Southeast (SE)

Featuring special guest Gary Hershberger (Mike Nelson) in person!

Joins us for the complete Twin Peaks series on the big screen for the first time in history! We continue our year-long celebration of the greatest TV show of all time The Missing Pieces. Rarely shown in theaters, this feature film presents deleted scenes from Twin Peaks: Fire Walk with Me assembled together as an untold portion of the story’s prequel. Following a Q&A, we’ll then begin The Return with episodes “My Log Has a Message for You” and “The Stars Turn and a Time Presents Itself.”

Gary Hershberger will be signing autographs and taking photos with fans for an additional fee at the event.

The Literary Arts Bookstore is pleased to welcome Kimberly Blaeser to celebrate her latest book Red Ants. Blaeser will be joined in conversation by Christopher Diaz.

About the book:

A talk by Glynnis Fawkes.

How does a cartoonist go about adapting a work of history, specifically Eric H. Cline’s 1177 BC: The Year Civilization Collapsed? In this talk Fawkes will describe the process of interpreting Cline’s text in comics, an exercise during which she repeatedly asked herself how she might tell this story visually. Through page compositions and dramatizations in which historical figures (such as Ramses III) speak, she imagined characters for whom we have no record offering commentary and opinions. To guide the narrative, she introduced two new young characters, Pel (of the Sea Peoples) and Shesha, (an Egyptian scribe) who ask the central question of the book: Why after three prosperous centuries did the civilizations of the Eastern Mediterranean Bronze Age suddenly come to an end?

Glynnis Fawkes is the co-author with Eric H Cline and illustrator of 1177 BC: A Graphic History of the Year Civilization Collapsed (Princeton University Press). She is also the author-illustrator of Charlotte Brontë before Jane Eyre (Little, Brown)and Persephone’s Garden (Secret Acres), among other books, and her comics have appeared on the website of The New Yorker. She has worked as an archaeological illustrator around the Aegean and Eastern Mediterranean and teaches at the Center for Cartoon Studies in Vermont.

Sponsored by the Archaeological Institute of America and Reed's department of Greek, Latin, and Ancient Mediterranean Studies. Free and open to the public.

Join a special evening with trailblazing drag artist, activist, and political candidate Marti Cummings and Portland-based constitutional law professor and author Robin Maril. Before the film, Marti and Robin will sit down for a live conversation about queer representation, civic engagement, and the power of showing up for your community. The conversation will be moderated by Kyndall Mason of Basic Rights Oregon.

Following the conversation, stick around for Queen of New York, the acclaimed documentary following Marti Cummings’ groundbreaking 2020 campaign to become one of the first openly nonbinary members of the New York City Council. This evening also celebrates the launch of Robin Maril’s new book, A Queer Guide to Saving American Democracy. Copies will be available for purchase on site.

ON SCREEN: Queen of New York

2023. Directed by Emma Fidel. Runtime: 1 hour 20 minutes.

Welcome to a different kind of drag race. As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics — one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

HR Annie’s Manager Crash Course 2.0 is next-level professional development for you, a leader ready to move past the basics of daily people management and spend time focusing on your role from a 50,000-foot and higher perspective, all in just one day.

Expect real conversations, deeper connection with peers, and hands-on workshopping to level up your own personal leadership development.

We’re keeping this group small (only 20 seats) intentionally to ensure authentic, purposeful connection and experience sharing.

You deserve this time to reset and re-energize with new ideas, perspectives, and resources. Plus, you’re stepping away from the day-to-day minutiae and spending one high-value day with like-minded leaders.

Registration closes October 26, 2026 at midnight. Tickets: $499.00

This intermediate-level course offers an in-depth and expansive exploration of France’s most iconic wines. Dive into France’s best vineyards, learn about the country’s historic grapes, and discover how these wines intertwine with the history, cuisine, and culture of France.

with Nico Spadafora, Paleontologist, Founder of The Fossil Team

Image credit: artist Hodari Nundu

Please note this event takes place on Wednesday due to Election Night.

We’ve all heard the phrase, “If it ain’t broke, don’t fix it.” Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We’ll explore how it happens, why evolution keeps repeating itself, and what these evolutionary “reruns” can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Zoom Option
If you are unable to join us in person, you can watch on Zoom. You must register in advance. After registering, you will receive a confirmation email containing information about joining the meeting.

Nico Spadafora is the founder of The Fossil Team, an education company and traveling museum dedicated to bringing the wonders of natural history to life. He has spent more than two decades studying paleontology, zoology, and the natural sciences, diving headfirst into the scientific literature and developing a deep knowledge of both living and extinct animals. In his teens, Nico earned an internship at the Oregon Zoo where he studied the anatomy, behavior, and traits of elephants, lions, rhinos, and many other animals. He later took his knowledge into the wild as a professional tracker and wilderness educator with Trackers Earth, following the trails and sign of bears, cougars, elk, and other wild animals. Today, Nico specializes in dinosaurs and prehistoric mammals and loves sharing the strange, spectacular, and sometimes downright bizarre stories hidden in the natural world. When he’s not studying, tracking, or obsessing over animals in the wild, he enjoys movies and games cuddled up with his house panthers Puma and Rufus.

When Toni Morrison declares that she “can't wait for the ultimate liberation theory to imagine its practice and do its work,” she raises an issue at the heart of modern democratic life: What does freedom mean in the shadow of racial slavery and colonialism? While Morrison's literary achievements are widely celebrated, her contributions as a “revolutionary political thinker” remain underappreciated. Lawrie Balfour approaches Morrison’s political thought through her account of “word-work,” or the creative use of language, as a practice of freedom. First, Balfour considers Morrison’s defense of the necessity of writers to the flourishing of democracy and her reflections on the political implications of her own literary practice. Second, Balfour examines Morrison’s use of the language of “sovereignty” to convey what writers do, when they create worlds out of words. Third, she asks what Morrison might say about the part her novel Beloved played in the 2021 governor’s race in Virginia and concludes with some thoughts about the political urgency of Morrison’s word-work today.

Lawrie Balfour is James Hart Professor of Politics and a member of the American Studies faculty at the University of Virginia, where she offers courses on race, gender, democracy, and literature. She is the author of Toni Morrison: Imagining Freedom; Democracy’s Reconstruction: Thinking Politically with W. E. B. Du Bois; and The Evidence of Things Not Said: James Baldwin and the Promise of American Democracy. Lawrie’s current projects include a series of essays on reparations for slavery and a study of the Black feminist visions of the journal Freedomways (1961-1985).

Free and open to the public.

Have you ever wondered what the difference is between a native bee and a honey bee? Or wondered what they do all day? Have you dreamed of becoming a beekeeper, wanted to plant more flowers for our winged friends, or wished you could taste honey fresh from the comb? Well, this is the event for you.

Join Bee The Change Landcare for a morning of bee-loving curiosity, hands-on learning, and community connection, alongside some wonderful local educators, makers, and pollinator enthusiasts. Bees are woven into so much of everyday life, from the fruit on the table to the flowers blooming along the sidewalks. Yet there is so much happening in their little worlds that people rarely get to see. Peek into those worlds, explore what it means to be in a reciprocal relationship with bees, and learn how we can cultivate more resilient gardens, ecosystems, and food systems for pollinators and people.

• Discover the difference between native and honeybees and how planting flowers, food, and habitat can support healthy pollinator populations right in your own neighborhood
• Get your hands into the world of native bees. Join Bee The Change and Portland Fruit Tree Project for a community Mason bee cocoon harvest. Learn how to safely harvest, clean, and store cocoons so the next generation is ready for spring.
• Taste the sweetness of the season. Join Bee The Change and Bee Built for a freshly crushed honeycomb demonstration, honey tasting, and conversation about thoughtful honey bee stewardship.
• Meet your local pollinator community. Explore beautiful bee houses and hives from Bee Built, preserves and opportunities to get involved with Portland Fruit Tree Project, garden signs from Sharotonin Signs, and local honey and stewardship opportunities from Bee The Change.

Have a Mason bee house at home? Bring your filled nesting reeds or trays for harvest. No bee house? No problem. Come learn, get your hands a little sticky, and make some new bee-loving friends

Portland Mezzo-Soprano and Composer Dr. Lisa Neher launches Pacific Art Song, a concert series dedicated to Western Classical Art Song, with a program titled Summer Nights. A celebration of French song, the program transports audiences to the era of intimate salons, where friends gathered in living rooms to enjoy music shared up close. The centerpiece of the program, Hector Berlioz’s Les Nuits d'été (Summer Nights), explores longing, loss, and love across five songs that set vibrant poetry with closely interwoven parts for the voice and the piano. The work is the first major song cycle written by a French composer. Complementing Berlioz’s groundbreaking piece are masterworks by Pauline Viardot and protégé Lili Boulanger, brilliant French women composers long marginalized because of their gender. Completing the program are two world premieres composed by Neher herself. Chanson d’automne (Song of Autumn) and L’heure du berger (The Hour of the Shepherd) set poetry of Paul Verlaine. Dubbed “Prince of Poets” by his peers, Verlaine’s name is synonymous with French song.

Why art song now? “We’re living in an era of 15-second TikTok videos and the constant dopamine rush of notifications on our devices,” says Neher. “But what we’re all longing for is something real and embodied. This concert is an invitation to slow down and connect with your senses, to hear and see and feel the music in a community.”

Performers:
Dr. Lisa Neher, mezzo-soprano and composer
Hannah Early, piano
Susan McBerry, guest lecturer

There will be a pre-concert talk by Susan McBerry at 2:40 p.m.

Join us for the Portland launch of Any Time But This Time (Mad Creek Books), the debut story collection from LA filmmaker and author Adam Peterson, in conversation with Portland poet, novelist, and painter Zachary Schomburg.

The human condition is dire. We knew that. But it's also always been that way–we've always craved to be sometime else, from the first human woman (Denise, stuck with neanderthals) to the final man (Keith, losing all his language but the name of his girl–that, he'll save). In between, Peterson introduces himself as a shapeshifter, voicing a semi-delinquent and moderately depressed teenage Jesus in "Jesus Does a Hero;" a convincingly polyamorous prairie romance; 1983's fiber optic saleswoman to the local government of Shanghai, Barbara Roach; and a hormonal crop of teenagers sent to fight "the Schmoopys" once their orbit arrives and their hair has gone gray.

As they'll tell you, the findings are fairly straightforward. In all of human history, we have only been one thing: lonely. Well, two things. We've been horny, too.

Unrelenting, bold, and cynical in the way that only a child of Nebraska-gone-Hollywood could write, Any Time But This Time gifts us 300,000 years of humans destined to be alone, willing to give it all up for connection.

"As history tends to shave off the weird bumps and ridges of our past, it's exhilarating and unsteadying to read a collection that ambitiously seeks to provide a kind of bizarro reimagining of our world. Any Time But This Time is odd and hilarious and yet so tenderly human, so unafraid of cataloging all the strange desires and cruelties and moments of true connection that have somehow gotten us to this moment in time, and then it rockets beyond that to imagine an even stranger future. This is wildness of the highest order, unforgettable and highly original."
—Kevin Wilson, author of Now Is Not The Time To Panic

"The stories in Adam Peterson's Any Time But This Time are funny, but, like, really, really funny, but like, the kind of funny that make you laugh and laugh and then make you question your own soul, or whether you even have a soul, because Adam Peterson has slyly tricked you into laughing at some of the worst possible things, the most terrible of people, the most dire of situations. He has made you laugh the kind of laughter that keeps you honest, makes you see the world as it really is. This is a fabulous, unrelenting collection of stories, full of gorgeous, punchy, compulsively readable prose. Do yourself a favor: pick it up, take it home, and start reading."
—Manuel Gonzales, author of The Miniature Wife and other stories

"Deeply entertaining, the stories in this collection crackle with the spark of imagination, invention, and compassion. Peterson writes with a satisfying blend of humor and pathos, fearless in both wit and empathy. For lovers of George Saunders and Haruki Murakami, with a dash of Aimee Bender, this collection also feels somehow entirely fresh."
—Aja Gabel, author of Lightbreakers

"Each story in this collection is a window into unseen moments of history, and deftly conveys the "incomprehensible beauty, all too comprehensible horror" of the human experience. Peterson's voice carries an almost prophetic weight, masterfully balancing the lyrical, existential, heartbreaking, and humorous with a skill and style akin to writers like George Saunders and Nana Kwame Adjei-Brenyah. From the first cave woman to identify as human, to the unraveling of language as our species dies off, I was enraptured by this book, and felt genuinely changed after reading it. Uniquely funny, profoundly moving, and innovatively written, Any Time But This Time is a rare and exciting feat of literature."
—Erin Slaughter, author of A Manual for How to Love Us and The Dead Dad Diaries

Adam Peterson is a writer and filmmaker living in Los Angeles. He's the author of the prose poetry collections My Untimely Death, The Flasher, and [SPOILER ALERT] (with Laura Eve Engel). His short fiction has appeared in Epoch, The Kenyon Review, The Southern Review, and a mess of other places. His films have played at HollyShorts, Fantasia Fest, and Just for Laughs, among many other festivals.

Zachary Schomburg has written books of poems like Wool Moon (Black Ocean, 2026)and a novel, Mammother (Featherproof, 2017). And he's a painter too. In fact, he once painted a painting owned by Adam Peterson. He lives in Portland with B and Y.

Using a series of writing and drawing prompts, participants will use their personal stories and/or family histories to create the foundation for a collaborative short anthology-style Risograph perzine (personal zine). Registration required (maximum 6-participants).

This workshop is hosted by Portland comics artist Yoko O.K., who is the recipient of a 2026 Ignatz Award for her family history zine Uncoiling: A Japanese American Family’s History.

Special live introduction and post-screening Q&A with the writer, director, and producers Josh Androsky, Nate Fisher, and Amber A’Lee Frost!

Chapo Trap House presents: CHUNKS – an anthology film of six unique comedy shorts threaded together with our host Ruby, a faded Hollywood starlet (Ruby McCollister, Search Party, Rap World) and taking inspiration from the glamorous by-gone era of late nite public access weirdness.

With live action shorts featuring originals from friends of the podcast, like Pod About List (Adam Friedland Show, Rap World), Sandy Honig (Adult Swim’s Three Busy Debras), Will Senett (A Closer Look, Eephus), and two animated segments from Episode 1 & Jim Soper (The Day the Earth Blew Up: A Looney Tunes Movie) and Nick Mullen (CumTown) & Saul Crinier.

• Director: Various
• Country: United States
• Year: 2026
• Runtime: 120 minutes

Samantha Swindler, reporter with the Oregonian, will talk about the history of the newspaper, which is celebrating its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, including the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Live, in-person, history programs are at the Museum of the Oregon Territory with the Look Back Lecture Series! See experts recount histories from our region, ranging from culture and community to nature and ecology. Click this link to see what lecture series are coming next.

James Spooner joins PAM CUT for a screening of his film Afro-Punk, followed by an author talk for his new book It Starts With Anger. Books will be available for sale on site.

It Starts With Anger is a coming-of-age graphic memoir exploring race, identity, and rebellion through James Spooner’s teenage years in 1990s New York into his young adulthood in the early 2000s. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner traces how reactionary anger evolved into a creative force and a path to self-determination, along the way following the founding of the Afro-Punk movement, his eventual decision to leave the company, and an ongoing raw examination of the tensions between underground culture and mainstream success.

While not a traditional graphic memoir, It Starts With Anger combines black-and-white, zine-inspired visual elements including photos, illustrations, and cartoon panels with traditional narrative in a unique package that recounts the story behind Afro-Punk. James Spooner has not talked publicly about his reasons for quitting Afro-Punk previously, and the book is a damning indictment of its corporatization. But more importantly, it also offers a look at issues of Black identity, representation, and the lack thereof in a movement that had often prided itself on allyship, while being completely myopic to all the ways it fell short in that regard as a scene that was ironically both liberating and alienating for the Black people drawn to it.

ON SCREEN: Afro-Punk

2003. Directed by James Spooner. Runtime: 1 hour 6 minutes.

This film, which many may assume is a historical punk documentary, is actually an honest and needed treatment of race and identity. Punk and Hardcore music are simply the microcosm in which it is told. First-time director, James Spooner, in telling this story, has opened new dialogues on these crucial subjects both intra- and interracially. Many times funny, sometimes sobering, a wake-up call to America. An examination of the duality of racial identity that DuBois called “double consciousness.” What could have been “The Bad Brains Story” is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it’s obvious as they struggle on camera to reconcile a fragmented self.

This program is co-presented by Literary Arts as part of the Cover-to-Cover program.

Tickets $15. Are you ready to time travel back to the year 1990?! We're thrilled to present a documentary about a TV show called BUZZ, which aired in 1990 for one season on MTV as a "current affairs" show. Following the screening, there will be a moderated conversation and Q&A with Mark Pellington and Lance Bangs.

If you read the news, you've probably heard that the United States and China are locked in a race for the future of artificial intelligence. But what are we racing toward, exactly? Where is the finish line, and what would it mean to "win"? In this lecture, China technology policy specialist Kendra Schaefer looks past the headlines to the race as it is actually being run: not a single contest but many, playing out in chip fabs and data centers, in classrooms and city streets, in the stories each nation tells about itself. She traces how the Chinese government imagines its own future with AI and what that imagination reveals about America's. Along the way she unsettles familiar assumptions about what China wants and what the United States fears.

Kendra Schaefer is a partner at Beijing-based policy consultancy Trivium China, where she heads the company’s Tech Policy Division. She leads a team of analysts keeping investors, companies, and governments briefed on Chinese tech policy and regulation, serving as a key expert for heads of state and Fortune 500 companies on China tech issues, with a focus on AI, big tech, and Chinese government digital infrastructure systems. She is a non-resident fellow at the National Bureau of Asian Research and a 2025 fellow of the Penn Project on the Future of U.S.-China Relations. Kendra lived in China from 2002-2022. She began her career as a developer and user researcher in the early days of China’s internet boom.

Sponsored by the Walter Krause Economics Lecture Fund and the Reed College economics department. Free and open to the public.

Cited by The Portland Mercury as "One of the funniest (and most educational) comedy shows in town": Comedy, queer history, and dangerously delightful shenanigans collide at Be Gay Do Crime.

July features a Know Your Rights presentation by community activist Frances Portillo, with scenarios acted out in sections by the featured BIPOC improv troupe Brown Sugar.

**This presentation is specifically geared towards allies wanting to know more about how to support their immigrant and BIPOC neighbors and community members.**

Also featuring the talents of local comedians and performers, including:

• Stand-up comedy from Lindy Tongol (Host of qu eer, BIPOC show House Party)
• Improv from Brown Sugar
• Stand-up from Julia Corral (host of Comedy in the Park, House Party, and Bruja-ja)

July's show will be hosted by Jane Dillinger and Jenna Britann.

Tickets are GAYAF — give as you’re able, friend. Ticket sales will go towards compensating the hosts and performers. All additional tips collected during the show will support a different local community non-profit organization each month.

(Please note, this show is about history and adult themes, and adult content is often included, including themes of violence, racial discrimination, homophobia, sexual violence, sexual content, drug use, mature language, etc. There are also "dishonorable guests" whose comedy or artistic material could include similar themes. Recommended for ages 14+ and parental discretion for those under age 18.)

Join us for a reading and celebration of Paul Maziar’s Junebug. The evening with feature musical guests Kelli Schaefer and Drew Grow.

When asked for eight words to describe Junebug, Maziar channeled Agent Cooper: “Everyday, once a day, give yourself a present.” But did he mean the present? Either way, Junebug is a gift.

Junebug situates Paul Maziar’s latest acts of listening and attending, transmission and transcription. He’s built a modular space suggestive of both the theatre and the gallery, performance and (inter)play. The aphoristic title sequence hones sharp accessibilities — we find words available to us, for our limbs and limbics to hold, hurrumph, to slap our knees and share. A mysterious dramatis personae pervades Junebug’s expanse across the mental maps Maziar graphs as he organizes streets of words and questions what their design might reference. We encounter, among others, Toulouse-Lautrec, Agnes Martin, Eva Hesse, Jack Whitten, Colette, Robert Walser. Who are all these characters in Maziar’s parade? Maybe there’s some insight in the final serial sequence, “Hives,” which states that “The real thing is inside of what everything appears as.” The real in Junebug asks us to admire the distance between the surface and the subject. We already have the right tools.

Charles North: From short poems to prose poems to the wonderful fragments collected in its title poem, Paul Maziar’s writing revels in imaginative discontinuity. Junebug is smart, witty, surprising—and inspiring—throughout.

Merrill Gilfillan: These works step up in the name of Poetry and its heartwood, its ever-salvational “What’s on the river today?”

Tetra Balestri: Maziar manages to resurrect a conversation started sometime in the early to mid-20th century that cuts through the present-day pandemonium with polish and swagger. Junebug is a pair of pants worth trying on.

Simone Kearney: Reading Paul Maziar’s Junebug, I feel the tightrope walker’s high-wire balance between the forces of levity and gravity, the contexts of interior and exterior, the concocted and the perceived, thought and overheard speech. These poems make me wonder how it is that we move through the world, which is also a moving-through language.

I’m reminded that language bears a strange mystery. It’s always received and always being made at the same time; it’s a material we inherit and get to play with. In Maziar’s work, overheard phrases and sayings arrive solidified, brick-like things. The language resembles the fragments of familiar tunes — an echo, or memory of one — appearing as the freshest, strangest thing newly imagined.

I feel the intimacy and elusiveness of unspoken thought in the poems: words not yet uttered, still inside the mind. This makes me feel the dynamics of inside and outside that are part of the human drama. Am I looking at something the poet is looking at, or am I inside his head? Maziar lets us inhabit uncertainty. This is living language just being breathed, catapulted from lips, cemented into freshly-thought speech.

Junebug lets me delight in the way language can tend to trip over itself: “I’d rather stimulate than simulate”; “a certain vigor (or vinegar?).” Decontextualized, speech is absurd, funny, strangely moving: “I’m not going anywhere until I see a horse.”

What emerges is a tour de force composed of song, slogan, slip of the tongue, reverie, note, advertisement, fragment, nonsense, musing, hiccup, rupture, tidbit, epiphany. “The only faith he had was in the confusion of his experiences,” Maziar writes, suggesting that one thing we can do amid such confusion is continue to place words onto the page — in relation to ourselves, to others, to images, and to other words. And those words keep coming to meet us: flat, full, flowing, tired, zippy, and ready for more.

Kelli Schaefer's latest record, Even Still, could be the soundtrack to a modern gothic, a playlist for a trudge through a muddy forest or the accompaniment to a subconscious mantra. She demonstrates deftness in refusing to confine herself to a single genre. Schaefer excavates her past while planting herself deeper into the avant-garde, offering a fresh take on the age-old singer-songwriter trope, delivering haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass.

The Pacific Northest's beloved troubadour, musician/artist Drew Grow (Slang, Modern Kin, Pastor's Wives) is back with new songs and a new stripped down method. Spotted playing solo shows around Portland this summer, he is out on his own, debuting new music and packing a wall of little guitar amps. It's new digs for the artist. Drew's solo approach, raw and exposed, is even more striking than the bands of his past. His powerful voice still ringing through as ever, magnetic and arching over the solo guitar and twisted old amps. The sound is momentous and vulnerable, seeming to come from a deeper place. What have you brought us?

A $10 ticket supports our musical guests, Kelli Schaefer and Drew Grow.

Join us for the Mountain Writers Series readingswith:
Gerald Costanzo & Michele Glazer

Gerald Costanzo’s Badlands: First Poems, was published by Copper Canyon Press in 1973, and in 1974, In the Aviary, won the Devins Award. Other of his poetry collections include Nobody Lives on Arthur Godfrey Boulevard (BOA, 1992), The Laps of the Bridesmaids (Bits Press, 1992), and most recently, Regular Haunts (Nebraska, 2018). Founder of the Carnegie Mellon University Press (1972), Costanzo served as Director of the Press, also teaching writing and literature courses at Carnegie Mellon University, until he retired in 2024. Costanzo has edited numerous anthologies, among them Three Rivers, Ten Years: An Anthology of Poems from Three Rivers Poetry Journal, and American Poetry: The Next Generation. He has received two N.E.A. Creative Writing Fellowships as well as two Pushcart Prizes for his poetry. He divides his time between Mt. Lebanon, PA and a home on the Oregon Coast.

Michele Glazer is the author of four books of poetry, most recently, fretwork (Iowa, 2021). Others include On Tact, & the Made Up World (Iowa, 2010); Aggregate of Disturbances (Iowa Poetry Prize, 2004); and It Is Hard to Look at What We Came to Think We’d Come to See (Pittsburgh, 1997; AWP Award). She has published poems in The New Yorker, Boston Review, and Lo-Ball, among others. Glazer was the founding director of the MFA Creative Writing program at Portland State University and has been a visiting professor at the Iowa Writers’ Workshop and at the University of Montana as the Richard Hugo Chair in Poetry. She lives in Portland.

More than just movies, this marvel of a theater was built in the heyday of Hollywood glamour, right on the cusp of the modern talking picture era. It has hosted many grand affairs, including Vaudeville acts, live music, book tours, and more. Join us as we learn the rich history of the Bagdad Theater that continues to dazzle movie goers even to this day.

This tour may require standing for long periods of time and may require the use of stairs.

Passport holders: This tour is eligible for the Bagdad Theater location stamp and the Attend a History Sponsored Event experience stamp.

Tours are every Saturday.

What happens to all the food we grow but never eat? And what can we do to change that?

Join Slow Food Portland for a special screening, followed by a community conversation exploring food waste and the local efforts working to address it.

In this thought-provoking documentary, filmmakers Jen Rustemeyer and Grant Baldwin challenge themselves to live for six months on food that would otherwise be thrown away. Along the way, they uncover the staggering amount of perfectly edible food wasted across our food system and the environmental, social, and economic consequences.

Following the film, we’ll bring together local panelists working in food recovery, sustainability, and food systems to discuss what’s happening here in Portland and how we can create a less wasteful, more equitable food system.

Whether you’re passionate about food justice, sustainability, or simply curious about reducing food waste, we hope you’ll join us for an evening of film, conversation, and community.

• Director: Jenny Rustemeyer & Grant Baldwin
• Year: 2014
• Country: United States
• Runtime: 75 minutes

Portland premiere of a new, independent film!

After a tragic accident involving possibly fatal weed, stoner gig worker Marlo teams up with her journalist ex-girlfriend Julia to trace it back to the source and unravel a corporate conspiracy.

Screening followed by a Q&A with directors Tyler Aquilina and Brady Petrik, moderated by author Alison Cochrun and video essayist Lola Sebastian.

• Director: Tyler Aquilina and Brady Petrik
• Country: United States
• Year: 2026
• Runtime: 109 minutes

The Bridge is a monthly songwriter showcase that helps artists build connections in Portland’s music scene while giving audiences a deeper look into the stories and creative process behind each song through thoughtful onstage interviews. Designed for artists who are new to songwriting, new to performing, returning to the stage, or new to Portland, The Bridge offers a welcoming listening-room environment where songwriters can share original music and connect with an attentive audience.

The Bridge offers audiences a chance to discover emerging songwriters in an intimate setting built for listening. For those who already know and support the artists, it is also an opportunity to hear their work in a quieter, more intentional room where lyrics land, dynamics breathe and the songs can be experienced fully.

The evening runs approximately two hours and includes a short intermission.

Join the Portland Insight Meditation Community (PIMC) every Sunday morning for a welcoming, community-centered meditation practice rooted in the Insight (Vipassana) tradition.

Each weekly gathering includes periods of guided and silent meditation, a Dharma talk or reflection, and time for inquiry or community sharing. The program is led by a rotating group of teachers, including PIMC’s resident teachers, visiting guest teachers, and—on some weeks—experienced community members in peer-led formats.

Sunday mornings at PIMC are designed to be accessible to both newcomers and experienced practitioners. Instruction is offered in a clear and inclusive manner.

The talk addresses the deep connection between the Jewish German-language poet Paul Celan (1920–1970) and his most prolific translator, the contemporary translingual American poet Pierre Joris (1946–2025). Taking Joris's recent and final translated volume of Celan's poetry—Memory Rose into Threshold Speech (2020)—as its discursive perch, this talk constellates various key interlocutors between the two poets and examines Joris's tremendous half-century-long feat in translating the complete Celan into an American idiom. The force and lasting power of Joris's translation project lies in its rare ability to retain in English the mutilated music of Celan's umfarshtandlekh (incomprehensible) poetics, itself a form of German reimagined through a post-Holocaust expanded Yiddish.

Ariel Resnikoff is a poet, translator, editor and educator. Resnikoff’s recent works include Raisin in Every Bite (Furniture Press, 2022), A Paradise of Hearing (The Swan, 2021), and Unnatural Bird Migrator (The Operating System, 2020), which was awarded an Anne and Robert Cowan Writers Prize. His newest poetry collection, Poems with Friends and Ghosts, is forthcoming from Chax Press in 2027. With Pierre Joris, he is also the co-editor of In Between, Keep Moving: A Pierre Joris Reader (Contra Mundum, 2026). Resnikoff translates Yiddish, Hebrew and Spanish poetry and prose. His own writing has been translated into German, French, Russian, and Mandarin, among other languages. In 2019, he received his PhD in Comparative Literature and Literary Theory from the University of Pennsylvania, and in 2020 he was selected as a Fulbright U.S. Scholar. In 2025 he was a visiting writer and translator in China at Central China University in Wuhan and the University of Fudan in Shanghai. With E. Tracy Grinnell, he is the Co-Director of Litmus Press and Ether Sea Projects.

Sponsored by the departments of Russian and German and the Division of Literature & Languages. Free and open to the public.

Author of It Starts With Anger James Spooner will be visiting campus on Nov 9th as our special author visit for Fall's MRC Book Club gathering. Spooner will be giving a talk on the intersections of punk, race and creative art practice, with time for Q&A.

Reed Librarians picked this coming-of-age graphic memoir that explores race, identity, and rebellion because of how Spooner traces how their reactionary anger evolved into a creative force. Confronted with systemic racism, microaggressions, and Nazi extremism within punk spaces, Spooner follows the founding of the Afro-Punk movement all the way to their leaving of the space due to all the ways it fell short as a scene that was ironically both liberating and alienating for the Black people drawn to it.

Their zine-inspired work includes photos, illustrations, and cartoon panels with traditional narrative in a unique package that examines the tension between the conflation of underground culture and mainstream success.

All are welcome to this event. Open to the community. Free for all.

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We encourage Reed students, staff and faculty to sign up for the MRC Book Club to score a copy of Spooner's autobio. Sign up for your free copy here.

Join us to celebrate the release of Exorcising the Patriarchy: Leonora Carrington’s Plays and Scenography by Abigail Susik, published by Eberhardt Press

Leonora Carrington (1917–2011) is best known as a painter associated with international surrealism, but she was also a prolific dramatist and scenographer who activated these mediums in her overarching critique of patriarchal society. Replete with production photos and Carrington's artwork, Susik's book examines two of her plays and their scenographies, "Penelope" and "Opus Siniestrus: The Story of the Last Egg". Susik uncovers extensive archival documentation and hypothesizes Carrington's talismanic approach to theater as a "concentrated transformer" of anti- and post-patriarchal horizons.

"'Exorcising the Patriarchy' sheds timely light on Leonora Carrington’s theatrical practice, revealing it as a process of exorcising patriarchal violence. Through its exploration of archival material related to the revolutionary plays 'Penelope' and 'Opus Siniestrus: The Story of the Last Egg', as well as their scenographies, Susik delivers a thought-provoking study that deepens our understanding of Carrington’s use of consciousness as a weapon."
—Karla Segura Pantoja, translator and editor of "Leonora Carrington’s L’Œuvre écrit: Théâtre, vol 3" (Fage, 2022)

Abigail Susik

About the author: Abigail Susik is an art historian based in Portland, Oregon. Her book "Surrealist Sabotage and the War on Work" was published by Manchester University Press in 2021, and she has edited several volumes on international surrealism and antiauthoritarianism.

Activate Portland brings together people, organizations, and community builders working toward a more connected, resilient, and livable city. Through conversation, collaboration, and shared ideas, we’ll explore how to turn local knowledge and collective resources into meaningful action. Meet people doing the work, find collaborators, and discover ways to strengthen our communities and care for one another. Join us November 7 at Taborspace to build relationships, share skills, and put ideas into practice.

portlandplacemaking.org/activate-portland-summit

A public lecture and discussion exploring Freud's 1917 essay "Mourning and Melancholia," and what it still has to teach us about loss, attachment, and the unsettled life of the mind. In partnership with L'école buissonnière.
Featuring Kellye McBride, philosopher and editor.

Kellye McBride holds an MA in Contemporary European Philosophy from Kingston University London, completed through a joint program with Université Paris 8, and a BA in Philosophy with departmental honors from the University of Oregon. She has taught philosophy in university and public-humanities settings, including Chemeketa Community College and Portland's People's Colloquium. Her teaching emphasizes critical engagement with primary texts, lively discussion, and making complex theoretical ideas comprehensible without sacrificing their intellectual depth. Kellye is also a professional editor and writer and the creator of Melancholia, a podcast exploring philosophical, psychoanalytic, literary, and cultural approaches to melancholy. Her interests include Continental philosophy, critical theory, psychoanalysis, death, desire, and the relationship between intellectual inquiry and everyday life.

Tuesday, November 17, 2026
6:30 PM 8:30 PM
Suggested donation $10

This event will also introduce the upcoming six-week seminar In Praise of Melancholia, beginning in January.
The seminar is organized in partnership with L'école buissonnière.

Polish those D10s and shuffle your cards because OMSI After Dark: Game On! is back. Whether you’re a historian of retro gaming, an expert in dueling, or a card deck collector, this event is friendly for all players.

OMSI After Dark is a monthly event for guests 21 and over to explore the museum with a beverage in hand. On top of being able to roam the museum without minors, the added bonus of these events is the curated vendors and lectures relating to the monthly theme. The Planetarium will host four shows, and the Featured Exhibit is open for an additional fee. This month’s vendors and lectures will focus on gaming, but there will not be an exhibit on it. Check out the list of vendors below to see who is coming.

Join a very special Portland premiere of director Chad Brown’s new documentary Unseen: Invisible Wounds, Invincible Spirit. Taking place the week of Veterans Day, this film follows five veterans as they bike through two hundred miles of raw, unforgiving wilderness on a trail that asks everything of you and gives back something no clinic or desk job ever could. Following the film, director Chad Brown will be joined on stage for a Q&A about the film.

They came to Lakeview, Oregon, carrying things that don’t fit in a pack. Five veterans. Two hundred miles of raw, unforgiving wilderness. One trail that asks everything of you and gives back something no clinic or desk job ever could. Unseen begins at the edge of what most people call the end of the map Lakeview, Oregon, the last frontier, the quiet gateway to the Oregon Timber Trail; from that threshold, it launches something that can only be called a reckoning. This is not an adventure film. This is a document of survival, of spirits refusing to be broken, of invisible wounds meeting invincible will. Five veterans strap into their bikes and ride into the kind of silence that forces you to finally hear yourself. The cameras go with them. And what unfolds over volcanic plateaus, through alpine forests and ancestral lands, across a living corridor of history that stretches 600 miles from the California border to the Columbia River Gorge is something that will not let you look away. But Unseen is not only the story of these five riders. It is haunted by another story one America nearly buried. The Triple Nickel. The 555th Parachute Infantry Battalion. America’s first Black smokejumpers, who were dispatched to Oregon’s forests during World War II on a covert mission called Operation Firefly protecting this very land from Japanese incendiary balloon bombs at a time when their country denied them the right to fight as combat soldiers overseas. They parachuted into burning forests to save a nation that had not yet decided to save them. Their bravery was classified. Their names, forgotten. Their sacrifice, erased. Today, as five veterans pedal through the same wilderness those men protected with their lives, their ghosts ride alongside. The Oregon Timber Trail becomes something more than a route. It becomes a corridor of memory. A long-overdue act of remembrance.

2026. Directed by Chad Brown. Runtime: 65 minutes.

Get into historic gay business. Join a talk that explores the lives, loves, and drama of our gay ancestors. No salacious stone will be left unturned.

You’ll defend (or disparage) the reputation of gay men of yesteryear by voting KISS, MARRY, or DIVORCE. Be gay and have fun.

Compartiremos nuestras recetas favoritas y hablaremos sobre la historia del maíz en las culturas indígenas de América, así como los beneficios para la salud del método tradicional de procesamiento del maíz, la nixtimalización. Este evento es de cupo limitado y requiere inscripción previa. La inscripción se abre el 10/24 a las 10:00 am.

Wisdom of the Elders records and preserves Indigenous Elders' teachings and knowledge. Through our interactive presentations, we will teach you how to interview and record their own elders' knowledge as well as what lessons can be learned from the Indigenous community in our area.

More than just movies, this marvel of a theater was built in the heyday of Hollywood glamour, right on the cusp of the modern talking picture era. It has hosted many grand affairs, including Vaudeville acts, live music, book tours, and more. Join and learn the rich history of the Bagdad Theater that continues to dazzle moviegoers even to this day.

This tour may require standing for long periods and using stairs.

Passport holders: This tour is eligible for the Bagdad Theater location stamp and the Attend a History Sponsored Event experience stamp.

Tours are every other Saturday.

Dive into France’s best vineyards, learn about the country’s historic grapes, and discover how these wines intertwine with the history, cuisine, and culture of France.

French Wine Essentials includes 2 interactive and engaging learning days guided by an expert wine educator.

In addition to in-person class sessions and tastings, your tuition includes your French Wine Essentials textbook; interactive, online learning resources; and an optional certification exam offered at the end of the course.

Search and Destroy (S.A.D. for short) is a multimedia variety show happening on the last friday of every month featuring artists and local leaders sharing their craft and talking about what matters most to them. Through storytelling, live conversations, audience interaction, and heavy doses of honesty and humor, S.A.D. seeks to give hope and to be an entertaining and informative space for all to have fun, let loose, and be reminded that we as a people have the agency and ability to initiate change by working together as one.

S.A.D. was partly inspired by late-night television talk shows and variety hours and follows a similar format: an eye-catching opening number, a charming Emcee willing to play the fool, and a shared evening of dance, music, film, comedy, and conversations/interviews, all loosely tied to a theme of the night. The show ends with a dance party where the audience is invited to join the party on stage.
One of the main goals of each S.A.D. show is to dissolve the separation between artist and audience by directly engaging, conversing, and interacting with the audience, inviting them to participate in their seats as well as on the stage.
 Every show features dance movement, improvisation, visual imagery and soundscapes, conversations and spoken word, and various bits that play with the blurring of boundaries between the scripted and unscripted, all through an honest and humorous lens and the intention to entertain, educate, and inspire. Each episode of S.A.D. showcases different artists and acts than the previous one, guaranteeing that every iteration is unique and can only be experienced once.
S.A.D. is a show for everybody and every body, regardless of their identity, background, age, and anything else used to describe oneself.

*Revenue generated from each show is split evenly amongst the contributing artists

Working with data that's too large, too slow, or too messy for regular CSVs? Join us for an introduction to the {arrow} package in R. We'll explore how Arrow and Parquet files can make large datasets faster to store, read, and analyze, all while using the familiar dplyr workflows you already know and love. Using Portland's Biketown data, we'll convert, query, and visualize millions of rides without breaking a sweat (or our laptops). Bring your laptop if you want to follow along. No need to RSVP via Meetup, but we might share info ahead of time in the event comments!

Tags: data, r, women in tech

Imported from: http://calagator.org/events/1250482764

LitFootA new, year-long series of author readings, curated by Sellwood Community House Volunteer & Two-Time Moth GrandSLAM Champion Sarah Bunger. Readings take place from 7-9pm at Sellwood Community HouseAuthors include:September 16: Willy Vlautin & The Left and the LuckyOctober 21: Liz Prato & PurgatoireNovember 18: Emma Pattee & TiltJanuary 20: Dr. Michelle Chappel & The Power of AuthenticityFebruary 17: Kristin Jeffries & Red Wine LoverMarch 17: Olufunke Grace Bankole & The Edge of WaterApril 21: Tom Alkire & Western WatersMay 19: Ling Ling Huang & Immaculate ConceptionClick Here to RSVP!

See full details at tomorrowtheater.org.

Join the Portland Baroque Orchestra for a pre-concert lecture in PAB 320 (third floor) at 2pm. Admission is free to the pre-concert lecture.