Music❯Classical

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Artichoke Community Music class hosted by Megan Cronin, $175 for seven sessions, drop-ins $30 per session. This class will be held at Taborspace, an off-site location. This class is for beginner-ish and intermediate violin and fiddle players who want a chance to play their favorite songs with others in a supportive setting. At the start of this series the instructor will present 10 tunes in the genres of folk, jazz, bluegrass, Irish, blues, pop and/or classical. Students will vote in three of these tunes to work on over the course of the term. Financial Hardship Discount Available Wondering if you are at the right aptitude for this class? If you can work through some or most of the Suzuki Violin Book One, then you will be totally fine in this class (just google "Suzuki Violin Book One PDF" to check it out). You’re welcome to pay the instructor directly at your first class to avoid service fees. Contact Megan via email when you register for a drop-in date, if you plan to pay in-person or if you have any other questions about the class. More information & registration: megancroninmusic.com/violin-fiddle-democracy Website: https://www.megancroninmusic.com/ Feel free to contact the instructor for more information: musiclessonsbymegan(*at*)gmail.com Refund Policy: Refunds up to 7 days before event

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

Some evenings stay with you forever. This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night. More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets, including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dances such as the thrilling Hopak, set to music by legendary composers such as Tchaikovsky. Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection. Guests are warmly encouraged to attend in evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Norman Huynh, Conductor

Steiger Butte Drum and Singers, Native American ensemble

Members of Portland State University Chamber Choir, Ethan Sperry, Conductor

Oregon Symphony

Stravinsky Symphonies of Wind Instruments

Michael Gordon Natural History

Grace Meidziak New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)

Beethover Symphony No. 1 in C major, Op. 21

Norman Huynh, Conductor
Steiger Butte Drum and Singers, Native American ensemble
Members of Portland State University Chamber Choir, Ethan Sperry, Conductor
Oregon Symphony

STRAVINSKY Symphonies of Wind Instruments
Michael GORDON Natural History
Grace MIEDZIAK New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)
BEETHOVEN Symphony No. 1 in C major, Op. 21

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

On Sunday, November 1st, Oregon Koto-Kai, the Japanese Koto Music Society of Oregon, will present its 15th Annual Fall Concert. This year’s concert will feature traditional and modern koto ensemble pieces selected to honor the koto mastery and memory of the late Kazue Sawai. The music will be complemented by beautiful art on stage created by local artist Satoko Motouji.

Kazue Sawai cofounded the Sawai Koto Institute based in Tokyo, Japan with her husband, koto master and composer Tadao Sawai. Not only was she the instructor and mentor to our Artistic Director, Mitsuki Dazai, but her passion and innovative playing style was an inspiration to our entire group and koto players worldwide. Our program honors that legacy with traditional pieces signature to her repertoire and boundary-pushing compositions from the Sawai catalog.

Lewis & Clark College Department of Music and Portland State University’s School of Music and Theater present an afternoon with Grammy Award-winning soprano Audrey Luna on Wednesday, November 4, 2026 from 3pm to 6pm in Evans Auditorium.

Join an afternoon with Grammy Award-winning soprano Audrey Luna. Audrey will give a masterclass with L&C and PSU students and present a lecture titled "The Business of Singing."

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.

With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Fear No Music’s second Locally Sourced Sounds Marathon presents new miniatures for small chamber ensemble by more than 40 composers from Portland’s new-music community, many of whom will be in the audience.

Acclaimed Athens-based chamber ensemble Galan Trio visits Lewis & Clark College as part of their US tour for a performance on Friday, November 6, 2026 at 7:30pm in Agnes Flanagan Chapel.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Join PSU professor and violinist Tomás Cotik and pianist Shinmyung Rho for an evening celebrating some of the most captivating works in the French violin repertoire. The program features the elegance and imagination of Claude Debussy’s Violin Sonata, the lyrical charm of Lili Boulanger’s Nocturne and Cortège, the expressive intensity of Francis Poulenc’s Violin Sonata, and two beloved works by Maurice Ravel: the Violin Sonata No. 2 and the dazzling virtuoso showpiece Tzigane. Spanning the late Romantic and early modern eras, these works reveal the remarkable palette of colors, textures, and emotions that characterizes French music, showcasing its refinement, imagination, and brilliance.

Learn more about Portland State University School of Music & Theater's Strings area.

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert also will include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

• Sarah Hicks Conductor
• Dessa Vocals
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Shostakovich’s powerful artistic statement reveals the triumph of the individual against the forces of oppression, even under strict censorship.

MYS Symphony Orchestra, conducted by Raúl Gómez-Rojas, presents:

• Symphony No.5, op.47, D minor by Dmitry Shostakovich
• Candide Overture by Leonard Bernstein
• World premiere of a piece by student composer Skye Neal, as part of The Authentic Voice commissioning series in partnership with Fear No Music’s Young Composers Project.

MYS Concert Orchestra, also conducted by Raúl Gómez-Rojas, opens the concert.

Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.

TAIPEI CITY, TAIWAN

Birdy

“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver

Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute

The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.

Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .

Mantra, music, and storytelling to awaken the heart. Sacred Dharma is a Pacific Northwest kirtan-fusion jam band. At its core, they facilitate the devotional practice of chanting Sanskrit mantra. The music is colored by world influences ranging from Indian classical to jazz and psychedelic rock, enhancing the mood so that each repetition of the Name can awaken the heart.

Led by Sitaram Dass with Jeanette Kangas on tabla, Clark Stacer on bass, Lance Jordan on guitar, and a rotating selection of some of the PNW's finest musicians.

Sitaram Dass (he/him) spent several years serving his beloved teacher Ram Dass on Maui, where he was shown the path of Bhakti, the yoga of service and devotion to God. He is an author, teacher, kirtan singer, and spiritual counselor. As the director of the Sacred Community Project, he works to provide affordable, free, and donation-based offerings as a praxis of Sacred Community.

$25 Advance / $30 Door

(No one turned away for lack of funds)

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

TICKETS $50 | ALL AGES

Ben Wolfe - bass

Nicole Glover - saxophone

Ron Steen - drums

We are thrilled to welcome home two of Portland's favored jazz musicians; acclaimed bassist, Ben Wolfe and renowned saxophonist, Nicole Glover. The two will be joined by beloved local jazz legend, Ron Steen for a homecoming show you won't want to miss!

Wolfe has performed and recorded with some of the most celebrated names in jazz and popular music, including Harry Connick Jr., Diana Krall, Wynton Marsalis, and many others. A respected player, composer and Julliard educator, Ben is one of today’s most accomplished jazz bassists. Wolfe brings an extraordinary depth of experience, musicianship, and creativity to the stage.

Joining him is Nicole Glover, whose powerful, adventurous saxophone playing has made her one of the most exciting voices in contemporary jazz. Nicole is a saxophonist, bandleader, composer, and educator based in New York City. In 2026, Nicole was awarded “Up and Coming Musician of the Year” by the Jazz Journalists Association and #1 Rising Star Tenor Saxophonist & #1 Rising Star Soprano Saxophonist by Downbeat Magazine. Nicole is also a sought-after collaborator. She is currently touring with groups led by Christian McBride and Renee Rosnes, including the multi-award winning ARTEMIS. She has also toured and recorded with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Additionally, Nicole has worked under the leadership of drummers Al Foster, Billy Hart, Lenny White, Victor Lewis, Kenny Washington, Carl Allen, Gregory Hutchinson, and Joe Farnsworth; Grammy-winning vocalists Dee Dee Bridgewater and Buika; bassists John Patitucci, Reggie Workman, Harish Raghavan, Ben Wolfe, and Or Bareket; vibraphonist Joel Ross; and pianists Bill Charlap, Geoffrey Keezer, Aaron Diehl, Luis Perdomo, Christian Sands, Micah Thomas, and George Colligan, among others.

Alongside these two will be Portland's hometown favorite, Ron Steen, whose decades of contribution to the city’s jazz scene have earned him legendary status. Drummer, bandleader, Ron is known as the Godfather of the Jazz Jam scene in Portland, Oregon. Writes the JJA’s Rick Mitchell: “The jam session is at the heart of the jazz tradition. While high school and college jazz programs have proliferated in recent decades, there is no substitute for the knowledge gained by sharing a bandstand with one’s elders and peers in an exposed and competitive setting." Ron has built and nurtured that philosophy in Portland for decades.

Three exceptional musicians. Two shows. One unforgettable night of jazz. Don’t miss this special 1905 performance!

the tudor choir
+ doug fullington

Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

• Sacred Masterworks from Tudor England

Annam's 3-year anniversary dinner featuring a collaborative kitchen takeover with uncle Peter from @havl.noodles (Hà VL). The evening includes deep-cut à la carte Việt food, cognac, live jazz by Brian's Blade (featuring @chochu_local members @cmlgsn, @Aidan.jacobs._, and grateful_marcus), and a custom jade jewelry pop-up by Le Petit Hoa. Menu to be announced closer to the date; available until sold out.

Greece’s Galan Trio performs at Pacific University as part of their Kinesis tour, bringing a program of American composers hailing from the West Coast, including Pacific University faculty member Ryan Francis. Their appearance is underwritten by the Elise Elliot Trust and is presented under the auspices of Greece’s Ministry of Culture.

”Kinesis” is Galan Trio’s attempt to explore the music of contemporary American composers
by bringing their works together in an original, multifaceted concert program. The project
draws from collaboration between Galan Trio and professors of composition from select
U.S. universities, and from the notion of “Kinesis.” Kinesis is an undirected movement of a
cell, organism, or part, in response to an external stimulus. In Greek, Kinesis means
movement, motion. Motion is a fundamental characteristic of all living beings; motion is
what all musicians worldwide have desired during the last couple of years; motion alludes to
continuity, and it’s a promise for the future of “Kinesis” itself.

Ticket Prices: $21 general admission. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Hailed by France Musique as the new face of the classical guitar, Djibouti-born French guitarist Raphaël Feuillâtre regularly delights audiences and critics worldwide with his charismatic artistry, embracing everything from Baroque-period repertoire to compositions by trailblazing contemporary composers. His jaw-dropping precision, technical mastery, and creative vision make works from all time periods sound as if they were written yesterday–alive, heartfelt, and filled with color. Don’t miss a passionate evening of Latin music, including many of Feuillâtre’s own arrangements.

Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.

This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Nashville crooner Stephen Day spans pop, rock, soul, and jazz in his music, recognized for its emotional depth and storytelling. He began to make a name for himself by playing live around the city; his debut full-length studio album, Guess I'm Grown Now, followed in 2019. The record had a fuller, more-produced rock band sound than the EP. Comparisons were immediately drawn to John Mayer, which Day welcomed; he also acknowledged Glen Campbell, D'Angelo, Stevie Wonder, and Frank Sinatra as influences. A second EP, Original Songs and Sound, appeared in 2020, and a second album, The Shapes I'm In, arrived in 2021. Day toured the U.S. as a headliner and as support to the likes of Teddy Swims, Ben Rector, Stephen Sanchez, and Lawrence. He also played abroad in Asia and Europe. Only after his third album, 2024's Gold Mine, did he finally sign a record deal, with Riser House Records. The label released his holiday single "It's Christmas All Over" in October of that year.

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Hailing from Germany, the three Schumann brothers have been playing together since childhood. Together with their violist colleague they communicate with an openness and curiosity that has gained them a reputation as one of the most exciting string quartets performing today.

Mon, Nov 9:
Wolf - Italian Serenade
Mozart - Quartet in G Major, K. 73f
Ives - Quartet No. 2
Brahms - Quartet in A minor, Op. 51, No. 2
Tue, Nov 10:
Haydn - Quartet No. 67 in F Major, Op. 77, No. 2
Samuel Barber - Quartet in B minor, Op. 11
Tchaikovsky - Quartet No. 1 in D Major, Op. 11

In recent years Thundercat, aka Stephen Bruner, has completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a wholly unique voice, transcending genre. He has become a cornerstone of the Brainfeeder label having released 'The Golden Age of Apocalypse' (2011), 'Apocalypse' (2013), 'Drunk' (2017), and his 2020 album 'It Is What It Is' won Best Progressive R&B Album at the 63rd GRAMMY Awards, featuring Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins and Zack Fox. The record was produced by Thundercat and his longtime partner Flying Lotus who was GRAMMY-nominated in 'Producer of the Year, Non-Classical' for his work on the album.

2023 kicked off with a bang, with Thundercat joining Steve Lacy live onstage at the 65th Annual GRAMMY Awards to perform the hit single 'Bad Habit.' He also released his latest single 'No More Lies' with Tame Impala, and announced a slew of tour dates spanning 5 continents.

2022 was a banner year, with highlights including his vocals and bass heavily featuring on Gorillaz single and title track 'Cracker Island' which hit #1 on the Alternative radio charts. He also starred in the official music video and performed onstage with Gorillaz at Coachella and the MTV European Music Awards ceremony. He also joined Red Hot Chilli Peppers as support on their North American and EU stadium tour.

Thundercat made his acting debut in 2022 with a recurring role in Star Wars' 'The Book of Boba Fett' on Disney+. He also covered 'Fly Like An Eagle' for the 'Minions: The Rise of Gru' OST executive produced by Jack Antonooff. Other film and TV work has included collaborating with Flying Lotus on the original score for 'Yasuke' on Netflix, as well as an episode of Emmy & Golden Globe winning series 'Atlanta' created by Donald Glover.

Live highlights include duetting with Ariana Grande at Adult Swim Festival 2020, a US tour alongside his friend Anderson .Paak (2019), an appearance at the Nile Rodgers curated Meltdown Festival held at the Southbank Centre, London (2019); and previous festival highlights for Thundercat include Glastonbury, Coachella, Sónar, Fuji Rock, Newport Jazz Festival, Primavera Sound and Governors Ball. In 2019 Thundercat was invited by legendary jazz institution Blue Note in New York to play a 14 show residency over the space of 6 days. Special guests for the residency included Reggie Watts, Zack Fox and Hannibal Buress. One memorable sold out show at New York's Irving Plaza in 2017 featured Dave Chappelle making an impromptu appearance as his hype man.

In 2015 he was 'at the creative epicenter' of the 21st century's most influential hip-hop album Kendrick Lamar's 'To Pimp A Butterfly', and he won a GRAMMY for his collaboration on the track ‘These Walls'.

Much celebrated for his inimitable style, Thundercat has appeared as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE.

Bruner found his instrument at the age of 4. That made him a late-bloomer in the house of Ronald Bruner, Sr., who drummed with the Temptations among others. His first bass was a black Harmony, and he practiced to the Ninja Turtles soundtrack until pops played him Jaco Pastorius. He joined thrash legends Suicidal Tendencies as a teenager, and has spent road and studio time with everyone from Stanley Clarke and Herbie Hancock to Leon Ware, N.E.R.D., Travis Scott, HAIM, Silk Sonic (Bruno Mars & Anderson .Paak), Kaytranada, Stevie Wonder and Erykah Badu.

The name Thundercat is a reference to the cartoon he's loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named 'Grune the Destroyer' in Cartoon Network's Thundercats Roar animated series

Late Show with Noah Mortola Sat, Nov 07 $20 TICKETS | 21+ PLEASE

Chris Clark-Johnson - guitar

Dario LaPoma - piano

Garrett Baxter - bass

Noah Mortola - drums

Noah and three of his good friends will be exploring the quieter side of original compositions and arrangements.

10:15 PM SHOW

Internationally renowned concert organist Nathan Laube presents an exciting recital of thrilling organ music from a wide variety of eras and locales. This one-of-a-kind program features a diverse selection of works by Felix Mendelssohn, Dieterich Buxtehude, Charles-Marie Widor, and more. Laube's 75-minute recital showcases both his dazzling technique and his profound gift of listening carefully to the instrument and eliciting from it a thrilling range of musical colors — a combination perfectly suited to the world-class Rosales organ. He'll explore the organ’s full range of tonal colors throughout the program, which is offered in celebration of the organ's 40th birthday this year.

Nathan Laube, a truly generational talent of the time, is one of the world’s most elite organ performers and pedagogues. He is Associate Professor of Organ on the faculty of the Eastman School of Music in Rochester, New York and International Consultant in Organ Studies at the Royal Birmingham Conservatoire in the United Kingdom. His extensive international recital career takes him continually to major concert venues and festivals around the world.

Trinity's pipe organ, built by Manuel Rosales and installed in 1986, is one of the finest pipe organs in North America. Trinity Music is the professional music program of Trinity Episcopal Cathedral, comprising the Cathedral Schola, Trinity Choir, and Choir School; a concert series featuring nationally recognized guest artists; and the acclaimed Rosales organ, all in one of Portland's finest acoustic spaces.

The Rivkah Ross QuintetSun, Nov 01TICKETS $25 | ALL AGESRivkah Ross is a Portland-based drummer, composer, and bandleader. Rivkah’s debut album Dare to Hope (PJCE Records) marks the arrival of an inspiring new voice in modern jazz. Moving effortlessly between beautiful melodies and gritty, angular rhythms, her music embodies defiant triumph and hope. A first-generation American raised by a single mother, Rivkah brings a message of hard-won optimism to every note. Taking a page from her hero, Roy Haynes, and paying homage to giants like Coltrane and Shorter, Rivkah is pushing jazz forward with a sound unapologetically all her own. Rivkah is a native Pacific Northwesterner. She has performed her original compositions at the Montavilla Jazz Festival, PDX Jazz Festival, Mount Hood Jazz Festival, and the Vancouver Jazz & Wine Festival. Her other projects include the Stumptown Sirens, Portland’s first all-female big band, which made their debut appearance on the PDX Jazz Festival in 2026 to a sold-out crowd. Rivkah’s drumming hero is Roy Haynes, and in 2026 she put together The Rivkah Ross Sextet, which played two sold-out Roy Haynes tribute sets at The 1905, Portland’s dedicated jazz club. 05:30 PM SHOW 07:30 PM SHOW

Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week. Stop in for drinks, food, conversation and a rotating lineup of literary-inspired performances, pop-ups and unexpected happenings.

On Wednesday night, 45th Parallel Universe presents a celebration of Allen Ginsberg, featuring live readings of Howl and other works accompanied by live jazz.

The evening brings together voices from Portland’s literary, music, theater and radio communities for a tribute to one of the most influential figures in American poetry, and to Howl, which Ginsberg first read publicly in Portland while studying at Reed College.

Featured participants include Gregory Scholl, Robert McBride, Fred Child, Alexis Hamilton and additional special guests.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

Under the direction of Dr. Abbie Brown, the Pacific University Symphonic Band will present its fall concert program, “City Trees: Urban and Natural Landscapes.” This concert program allows the ensemble and audience members to be in conversation about the way natural and urban landscapes interact with one another and features music that speaks to these two themes. The concert is presented in collaboration with the Pacific University Art Department as students in Drawing and Painting classes depict one piece in particular, Planet B by Catherine Likhuta. Other pieces on this program include Flaxen Tresses by James M. David, Shenandoah by Omar Thomas, and Under Pines and Stars by local Washington composer Megan Vinther.

Ticket Prices: $11 general admission, $8 for seniors, military and non-Pacific students. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.

The World’s MOST Iconic Ballet — With a LIVE Orchestra!

The legendary tale of Swan Lake takes flight in a breathtaking production from World Ballet Company, as fate and magic entwine in a timeless battle between good and evil. Performing with a Live Orchestra, and featuring a cast of 50 international dancers, over 150 radiant hand-sewn costumes, and stunning hand-crafted sets, this spellbinding ballet captures every heart-pounding moment — from the Dance of the Little Swans to the Black Swan’s 32 fouettés, and every pirouette in between.

With Tchaikovsky’s unforgettable score soaring through the air and played LIVE, immerse yourself in this mesmerizing journey where dreams, heartbreak, and hope unfold right before your eyes.

Duration: 2 hours 30 minutes (including 20-minute intermission)
Audience: For ages 5 & over

*About the Company: Based in Los Angeles, and led by Sasha Gorskaya and Gulya Hartwick, World Ballet Company presents the most beloved and iconic ballets of our time in cities nationwide. Driven by the belief that ballet is for everyone, performances appeal to newcomers and seasoned ballet goers alike. The company attracts many international artists and comprises renowned professional dancers representing over ten countries.

To date, World Ballet Company has traveled to more than 300 cities, reaching an audience of more than 500,000 fans.

Make it a group experience! Special pricing is available for groups of 10 or more.

Hailing from Germany, the three Schumann brothers have been playing together since childhood. Together with their violist colleague they communicate with an openness and curiosity that has gained them a reputation as one of the most exciting string quartets performing today.

Program: Monday, November 9
WOLF Italian Serenade
MOZART Quartet in G Major, K. 73f
IVES Quartet No. 2
BRAHMS Quartet in A minor, Op. 51, No. 2

Program: Tuesday, November 10
HAYDN Quartet No. 67 in F Major, Op. 77, No. 2
Samuel BARBER Quartet in B minor, Op. 11
TCHAIKOVSKY Quartet No. 1 in D Major, Op. 11

For more information and to purchase tickets, please visit focm.org.

Dave Tull Sun, Nov 08 $30 TICKETS | ALL AGES

Dave Tull - drums, vocals

Joe Bagg - piano

Bill Athens - bass

Singing from the drums, Dave brings to the stage a rare combination of joyous songwriting, world-class jazz singing and drumming. Think “Frishberg meets Gershwin”. Dave’s songs have been called both “laugh out loud funny” and inspiring of “soul searching and introspection”. Dave Tull’s latest release, “Texting and Driving” was the #2 most requested new album of 2018 on SiriusXM Real Jazz, and was featured by NPR’s Susan Stamberg on Weekend Edition. “Texting and Driving” rose to #5 on the Billboard Jazz Chart, and #3 on the Billboard Comedy Chart in the same week! Dave’s celebrated first CD, “I Just Want To Get Paid”, continues to get regular airplay many years after its release. When not leading his own trio, Dave is one of the busiest drummers on the scene. In 2016 Dave became the drummer for Barbra Streisand and has played five tours with Streisand including Madison Square Garden in July 2019, and on Barbra’s GRAMMY NOMINATED live Netflix concert video, “Barbra – “The Music..The Mem’ries..The Magic!”. Dave toured from 2000-2010 as drummer and lead vocalist for Chuck Mangione. Dave is the drummer on Pixar’s popular series, “Forky Asks A Question” and Disney’s “Monsters At Work”. Dave has led his trio at the Vail Jazz Festival and Winter Concert Series three times, Catalina Jazz Club in Hollywood, twice at The Los Angeles County Museum of Art (with a two-hour broadcast on KKJZ), San Diego’s KSDS 88.3 FM “Jazz Live” series (a 90-minute live broadcast and interview), the Newport Beach Jazz Party, The Nash in Phoenix, The Arts Garage in Boca Raton FL, The Miami Jazz Coop in Coral Gables, FL, Jazz Showcase in Chicago, the JazzVox house concert series in Seattle, The Strathallan Hotel in Rochester, NY, the “Jazz at Joe’s” concert series in Bend, OR, The California Jazz Arts Society, and countless times at the iconic Lighthouse Café in Hermosa Beach, CA. In May 2022 The Dave Tull Songbook was released by Sher Music, including 21 of Dave’s original compositions available in print for the first time.

05:30 PM SHOW 07:30 PM SHOW

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Chuck Israels, revered as one of the preeminent bassists in the world, GRAMMY winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.

Among Chuck's many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock; Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio '65; Live at the Trident; and Time Remembered. In 2020 Chuck won a GRAMMY for his work with opera star Joyce DiDonato on her recording "Songplay"

As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.

JAZZ TITAN THURSDAYS
The Jack London Revue proudly presents Jazz Titan Thursdays, featuring the Mel Brown B3 Organ Group and the Chuck Israels Jazz Orchestra.

Join us at Portland’s top jazz club to honor two of the most influential names in Pacific Northwest jazz music: Mel Brown - drummer for Marvin Gaye, Diana Ross, Stevie Wonder, and the Temptations and Chuck Israels - bassist for Billie Holiday, Benny Goodman, Herbie Hancock, and Bill Evans.

This Thursday, immerse yourself in the speakeasy vibe and rich sound of live soul, jazz, and bebop. Two sets starting at 7pm. Enjoy our full bar and menu. General admission and table packages available.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"