Downtown, Pearl & NW

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Join an essential lecture by the acclaimed Dr. Jared Cooney Horvath. Jared Cooney Horvath (PhD, MEd) is a neuroscientist, educator, best-selling author and expert in the field of human learning. His new book, The Digital Delusion: How Classroom Technology Harms Our Kid's Learning - And How to Help Them Thrive Again, pulls back the EdTech curtain and explains the research showing how digital tools in the classroom consistently undermine learning. It also explains how parents, teachers and schools can push back with purpose.

As a leading expert in learning and technology, Jared testified before the US Senate on EdTech and is an internationally sought-after speaker.

Sponsored by the Institute for Families and Technology and OR Unplugged.

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

In this stunning and compulsively readable memoir, the Oscar-winning star of Indiana Jones and the Temple of Doom, The Goonies, and Everything Everywhere All at Once, Ke Huy Quan, tells the story of his journey from Vietnamese refugee to 80s child star to the most inspiring comeback in Hollywood history. Interviewed by OPB’s Dave Miller. Ke Huy Quan’s Hollywood adventure began when he was twelve years old, a mere five years after his family escaped Communist Northern Vietnam and settled down to a relatively peaceful life in L.A.’s Chinatown. After attending an open call audition on a whim, he was unexpectedly swept up in the wild world of filmmaking: learning to swim from Harrison Ford on the set of Indiana Jones and the Temple of Doom, receiving trucks full of toys from Steven Spielberg and George Lucas for his birthday, meeting Princess Leia and Luke Skywalker, and making lifelong friends on the set of The Goonies.

A star of two of the most beloved movies of the ‘80s, there appeared to be no limit to Ke’s rise. But just a few years later, the roles had dried up and it seemed like Hollywood no longer had a place for him. He eventually left acting to work odd jobs behind the scenes for directors like Wong Kar Wai. His confidence was badly shaken, but his love of performing never abated. It wasn’t until decades later, when he was 49 years old, that he stepped back in front of the camera to star in a strange little indie film called Everything Everywhere All at Once, which surprised everyone with its incredible box-office and awards season success. To call Ke’s Oscar-winning performance a triumphant return would be an understatement.

In this moving, inspirational memoir, Ke paints a vivid self-portrait, telling both heart-wrenching and funny stories of his early rise, slow fall from the spotlight, the resilience that kept him going through his darkest times, and his eventual resurrection on one of the biggest stages in Hollywood. Never Say Die is the story of Ke’s extraordinary life, a love letter to the movies and people that shaped him, and a powerful testament to never giving up on your dreams.

Sign up for the poster session here!

The 2026 Pauling Medal will be presented to Professor Wooley at the 2026 Pauling Medal Symposium on November 7, 2026, at Portland State University in Portland, OR, in recognition of her pioneering studies.

Information about the symposium is posted at the Pauling Medal web page. The symposium includes lectures by eminent scientists and the awardee, a student poster session, a reception, and an evening banquet with presentation of the Pauling Medal to Professor Wooley.

The symposium is free and open to the public. The Awards Dinner is open to the public but requires advance purchase of a banquet ticket. Please visit the Pauling Medal web page for event details and banquet tickets.

Schedule:

• 11:00am - 1:00pm: Poster Set-up Time
• 1:00 - 5:30pm: Symposium in Hoffman Hall
  Symposium speakers
  • Prof. Geoff Coates, Cornell University
  • Prof. Craig Hawker, University of California, Santa Barbara
  • Prof. Doug Keszler (emeritus), Oregon State University
  • Pauling Awardee, Prof. Karen Wooley, Texas A&M University
• 5:30 - 7:00pm: Reception and poster session in SRTC lobby
• 7:00 - 10:00pm: Banquet and award lecture in Hoffman Hall

Join an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.

On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Authors and acclaimed chefs Molly Irani(Service Ready: A Story of Love, Restaurants, and the Power of Hospitality) and Meherwan Irani(No. 1 Best Indian Cookbook in the World) sit down with renowned chefs and coauthors Sara Mardanbigi and Edgar Rico (Nixta Taqueria Presents: From Tacos to Tahdig) to discuss their recent publications and experiences building community through food. Joined by moderator and fellow chef, Farideh Sadeghin (The Hot Dog Cookbook and Cheesy), both pairs move beyond their recipes to share the cultures, upbringings, and people that inspired their successful businesses.

Molly Irani, the visionary cofounder of the James Beard Award–winning restaurant Chai Pani, shares her passion for hospitality and story of building a thriving business that puts people first.

Growing up with parents who owned a restaurant, Molly understood the power of service but also had a keen understanding of the industry’s challenges. When her husband Meherwan wanted to open a restaurant that would serve the Indian street food of his childhood, Molly thought he was nuts. And yet, the couple turned this unlikely dream into a vibrant reality. Chai Pani would eventually win the James Beard Award for Most Outstanding Restaurant in America, and be named one of 50 Favorite Restaurants in America by The New York Times, and one of Southern Living’s 20 Friendliest Places in the South.

In Service Ready, Molly takes readers on their inspiring journey to the heights of culinary and professional success. While she and her husband learned their way into running a restaurant, Molly created a groundbreaking work culture with industry-leading retention rates. They have fostered a loyal team and legions of fans, and have since launched multiple Chai Pani locations, the fast-growing spin-off, Botiwalla, and the popular spice business, Spicewalla.

Molly shares the ten core principles that have shaped their path, offering essential lessons for any industry. She opens up about the challenges and rewards of being business partners with your life partner and shares how she and Meherwan learned to merge their strengths in order to thrive. Her story celebrates the power of female leadership in a traditionally male-dominated field and is a testament to the essential impact these strengths bring to businesses. As she reflects on navigating a recession, a global pandemic, and the devastating floods in Asheville, she explores resilience, innovation, and how to create a strong culture in any workplace.

People of the earth! James Beard Award–winning chef Meherwan Irani is here to tell you that Indian street food is the best food on the planet—and that with more than 100 of his recipes you can have it at home any time you want.

“If you love Indian food, Irani decodes the entire canon for the home cook without oversimplifying or diluting the most delicious of global cuisines.”—Andrew Zimmern

Entering Meherwan Irani’s restaurants feels like walking into a party—and opening his cookbook is no different. With warmth, affection, and a bit of swagger, Irani makes a compelling, delicious case for adding Indian food to your weekly rotation, providing you with clear instruction on how to build layers of flavor and texture, putting beloved favorites like bhel puri, vada pav, kathi rolls, and more within your grasp.

In the No. 1 Best Indian Cookbook in the World, Irani takes you through the depths of this (liberally defined) subgenre of Indian cuisine that’s filled with delicious snacks, flavorful sandwiches, and curries and chutneys galore. He covers classics like pakoras and chaats as well as stews from roadside cantinas and Chinese-Indian stir fries. Through more than 100 recipes, Irani shares his tips for making street food with minimal time and effort, like sweet, bright, and crunchy Corn Bhel and a Mumbai Toastie, which provides one of the best uses you’ll get out of white sandwich bread. From Dhansak, the triple lentil stew his mom used to make, to the golden-crisp Dosa that’s now found itself in the lexicon of street food, these recipes are rooted in childhood memories, travels through India, and deeply conducted research on the cultures that have contributed to Indian cuisine. Essays throughout dig into areas of Indian cuisine that Irani loves to talk about, like why naan isn’t eaten with every single Indian dish and why chai should be made with substandard tea leaves.

With more than 100 recipes for sandwiches, chaats, fried goodies, and more, you’ll quickly see why this is the No. 1 Best Indian Cookbook in the World.

“The future of American food is found at Nixta, where Edgar Rico and Sara Mardanbigi combine Mexican, Persian, and American flavors to create one of the country’s most essential restaurants.”—Brian McGinn, director and executive producer of Chef’s Table

Sara Mardanbigi and Edgar Rico are proud hyphenated Americans: Iranian and Mexican, respectively. It’s their superpower and what they’ve built their award-winning restaurant Nixta Taqueria on. Pulling from their rich culinary heritages, they’ve done what first-genners do best—created delightful twists on Mexican, Iranian, and American classics. In Nixta Taqueria Presents: From Tacos to Tahdig, they sling tacos and tostadas, alongside platters of golden, fluffy rice; rich stewed meats; and so, so, so many herbs.

Nixta Taqueria Presents: From Tacos to Tahdig takes you through recipes from Edgar’s childhood in Visalia, California, with family dishes like Tortas de Milanesa de Pollo and Chicharrones en Salsa Verde. Then it’s Sara’s turn, sharing recipes from the Ozarks in Arkansas and family trips to Iran for Maman’s Fish with Kuku Sabzi and Ash Reshteh. Lastly, they bring it all together, showing the full-force beauty and surprising connection between the two cuisines with recipes like Smashburgers Al Pastor and Saffron Tres Leches.

More recipes include:

• Nixta Taqueria’s legendary Duck Carnitas Tacos
• Barbacoa Empanadas
• Fesenjoon
• Beet “Tartare” Tostada
• And their famous cross-cultural recipe for rice pudding, Sholeh Zard

With over 100 recipes and stunning photography, Nixta Taqueria Presents: From Tacos to Tahdig is a celebration of where Edgar and Sara have come from and where they are now. Come along for the ride!

Alexis Nikole Nelson, best known to millions of fans as Black Forager, invites you on an adventure to discover the delicious and wild foods hiding in plain sight. Alexis captivates people with her joyful enthusiasm and deep knowledge of foraging and inspires them to explore the bounty of their own backyards, parks, and trails, and now she does the same in her eagerly awaited first book.

Happy Snacking, Don’t Die! is a one-of-a-kind collection of recipes and foraging wisdom that teaches you how to turn common plants, flowers, and fungi into yummy, plant-based meals. This unique work is almost like two books in one—foraging plant guide and vegan cookbook—organized by season to guide you through a year of appetizing discoveries. In spring, you’ll learn to pickle Magnolia flowers and turn Japanese Knotweed into a refreshing granita. Summer is for frying up Milkweed Buds, making Juneberry Hand Pies, and crafting Rosewater Baklava. When fall arrives, you’ll be making savory mushroom dishes (a.k.a. chicken of the woods) like Maitake steak and bacon. And in winter, cozy up with Pine Shortbread Cookies and Oyster Mushroom Chowdah.

Have you ever seen a group of acclaimed illustrators face off to showcase their art? Now is your chance! Join Steph Littlebird (You Are the Land), Scott Campbell (Feeling Good!), Vashti Harrison (That You Are Here is No Small Thing), Julia Kuo (Bing’s Cherries), Pedro Martín (Mexikid Dreams), Huda Fahmy (Huda F Would Love You?), for an exciting draw-off experience. Moderated by Breena Bard and Jonathan Hill.

About You Are the Land:

A joyful exploration of a child’s loving relationship with the land that supports and nurtures her as she grows. You Are the Land is a vivid ode to belonging within a family, within a community, and within the natural world.

From the day she’s born, a child feels the love and power that come with being part of something bigger. She’s a new spring leaf, alive and growing, as strong as the ancient cedars and as radiant as the glittering night sky. She is one with the amazing forces of nature that surround and nurture her, and that she nurtures in return.

Through inspiring words and sweeping illustrations, Littlebird’s stunning author-illustrator debut celebrates our connection to the land and shows how we perfectly mirror its beauty and resilience.

About Feeling Good!:

Cabin Head and Tree Head are BACK in this second volume of the lovable, laugh-out-loud graphic novel series about a best friend duo like no other! Book 2 includes 6 hilarious adventures in a wonderfully off-the-wall universe where everyone has something on their head! Includes bonus content: Storytime with Library Head, Notable Spots with Tour Bus Head and Sandcastle Building with Sandcastle Head. Cabin Head and Tree Head return for some “sunny day relaxing” and are ready to experience the joys of the beach, alone time, getting in strong shape, rewarding their accomplishments (like breathing) and other important activities (like posing and lying down). Check out the series School Library Journal called, “Not just one of the most unconventional books of the year, but one of the best as well.”

About That You Are Here is No Small Thing:

A stunning exploration of the history of Black Americans by award-winning picture book team Traci N. Todd and Vashti Harrison.

The world is forever changed because you are here.

At once honest and empowering, That You Are Here Is No Small Thing is a story about resilience. In these stunning pages, young descendants of enslaved Africans are guided through the history that led them to exist and thrive today. Through their eyes, we see how Black Americans have relied on one another to fight against oppression and the ways in which the strength of their ancestors is always with them.

Sibert Honor winner Traci N. Todd and Caldecott Medalist Vashti Harrison have created an unforgettable exploration of culture and history that records the important survival story Black children carry and celebrates their hope for a radiant future.

About Bing’s Cherries:

A modern American tall tale woven by a girl and her father about Ah Bing, the Chinese immigrant behind the Pacific Northwest’s most delicious cherries.

You’ve heard of a Bing cherry, but did you know the story of the Chinese American immigrant for whom the dark, luscious cherry is named?

Long ago, Ah Bing was a father who travelled across the sea from China looking for work. It was in Oregon where he met a man who hired him to work in his orchards, where eventually, Bing cultivated the delicious cherries we know of today.

But what was it that made this man and the cherries he made so special? a young girl wonders as she sits together with her father, enjoying cherries from their backyard. Weaving together cultural memory, historical fact, and her own imagination, the young girl imagines a narrative of Ah Bing that is as larger than life and as sweet as his namesake.

With touching text and lush illustrations, Livia Blackburne and Julia Kuo forge an unforgettable Chinese American folktale that has largely been untold. The backmatter includes a letter from the author and illustrator, as well as a recipe!

About Mexikid Dreams:

In this extraordinary graphic memoir companion to Newbery Honor winner Mexikid, hilarious family hijinks, immigration patrols, and musical daydreams shape a year of growth and change for a Mexican-American boy and his family.

Pedro Martín is sick of strawberries. Since he was seven, he’s spent every weekend and summer picking berries with his family under the hot sun. Sometimes it’s not so bad—Pedro’s an ace at “strawberry wars” with his siblings, and when a good song comes on the radio, the fields can come alive with music. But mostly, Pedro wishes he could just stay home watching Saturday cartoons, head to the beach like other kids, and not worry about immigration patrols. When his older brother gets a job away from the farm, freedom suddenly seems within arm’s reach: Pedro just has to prove to his dad that he’s ready to follow a different path! Maybe he can be a trombone player, or a cartoonist—if that’s even a real job. But as Pedro learns more about his parents’ and abuelito’s past, and the choices they made in order to open up more choices for him, he starts to understand that freedom isn’t just about leaving the fields—it’s about knowing where you came from and having the courage to draw your own life.

About Huda F Would Love You?:

In this funny and tender finale to the Huda F series, Huda has a plan to find love—but she might need to find herself first!

It’s the summer after Huda’s high school graduation, and love is in the air! Or it’s about to be, anyway. Because Huda has the ingredients for a perfect love story: a butt-kicking girl power squad of new friends, and a plan to woo all the aunties into setting her up with their eligible sons. But when she finds herself caught between her friends and her heart, gender roles and ambitions, and her fears and dreams, Huda begins to realize that finding her own “happily ever after” might require changing herself—or her expectations.

Join Erath and The Malarkey for a special evening that brings together two Oregon Originals. Hosted at chef Brian Malarkey’s downtown Portland restaurant, this winemaker dinner pairs seasonal cuisine with Erath wines for a one-night-only experience celebrating Oregon's flavors and spirit.

Throughout the evening, guests will enjoy a multi-course menu created by The Malarkey culinary team, thoughtfully paired with Erath wines selected to highlight the flavors, stories, and sense of place that define Oregon. Along the way, you’ll hear from Erath’s Head Winemaker Leah Adint and discover how a shared passion for hospitality, craftsmanship, and creativity continues to inspire both brands.

With limited seating, this is a rare opportunity to gather around the table for an unforgettable evening of food, wine, and Oregon tradition.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This is a virtual program held via Zoom Webinar. The webinar will also be screened inside the new building for the Jordan Schnitzer School for Art + Art History + Design on 1981 SW Broadway, Portland, OR 97201. Attendees can also join remotely.

Join us for an evening of conversation, laughter, and stories of the human spirit featuring The Omnibus Project with John Roderick and Special Guest. Presented by Papertrees Creative in partnership with the 2026 Portland Book Festival and Literary Arts. This event will be recorded.

The Omnibus Project

The Omnibus Project is a podcast founded in 2017 by Ken Jennings and John Roderick as a repository for the lesser-known stories of our collected human experience that, in the event of a cataclysm, may not survive to be retold. It is an effort to save our own Library of Alexandria to disk, a project to preserve not just what made us great but what made us human.

The show has diligently researched and compiled the knowledge AROUND the knowledge, building a compendium not of obvious and commonly cited data—the Roman Empire and World War II are widely reported elsewhere—but of the esoteric and sublime wonders that might otherwise be lost.

The Omnibus Project weathered many upheavals: leaving iHeart Media to become an independent, listener-supported program; switching formats from biweekly to weekly; enduring storms, controversies and multiple breathless articles in the Hollywood Reporter. Both hosts were the subject of controversy, but in all the years never missed an episode. Throughout it all, the show grew into a thriving archive of wonder, with millions of annual listeners and a vast community of devoted fans who gather under the banner of “Futurelings.”

In 2025, due to his duties hosting Jeopardy!, Ken stepped back into an emeritus role as executive producer, occasional contributor, and spiritual lodestar, entrusting the continued production of The Omnibus Project to his colleague and partner, storyteller John Roderick. Unencumbered by fame or fortune, John carries on their good works with a weekly rotating cast of friends, authors, comedians and, most importantly, the Futurelings community.

As the show marches toward its first decade, the archive continues to expand, escaping the confines of the podcast feed for live appearances at such venerable institutions of knowledge as the Library of Congress and beyond. And with each new week, each new entry, each new show, we’re granted a blessed postponement of the apocalypse—one we hope will never come—as another overlooked, forgotten, or improbable tale is added to … the Omnibus.

John Roderick is a Seattle-based musician, writer, and podcaster celebrated for his sharp wit and distinctive voice. Beyond co-creating The Omnibus Project, he also co-hosts Roderick on the Line. His essays have appeared in Rolling Stone, Esquire, and Seattle Weekly, alongside his published book of short prose, Electric Aphorisms. Best known as the frontman of The Long Winters, Roderick will return with a highly anticipated new album soon.

Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills. Interviewed by Lucy Feldman (TIME).

An aspiring archivist determined to begin a “serious” life after an undistinguished undergraduate career takes up residence in the Italian countryside. Here, he becomes the all-purpose assistant to the Baronessa, known to her friends as Coco, a defiantly youthful and naturally flamboyant woman of ninety-two. Amid a chaotic and colorful milieu of gin-swilling princesses, incomprehensible handymen, roaming boarhunters, nuns, and other local wildlife, our young man does his best to catalog the villa’s extensive collection of art and antiques—although he notices that things seem to go missing from right under his nose.

Despite himself, he tumbles into an affair with a married man, complicating his future plans considerably. And when the Baronessa loses someone close to her, he becomes an unwitting accomplice in the acceleration of Coco’s great and final plan: to locate the love of her life and be reunited before it’s too late. Told with the signature wit, charm, and humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself, a meditation on how seriously we ought to take ourselves, and a bawdy Mediterranean ballad about becoming who we’ve always wanted to be.

Join us for an afternoon with Grammy Award-winning soprano and PSU alum Audrey Luna! Audrey will give a masterclass with L&C and PSU students and present a lecture titled "The Business of Singing."

Learn more about the School of Music & Theater Voice Area.

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Poets Victoria Chang (Tree of Knowledge) and Beth Piatote (distant waters) sit down for a conversation on their recent publications andtheir evocative use of nature throughout their poems. Moderated by writer and editor Alyssa Ogi, this discussion promises a rumination on our shared home, oppressive efforts of erasure, and the art and language that we use to understand our world and ourselves.

FINALIST FOR THE NATIONAL BOOK AWARD

A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.

Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.

Men assess the eucalyptus tree growing on the poet’s street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem “Eureka” examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang’s crystalline voice and generous, probing gaze, and by certain images —trees, a hanging figure, a branch, fingertips, a briefcase—that resurface like apparitions.

As a scholar of Native American literature and law, Beth Piatote focuses on the endangerment of Indigenous languages. As an activist, she moves against the current of English-language colonization, working to rescue and revitalize the language of her people. Language, she posits, is an expression of land, a means through which we can travel great distances.

distant water brings the reader into the language of our shared home, North America, revealing a sonic world and grammar governed by rivers, kinship, and ancestral knowledge. “In our homes and homelands,” she writes, “we share the language with the plants and animals and waters and rocks and sky.” Inventive and playful, these poems explore the sounds, structure, and wisdom of the Nez Perce language, illuminating its vitality and capacity to organize relationships to time and place. Braiding aural, linguistic, and spiritual ecologies, distant water conveys an understanding that to be in language is to be in place. To be at home.

Join a conversation, two weeks after Election Day, about trust, elections, and the political systems and culture with Paul Gronke, director of the Elections and Voting Information Center at Reed College, and Susheela Jayapal, a former Multnomah County Commissioner and current fellow with the North Star Civic Foundation.

Polling of voters in the US shows that confidence in elections and political institutions has fallen over the past two years. In this onstage conversation, moderated by Adam Davis, dig into the factors that affect the public's faith in democracy and how that declining trust shapes how people vote and govern themselves.

The event is part of the 2026–27 Consider This series, What Do We Trust?

Join acclaimed historian Lord Andrew Roberts for a fascinating look at the men who helped build — and ultimately unravel — Napoleon Bonaparte’s empire. In his new book, Napoleon and His Marshals, Roberts brings to life the extraordinary generals who served at Napoleon’s side, from the courageous Ney and flamboyant Murat to the tenacious Masséna, iron-willed Davout, and meticulous Berthier.

In 1804, Napoleon created the Marshalate, the highest military honor of the French Empire, and over the next decade elevated 26 of his most accomplished generals to the rank. Roberts explores their personalities, ambitions, rivalries, and complex relationships with their emperor, revealing how Napoleon’s leadership both inspired fierce loyalty and fueled destructive competition among his marshals. Ultimately, only two of the 26 would ride beside him at Waterloo.

Drawing on years of scholarship on Napoleon and his era, Roberts offers a dramatic and richly detailed portrait of the men whose military brilliance helped create Napoleon’s extraordinary empire — and whose rivalries helped bring it down.

This event is a co-production with The Chartwell Society of Oregon, a chapter of the International Churchill Society.

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post-film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Join us for an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Soccer Mommy

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Join Cheri Arthur, an Ambassador for American Wild Horse Conservation. Learn about Velma Johnstone, the first woman advocate for wild horses and burros, and the history of Oregon's wilds horses. You'll hear about the challenges of land management and access, and learn ways to get involved if you are interested.

Authors Julia Cooke (Starry and Restless) and Lance Richardson (True Nature) sit down to discuss their new biographies. Both works explore the lives of trailblazing journalists and activists. Moderated by journalist Charley Locke.

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Complementing the mansion's upcoming exhibit will be the 2026 Home for the Holidays — Holidays from Around the World annual celebration. Eighteen rooms throughout the mansion and Gate Lodge will be transformed into festive displays inspired by holiday traditions from Europe, the Middle East, China, India, South America, Mexico, and beyond.

Since March, dedicated volunteer decorators have been thoughtfully developing their design concepts and bringing their creative visions to life. For the first time, nine community organizations are joining the efforts. Through these new collaborations, Pittock Mansion introduces new members of the Portland community to the mansion while welcoming back familiar faces and longtime supporters to experience the warmth, beauty, and joy of the holidays at Portland’s beloved home — The Pittock Mansion.

Make this season the most memorable yet. Pittock Mansion‘s Home for the Holidays, Holidays Around the World. The Portland Then and Now: The Changing Demographics exhibit will also be open throughout the Home for the Holidays celebration. During the holiday season, visitors can enjoy both experiences with a single admission ticket.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Wildwood is the first book in the New York Times best-selling fantasy series full of magic, wonder, and danger from Colin Meloy, lead singer of the highly celebrated band the Decemberists, and Carson Ellis, the award-winning illustrator of Du Iz Tak and Home. Soon to be a major motion picture from LAIKA, the studio behind Coraline. Look for it on October 23, 2026! Moderated by Andrew Proctor.

Prue McKeel’s life is ordinary. She lives in Portland, Oregon, where it rains a lot. She has a mother and a father and a baby brother. Ordinary. At least until her brother is abducted by a flock of crows. And then things get really weird.

You see, on every map of Portland there is a big splotch of green in the center of the city labeled “I.W.” This stands for “Impassable Wilderness.” No one’s ever gone in — or at least returned to tell of it.

And this is where the crows take her brother.

So begins an adventure that will take Prue and her friend Curtis deep into the Impassable Wilderness. There they uncover a secret world in the midst of violent upheaval, a world full of warring creatures, peaceable mystics and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much bigger as the two friends find themselves entwined in a struggle for the very freedom of this wilderness.

A wilderness the locals call Wildwood.

WILDWOOD is a spellbinding tale full of wonder, danger, and magic that juxtaposes the thrill of a secret world and modern city life. Original and fresh yet steeped in classic fantasy, this is a novel that could have only come from the imagination of Colin Meloy, celebrated for his inventive and fantastic storytelling as the lead singer of the Decemberists. With dozens of intricate and beautiful illustrations by award-winning artist Carson Ellis, WILDWOOD is truly a new classic for the twenty-first century.

What do you get when Don Lemon, award-winning journalist, and DL Hughley, one of the original Kings of Comedy, and highly recognized stand-up comedians come together for a night of conversation?

Expect the unexpected from these two brilliant minds doing their public service while taking you on a journey exploring topics spanning everything from social issues, race, pop-culture and current events. Nothing is off limits!

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

Authors Julia Cooke (Starry and Restless) and Lance Richardson (True Nature) sit down to discuss their new biographies.Both works explore the lives of trailblazing journalists and activists. Moderated by journalist Charley Locke.

The page-turning story of three women reporters and the way they changed the world, work, and journalism.

She hid on a Red Cross boat to reach Omaha Beach on D-Day. She walked the abandoned streets of Hong Kong to take food to her daughter’s father, a prisoner of war. She fought off the advances of overzealous Yugoslavian diplomats, found overlooked details of world history in a dentist’s kitchen in Sarajevo. She traveled alone to Mexico. She traveled alone to Congo. She traveled alone to the American South. She married Hemingway. She married a Chinese poet-playboy-publisher, then married a British war hero. She fell in love with H. G. Wells. She gave birth and raised a child on her own. She landed on the front page of the newspaper. She wrote for the great magazines of her time—Vogue, The New Yorker, Harper’s Bazaar. She wrote a play. She wrote a memoir. She wrote a genre-breaking travel narrative. She wrote bestsellers. She wrote and wrote and wrote. She changed the very way we think about writing and the way journalists craft stories—which sources are viable, which details are important—and the way women move and work in the world.

She was Martha Gellhorn. She was Emily “Mickey” Hahn. She was Rebecca West. Each woman was starry-eyed for success, for adventure, and helped ensure that other starry and restless women could make unforgettable lives for themselves. They fought for their lives and their work. They were praised and criticized for it all.

In language as lively and nimble, in passages as intimate and adventurous, and with conviction as fierce and indefatigable as her subjects’ own, Julia Cooke’s Starry and Restless plays out the stories of three women across three decades and five continents. Martha, Mickey, Rebecca—journalists, authors, mothers, lovers, friends. These women didn’t just bear witness to the great changes of the twentieth century; their curiosity, grit, ambition, and stories changed the world.

The firstbiography of Peter Matthiessen, the novelist, naturalist, and Zen roshi, whose trailblazing work championed Native American rights and helped usher in the modern environmental movement, by award-winning writer Lance Richardson.

“A stunning, formidable achievement by a brilliant biographer. Lance Richardson takes his readers on a wild ride with Peter Matthiessen.” —Kai Bird, Pulitzer Prize-winning co-author of American Prometheus

“A fair-minded, grippingly paced, and tremendously readable narrative.” —Pico Iyer, Air Mail

Peter Matthiessen (1927-2014), a towering figure of twentieth-century American letters, achieved so much during his lifetime, in so many different areas, that people have struggled to pin him down. While ambivalent about his WASP privilege—as a teenager he demanded that his name be removed from the New York Social Register—he attended Yale and cut his teeth in postwar Paris, co-founding The Paris Review as he worked undercover for the CIA. But then, after a rebellious stint as a Long Island fisherman, he escaped into a series of wild expeditions: floating through the Amazon to recover a prehistorical fossil; embedding with a tribe in Netherlands New Guinea; swimming with sharks off the coast of Australia. His novels, inspired by his travels, were unclassifiable meditations about Caymanian turtle hunters and frontier outlaws in the Florida Everglades. Meanwhile, his nonfiction became legendary: nature books like Wildlife in America—“key parts of the canon of emergent environmental writing,” says Bill McKibben—as well as advocacy journalism supporting Cesar Chavez, Leonard Peltier, and Native American land claims.

Underlying all Matthiessen’s disparate pursuits was the same existential search—to find a cure for “deep restlessness.” This search was most profoundly articulated in The Snow Leopard, his famous account of a 250-mile wildlife survey across the Himalayas. In True Nature, Lance Richardson reconstructs the full scope of a spiritual quest that ultimately led Matthiessen, even as he inflicted great pain on his family, to the highest ranks of Zen. Drawing on rich primary sources and hundreds of interviews, Richardson depicts Matthiessen’s life with page-turning immediacy, while also illuminating how the writer’s uncanny gifts enabled him to sense connections between ecological decline, racism, and labor exploitation—to express, eloquently and presciently, that “in a damaged human habitat, all problems merge.”

Described by Gramophone as "a superb, confident technician and an intelligent stylist, who doesn’t have to prove anything," guest pianist Chad R. Bowles will teach a Master Class to Portland State University piano students, and the public is invited to attend.

Bowles will also perform a free concert with the music of Schubert, Beethoven and Medtner as part of the Music @ Midday Series on Friday, November 6 from 12:15 p.m. to 1:05 p.m.

Learn more about Bowles, his concert program and the Master Class on the PSU Steinway Piano Series website.

Learn more about the School of Music & Theater.

Join us in Portland on November 16—two weeks after election day—for a conversation about trust, elections, and our political systems and culture with Paul Gronke, director of the Elections & Voting Information Center at Reed College, and Susheela Jayapal, a former Multnomah County Commissioner and current fellow with the North Star Civic Foundation.

Polling of voters in the US shows that confidence in elections and political institutions has fallen over the past two years. In this onstage conversation, moderated by Adam Davis, we'll dig into the factors that affect the public's faith in our democracy and how that declining trust shapes how we vote and how we govern ourselves.

The conversation will take place at The Old Church in Portland (1422 SW 11th Ave.) at 7:00 p.m. on Monday, November 16, 2026. The event is part of our 2026–27 Consider This series, What Do We Trust?

Paul Gronke is the founding director of the Elections & Voting Information Center (EVIC), an emeritus professor of political science at Reed College, and a senior fellow at the Center for Public Service. Gronke is a nationally known scholar of American politics, elections, and research methods. Under his leadership, EVIC has become a national center of excellence for policy research and publicly engaged scholarship into election administration, election reform, and electoral integrity. A major focus of Gronke's current research is the Local Election Official (LEO) Survey, which EVIC has been undertaking since 2018. Gronke received a PhD in Political Science from the University of Michigan and has been a member of the faculty of Reed College since 2000. In his spare time, he is an avid gardener, cook, and he likes to ski, hike, and experience the great outdoors.

Susheela Jayapal is a lawyer and community advocate whose leadership has spanned the public and private sectors. Born in India, she grew up in India, Indonesia, and Singapore and came to the US at the age of sixteen to attend college. As a lawyer, she was a litigator in private practice and served as general counsel of Adidas America, Inc. She has served on the boards of directors of a wide range of nonprofit organizations; and served for five years on the Multnomah County Board of Commissioners, representing North and Northeast Portland. As a Commissioner, Susheela’s priorities included homelessness, community safety, and public health, all with a focus on racial, social, and economic justice. She currently consults on and leads projects focused on building a truly participatory and equitable democracy.

Tickets are $15 and available from The Old Church.

To ensure that everyone who wants to attend is able to, a limited number of tickets are available for free. To get free tickets, use the code CONSIDERTHIS100.

Can't make it in person? Tune in from anywhere! The conversation will be streamed live, for free, on our YouTube channel, and will remain available for viewing after the program.

• The space: This event will be held indoors at The Old Church in downtown Portland.
• Parking: Metered street parking is available around the venue. It is free after 7:00 p.m. There are disabled person parking spaces two blocks away, on SW Mill St. between 10th Ave. and Park Ave. There is a paid parking lot next to the venue on 10th Avenue that costs $4 per hour, and a garage three blocks away at Portland State University that costs $2.50 per hour: PSU Parking Lot #3 on SW 12th Ave. between Market and Montgomery.
• Food and drink: Light concessions are available at the venue. Outside food and drink is not allowed.
• Lighting: The venue is well-lit inside. Lights will be dimmed during the program.
• Video and Sound: The program will be amplified. There will be no loud music.
• Mobility access: There is an accessible entrance next to the main entrance on SW Clay St. There is designated seating for patrons with mobility devices, other assistance requirements, and their companions. Seating consists primarily of church-style pews and some high-back chairs without arm supports. All of TOC’s restrooms, including accessible restrooms, are located below the main level and are reached either by two sets of stairs or by elevator.
• Questions: You can read more about accessibility at The Old Church here. With further questions, email [email protected].

Consider This is made possible by funding from the National Endowment for the Humanities (NEH) and the Oregon Cultural Trust.

Carmen Ripollés, art historian, author and professor of art history at Portland State University, discusses her recent book, Josefa de Óbidos, which explores the life and work of one of the most influential artists of the Portuguese Baroque. Drawing on years of research, Ripollés reexamines Josefa de Óbidos' remarkable career, revealing how she achieved extraordinary artistic and professional success in the 17th century while challenging traditional assumptions about women artists. The talk will offer new perspectives on Baroque art, women's history, and the enduring legacy of an artist whose work continues to reshape the understanding of the early modern Iberian world.

Join The Literary Arts Bookstore & Cafe for an evening of Hollywood nostalgia and holiday classics!

We’re thrilled to host local author Matt Mikalatos to celebrate his latest, Finding Wonderful: Hopeful Lessons from Jimmy Stewart and It’s a Wonderful Life.

About the book:

It’s a Wonderful Life impacted the lives of many, but no one got more from it than star Jimmy Stewart, who credited the film with giving his life new purpose post-World War II service. Learn the lessons on faith, community, kindness, and more from Stewart and the iconic film with this inspiring gift book.

Beloved star and one of Hollywood’s greatest actors, Stewart achieved fame, fortune, and acclaim—but found that none of it guaranteed happiness. Leaving it all behind to serve as a combat pilot in World War II, he returned home changed by loss and searching for meaning. But while filming the perennial Christmas classic It’s a Wonderful Life, Stewart learned how to heal and live with gratitude and grace with the help of friends, faith, and purpose. Drawing on his life and words, as well as iconic moments from It’s a Wonderful Life, this book explores how the actor who embodied decency on screen lived it off-screen, too.

Endorsed by the Stewart estate and featuring little-seen photos throughout, Finding Wonderful is a heartfelt series of essays that capture the virtues and values of a man who discovered that the secret to a wonderful life has nothing to do with fame—and everything to do with love, service, and simple goodness.

Live Wire teams up with the Portland Art Museum during First Thursday and the Portland Book Festival. From 4:30 to 6 p.m., complimentary pop-up performances roam the museum galleries, no ticket needed. At 7 p.m., host Luke Burbank and announcer Elena Passarello lead a seated, ticketed taping with poet and rapper Dessa, children’s author Mac Barnett, Pulitzer Prize finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors open at 6:30 p.m.. Portland Book Festival passholders get 10% off.

BOOK FEST IS SOLD OUT.

For more than a decade, Portland Art Museum has been proud to partner with Literary Arts and serve as a home base for the Portland Book Festival, bringing thousands of writers, readers, and book lovers downtown for one of the city’s biggest literary celebrations.

Festival activity fills the PAM campus and Cultural District throughout the day, making it an especially lively time to visit.

How does PAM ticketing work on Portland Book Festival Day?

With regular Museum admission (including PAM member admission), visitors can enjoy the galleries along with select festival activities happening in them, including:

• Pop-up author readings thematically paired with artworks, 11 a.m.–4 p.m.
• KMHD Jazz Radio Listening Lounge in Gallery 300, 12–4 p.m.

PAM members receive their usual free Museum admission; a Festival Pass is required for full festival access.

Visit the Portland Book Festival website for the complete schedule.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Novelists Emiko Jean (Before You Were Anne) and T Kira Māhealani Madden (Whidbey) join moderator and author Marisa Siegel for a conversation on their most recent novels and the secrets and lies that chase their protagonists. Told through multiple perspectives, both authors create page-turning stories about webs of violence, and the fragile lies that threaten survival.

After a woman is killed and her daughter vanishes, detective Chelsey Calhoun uncovers a legacy of violence and survival that spans from Japan to Seattle in the new novel by the author of The Return of Ellie Black.

A murdered woman. A missing daughter. A truth buried across two continents.

Married, pregnant, and thriving in her career, Detective Chelsey Calhoun’s life finally feels whole, until an explosive new case shatters everything. A mother is dead. Her sixteen-year-old daughter, Naomi, has disappeared. And the search will awaken questions about Chelsey’s own origins—questions she’s spent a lifetime afraid to ask.

The victim called herself Anne Walker. But she was born Rika Takahashi, and her journey from a remote Japanese farm to suburban Seattle conceals decades of deception. Across Tokyo’s shadowed underworld, an isolated Idaho town, and years of carefully constructed lies, Rika reinvented herself at every turn. But she was always running—from someone, or something.

Now, Chelsey must find Naomi before she becomes the next victim. But the deeper she delves into Rika’s hidden life, the more she discovers: some secrets are worth killing for. And the most dangerous truths may be the ones closest to home.

Told in three interwoven voices, Before You Were Anne is a gripping suspense novel about the lies that bind families and the sins that echo across generations.

A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

Robert Wachter, M.D.
Professor and Chair of the Department of Medicine, University of California, San Francisco and widely respected futurist and thought leader

With discussion moderated by OHSU President Shereef Elnahal, M.D., M.B.A.

Robert Wachter is one of the world’s foremost minds pioneering the future of healthcare, appearing on Modern Healthcare magazine’s list of the 50 most influential physician-executives in the U.S. more than a dozen times. His new book, A Giant Leap: How AI is Transforming Healthcare — and What That Means for Our Future, is a guide to how today's technological revolution is reshaping how all of us, from patients to clinicians, experience healthcare.

Across every major industry, artificial intelligence has proven to be a powerful tool in improving systems and scaling impact. As this tech rapidly integrates into clinical settings, it brings both extraordinary promise and significant concerns about hallucinations, bias and misinformation. Dr. Robert Wachter shares his visionary perspective on how AI is already matching — and sometimes surpassing — physicians in critical areas from diagnostic accuracy to patient empathy. With clear-eyed optimism and actionable insights, he argues that AI will have a profound, positive impact on healthcare if we navigate its implementation thoughtfully.

You've all heard the phrase, “If it ain’t broke, don’t fix it.” Turns out, nature seems to agree. From the fossil record to the animals living today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution. In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. Explore how it happens, why evolution keeps repeating itself, and what these evolutionary “reruns” say about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Nico Spadafora is the founder of The Fossil Team, an education company and traveling museum dedicated to bringing the wonders of natural history to life. He has spent more than two decades studying paleontology, zoology, and the natural sciences, diving headfirst into the scientific literature and developing a deep knowledge of both living and extinct animals. In his teens, Nico earned an internship at the Oregon Zoo, where he studied the anatomy, behavior, and traits of elephants, lions, rhinos, and many other animals. He later took his knowledge into the wild as a professional tracker and wilderness educator with Trackers Earth, following the trails and signs of bears, cougars, elk, and other wild animals. Today, Nico specializes in dinosaurs and prehistoric mammals and loves sharing the strange, spectacular, and sometimes downright bizarre stories hidden in the natural world. When he’s not studying, tracking, or obsessing over animals in the wild, he enjoys movies and games, cuddled up with his house panthers, Puma and Rufus.

Authors Priyanka Mattoo (How to Be Less Useful) and Emily Nemens (Clutch) sit down to discuss their latest books that explore the pleasures and challenges of midlife. Whether in the fictional world of Clutch, or the personal stories in How to Be Less Useful, both authors question our professional prioritiesand the joy that really matters most. Moderated by author Maris Kreizman.

A delightful book about reclaiming pleasure in mid-life—a potent mix of self-help and memoir, from one of today’s wittiest, wisest voices.

“I have done everything right, and I have missed everything.”

When did our lives become entirely about efficiency and optimization? Especially as office workers, as parents, as consumers, as exercisers and healthy eaters. Wouldn’t it be nice if we could all be less useful?

With self-deprecating humor, devastating insight, and bracing honesty, Priyanka Mattoo shares her own journey toward being a less useful human, to investigate why pleasure gets back-burnered in American culture.

Think about what we choose to systematically cut out or overlook as we mature: Solo travel. Dessert. Sweaty dancing. “Pointless” hangs with friends. And then there are the activities that used to be fun and have somehow lost their luster, usually in the decade between 30 and 40: Cooking (ruined by exhaustion). Bad tv (the algorithm). Other humans (bandwidth). Eating at restaurants (Instagram).

Mattoo takes on the zeitgeist, delivering invaluable, laugh-out-loud entertaining life lessons without an ounce of preachiness or pressure. She looks at where pleasure begins, what it serves, how we learn to repress it—in families, in friendships and romantic relationships, in jobs. And she shows us a way back: to identify and accept the things that give us pleasure, then to welcome them into our lives. What if, instead of being useful, we could all learn how to be happier, lighter, more present, more engaged? How to Be Less Useful is refreshing, funny, sparklingly astute, unignorable–a book for the current moment.

A close-knit group of women navigate mid-life’s biggest challenges—marriage, career, addiction—in what Lynn Steger Strong calls a “sharp, funny, utterly engrossing” novel.

“White Lotus with more sincerity and heart.” —Los Angeles Times

Named a Best Book by The New York Times Book Review, People, Los Angeles Times, Alta Journal, Bustle, and more

Join Professor Dr. Schreiber and the Skeleton Key Odditorium for an historical magic experience unlike any other. Beyond Belief: Magic & Mysteries with The Historical Conjurer

Since the earliest days of the ancient ancestors, conjurers have illuminated the strange, the mysterious and the unexplained for all to see. Now, Professor Dr. Schreiber, the Historical Conjurer, will lead you on a journey through the past centuries of magic. You'll see parlor magic from a bygone era just as it was enjoyed by the elite audiences of antiquity. You will enjoy the tales of old times and smile and laugh together and experience this history of magic.

Guests are encouraged to dress in their best old-fashioned attire or whatever makes you feel comfortable. Very limited tickets are available for this exclusive event.

This performance will be followed by a brief question-and-answer time to discuss magic and history.

Experience Portland's paranormal heritage and investigate several historic ghost lore gathered from elders, books, medical journals, alienists, spiritualists, and 100s of newspaper accounts of hauntings in NW Portland. Ghost tours stop at three locations where the spirits are known to be less than peaceful and locations where the spirits have moved on. Seek out the ghost of Agnes Reid's son, little Ernest Harp's poltergeist playmate, and the Lady Over the Bar. These ghost tours are not for the faint of heart or those under the age of 12.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

Julia Wertz reads from her new memoir Bury Me Already (It’s Nice Down Here) at Portland Art Museum in the Prints & Drawings gallery (Level 0, Room 007), paired with Mary Kay Nitchie, Jump, from the portfolio Wayzgoose.

Raw, honest, and hilarious, Bury Me Already (It’s Nice Down Here) chronicles the joy and horror of becoming a mother during challenging times.

In this follow-up to the acclaimed memoir Impossible People—a book about getting sober and becoming a professional artist in New York City—cartoonist Julia Wertz returns home to Northern California where she reunites with her family and rekindles a relationship with an ex-boyfriend. After a surprise pregnancy and a marriage proposal, Julia settles (somewhat reluctantly) into a quiet life in a small town. But as 2020 approaches, her world, and the world at large, takes a sharp turn toward unexpected chaos. Through comic vignettes, essays, and diary doodles, Julia recounts the events of her pregnancy and its attendant body horror, a miscarriage, family trauma, marriage, a life-altering accident, and the joy and surprises of parenthood as it all unfolds against the backdrop of local wildfires and a global pandemic. The result of this unconventional collection is a heart-wrenching and hilarious story of adversity, resilience, and, ultimately, love.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.

Followed by book signing at The Shop at PAM.

A major collection of performance works by artist and agitator Anthony Hudson.

Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.

In Kara LaReau’s novel Licorice, Kitty the cat is adopted from Mount Charles Animal Shelter and brought to her new home. While Max’s house is certainly better than the shelter, a lingering presence haunts her new home. In this novel, our feline protagonist shares her experience facing the looming character of the old family cat. Like La’Reau, Rosanne Parry writes from a nonhuman perspective. In A Raven of the Rainforest, Parry writes about Westerly the raven and the prophecy that binds her to leadership, bravery, and hopefully glory. Both novels explore the pressure stand up to the reputation thrust upon them and overcoming the fear of fitting in. Moderated by Emily Chenoweth.

About Licorice:

A young and frightened kitten is brought starry-eyed into a new household. A boy named Max is trying desperately to get over the loss of his former beloved pet. But ghosts don’t always enjoy being forgotten. Sometimes they have to make their presence known.

Both spine-chilling and heartwarming, funny and charming, Theodor Seuss Geisel Honor winning author Kara LaReau has written a story about fitting in, standing out, overcoming fear, and finding a place called home.

In her cage at the Mount Charles Animal Shelter, Kitty has no other choice but to be the captive audience of the opinionated Bunny Van Hopper. But it’s better than the woods. Kitty can still remember the rain that came and swept everything… everyone… away. Here, at least she has food and company, even if Bunny’s words scare her. And then Max appears at the shelter. Max has adopted all sorts of pets over the years. Rumor has it that he treats all of his pets with care and kindness. And of all the animals at the shelter, he actually chooses her—a scrawny and scared kitten. Kitty is going to be home at last. But she can’t seem to get Bunny’s words out of her head as Max takes her away in her carrier…

“You’re going to regret this! I just know it!” Bunny Van Hopper cries. And perhaps Bunny is right…

There is a scent lingering in the house on 5 Manderley Lane. The scent rises from every chair leg, every carpet fiber, every throw pillow, even inside the bathtub. Everything smells like Licorice. It is the strongest upstairs in Max’s room, almost overpowering. If the smell isn’t enough, Duchess, the family’s old parrot, won’t let Kitty forget that she is a replacement. And soon, Kitty finds herself trapped in the long shadow of the cat that came before her. But is it just a shadow? Or is there something really there on the other side of it…haunting her…

About A Raven of the Rainforest:

A stand-alone addition to the New York Times and Indie bestselling Voice of the Wilderness Novels by Rosanne Parry. Westerly the raven fears she won’t survive the prophecy she was born to fulfill in this enthralling animal survival story about destiny, leadership, and bravery.

On Westerly the raven’s otherwise ink-black tail, one bright white feather stands out. Westerly stands out, too. She isn’t like her brother and sister—she’s different. Everyone knows it, including the roost’s storykeeper, who proclaims that Westerly alone is destined to save her fellow ravens from a terrible fate. Questioning her destiny, isolated from her family, and full of doubt, Westerly takes to the sky, vowing never to return. But when a once-in-a-lifetime volcanic eruption finds her, she has no choice but to flee in the direction of home.

A Raven of the Rainforest is a stand-alone companion to Rosanne Parry’s bestselling Voice of the Wilderness novels, A Wolf Called Wander, A Whale of the Wild, A Horse Named Sky, and A Wolf Called Fire. Set in the temperate rainforests of the Pacific Northwest, A Raven of the Rainforest tells a gripping animal survival story about family, courage, faith, leadership, and hope. Illustrated in black-and-white throughout and impeccably researched, A Raven of the Rainforest is an excellent read-aloud for parents and teachers.