White Eagle Saloon

C*ntry is a Seattle-based queer pop-rock trio comprised of MJ Jurgensen on lead vocals and guitar, Sophie Pattison on bass, and Katrin Fabian on drums. C*ntry plays a mix of original tunes and covers ranging from Chappell Roan to the Cranberries.

PIZZA OVERTIME hails from Portland, Oregon (hail satan) consisting of 5 gay babies. A sillycore characature of all of your favorite genres. Think: all of your intrusive thoughts said out loud. Think: sitting on the toilet dreaming for the fall of capitalism. Think: crying and eating hotdogs while watching the twilight saga...WITH MY BEST FRIENDS.

BROTHERHUSBANDS was created by three friends who wanted to share their love for each other far and wide. Three friends who found so much joy in music individually, that when they first jammed together, it all fell in place. They're as close as brothers, but only two of them are men. They're as devoted to each other as husbands. They're so underground, their music can't even be streamed. You can only be a fan of BROTHERHUSBANDS if you've seen them live - and we do hope that you will. Playing genreless music that sounds something like Weezer doing a Britney Spears cover, we hope that you find as much joy and silliness in their music as they had creating it.

Formed in 2018, The Gibbons are an all original, stripped down, blues influenced rock n' roll band. Their music features locked in drum and bass grooves provided by bassist Schuyler Dinsdale and drummer Greg Montplaisir, complimented by the dual Les Paul guitar attack of Peter Boone and Nathan Zito. They released a self titled album available on Spotify, Apple Music, and BandCamp.

Get ready to be blown away by the ultimate all-ages student band showcase, featuring Oregon's finest young rock stars from Bach to Rock Music School in Tanasbourne! These powerhouse bands will take the stage at the legendary White Eagle Saloon and Hotel in Portland for an electrifying 3-hour matinee you won't want to miss. Don't let their ages fool you-these young rockers have been hard at work rehearsing and perfecting their craft, and they deliver a show that will blow the roof off the house! Come witness the magic, support music education, and rock out with Bach to Rock!

There was a time when punk rock was dismissed as a fleeting fad, lumped in with disco and TV bands. But acts like The Ramones, The Clash, and later Green Day proved otherwise, cementing punk as a powerful voice of youth. Today, Mercy Music carries that torch. Led by guitarist and vocalist Brendan Scholz, the Las Vegas trio â€" rounded out by bassist Jarred Cooper and drummer Ryan Seaman â€" channels the spirit of punk's early days with raw emotion and finely crafted songs that resonate beyond fast guitars and angst.

For Scholz, punk was never about image - it was survival. He picked up a guitar at nine years old and found an outlet for the intensity of life's highs and lows. Mercy Music's latest album, What You Stand To Lose, produced by Descendents drummer Bill Stevenson, distills Scholz's knack for crafting melodic anthems wrapped in emotional honesty. With Cooper and Seaman's tight musicianship backing him, Scholz creates music that feels urgent and profoundly human, songs that cut through the noise of an increasingly cynical industry.

The heart of Mercy Music lies in the genuine connection they seek with listeners who feel like outsiders. "We've never really fit into one box," Scholz explains. Their music offers a lifeline for anyone needing a reminder that they aren't alone. Whether it's the desperate hope of "Believe In We" or the aching sorrow of "Waiting To Begin," Mercy Music's songs are unflinchingly real â€" never sanitized, always sincere.

Scholz has never let go of the drive to create despite setbacks and personal hardships. His partnership with Cooper, dating back nearly 25 years, anchors the band's foundation. Their friendship - part brotherhood, part marriage - has endured the darkest moments, allowing their music to be built on trust, openness, and resilience. Cooper says, "Brendan goes to dark places, and I'm there to help him find the light."

Mercy Music will spend most of 2024 on the road, delivering cathartic, no-frills rock shows that remind you what punk means: connection, catharsis, and survival through sound. Scholz says it best: "We're not reinventing the wheel. But I don't think a band is doing exactly what we do. And honestly? That's enough for me."

Pretty Deadly is a Dallas, Oregon-based punk rock trio born from what was supposed to be a one-off studio jam-but turned into something too fun to walk away from. Formed in early 2025, the band features Blaine (guitar/vocals), Travis (bass/vocals), and Zach (drums)-three longtime players with deep roots in the Pacific Northwest punk scene. Between them, they've logged time in bands like Drawback, Ninjas with Syringes, The Disliked, Faithless Saints, Burn the Stage, Lost City, and The Civies.

Pretty Deadly isn't here to reinvent the wheel. They're here to keep it loud, fast, and honest. Drawing from the golden age of '90s and early 2000s punk-from SoCal skate punk to the grittier corners of Northwest alt-rock-their sound blends melody and grit, simplicity and sneer. There are no rules, just whatever hits in the moment. Sometimes that means channeling sad or pissed-off lyrics through a pop melody played at breakneck speed. Sometimes it leans darker and heavier. But it always stays true to the core: no stress, no filler, just three friends making noise they love.

Less is more. No bullshit. That's Pretty Deadly.

Rose City melodic punk band Old Cross pulls influences from the late 90's punk and emo scenes and delivers heartfelt anthemic choruses across basement shows, dive bars and national stages alike.
The band released their LP Dead End Lullabies October 2024 and just dropped their new EP Acoustic Volume 1 Friday, January 9th.

The Brothers Jam is a Grateful Dead-inspired mashup of rootsy rock and deep rhythmic grooves, taking their audience on a sonic journey every time they hit the stage. Drawing from the vast songbook of the Dead, to a broad palette that spans Talking Heads, Phish, Van Morrison, Johnny Cash, Allman Brothers, Joe Henry, Bob Dylan, John Prine, Al Green, et al...the Brothers are at home wresting spontaneous compositions through their unique approach and sonic palette. Part jam band, part jazz band, the Brothers have been on their quest for over twenty years, playing clubs, concert venues, festivals, weddings, parties, galas, fund raisers, creative events... anywhere joy is at a premium and love for great music and good vibes is in the air.

PDX Memorex brings alive decades of soul and funk, covering classics by Stevie Wonder, Bill Withers, and Otis Redding alongside new soul and funk by artists like Amy Winehouse, Joy Crookes, Sharon Jones & the Dap-Kings, and Lenny Kravitz. The band's 8 pieces blend beautiful lead singing, vocal harmonies, and stellar horns with a hard-driving rhythm section that will surely get your booty shaking.

Based in Portland, PDX Memorex consists of Heidi DiJulio (lead vocals, backing vocals, ukulele, and melodica), Alex Jasso (trumpet), Erik Jasso (trombone), Steve Johnson (tenor sax), Philip Morlier (drums and lead vocals), Wade Schuster (guitar), Janet Strong (lead vocals, backing vocals, keys, cowbell, and slide whistle), and Dan Toulson (bass).

Tire Kickers are a new 4-piece original blues, country and rock band from Portland, Oregon, with an eclectic and nostalgic sound reminiscent of Johnny Cash, Jon Spencer Blue Explosion, or They Might Be Giants. They are all longtime Portland musicians formerly of Old Town Diamonds, Pirate Jenny, Captain Bogg & Salty, and Postmodern Pirates.

Tire Kickers play exciting rock-infused and rhythm-driven sets combining a handful of deep-cut rock covers with dozens of their own originals written by Paul Iannotti (acoustic guitar and vocals) and Kevin Hendrickson (electric guitar and vocals). They are backed by drummer Dave Owen and bassist Dan Schulte.

Trestles in a beach rock project from Santa Cruz, California. Formed in 2021, the new band made a name for themselves playing in the college rock circuit during the major post-pandemic scene resurgence. While Trestles definitely allows the beach town aesthetic of Santa Cruz to seep into their music, the band is more interested in creating a sound that equally criticizes and celebrates west coast garage rock tradition. By finding a balance between the nostalgia of 1960's musicianship and the accessibility of modern garage rock textures and pop sensibility, the band's sound aims to be relentlessly rooted in the present. This attitude is delivered through sarcastic, yet aware lyrics that aim to make living in the moment feel like a study in social politics. Trestles' music is plainly meant for whoever who wants to hear it.

Keeping the timeless sound of the Grateful Dead alive for the next generation, Dead Sometimes brings together the songs you love to sing with the jams that make you dance. This high energy and gritty jam band from Portland, Oregon, consists of Mac Brown (guitar, vocals), C.J. Mead (guitar, vocals), Curtis Waterbury (bass), Ben Skoch (keyboards, vocals), Chris Palmer (drums), and Austin Stewart (drums, vocals).

These guys have been playing together for more than a decade in various iterations, including several members currently performing with Five Fingers of Funk, Steely Dawn, Cow Paddy Stompers, Norwester Sky, Christopher John Mead, and Austin Stewart Quartet. They came together for the love of the music, friendship, and good times.

GETLIN is the solo project of Oregon native Mike Getlin. After years as a keyboard player in rock and blues bands across the country, he stepped out front for his first full multi-instrumental production: southern and roots rock carrying the imprint of 90s alternative, built on country and Americana bones. Firm guitars, a rhythm that runs like an engine, and rough, emotion-laden vocals that keep the American West at the center of the record.

His debut album Stay leads with 500 Miles to Reno and runs through Blacktop, Oregon Sunshine, and Chaos Called Love. GETLIN is managed by The Davy Agency.

The Throwbacks are a 5-piece cover band that plays something for everybody. Covering bands such as Fleetwood Mac, Queen, and Tom Petty, their setlists blend classic rock favorites with modern pop and dance hits. Whether it's for a lively crowd or intimate event, the band will mix plenty of nostalgia into every show.

Bria Damage, fronted by Angelo Bria - proof that surviving the Sunset Strip in the '80s builds either character... or a bad credit score.

Formerly the voice of Aaronsrod, Angelo helped deliver the 1986 cult metal release Illusions Kill, produced by Rick Keefer at SeaWest Studios for RoadRunner Records, back when hairspray was flammable and guitar solos legally had to last six minutes.

After decades of touring, Angelo relocated to the Pacific Northwest, where he joined

Earth To Ashes as bassist and co-vocalist, being the chief lyricist for the first two releases, Cursed Invoked and their self-titled follow up.

In 2022, BRIA released Target Audience, followed by the 2023 single Stop Quality, Then in 2026, BRIA unleashed Optimus Masochist, the first single from their five-song EP produced by Dead End Bowie. The song blends classic Sunset Strip swagger with enough sarcasm to make the internet uncomfortable.

Channeling the spirit of David Lee Roth after three energy drinks and a midlife crisis, BRIA walks the fine line between ridiculous and brilliant - usually in leather pants.

Sean McLean and the Vibetenders are a rootsy jamband with elements of soul, blues, funk and bluegrass. Their frontman Sean McLean is best known for being the sax and guitar player for local dancefloor instigators, World's Finest. He can also be seen playing around the Pacific northwest sitting in with bands from the Jam scene such as Umphrey's McGee, Leftover Salmon, ALO, Andy Frasco, Lespecial, Pimps of Joytime and The Kitchen Dwellers. Sean's Music features original songs, reworked World's Finest numbers as well as a clever blend of classic and unique covers. Every Vibetenders show is a great time and, of course, guaranteed to be the perfect vibe.

The JT Wise Band performs high energy good time music. They have found a special calling to perform the music of the Grateful Dead with authentic jams and guitarist JT Wise channeling Jerry Garcia. Also performing is bassist Maggie Wise, drummer Ken Woodside and on piano Byron Ady.

"JT Wise sounds like no one else on the planet"-Mary Flower

"JT Wise Band performs American roots music with an expertise rarely heard"- journalist Daniel Curran

"Best Grateful Dead in the area"- Portland Notes Notable performance, Paul Lankow

Bug Complex is a Portland, OR based band comprising a talented and eclectic bunch of multi-instrumentalists and singers. Their original music has been described as "Frank Zappa meets They Might Be Giants," and includes lush and playful horn lines, vocal harmonies, poetic lyrics, and funky grooves that will get you moving.

Formed in 2017 by songwriting duo Jeff and Joolz, Ladybug Infestation has spent the past 8 years playing their iconic "rebel folk and party rock" for it's red and black adorned fan base all over the Portland area and beyond. The pair began their performing career as a duo, honing their signature "rebel folk" sound in front of a loyal and quickly growing fan base. Their first airplay came with the release of their single "Lonely and Blue" early in 2020 and soon afterward they expanded from a duo to a four piece band, transforming their style into their current party rock vibe. In 2022 the band was awarded first place in a Portland area Battle of the Band competition. Early 2023 brought more acclaim with the release of their iconic single "Five Minutes in a Sports Car" along with the accompanying music video. In 2025, the band once again transformed itself, bringing on the powerful and solid drumming of Johhny O, along with the creative bass stylings of Brian Levine to update their rhythm section and help take the band into new sonic directions.

Mexican Gunfight is a rock band with a big and easy notion of what "rock" can do. Stylistic influences abound: blues grit, country lyricism, the soulfulness of gospel, a jam thrown in ... even tinges of Latin and jazz dot their sonic landscape. But the Gunfight doesn't lay claim to being a blues, country or gospel act ... they're really just a rock band.

The band's instinctive ability to play seamlessly together is perhaps one of the first things to impress, and betrays the band's experience: Mexican Gunfight's personnel have wandered the U.S. tour routes together for nearly a quarter century, in a half-dozen different outfits, thousands of shows and in hundreds of venues (not to mention a variety of interesting vehicles). Perhaps most notably, their incarnation as The Renegade Saints (which also included their old pal John Shipe) got regional acclaim and national attention back in the early '90s, but even then they were too rockin' to be a jam band, and definitely too free-form to be grunge.

Since that time the members of Mexican Gunfight -- individually and collectively -- have been notable fixtures in the NW music scene; there's a high probability that you have seen at least one of them playing at a bar, club, theater or festival over the last several years.

The Gunfight pays homage to acts as diverse as Neil Young, Hothouse Flowers, Willie Nelson, Santana, Glen Campbell and Little Feat while offering just as much stylistic variety in its originals. They borrow songs from their "ancestral" incarnations, including the Saints but also Kerosene Dream, The Strangers, Dixon, Tremor Guild and Nine Days Wonder. (Bassist Dave Coey -- a prolific songster in all of his bands since the '80s -- has recently popped out a few new tunes that the band quickly worked over live a few times and brought into the studio.)

The spirit behind Mexican Gunfight's music is - simply put - to consider everything fair game and have a blast rocking it up.

Al Toribio, guitar and vocals
Dave Coey, bass and vocals
Ned Failing, drums and vocals
Mike Walker, piano and organ

Charming Birds are mounting a conspicuous attack on hearts, minds and ears of music fans with a hook-laden wall-of-sound. Giving a nod to the many great Northwest bands of the last two decades, this band hearkens back a little further to a time and place before bearded bicyclists and brooding flannel clad long-hairs dominated the radio waves. Upon first listen, one would assume Charming Birds posters might have adorned telephone poles at the height of the infamous scenes in Minneapolis, Boston, Athens or Chapel Hill. Yet, they are distinctly modern and distinctly Portland. Beneath grizzled vocals, Danko-esque harmonies, ear-bleeding guitar and synth, and a heavy hitting rhythm section, reside clever rock songs that will stick in your head like a television jingle. And, yes, there are a few beards and a few flannel shirts in this band. Next time you're jonesing for the likes of Mould, McCaughan, Martsch, Mascis, or Moore, go see Charming Birds. They might just be the next best thing Portland has to offer. --Jimmy Tucker

This premier tribute band dives deep into the Jerry Garcia Band and Grateful Dead catalogues, delivering a blend of songs that we all know and love. Known for their smooth harmonies, electrifying solos, and the gorgeous addition of pedal steel guitar, Rhapsody in Red will have you feeling "just like days of old."

Steely Pete! - Guitar, Pedal Steel Guitar & Vocals
Hayley Valentine - Vocals & Acoustic Guitar
Chris Carey-Stronck - Drums
Jeff Daumen - Keyboards
Chris Petryszak - Bass Guitar

After a seven-year hiatus, Letters to Lions have re-emerged as one of Australia's most compelling indie rock comeback stories. Since returning in September 2024, the Sydney-based four-piece have met their return with an overwhelming response from fans and tastemakers alike, swiftly re-establishing their presence on the global indie stage. Their latest releases have secured placement across major international playlists including Spotify's New Music Friday (US, AU/NZ, Egypt) and Rock the World, alongside Apple Music's New Music Daily, Heaps Indie, and Good Times.

This momentum has translated into significant growth, with the band's catalogue surpassing 17 million total streams and monthly Spotify listeners climbing from 80,000 to over 350,000 in under twelve months. Renowned for their commanding live performances, Letters to Lions have matched their digital success with sold-out shows, including a headline performance at Sydney's iconic Lansdowne Hotel, followed by a successful New Zealand tour in April 2025. Their return has proven not only sustainable but emphatic, positioning the band as a revitalised force within modern indie rock.

With new music resonating internationally and a live reputation that continues to convert audiences room by room, Letters to Lions are building momentum with purpose and their next chapter is accelerating fast.