Arts & Media❯Museums

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post-film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Join us for the Portland launch of Any Time But This Time (Mad Creek Books), the debut story collection from LA filmmaker and author Adam Peterson, in conversation with Portland poet, novelist, and painter Zachary Schomburg.

The human condition is dire. We knew that. But it's also always been that way–we've always craved to be sometime else, from the first human woman (Denise, stuck with neanderthals) to the final man (Keith, losing all his language but the name of his girl–that, he'll save). In between, Peterson introduces himself as a shapeshifter, voicing a semi-delinquent and moderately depressed teenage Jesus in "Jesus Does a Hero;" a convincingly polyamorous prairie romance; 1983's fiber optic saleswoman to the local government of Shanghai, Barbara Roach; and a hormonal crop of teenagers sent to fight "the Schmoopys" once their orbit arrives and their hair has gone gray.

As they'll tell you, the findings are fairly straightforward. In all of human history, we have only been one thing: lonely. Well, two things. We've been horny, too.

Unrelenting, bold, and cynical in the way that only a child of Nebraska-gone-Hollywood could write, Any Time But This Time gifts us 300,000 years of humans destined to be alone, willing to give it all up for connection.

"As history tends to shave off the weird bumps and ridges of our past, it's exhilarating and unsteadying to read a collection that ambitiously seeks to provide a kind of bizarro reimagining of our world. Any Time But This Time is odd and hilarious and yet so tenderly human, so unafraid of cataloging all the strange desires and cruelties and moments of true connection that have somehow gotten us to this moment in time, and then it rockets beyond that to imagine an even stranger future. This is wildness of the highest order, unforgettable and highly original."
—Kevin Wilson, author of Now Is Not The Time To Panic

"The stories in Adam Peterson's Any Time But This Time are funny, but, like, really, really funny, but like, the kind of funny that make you laugh and laugh and then make you question your own soul, or whether you even have a soul, because Adam Peterson has slyly tricked you into laughing at some of the worst possible things, the most terrible of people, the most dire of situations. He has made you laugh the kind of laughter that keeps you honest, makes you see the world as it really is. This is a fabulous, unrelenting collection of stories, full of gorgeous, punchy, compulsively readable prose. Do yourself a favor: pick it up, take it home, and start reading."
—Manuel Gonzales, author of The Miniature Wife and other stories

"Deeply entertaining, the stories in this collection crackle with the spark of imagination, invention, and compassion. Peterson writes with a satisfying blend of humor and pathos, fearless in both wit and empathy. For lovers of George Saunders and Haruki Murakami, with a dash of Aimee Bender, this collection also feels somehow entirely fresh."
—Aja Gabel, author of Lightbreakers

"Each story in this collection is a window into unseen moments of history, and deftly conveys the "incomprehensible beauty, all too comprehensible horror" of the human experience. Peterson's voice carries an almost prophetic weight, masterfully balancing the lyrical, existential, heartbreaking, and humorous with a skill and style akin to writers like George Saunders and Nana Kwame Adjei-Brenyah. From the first cave woman to identify as human, to the unraveling of language as our species dies off, I was enraptured by this book, and felt genuinely changed after reading it. Uniquely funny, profoundly moving, and innovatively written, Any Time But This Time is a rare and exciting feat of literature."
—Erin Slaughter, author of A Manual for How to Love Us and The Dead Dad Diaries

Adam Peterson is a writer and filmmaker living in Los Angeles. He's the author of the prose poetry collections My Untimely Death, The Flasher, and [SPOILER ALERT] (with Laura Eve Engel). His short fiction has appeared in Epoch, The Kenyon Review, The Southern Review, and a mess of other places. His films have played at HollyShorts, Fantasia Fest, and Just for Laughs, among many other festivals.

Zachary Schomburg has written books of poems like Wool Moon (Black Ocean, 2026)and a novel, Mammother (Featherproof, 2017). And he's a painter too. In fact, he once painted a painting owned by Adam Peterson. He lives in Portland with B and Y.

Tina Chang reads from her new poetry collection Lion at Portland Art Museum in the Native American Art gallery (Level 2, Room 215), paired with Sara Siestreem, fastened to the rock (blood, sweat, and tears).

In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists, including Haena Yoo, Hồng-An Trương, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, a young woman who was killed during the height of anti-Asian hate crimes. Responding to art across various media—text, illustration, painting, video, and sculpture—Lion sparks cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.

As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.

“An urgent exploration of Asian American identity from a poet with a ‘fearless imagination.’”–Tracy K. Smith, winner of the Pulitzer Prize

Samantha Swindler, a reporter with The Oregonian, will talk about the newspaper's history as it celebrates its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, such as the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of the Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Described by Gramophone as "a superb, confident technician and an intelligent stylist, who doesn’t have to prove anything," guest pianist Chad R. Bowles will teach a Master Class to Portland State University piano students, and the public is invited to attend.

Bowles will also perform a free concert with the music of Schubert, Beethoven and Medtner as part of the Music @ Midday Series on Friday, November 6 from 12:15 p.m. to 1:05 p.m.

Learn more about Bowles, his concert program and the Master Class on the PSU Steinway Piano Series website.

Learn more about the School of Music & Theater.

We've all heard the phrase, "If it ain't broke, don't fix it." Turns out, nature seems to agree! From the fossil record to the animals living around us today, evolution has a funny habit of coming up with the same solutions again and again. Different animals can end up looking remarkably alike and sometimes even behaving alike despite evolving completely independently. This fascinating phenomenon is called convergent evolution.

In this fun and fascinating pub talk, paleontologist Nico Spadafora will take you on a journey through the weird, wonderful, and oddly repetitive world of convergent evolution. We'll explore how it happens, why evolution keeps repeating itself, and what these evolutionary "reruns" can tell us about the incredible diversity of life on Earth.

Science Pubs are a casual lecture series located in fun venues across the region, recommended for ages 10 and over.

Science Pub Mission Theater is a monthly event that is open to anyone and everyone. No scientific background required. Just bring your curiosity, sense of humor, and appetite for food, drinks and knowledge! For more information or to sign up for our mailing list, email: [email protected].

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Heaven’s Gate (2021)
High-definition 3D 8K video with sound, color; 5 min., 45 sec., loop

A lavish and satirical take on the silver-screen spectacle of Hollywood dreams and excesses, Heaven’s Gate both celebrates collective storytelling and satirizes saturated glamour and stereotypes. The continuously looping video ascends through the seven levels of purgatory, each stage its own unique landscape of visual samples lifted from iconic moments in cinematic history.

Anthology (2025)
Photo–montage printed on wallpaper

Anthology mirrors the way we recall films: as iconic moments, cinematic scenes and emotional cues. By intuitively forming associations between set pieces and characters, Marco Brambilla constructs a compelling “memory timeline”, a series of powerful still images that represent narrative fragments, punctuating the rhythm of cinema across genres and eras.

These curated images resonate not because of their plot context but due to their visual and emotional impact. Chosen for their ability to stand apart, they act as pauses or reflections within the flow of a film’s narrative, exploring how singular moments in film can encapsulate entire stories. Characters and scenes become a visual grammar—pauses, interruptions, and exclamations— underscoring the evolving relationship between image, time, and viewer interpretation in cinema history.

Samantha Swindler, reporter with the Oregonian, will talk about the history of the newspaper, which is celebrating its 175th anniversary. The Oregonian was founded in 1850. It’s the oldest newspaper on the West Coast and one of Oregon’s oldest continuously operating businesses. The talk will include ties to Clackamas County, including the race between Portland and Milwaukie to see who would get a newspaper first, and Oregonian editor Thomas Dryer’s infamous feuds with Asahel Bush, editor of Oregon Statesman, originally founded in Oregon City.

Samantha Swindler joined The Oregonian in 2013 as editor of the weekly Forest Grove Leader suburban newspaper and has since been a columnist, video producer, editor and reporter for The Oregonian/OregonLive. Before moving to the Portland area, she was publisher of the Tillamook Headlight-Herald on the Oregon Coast, and served as editor of rural newspapers in Texas and Kentucky. In 2010, she received the Tom and Pat Gish Award for courage, integrity and tenacity in rural journalism following a series of reports on corruption within an East Kentucky sheriff’s department. She currently covers news and features from Oregon City and other parts of Clackamas County, where she also lives.

Live, in-person, history programs are at the Museum of the Oregon Territory with the Look Back Lecture Series! See experts recount histories from our region, ranging from culture and community to nature and ecology. Click this link to see what lecture series are coming next.

Portland artist Eva Wrzesinski spent months visiting Blanchet House’s free café, drawing portraits of 22 guests while learning about their lives. The result is "At Our Table", a portrait exhibition that invites viewers to see people experiencing poverty, homelessness, addiction, and mental health challenges as unique individuals with stories worth hearing.

The event offers an opportunity to view the portraits and interview Wrzesinski and participating café guests about their experiences.

Each portrait includes excerpts from interviews that explore guests’ memories, relationships, challenges, and hopes for the future.

What can South Korea teach us about tradition and life in a global society?

Join us for a 12-day faculty-led program in Seoul, South Korea, exploring how cultural traditions, rapid modernization, and global influence shape everyday life. Discover how South Korea’s transformation from postwar recovery to a cultural and economic powerhouse reflects connections among collective identity, innovation, and global competitiveness.

Through museum visits, cultural experiences, and explorations of Seoul’s urban landscape, you’ll examine the intersection of history, technology, media, and society. Experiences include visiting Gyeongbokgung Palace in traditional Hanbok, the Samsung Innovation Museum, K-Pop media sites, and a professional KBO baseball game, alongside visits to traditional markets and the Korean Demilitarized Zone (DMZ).

Open to students from all majors, this program is especially suited for students interested in global studies, business, media, sociology, anthropology, international relations, and the arts.

Program Dates: June 22–July 3, 2027
Course: KOR 330 U-Section
Prerequisite: None
Program Leader: Young-Ju Han, Korean Language Program

Information Session: November 9 at 11 a.m. — KMC 580
Education Abroad Fair: November 18, 11 a.m.–2 p.m. — SMSU 296/298. Explore the Fair
Prerequisite: CH 426

View Program Details

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Complementing the mansion's upcoming exhibit will be the 2026 Home for the Holidays — Holidays from Around the World annual celebration. Eighteen rooms throughout the mansion and Gate Lodge will be transformed into festive displays inspired by holiday traditions from Europe, the Middle East, China, India, South America, Mexico, and beyond.

Since March, dedicated volunteer decorators have been thoughtfully developing their design concepts and bringing their creative visions to life. For the first time, nine community organizations are joining the efforts. Through these new collaborations, Pittock Mansion introduces new members of the Portland community to the mansion while welcoming back familiar faces and longtime supporters to experience the warmth, beauty, and joy of the holidays at Portland’s beloved home — The Pittock Mansion.

Make this season the most memorable yet. Pittock Mansion‘s Home for the Holidays, Holidays Around the World. The Portland Then and Now: The Changing Demographics exhibit will also be open throughout the Home for the Holidays celebration. During the holiday season, visitors can enjoy both experiences with a single admission ticket.

It wasn’t all unicorns and rainbows on the Oregon Trail. Historian John Jarvie leads a tour through the darker history (and comedy) of the iconic journey at the End of the Oregon Trail Interpretive and Visitor Center. Tickets include two drinks, either alcoholic or nonalcoholic. Participants must purchase tickets online before the event.

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

One hundred and twenty-five years ago, President Theodore Roosevelt signed the law creating Crater Lake National Park. It was the fifth of now over sixty national parks in the United States. In commemoration of Oregon’s only national park, the Oregon Historical Society designed an original exhibition, Creating a Masterpiece: Artists and the Origins of Crater Lake National Park(on view from November 20, 2026, to January 9, 2028), and published the Oregon Historical Quarterly's Fall 2026 special issue, entitled “Crater Lake and Artistic Imagination.” Together, these productions tell the story of how nineteenth-century landscape painters brought Crater Lake to regional and national audiences and influenced its national park designation. In this program, exhibition curators Megan Lallier-Barron and Peter Boag share the inspiration and research behind the exhibition and discuss how — through everything from historic paintings and photographs to museum objects and QR codes — they have made the story available to a modern audience.

Alicia Jo Rabins reads from her new memoir When We’re Born We Forget Everythingat Portland Art Museum in the Asian Art gallery (Level 1, Room 108), paired with Watanabe Sadao, Adam and Eve.

From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.

As a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.

When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.

“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.”
—Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth

Join us for a reading and celebration of Paul Maziar’s Junebug. The evening with feature musical guests Kelli Schaefer and Drew Grow.

When asked for eight words to describe Junebug, Maziar channeled Agent Cooper: “Everyday, once a day, give yourself a present.” But did he mean the present? Either way, Junebug is a gift.

Junebug situates Paul Maziar’s latest acts of listening and attending, transmission and transcription. He’s built a modular space suggestive of both the theatre and the gallery, performance and (inter)play. The aphoristic title sequence hones sharp accessibilities — we find words available to us, for our limbs and limbics to hold, hurrumph, to slap our knees and share. A mysterious dramatis personae pervades Junebug’s expanse across the mental maps Maziar graphs as he organizes streets of words and questions what their design might reference. We encounter, among others, Toulouse-Lautrec, Agnes Martin, Eva Hesse, Jack Whitten, Colette, Robert Walser. Who are all these characters in Maziar’s parade? Maybe there’s some insight in the final serial sequence, “Hives,” which states that “The real thing is inside of what everything appears as.” The real in Junebug asks us to admire the distance between the surface and the subject. We already have the right tools.

Charles North: From short poems to prose poems to the wonderful fragments collected in its title poem, Paul Maziar’s writing revels in imaginative discontinuity. Junebug is smart, witty, surprising—and inspiring—throughout.

Merrill Gilfillan: These works step up in the name of Poetry and its heartwood, its ever-salvational “What’s on the river today?”

Tetra Balestri: Maziar manages to resurrect a conversation started sometime in the early to mid-20th century that cuts through the present-day pandemonium with polish and swagger. Junebug is a pair of pants worth trying on.

Simone Kearney: Reading Paul Maziar’s Junebug, I feel the tightrope walker’s high-wire balance between the forces of levity and gravity, the contexts of interior and exterior, the concocted and the perceived, thought and overheard speech. These poems make me wonder how it is that we move through the world, which is also a moving-through language.

I’m reminded that language bears a strange mystery. It’s always received and always being made at the same time; it’s a material we inherit and get to play with. In Maziar’s work, overheard phrases and sayings arrive solidified, brick-like things. The language resembles the fragments of familiar tunes — an echo, or memory of one — appearing as the freshest, strangest thing newly imagined.

I feel the intimacy and elusiveness of unspoken thought in the poems: words not yet uttered, still inside the mind. This makes me feel the dynamics of inside and outside that are part of the human drama. Am I looking at something the poet is looking at, or am I inside his head? Maziar lets us inhabit uncertainty. This is living language just being breathed, catapulted from lips, cemented into freshly-thought speech.

Junebug lets me delight in the way language can tend to trip over itself: “I’d rather stimulate than simulate”; “a certain vigor (or vinegar?).” Decontextualized, speech is absurd, funny, strangely moving: “I’m not going anywhere until I see a horse.”

What emerges is a tour de force composed of song, slogan, slip of the tongue, reverie, note, advertisement, fragment, nonsense, musing, hiccup, rupture, tidbit, epiphany. “The only faith he had was in the confusion of his experiences,” Maziar writes, suggesting that one thing we can do amid such confusion is continue to place words onto the page — in relation to ourselves, to others, to images, and to other words. And those words keep coming to meet us: flat, full, flowing, tired, zippy, and ready for more.

Kelli Schaefer's latest record, Even Still, could be the soundtrack to a modern gothic, a playlist for a trudge through a muddy forest or the accompaniment to a subconscious mantra. She demonstrates deftness in refusing to confine herself to a single genre. Schaefer excavates her past while planting herself deeper into the avant-garde, offering a fresh take on the age-old singer-songwriter trope, delivering haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass.

The Pacific Northest's beloved troubadour, musician/artist Drew Grow (Slang, Modern Kin, Pastor's Wives) is back with new songs and a new stripped down method. Spotted playing solo shows around Portland this summer, he is out on his own, debuting new music and packing a wall of little guitar amps. It's new digs for the artist. Drew's solo approach, raw and exposed, is even more striking than the bands of his past. His powerful voice still ringing through as ever, magnetic and arching over the solo guitar and twisted old amps. The sound is momentous and vulnerable, seeming to come from a deeper place. What have you brought us?

A $10 ticket supports our musical guests, Kelli Schaefer and Drew Grow.

Spooky season doesn’t end with Halloween! Join us for a ghost tour and investigation of the Stevens-Crawford House and a haunted history tour of the Ermatinger House. The Falls Distilling will also be joining us to serve up samples of their “spirits” and will have their gin products available to purchase. $45 More info and tickets at bit.ly/OCSaturdayNightSpirits

Your eyes, your ideas, one artwork at a time. Slow your pace in the galleries and join a Look With Me conversation. These 20-minute, drop-in sessions focus on one artwork, just enough time to notice things you might normally breeze past. Our volunteer guides invite your perspective, spark questions, and help the whole group see something new.

Sessions take place every 30 minutes from Noon to 2 p.m.Look for signs in the galleries to join.

• 12 p.m. Hoshino Satoru, Spring Snow No. 12 (Rothko Pavilion, Level 2, Grand Gallery 200)
• 12:30 p.m. Florine Stettheimer, Portrait of My Teacher, Fräulein Sophie von Prieser (South Wing, Level 2, Gallery 202)
• 1 p.m. Phyllis Yes, Dusty Cleaning the Tub (South Wing, Level 2, Gallery 207)
• 1:30 p.m. Tim Leura Tjapaltjarri, Clifford Possum Tjapaltjarri, Spirit Dreaming Through Napperby Country (South Wing, Level 1, Schnitzer Courtyard)

Come for one session or stay for a few. You’ll be surprised by what you start to notice.

Third Sundays: Look With Me + Art in ASL
Once a month, some sessions are led in American Sign Language (ASL) and others in English. Every session includes ASL/English interpretation.

On November 17, Portland will recognize its first annual day honoring the life and legacy of Will Vinton as proclaimed by Mayor Keith Wilson.

The event celebrating this momentous occasion will take place two days prior on Sunday, November 15, 2026, at McMenamins Mission Theater. This event is free and open to the public.

We will be displaying pioneering stop motion equipment from Will Vinton Studios, screening his award winning short films, and hearing about his impact on the world from friends, family, and fans.

About Will Vinton

Will Vinton was an award winning stop motion animator and filmmaker who called Oregon home. He laid the groundwork for Portland's animation scene, and today the city is widely considered to be the stop-motion capital of the world.

Vinton first gained notoriety in 1975 when his short film Closed Mondays won an Academy Award, the first film produced in Portland to do so. From there, Vinton opened the doors of his stop motion animation studio in the heart of Portland’s Nob Hill district. He would go on to produce numerous short films, television series, music videos, commercials, and special effects which are still influential today; such as The Little Prince (1979), Moonlighting (1987), Disney’s Return to Oz (1985), The PJs (1999 – 2001), and The California Raisins.

Later in life, Vinton branched into live action and CGI work, taught at The Art Institute of Portland, and created a musical titled The Kiss.

By the end of his career, Vinton had accumulated one Academy Award and three Primetime Emmy Awards alongside multiple nominations for both.

About MOSMA

This proclamation and event are spearheaded by MOSMA (the Museum of Stop Motion Animation). MOSMA is a nonprofit organization that was founded in 2022 by president Brian Capati. We have been collaborating with local businesses and theaters to host various programming including quarterly screenings of stop motion films at the Hollywood Theatre, community collaborative animation workshops, and speaking events with industry professionals.

We are centered around strengthening the bonds between art, community and industry in efforts to establish a permanent stop-motion museum.

MOSMA’s Mission Statement

The Museum of Stop Motion Animation is a creative nexus between local industry and the global community. Building upon Portland's unique legacy in this remarkable medium, our goal is to enrich the public’s understanding and appreciation by inviting them to peer behind the curtains of this intriguing art form.

Stop motion is a symphony of artists who contribute their gifts to create truly handmade cinema. We seek to preserve stop motion animation and promote a united passion for it, so that this wondrous art form may continue to evolve and enchant audiences.

Website: mosmapdx.org

See full details at tomorrowtheater.org.

Join the Columbia Writers Series for a reading and conversation with the novelist, journalist, and editor Ed Park. Park is the author of the novels Same Bed Different Dreams and Personal Days, and the short story collection An Oral History of Atlantis (2025). He has been a finalist for the Pulitzer Prize, the PEN Hemingway Award, and other honors, and has won the Los Angeles Times Book Prize and Asian Pacific American Award for Literature. His writing has appeared in The New Yorker, The New York Review of Books, The Atlantic, Harper’s, McSweeney’s, and many other places. He is a founding editor of The Believer and was executive editor at Penguin Press. He teaches creative writing at Princeton.

A gaming-themed, adults-only night at OMSI with the museum floor open after hours. The program pairs curated vendors and themed lectures with the interactive exhibits and planetarium shows, drawing on the science and engineering behind games, simulation and play. Food and drink are available for purchase and a happy hour runs from 5:00 PM ahead of the 6:00 PM start. Attendees must be 21 or older; government-issued photo identification is required at the door and no minors are admitted. A good crossover evening for the Portland game development, hardware and science communities. Held at OMSI, 1945 SE Water Ave, Portland. Ticketed, with advance purchase recommended as these evenings regularly sell out. https://omsi.edu/events/omsi-after-dark-game-on/

Julia Wertz reads from her new memoir Bury Me Already (It’s Nice Down Here) at Portland Art Museum in the Prints & Drawings gallery (Level 0, Room 007), paired with Mary Kay Nitchie, Jump, from the portfolio Wayzgoose.

Raw, honest, and hilarious, Bury Me Already (It’s Nice Down Here) chronicles the joy and horror of becoming a mother during challenging times.

In this follow-up to the acclaimed memoir Impossible People—a book about getting sober and becoming a professional artist in New York City—cartoonist Julia Wertz returns home to Northern California where she reunites with her family and rekindles a relationship with an ex-boyfriend. After a surprise pregnancy and a marriage proposal, Julia settles (somewhat reluctantly) into a quiet life in a small town. But as 2020 approaches, her world, and the world at large, takes a sharp turn toward unexpected chaos. Through comic vignettes, essays, and diary doodles, Julia recounts the events of her pregnancy and its attendant body horror, a miscarriage, family trauma, marriage, a life-altering accident, and the joy and surprises of parenthood as it all unfolds against the backdrop of local wildfires and a global pandemic. The result of this unconventional collection is a heart-wrenching and hilarious story of adversity, resilience, and, ultimately, love.

Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.

Followed by book signing at The Shop at PAM.

A major collection of performance works by artist and agitator Anthony Hudson.

Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.

In this lecture demonstration, members of Hung Dance will provide an introduction to Taiwanese dance company Hung Dance’s movement language, including how their acclaimed work Birdy blends traditional Chinese exercises and materials with contemporary dance. The company will also delve into the inspiration and concepts behind Birdy, followed by a short excerpt of the work. Guests will have the opportunity to have their questions about the dance answered by members of the company. This lecture demonstration will be delivered primarily in Mandarin, with live translation between Mandarin and English.

Explore ways plot functions in the short story, with tips and examples to guide you.

This is a free drop in class offered at the Portland Book Festival. All attendees must acquire a wristband before entering the class venue. Space is limited.

Live Wire teams up with the Portland Art Museum during First Thursday and the Portland Book Festival. From 4:30 to 6 p.m., complimentary pop-up performances roam the museum galleries, no ticket needed. At 7 p.m., host Luke Burbank and announcer Elena Passarello lead a seated, ticketed taping with poet and rapper Dessa, children’s author Mac Barnett, Pulitzer Prize finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors open at 6:30 p.m.. Portland Book Festival passholders get 10% off.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, prompting McGrain to come forward and offer the city a bronze version of the bust. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts and Culture, Portland State University conducted a community survey to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join a thoughtful discussion about McGrain’s act of protest and York as a historical figure significant to Portland's history and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

BOOK FEST IS SOLD OUT.

For more than a decade, Portland Art Museum has been proud to partner with Literary Arts and serve as a home base for the Portland Book Festival, bringing thousands of writers, readers, and book lovers downtown for one of the city’s biggest literary celebrations.

Festival activity fills the PAM campus and Cultural District throughout the day, making it an especially lively time to visit.

How does PAM ticketing work on Portland Book Festival Day?

With regular Museum admission (including PAM member admission), visitors can enjoy the galleries along with select festival activities happening in them, including:

• Pop-up author readings thematically paired with artworks, 11 a.m.–4 p.m.
• KMHD Jazz Radio Listening Lounge in Gallery 300, 12–4 p.m.

PAM members receive their usual free Museum admission; a Festival Pass is required for full festival access.

Visit the Portland Book Festival website for the complete schedule.

Crater Lake National Park was signed into law by President Theodore Roosevelt in 1902. It was the fifth of over sixty national parks in the United States. In commemoration of Oregon's only national park, the Oregon Historical Society (OHS) has created a new exhibit, Creating a Masterpiece: Artists and the Origins of Crater Lake National Park (on view from November 20, 2026 to January 9, 2028) and published the Oregon Historical Quarterly's Fall 2026 special issue, entitled "Crater Lake and Artistic Imagination."

Professor Peter Boag and OHS curator Megan Lallier-Barron tell the story of how 19th-century landscape painters brought Crater Lake to regional and national audiences and influenced its national park designation. They share the inspiration and research behind the exhibition and discuss how - through everything from historic paintings and photographs to museum objects and QR codes - they have made the story available to a modern audience.

Peter Boag is Arnold M. and Atsuko Craft Distinguished Professor in the Department of History at Washington State University. While he now lives north of the Columbia River, he was born and grew up in Oregon and has an enduring interest in the Cascade Range. He is the author of various books, articles, and essays on Pacific Northwest history and is curator of the Oregon Historical Society's new exhibit on Crater Lake.

Megan Lallier-Barron is the curator of exhibitions for the Oregon Historical Society and is responsible for researching and developing content for exhibitions of all sizes. Megan holds an MS in arts management with a focus on museum studies from the University of Oregon and a BA in archaeology and art history from the State University of New York (SUNY) College at Potsdam.

Artwork by Peter Boag

Enjoy 15% off your hotel stay on History Pub nights! Show your ticket at check-in.

These events are open to everyone interested in Pacific Northwest history, and beyond! Often co-sponsored by local or state historical and civic organizations, we bring you experts, scholars, first-person experiencers, historians and documentaries expounding on topics from indigenous history to the birth of Portland, early explorers to hop growing, and on and on! It's like being back in the classroom - except this time you get to settle into comfortable seats and enjoy a drink or two with dinner while you listen and learn.

This event is eligible for a History Pub Stamp

Meet at 4:00PM, Walk at 4:15PM, the walk is 1.5 mile total out-and-back hike. Plan to meet at Lower Macleay Park - 2960 NW Upshur St, Portland, OR 97210.

Join Third Angle and World Forestry Center for an immersive All-Saints Day soundwalk to Witch’s Castle, featuring a spooky, site-specific soundscape created by local composer Bora Yoon. Grab your headphones, download the soundwalk, and join us under the bridge at Lower Macleay Park as we excavate memory, and bring to life place-based storytelling along the wooded path.

Featuring special guest Gary Hershberger (Mike Nelson) in person!

Joins us for the complete Twin Peaks series on the big screen for the first time in history! We continue our year-long celebration of the greatest TV show of all time The Missing Pieces. Rarely shown in theaters, this feature film presents deleted scenes from Twin Peaks: Fire Walk with Me assembled together as an untold portion of the story’s prequel. Following a Q&A, we’ll then begin The Return with episodes “My Log Has a Message for You” and “The Stars Turn and a Time Presents Itself.”

Gary Hershberger will be signing autographs and taking photos with fans for an additional fee at the event.

In this stunning and compulsively readable memoir, the Oscar-winning star of Indiana Jones and the Temple of Doom, The Goonies, and Everything Everywhere All at Once, Ke Huy Quan, tells the story of his journey from Vietnamese refugee to 80s child star to the most inspiring comeback in Hollywood history. Interviewed by OPB’s Dave Miller. Ke Huy Quan’s Hollywood adventure began when he was twelve years old, a mere five years after his family escaped Communist Northern Vietnam and settled down to a relatively peaceful life in L.A.’s Chinatown. After attending an open call audition on a whim, he was unexpectedly swept up in the wild world of filmmaking: learning to swim from Harrison Ford on the set of Indiana Jones and the Temple of Doom, receiving trucks full of toys from Steven Spielberg and George Lucas for his birthday, meeting Princess Leia and Luke Skywalker, and making lifelong friends on the set of The Goonies.

A star of two of the most beloved movies of the ‘80s, there appeared to be no limit to Ke’s rise. But just a few years later, the roles had dried up and it seemed like Hollywood no longer had a place for him. He eventually left acting to work odd jobs behind the scenes for directors like Wong Kar Wai. His confidence was badly shaken, but his love of performing never abated. It wasn’t until decades later, when he was 49 years old, that he stepped back in front of the camera to star in a strange little indie film called Everything Everywhere All at Once, which surprised everyone with its incredible box-office and awards season success. To call Ke’s Oscar-winning performance a triumphant return would be an understatement.

In this moving, inspirational memoir, Ke paints a vivid self-portrait, telling both heart-wrenching and funny stories of his early rise, slow fall from the spotlight, the resilience that kept him going through his darkest times, and his eventual resurrection on one of the biggest stages in Hollywood. Never Say Die is the story of Ke’s extraordinary life, a love letter to the movies and people that shaped him, and a powerful testament to never giving up on your dreams.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Polish those D10s and shuffle your cards because OMSI After Dark: Game On! is back. Whether you’re a historian of retro gaming, an expert in dueling, or a card deck collector, this event is friendly for all players.

OMSI After Dark is a monthly event for guests 21 and over to explore the museum with a beverage in hand. On top of being able to roam the museum without minors, the added bonus of these events is the curated vendors and lectures relating to the monthly theme. The Planetarium will host four shows, and the Featured Exhibit is open for an additional fee. This month’s vendors and lectures will focus on gaming, but there will not be an exhibit on it. Check out the list of vendors below to see who is coming.

Portland Art Museum celebrates the Deaf Community with Art in ASL on the 3rd Sunday of every month. Deaf Community members and their companions enjoy complimentary admission all day and are invited to participate in guided Look with Me sessions in the galleries between 12-3pm. Visitors of all ages are welcome.

Some Look with Me sessions will be led in ASL and some will be led in English. All sessions will have interpretation. Look for signs in the galleries to find locations of each session.

Join us for slow looking sessions from 12-3 pm then come to the Finley Studio for artmaking and social time from 3-5 pm.

Look With Me does not require special tickets. Museum tickets can be purchased online or at the box office.

Accessibility:
The museum galleries are wheelchair, mobility device, and stroller accessible. Complimentary stools, folding chairs, manual wheelchairs, and assistive technology are available upon request. All museum accessibility info is available here. Please contact us with any additional access needs at [email protected] or leave a videophone message at 503-420-3169.

Art in ASL is presented in partnership with the Deaf Look Club, a program of Bridge City Montessori.

Join an evening of conversation, laughter, and stories of the human spirit featuring The Omnibus Project with John Roderick and a special guest. Presented by Papertrees Creative in partnership with the 2026 Portland Book Festival and Literary Arts. This event will be recorded. The Omnibus Project is a podcast founded in 2017 by Ken Jennings and John Roderick as a repository for the lesser-known stories of our collected human experience that, in the event of a cataclysm, may not survive to be retold. It is an effort to save our own Library of Alexandria to disk, a project to preserve not just what made us great but what made us human.

The show has diligently researched and compiled the knowledge around the knowledge, building a compendium not of obvious and commonly cited data—the Roman Empire and World War II are widely reported elsewhere—but of the esoteric and sublime wonders that might otherwise be lost.

John Roderick is a Seattle-based musician, writer, and podcaster celebrated for his sharp wit and distinctive voice. Beyond co-creating The Omnibus Project, he also co-hosts Roderick on the Line. His essays have appeared in Rolling Stone, Esquire, and Seattle Weekly, and he has published a book of short prose, Electric Aphorisms. Best known as the frontman of The Long Winters, Roderick will return with a highly anticipated new album soon.

• Thursday, November 5
• The Heathman Lodge | 7801 NE Greenwood Dr., Vancouver
• Doors Open: 6:00 p.m. | Program Begins: 6:30 p.m.

Alexis Nikole Nelson, best known to millions of fans as Black Forager, invites you on an adventure to discover the delicious and wild foods hiding in plain sight. Alexis captivates people with her joyful enthusiasm and deep knowledge of foraging and inspires them to explore the bounty of their own backyards, parks, and trails, and now she does the same in her eagerly awaited first book.

Happy Snacking, Don’t Die! is a one-of-a-kind collection of recipes and foraging wisdom that teaches you how to turn common plants, flowers, and fungi into yummy, plant-based meals. This unique work is almost like two books in one—foraging plant guide and vegan cookbook—organized by season to guide you through a year of appetizing discoveries. In spring, you’ll learn to pickle Magnolia flowers and turn Japanese Knotweed into a refreshing granita. Summer is for frying up Milkweed Buds, making Juneberry Hand Pies, and crafting Rosewater Baklava. When fall arrives, you’ll be making savory mushroom dishes (a.k.a. chicken of the woods) like Maitake steak and bacon. And in winter, cozy up with Pine Shortbread Cookies and Oyster Mushroom Chowdah.

Climate change, especially in recent years, has escalated not only into a global environmental crisis but also into a highly intensified challenge in a time of political divides—often leaving one feeling overwhelmed and powerless. How can better conversations help move individuals, communities, and the planet toward collective solutions?

Called “one of the nation’s most effective communicators on climate change” by The New York Times, Dr. Katharine Hayhoe, chief scientist for The Nature Conservancy, has an uncanny ability to navigate all sides of the conversation on climate. With a singular balance of scientific rigor and storytelling, patience and empathy, and an abiding adherence to her faith, Hayhoe is often able to reach audiences that other climate scientists have not been able to reach — demonstrating that by finding shared values, we can better connect our unique identities to collective action.

WorldOregon welcomes Katharine Hayhoe back to Portland for this rich conversation exploring how to incorporate climate change into both our public decisions and private conversations at a moment of urgency when climate action and environmental policy are at a crossroads.

Dr. Katharine Hayhoe is an atmospheric scientist whose work bridges climate science, risks, and resilience. As Chief Scientist for The Nature Conservancy (TNC), she directs the organization’s global scientific strategy and leads a global community of more than 1,000 TNC scientists and science staff whose work underpins every aspect of TNC’s mission: from conserving lands and waters to developing scalable, science-based solutions to the biodiversity and climate crises.

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.