Performing Arts❯Theater

This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.

TAIPEI CITY, TAIWAN

Birdy

“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver

Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute

The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.

Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .

The Saloon Ensemble‘s epic all-ages production of The Nitemare B4 Xmas is back. Featuring Kylee Wegner as Jack, Patrica Charms as Sally, Jason Wells as The Mayor, Noah Veil as Oogie Boogie, Dan Stauffer as Dr. F, Phil Sano as Sandy Claws, Richard Cawley, Iris Asher, and Stacey Ludlow as Lock, Shock, and Barrel, Julia Andalora as Zero, plus Jon Vancura on sax, Mike Danner on accordion, Jeremy Baron on mandolin, and Joe Hagel on drums.

Portland's legendary performance troupe, The Saloon Ensemble, will once again bring to the stage a live performance of the brilliant score complete with interactive sing-along, a costume contest, everyone's favorite screaming contest and many other 'horrible' surprises.

Celebrate the Halloween season with the annual production that's been packing houses and delivering joyous fun for all spirits, young and old.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Norman Huynh, Conductor

Steiger Butte Drum and Singers, Native American ensemble

Members of Portland State University Chamber Choir, Ethan Sperry, Conductor

Oregon Symphony

Stravinsky Symphonies of Wind Instruments

Michael Gordon Natural History

Grace Meidziak New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)

Beethover Symphony No. 1 in C major, Op. 21

On Sunday, November 1st, Oregon Koto-Kai, the Japanese Koto Music Society of Oregon, will present its 15th Annual Fall Concert. This year’s concert will feature traditional and modern koto ensemble pieces selected to honor the koto mastery and memory of the late Kazue Sawai. The music will be complemented by beautiful art on stage created by local artist Satoko Motouji.

Kazue Sawai cofounded the Sawai Koto Institute based in Tokyo, Japan with her husband, koto master and composer Tadao Sawai. Not only was she the instructor and mentor to our Artistic Director, Mitsuki Dazai, but her passion and innovative playing style was an inspiration to our entire group and koto players worldwide. Our program honors that legacy with traditional pieces signature to her repertoire and boundary-pushing compositions from the Sawai catalog.

Stephen Mallatratt’s The Woman in Black has been terrifying audiences since its London debut in 1987 and is one of the most successful and terrifying shows in West End history. Based on Susan Hill’s beloved novel, it’s one of the most celebrated ghost stories ever staged: atmospheric, relentless, and the kind of theatrical experience that makes you question every shadow on your way to the car.

Set in a remote English village, it follows a young lawyer unraveling the secrets of a recently deceased client and the vengeful presence that doesn’t want him to. Just two actors portray all the characters, leaning into what B&B’s performers do best.

Chilling, clever, and unforgettable. Halloween is back at Bag&Baggage.

Sat, Oct. 24th – ASL Interpreted Performance
Sun, Oct. 25th – Audio Described Performance

Lewis & Clark College Department of Music and Portland State University’s School of Music and Theater present an afternoon with Grammy Award-winning soprano Audrey Luna on Wednesday, November 4, 2026 from 3pm to 6pm in Evans Auditorium.

Join an afternoon with Grammy Award-winning soprano Audrey Luna. Audrey will give a masterclass with L&C and PSU students and present a lecture titled "The Business of Singing."

Ekklesia Theatre launches its “Love Your Neighbor” season with Will Eno’s funny, haunting “Middletown,” Oct. 23-Nov. 1 at Magenta Theater, in partnership with NAMI Southwest Washington. The play follows an unlikely friendship between longtime Middletown resident John Dodge and newcomer Mary Swanson. Around them, a librarian, a mechanic, a police officer, tourists and other townspeople try to make sense of their lives — and one another. Their paths cross in surprising ways, taking audiences everywhere from a library to outer space. Shows are 7:30 p.m. Fridays and Saturdays from Oct. 23-31 and 2 p.m. Sundays through Nov. 1 at 1108 Main St., Vancouver. NAMI Southwest Washington will be at the theater after performances on Oct. 25 and 30 to discuss loneliness and mental health. Plays are recommended for viewers age 13 and older. Tickets are $15 at ekklesiatheatre.com/tickets.

Norman Huynh, Conductor
Steiger Butte Drum and Singers, Native American ensemble
Members of Portland State University Chamber Choir, Ethan Sperry, Conductor
Oregon Symphony

STRAVINSKY Symphonies of Wind Instruments
Michael GORDON Natural History
Grace MIEDZIAK New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)
BEETHOVEN Symphony No. 1 in C major, Op. 21

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Acclaimed Athens-based chamber ensemble Galan Trio visits Lewis & Clark College as part of their US tour for a performance on Friday, November 6, 2026 at 7:30pm in Agnes Flanagan Chapel.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Fred Armisen is a comedian, writer, producer, and musician. He is the co-writer and co-star of IFC’s Emmy-nominated series Portlandia. He is in the hit Netflix series Wednesday as Uncle Fester. He stars in HBO’s Los Espookys, which he co-wrote and executive-produced. He can also be heard in the hit animated movie Super Mario Bros. Armisen stars in, writes, and produces IFC’s hit show Documentary Now. He has also appeared in HBO’s Our Flag Means Death, Judd Apatow’s The Bubble, and Amazon’s series Forever. He voices characters in Big Mouth and The Mitchells vs. The Machines. He is currently starring in the Broadway play All In. Armisen is an 11-season veteran of Saturday Night Live. From 2014-2024, Armisen was the band leader of the 8G Band on Late Night with Seth Meyers.

Ghost Show! is the story of a group of people who have found themselves at the lowest point in their lives — making a low-budget ghost hunting show that’s in last place in the local ratings. But an accidental death (is she dead, though?) leads to a boost in engagement…and a whole new set of problems. Filmed both behind the scenes and as in-universe episodes of the show, Ghost Show! is all about failure, found family, and trying to make meaning out of the ghosts of the past — and future.

Join the Tiny Park Productions team at Twilight Theater for the launch party of the pilot reading of Ghost Show! Not only will you see and hear the first official reading of the pilot script, but you’ll also get to enjoy fun, spooky-season-themed activities and treats — think of it as a theatrical carnival.

There will also be a costume contest with Door Prizes, so Halloween costumes are encouraged.

Tickets include a free raffle ticket. Prizes include real ghost-hunting gear.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Bells of the Cascade presents "International Rhythms," a concert featuring exciting music from many different countries. Featuring Grammy- and Oscar-winning songs like "Golden" (K-pop Demon Hunters), "Russian Sailors' Dance" from the ballet The Red Poppy, a stunning folk song from England, "The Turtle Dove", and the electrifying "Firedance" from Riverdance, this concert is thrilling and will be a delightful way to spend your afternoon at the start of November.

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

In Buddhist thought, the Tree of Life is a symbol of awakening, wisdom, and the interconnectedness of all life. Its roots reach deep into the earth while its branches extend toward the sky, reminding us that each generation grows from those that came before and that our lives are shaped by the communities and traditions that sustain us.

Opening the PSU Choirs' concert season, "Tree of Life" explores these themes through music that spans continents and centuries. Performed by the PSU Chamber Choir, Rose Choir and Thorn Choir, the program pairs cherished works from the Classical choral tradition with music by a new generation of Southeast Asian composers. At its center is Indonesian composer Bagus Utomo's Gayatri, inspired by the legendary queen whose wisdom and spiritual devotion remain an enduring part of Indonesian cultural heritage. The concert also features works by Budi Susanto Yohanes, Ily Matthew Maniano and Matthew Lyon Hazzard. Several of these pieces will be recorded later this year by the internationally acclaimed PSU Chamber Choir at Skywalker Sound, offering audiences an opportunity to hear this music before it is released.

Portland Piano International presents Canadian pianist Jan Lisiecki, a Deutsche Grammophon artist, in “a whole dancing world,” a recital of dances from across Europe and the Americas. The program includes Martinů’s Three Czech Dances, Szymanowski’s Four Polish Dances, Schubert’s 16 German Dances, Bartók’s Romanian Folk Dances, Ginastera’s Danzas argentinas, waltzes by Chopin and Brahms, Piazzolla’s Libertango, Falla’s “Ritual Fire Dance,” and Chopin’s “Heroic” Polonaise.

A free pre-concert lecture with Bill Crane and Amelia De Vaal begins at 3:15 p.m.

The Imperfecta Gallery, in collaboration with North Pole Studio, is proud to present The Island of Misfit Toys. This exhibition presents work by Portland-based artist Davis Wohlford. Every year, Davis Wohlford's art practice gives form to an evolving cast of handmade toys. Inspired by the fictional place of The Island of Misfit Toys, its characters occupy the margins of conventional narratives, finding possibility in their differences and agency in their own stories. Hand-sewn, machine-stitched, felted, painted and sculpted from wood and assembled from found objects, Davis's endlessly resourceful approach to materials yields creations that suggest personalities and histories beyond their physical forms. These are not simply objects to be observed; they are created to be played with, loved, and to inspire one's imagination. The toys welcome you to explore an alternate world of their own, an immersive world that Davis builds and shares with his audience. This year, that world expands into performance. Handcrafted puppets take the stage alongside a musical accompaniment, while familiar fairy tales are dismantled, reimagined, and given unexpected trajectories.

Opening Reception: November 5, 5–8 p.m.

Davis Wohlford is a prolific, lifelong artist and the co-founder of North Pole Studio. His work is deeply influenced by characters, stories, and fables that resonate with him and bring narratives to life through diverse media. Davis' works depict a vast array of interconnected characters and fantastical subjects who inhabit North Pole Jr., a self-constructed, multidimensional magical land that Davis has developed over time. His art is a window into this imaginative world, where whimsy and complexity coexist, and every piece is a chapter in an ongoing narrative. Davis is also deeply engaged in re-imagining classic books and movies, exploring playwriting, filmmaking, and animation. This multifaceted creative practice reflects Davis's belief in the power of storytelling as a means of both personal expression and universal connection. Whether through the visual richness of his paintings or the dynamic exploration of narrative in his written and filmed work, Davis Wohlford's art reflects his boundless imagination and his desire to craft worlds that invite others to explore and find meaning in the stories he creates.

the tudor choir
+ doug fullington

Tudor England (c1485–1603) was deeply unstable — yet monuments of its Latin sacred music survived, including the Sarum rite chant used before the Reformation. This chant formed the basis of devotional works by Taverner, Sheppard, Fayrfax, and Tye. It appears directly in several pieces on this program — among them Sheppard’s deeply moving Libera nos, whose chant melody is shown here. This music is inseparable too from the stone abbeys and cathedrals it was made to fill. These Stones Remain restores these masterworks to their spiritual home, performed by the Northwest’s own Tudor Choir.

• Sacred Masterworks from Tudor England

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert also will include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

• Sarah Hicks Conductor
• Dessa Vocals
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Hailed by France Musique as the new face of the classical guitar, Djibouti-born French guitarist Raphaël Feuillâtre regularly delights audiences and critics worldwide with his charismatic artistry, embracing everything from Baroque-period repertoire to compositions by trailblazing contemporary composers. His jaw-dropping precision, technical mastery, and creative vision make works from all time periods sound as if they were written yesterday–alive, heartfelt, and filled with color. Don’t miss a passionate evening of Latin music, including many of Feuillâtre’s own arrangements.

Step into a slippery world where the line between truth and fiction is all in the packaging. It’s 1936, and a pair of passionate filmmakers has landed their next big project: a sweeping Spanish Civil War film with the potential to change American hearts and minds. It just happens to be bankrolled by the KGB. Spain by Jen Silverman is a seductive and tense thriller about the power of art to change the world — for better and for worse.

by Jen Silverman, directed by Josh Hecht

One of the most ambitious productions in recent Profile history, Spain is a grand cross-disciplinary spectacle featuring multiple partnerships with arts organizations throughout Portland, including live opera developed in partnership with Portland Opera, and both recorded and live music performed by musicians with 45th Parallel.

Greece’s Galan Trio performs at Pacific University as part of their Kinesis tour, bringing a program of American composers hailing from the West Coast, including Pacific University faculty member Ryan Francis. Their appearance is underwritten by the Elise Elliot Trust and is presented under the auspices of Greece’s Ministry of Culture.

”Kinesis” is Galan Trio’s attempt to explore the music of contemporary American composers
by bringing their works together in an original, multifaceted concert program. The project
draws from collaboration between Galan Trio and professors of composition from select
U.S. universities, and from the notion of “Kinesis.” Kinesis is an undirected movement of a
cell, organism, or part, in response to an external stimulus. In Greek, Kinesis means
movement, motion. Motion is a fundamental characteristic of all living beings; motion is
what all musicians worldwide have desired during the last couple of years; motion alludes to
continuity, and it’s a promise for the future of “Kinesis” itself.

Ticket Prices: $21 general admission. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns to build an altar, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Age Recommendation: All Ages
Estimated Running Time: 1 hour 30 minutes, including one intermission

Ticket Availability:

• Season Packages: Tickets may be secured now when you purchase a Milagro Season Package, offering savings of 12.5% – 20%, depending on the package specified.
  To see package options, please CLICK HERE.
• Group Sales: Groups of 10+ may book now to order.
  Please CLICK HERE to send us an email with your desired performance date/time, the number of tickets you are seeking.
  Your order will not be processed until after we have confirmed with you. Someone will respond to your email within approximately 72 hours.
• Single Tickets: On sale beginning Friday, August 21, 2026

Single Tickets:
Adults – $32
Seniors 50+ – $28
Students – $24

SHOW TIMES:

Ever wonder what happens when exes meet for dinner? Douglas Lyons’s Table 17 dives into just that, bringing you Jada and Dallas, two people revisiting their past relationship. What begins as a simple catch-up quickly unravels, moving between humor and honesty. You’ll discover their spark, the eventual unraveling, and the lingering question: what if?

Directed by Charles Grant, this play invites you into a single night holding years of love, mischief, and unspoken words. It’s set in Bianca’s Restaurant, where your seat is part of the world. Choose a floor table, a riser, or a traditional theatre seat. You’re in the story. Go see it!

Internationally renowned concert organist Nathan Laube presents an exciting recital of thrilling organ music from a wide variety of eras and locales. This one-of-a-kind program features a diverse selection of works by Felix Mendelssohn, Dieterich Buxtehude, Charles-Marie Widor, and more. Laube's 75-minute recital showcases both his dazzling technique and his profound gift of listening carefully to the instrument and eliciting from it a thrilling range of musical colors — a combination perfectly suited to the world-class Rosales organ. He'll explore the organ’s full range of tonal colors throughout the program, which is offered in celebration of the organ's 40th birthday this year.

Nathan Laube, a truly generational talent of the time, is one of the world’s most elite organ performers and pedagogues. He is Associate Professor of Organ on the faculty of the Eastman School of Music in Rochester, New York and International Consultant in Organ Studies at the Royal Birmingham Conservatoire in the United Kingdom. His extensive international recital career takes him continually to major concert venues and festivals around the world.

Trinity's pipe organ, built by Manuel Rosales and installed in 1986, is one of the finest pipe organs in North America. Trinity Music is the professional music program of Trinity Episcopal Cathedral, comprising the Cathedral Schola, Trinity Choir, and Choir School; a concert series featuring nationally recognized guest artists; and the acclaimed Rosales organ, all in one of Portland's finest acoustic spaces.

In this live Dungeons and Dragons show, comedians and performers take to the stage to play some theater games, share some jokes, and play some D&D.

This season of Magic Tea Party, you will join Dungeon Master Juliet Mylan, who will lead:

• Cosmo Reynolds (as Joey, just some guy with a ukulele that frequents Portland open mics)
• Jenna Britann (as Holbrook, a 165,786,084 yr old dilophosaurus),
• Riley McCarthy (as Enoch "Nucky" Fallstar, an apostle of the doomsday cult Threshold of Paradise with some unorthodox powers)

Audience members will take part in controlling the players' fate as they navigate an AU magical Portland in a series of side quests to gather magical artifacts for MOMSI (that's Magical OMSI for the layperson). The show can include strong adult themes and language, so if you bring your 8-year-old, just know they may learn something you were hoping to discuss with them after they hit puberty. Recommended for ages 16+ and parental guidance for those younger.

Small concessions booth with snacks, sodas, seltzers, beer, and wine available at the show. A coffee shop is located in front of the theater, and beverages are welcome in the theater. Tickets are GAYAF (Give As You’re Able Friend) with a suggested donation of $20 to compensate the performers and keep this independent LGBTQ theater running.

Minors ok when accompanied by a parent or guardian

ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

Hailing from Germany, the three Schumann brothers have been playing together since childhood. Together with their violist colleague, Matthew McDowell, they communicate with an openness and curiosity that has gained them a reputation as one of the most exciting string quartets performing today.

WOLF Italian Serenade MOZART Quartet in G Major, K. 73f IVES Quartet No. 2 BRAHMS Quartet in A minor, Op. 51, No. 2

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Glass. Kill. Bluebeard. Imp. is a collection of four short, surreal plays by acclaimed English playwright Caryl Churchill. Premiering at London's Royal Court Theatre in 2019, these darkly imaginative works weave together myth, fairy tale, and contemporary horror. Moving between collective voices and intimate encounters, Churchill explores violence, power, desire, and the stories we tell to make sense of a fractured world. By turns funny, haunting, and unsettling, the plays invite audiences into a landscape where the familiar becomes strange, and ancient myths reveal modern anxieties without explanation or comfort.

A girl made of glass. Gods and murders. A serial killer's friends. And a secret in a bottle.

Four short plays by Caryl Churchill

Directed by Samantha Van Der Merwe

Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.

Followed by book signing at The Shop at PAM.

A major collection of performance works by artist and agitator Anthony Hudson.

Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Under the direction of Dr. Abbie Brown, the Pacific University Symphonic Band will present its fall concert program, “City Trees: Urban and Natural Landscapes.” This concert program allows the ensemble and audience members to be in conversation about the way natural and urban landscapes interact with one another and features music that speaks to these two themes. The concert is presented in collaboration with the Pacific University Art Department as students in Drawing and Painting classes depict one piece in particular, Planet B by Catherine Likhuta. Other pieces on this program include Flaxen Tresses by James M. David, Shenandoah by Omar Thomas, and Under Pines and Stars by local Washington composer Megan Vinther.

Ticket Prices: $11 general admission, $8 for seniors, military and non-Pacific students. Free for Pacific students, faculty and staff. Online ticket sales only. Purchase tickets at https://www.pacificu.edu/musictickets.

The Vancouver Symphony Orchestra presents “Back to the Movies” with live accompaniment to the 1926 high seas adventure film, “The Black Pirate,” starring Douglas Fairbanks. Performances are 7-9 p.m. Nov. 19 at Skyview Concert Hall, 1300 N.W. 139th St., Vancouver, and 7-9 p.m. Nov. 20 at Joyce Garver Theater, 1500 N.E. Garfield St., Camas. Watch the film with a live score played by the orchestra’s chamber ensemble. Admission is $25. $10 student tickets are available at the door.

How do you celebrate the birthday of Adolphe Sax? With plenty of saxophones, of course!

Join the PSU Saxophone Studio for a spirited evening honoring the saxophone’s inventor. Featuring a saxophone octet, two quartets and student soloists, this celebration explores a variety of musical styles—from the lyrical to the lively—with plenty of saxophone personality.

Bring your friends, bring your family and help us celebrate the man who started it all!

Learn more about Portland State University's bands.

A one-clown kaleidoscope of beauty, tradition, and tyranny — where a pansori diva, a K-beauty fanatic, and a self-proclaimed dictator collide in a hilarious search for identity and power.
In Take Me to Your Leader: The Seoul of a Clown, beauty, ritual, and absurdity collide in a one-clown fever dream. From the haunting rhythms of pansori to the fluorescent glow of a K-beauty altar, Monel Chang (aka Moldy Melon) shape shifts through characters both divine and deranged: a folk diva, a skincare-obsessed disciple, and a dictator throwing themself a birthday party.

Part satire, part spiritual exorcism, and entirely clown, this genre-defying solo performance unpacks the obsessions that bind — from perfection and purity to power and control. With live sound, ritual gesture, and a face full of toner, The Seoul of a Clown invites audiences into a surreal search for identity, laughter, and liberation.