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SATNOV 14
2:00 PM
ChoralClassicalCultural Heritage

These Stones Remain: Sacred Masterworks from Tudor England

the tudor choir+ doug fullington Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir. Program Sacred Masterworks from Tudor England
SUNNOV 8
4:00 PM
ClassicalChoralFaith & Worship

Gabriel Fauré – Requiem

Join the Adult and Youth Choirs of Cantores in Ecclesia accompanied by chamber orchestra under the direction of Blake Applegate for a performance of Gabriel Fauré’s beloved Requiem in the beautiful setting of St. Mary’s Cathedral of the Immaculate Conception. This special concert is dedicated to the memory of Cantores’ friends and supporters who have passed away during the choir’s nearly 45-year history. For more information visit cantoresinecclesia.org.
SATNOV 14
2:00 PM – 4:00 PM
💰 $35+ClassicalChoralCultural Heritage

These Stones Remain

1739 NW Couch StMap
Tudor England (c. 1485–1603) was deeply unstable—yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant served as the basis for devotional works by Taverner, Sheppard, Fayrfax...
SATNOV 14
2:00 PM
ClassicalChoralCultural Heritage

CHANT ENCOUNTERS: These Stones Remain: Sacred Masterworks of Tudor England

Special Guest: Founder & Director Doug Fullington Tudor England (c1485–1603) was deeply unstable—yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program—among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

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