CoHo Productions

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Third Rail Repertory Theatre gives the stage to its neighbors. Off the Rails is a storytelling series built from true stories that community members shape in Third Rail’s workshops, then perform live. Four evenings across the season.

You will not know what you are getting until someone starts talking, which is the appeal. Take one night or take all four.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Told entirely by two performers, a poet and a musician, Lisa Peterson and Denis O’Hare’s An Iliad remixes Homer’s tale, bridging the ancient with the contemporary. In turns humorous and tender, violent and harrowing, An Iliad is a vital examination of the human compulsion towards war, a passionate interrogation of the toll war has on our humanity, and a testament to the power and potential of storytelling.

Clifford Odets’s Golden Boy comes to the screen as part of Third Rail’s NT Live series at CoHo Theatre.

Odets wrote it in 1937, and the bargain at its center still lands. Joe Bonaparte is a gifted young violinist in Depression-era New York who trades music for the fast money and ugly glamour of the boxing ring. The fights pay. The hands don’t heal. Go see what it costs him.

Third Rail brings National Theatre Live to PAM CUT’s Tomorrow Theater, and this one’s a sharp get. Sandra Oh plays Alice in The Misanthrope, Martin Crimp’s contemporary-verse rewrite of Molière, directed by Indhu Rubasingham and captured live on the Lyttelton stage.

Alice is a novelist who has decided honesty is a moral duty, and the play tracks what that costs her. The bolder she gets, the faster the room empties. One night only, so get your seat early.

Clifford Odets’s Golden Boy comes to the screen as part of Third Rail’s NT Live series at CoHo Theatre.

Odets wrote it in 1937, and the bargain at its center still lands. Joe Bonaparte is a gifted young violinist in Depression-era New York who trades music for the fast money and ugly glamour of the boxing ring. The fights pay. The hands don’t heal. Go see what it costs him.

Third Rail Repertory Theatre gives the stage to its neighbors. Off the Rails is a storytelling series built from true stories that community members shape in Third Rail’s workshops, then perform live. Four evenings across the season.

You will not know what you are getting until someone starts talking, which is the appeal. Take one night or take all four.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre gives the stage to its neighbors. Off the Rails is a storytelling series built from true stories that community members shape in Third Rail’s workshops, then perform live. Four evenings across the season.

You will not know what you are getting until someone starts talking, which is the appeal. Take one night or take all four.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.

Third Rail Repertory Theatre stages Bess Wohl’s Liberation February 25 through March 21, 2027.

It is 1970 in Ohio. Lizzie, a young reporter, gathers a handful of women in a rec center basement to talk, and the talking becomes something none of them planned. Fifty years later her daughter goes back through it, trying to work out why the ground her mother won feels so soft underfoot. Wohl wrote it as a memory play, with the daughter narrating and stepping into her mother’s life as she tells it. That doubling is the whole design.