modern Old-Time Music for the Bluegrass and Folksong Jamboree

“Here’s to life” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money.

Today, as Clyne prepares to release his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, americana, indie-pop and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos — collectively known as Roger Clyne and The Peacemakers.

w/ Black Season Witch Tuesday, November 17th, 2026 8:00PM Hawthorne Lounge 21 & Over only with valid photo ID No refunds or exchanges. All sales final. w/ Black Season WitchTuesday, November 17th, 2026 8:00PMHawthorne Lounge21 & Over only with...

Wednesday, November 4th, 2026 8:00PM Roseland Theater All Ages General Admission Floor | 21 & Over Reserved Seating Balcony No refunds or exchanges. Tickets are non-transferable. Will Call name changes not permitted. Print at home tickets can be...

Roger Clyne & The Peacemakers bring a dynamic mix of punk rock, Americana, indie pop, and mariachi influences, drawing from their new album, “Hell To Breakfast!”