Performing Arts❯Theater

This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

The Saloon Ensemble‘s epic all-ages production of The Nitemare B4 Xmas is back. Featuring Kylee Wegner as Jack, Patrica Charms as Sally, Jason Wells as The Mayor, Noah Veil as Oogie Boogie, Dan Stauffer as Dr. F, Phil Sano as Sandy Claws, Richard Cawley, Iris Asher, and Stacey Ludlow as Lock, Shock, and Barrel, Julia Andalora as Zero, plus Jon Vancura on sax, Mike Danner on accordion, Jeremy Baron on mandolin, and Joe Hagel on drums.

Portland's legendary performance troupe, The Saloon Ensemble, will once again bring to the stage a live performance of the brilliant score complete with interactive sing-along, a costume contest, everyone's favorite screaming contest and many other 'horrible' surprises.

Celebrate the Halloween season with the annual production that's been packing houses and delivering joyous fun for all spirits, young and old.

Ekklesia Theatre launches its “Love Your Neighbor” season with Will Eno’s funny, haunting “Middletown,” Oct. 23-Nov. 1 at Magenta Theater, in partnership with NAMI Southwest Washington. The play follows an unlikely friendship between longtime Middletown resident John Dodge and newcomer Mary Swanson. Around them, a librarian, a mechanic, a police officer, tourists and other townspeople try to make sense of their lives — and one another. Their paths cross in surprising ways, taking audiences everywhere from a library to outer space. Shows are 7:30 p.m. Fridays and Saturdays from Oct. 23-31 and 2 p.m. Sundays through Nov. 1 at 1108 Main St., Vancouver. NAMI Southwest Washington will be at the theater after performances on Oct. 25 and 30 to discuss loneliness and mental health. Plays are recommended for viewers age 13 and older. Tickets are $15 at ekklesiatheatre.com/tickets.

Presented by Soul’d Out at Revolution Hall, this performance spotlights John Scofield’s Electrospective, a project from the three-time Grammy winner that revisits the funk-infused side of his 54-year journey in jazz. Instead of recreating earlier favorites, Scofield brings fresh interpretations drawn from his Blue Matter, Uberjam, and A Go Go periods, alongside new pieces in a similar spirit. He appears with Scofield alum and drummer-producer Adam Deitch (Lettuce), keyboardist Larry Goldings (Scary Goldings, James Taylor), and bassist Oteil Burbridge (Dead & Co., Tedeschi Trucks Band, Allman Brothers). The program leans into the fusion grooves audiences often request, delivered by a lineup assembled to let the music speak.

With featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH. Ages 21 and up

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back on many of his now-classic fusion-groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades, culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues. Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead and CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival. The Centerpiece event of the 31st Annual Día de los Muertos Celebration is Marigolds y Memorias, an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns o build an altart, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

“When we travel down those old back roads, that’s when we finally find our way,” sings Portland songwriter Richard Colombo — and that spirit of discovery runs through every note he plays. For over four decades, Richard has been a beloved songwriter, performer, teacher, and community builder whose heartfelt songs blend timeless storytelling with themes of love, courage, and joy. Known for his clear tenor voice, masterful guitar work, and playful energy, Richard’s performances move easily between the profound and the delightfully whimsical — especially when he breaks out his banjo ukulele. A night with Richard leaves audiences feeling uplifted, inspired, and connected.

Inge Hoogerhuis is a singer-songwriter, but that is not how she started out - a lounge and cabaret singer from way back when, who traveled up and down Highway 75, to Las Vegas, and then found a home on the West Coast. She has sung in grange halls to fancy hotels, for 20 people from the back of a pick-up truck to 500,000 in San Francisco's Gay Pride. But her favorite thing to do is to write songs that capture both the humor and melancholy of the West, and that ruminate over love and justice, lost and gained. You can catch her on Spotify or at local watering holes around Portland.

Wendy Emerson is a folk jazz guitarist and vocalist whose music is influenced by ballads and show tunes from the swing era, as well as folk and rock music from the 1950s on. Her repertoire consists of jazzy covers and originals about love and loss served up with a generous helping of speaking truth to power.

Brent Calderwood is a Portland-based singer, songwriter, guitarist, and pianist inspired by indie-folk, Americana, and the American songbook.

Get ready for some serious chills, Portland. Bag&Baggage Productions is bringing back its Halloween show by popular demand, and it’s a spooky one. The Woman in Black, a celebrated ghost story, has terrified audiences since its 1987 London debut. You’ll find it atmospheric and relentless, making you question every shadow.

This acclaimed play, based on Susan Hill’s novel, follows a young lawyer unraveling village secrets. Just two actors portray all the characters, a true showcase of their talent. Directed by Ephriam Harnsberger, this chilling experience runs October 15–November 1 at The Vault Theater. Go if you dare!

Each year, Milagro observes Día de Muertos with the premiere of a new production, altar displays, and community events with the Día de Muertos Festival.

Día de Muertos (Day of the Dead) is a long-honored tradition with roots in Indigenous Mexican culture. Día de Muertos is observed annually in Mexican and other Latin American cultures on November 1st and 2nd as a remembrance of those who have passed. Individuals and families who honor this day set up ofrendas (altars) with offerings to their departed loved ones. Typical offerings include marigolds, calaveras, photos of the dead, and traditional food like “pan de muerto.”

Annam's 3-year anniversary dinner featuring a collaborative kitchen takeover with uncle Peter from @havl.noodles (Hà VL). The evening includes deep-cut à la carte Việt food, cognac, live jazz by Brian's Blade (featuring @chochu_local members @cmlgsn, @Aidan.jacobs._, and grateful_marcus), and a custom jade jewelry pop-up by Le Petit Hoa. Menu to be announced closer to the date; available until sold out.

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by an elder, a younger generation learns to build an altar, the heart of Día de Muertos, discovering the meaning behind each of its elements, from candles and marigolds to photographs, ofrendas, and cherished recuerdos. Through song, dance, and short theatrical vignettes, the altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

Age Recommendation: All Ages
Estimated Running Time: 1 hour 30 minutes, including one intermission

Ticket Availability:

• Season Packages: Tickets may be secured now when you purchase a Milagro Season Package, offering savings of 12.5% – 20%, depending on the package specified.
  To see package options, please CLICK HERE.
• Group Sales: Groups of 10+ may book now to order.
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• Single Tickets: On sale beginning Friday, August 21, 2026

Single Tickets:
Adults – $32
Seniors 50+ – $28
Students – $24

SHOW TIMES:

Book Bar is a five-day pop-up bar, café and cultural clubhouse in the heart of downtown Portland during Portland Book Festival week. Stop in for drinks, food, conversation and a rotating lineup of literary-inspired performances, pop-ups and unexpected happenings.

On Wednesday night, 45th Parallel Universe presents a celebration of Allen Ginsberg, featuring live readings of Howl and other works accompanied by live jazz.

The evening brings together voices from Portland’s literary, music, theater and radio communities for a tribute to one of the most influential figures in American poetry, and to Howl, which Ginsberg first read publicly in Portland while studying at Reed College.

Featured participants include Gregory Scholl, Robert McBride, Fred Child, Alexis Hamilton and additional special guests.

Fred Armisen is a comedian, writer, producer, and musician. He is the co-writer and co-star of IFC’s Emmy-nominated series Portlandia. He is in the hit Netflix series Wednesday as Uncle Fester. He stars in HBO’s Los Espookys, which he co-wrote and executive-produced. He can also be heard in the hit animated movie Super Mario Bros. Armisen stars in, writes, and produces IFC’s hit show Documentary Now. He has also appeared in HBO’s Our Flag Means Death, Judd Apatow’s The Bubble, and Amazon’s series Forever. He voices characters in Big Mouth and The Mitchells vs. The Machines. He is currently starring in the Broadway play All In. Armisen is an 11-season veteran of Saturday Night Live. From 2014-2024, Armisen was the band leader of the 8G Band on Late Night with Seth Meyers.

TICKETS $50 | ALL AGES

Ben Wolfe - bass

Nicole Glover - saxophone

Ron Steen - drums

We are thrilled to welcome home two of Portland's favored jazz musicians; acclaimed bassist, Ben Wolfe and renowned saxophonist, Nicole Glover. The two will be joined by beloved local jazz legend, Ron Steen for a homecoming show you won't want to miss!

Wolfe has performed and recorded with some of the most celebrated names in jazz and popular music, including Harry Connick Jr., Diana Krall, Wynton Marsalis, and many others. A respected player, composer and Julliard educator, Ben is one of today’s most accomplished jazz bassists. Wolfe brings an extraordinary depth of experience, musicianship, and creativity to the stage.

Joining him is Nicole Glover, whose powerful, adventurous saxophone playing has made her one of the most exciting voices in contemporary jazz. Nicole is a saxophonist, bandleader, composer, and educator based in New York City. In 2026, Nicole was awarded “Up and Coming Musician of the Year” by the Jazz Journalists Association and #1 Rising Star Tenor Saxophonist & #1 Rising Star Soprano Saxophonist by Downbeat Magazine. Nicole is also a sought-after collaborator. She is currently touring with groups led by Christian McBride and Renee Rosnes, including the multi-award winning ARTEMIS. She has also toured and recorded with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Additionally, Nicole has worked under the leadership of drummers Al Foster, Billy Hart, Lenny White, Victor Lewis, Kenny Washington, Carl Allen, Gregory Hutchinson, and Joe Farnsworth; Grammy-winning vocalists Dee Dee Bridgewater and Buika; bassists John Patitucci, Reggie Workman, Harish Raghavan, Ben Wolfe, and Or Bareket; vibraphonist Joel Ross; and pianists Bill Charlap, Geoffrey Keezer, Aaron Diehl, Luis Perdomo, Christian Sands, Micah Thomas, and George Colligan, among others.

Alongside these two will be Portland's hometown favorite, Ron Steen, whose decades of contribution to the city’s jazz scene have earned him legendary status. Drummer, bandleader, Ron is known as the Godfather of the Jazz Jam scene in Portland, Oregon. Writes the JJA’s Rick Mitchell: “The jam session is at the heart of the jazz tradition. While high school and college jazz programs have proliferated in recent decades, there is no substitute for the knowledge gained by sharing a bandstand with one’s elders and peers in an exposed and competitive setting." Ron has built and nurtured that philosophy in Portland for decades.

Three exceptional musicians. Two shows. One unforgettable night of jazz. Don’t miss this special 1905 performance!

Mantra, music, and storytelling to awaken the heart. Sacred Dharma is a Pacific Northwest kirtan-fusion jam band. At its core, they facilitate the devotional practice of chanting Sanskrit mantra. The music is colored by world influences ranging from Indian classical to jazz and psychedelic rock, enhancing the mood so that each repetition of the Name can awaken the heart.

Led by Sitaram Dass with Jeanette Kangas on tabla, Clark Stacer on bass, Lance Jordan on guitar, and a rotating selection of some of the PNW's finest musicians.

Sitaram Dass (he/him) spent several years serving his beloved teacher Ram Dass on Maui, where he was shown the path of Bhakti, the yoga of service and devotion to God. He is an author, teacher, kirtan singer, and spiritual counselor. As the director of the Sacred Community Project, he works to provide affordable, free, and donation-based offerings as a praxis of Sacred Community.

$25 Advance / $30 Door

(No one turned away for lack of funds)

Choreographer Lai Hung-Chung makes dances of striking beauty and intention. “Birdy,” his captivating signature work for Hung Dance, moves between suspense and explosive energy, between the weight of tradition and the pull toward something new. Hung Dance blends traditional Chinese arts, including tai chi, Peking Opera, and classical Chinese music, with contemporary dance technique and driving electronic music, creating work that is poetic and rhythmic at once. What audiences see on stage is a world in constant transformation, where bodies bend and resist, images linger, and the tension between holding on and letting go becomes the dance itself.

TAIPEI CITY, TAIWAN

Birdy

“…a dreamy sensibility with astonishing athleticism in culturally sensitive modern dance performance.” —Charlie Smith, Pancouver

Sponsored by George & Nancy Thorn. White Bird’s Uncaged Series Sponsor: Ronni Lacroute

The Friday and Saturday performances will have pre-show talks. Come early to hear from the dancers from 6:15–6:45 PM. No ticket needed.

Join us November 3rd for the Hung Dance Lecture Demonstration, FREE with RSVP here .

Ever wonder what happens when exes meet for dinner? Douglas Lyons’s Table 17 dives into just that, bringing you Jada and Dallas, two people revisiting their past relationship. What begins as a simple catch-up quickly unravels, moving between humor and honesty. You’ll discover their spark, the eventual unraveling, and the lingering question: what if?

Directed by Charles Grant, this play invites you into a single night holding years of love, mischief, and unspoken words. It’s set in Bianca’s Restaurant, where your seat is part of the world. Choose a floor table, a riser, or a traditional theatre seat. You’re in the story. Go see it!

Ghost Show! is the story of a group of people who have found themselves at the lowest point in their lives — making a low-budget ghost hunting show that’s in last place in the local ratings. But an accidental death (is she dead, though?) leads to a boost in engagement…and a whole new set of problems. Filmed both behind the scenes and as in-universe episodes of the show, Ghost Show! is all about failure, found family, and trying to make meaning out of the ghosts of the past — and future.

Join the Tiny Park Productions team at Twilight Theater for the launch party of the pilot reading of Ghost Show! Not only will you see and hear the first official reading of the pilot script, but you’ll also get to enjoy fun, spooky-season-themed activities and treats — think of it as a theatrical carnival.

There will also be a costume contest with Door Prizes, so Halloween costumes are encouraged.

Tickets include a free raffle ticket. Prizes include real ghost-hunting gear.

Daley brings his distinctive voice and acclaimed live performance to Portland, blending classic soul with contemporary R&B, alternative pop, and electronic influences. Known for soaring falsetto and personal songwriting, he has earned Billboard Top 10 R&B hits, Grammy recognition, and acclaim for collaborations with artists including Stevie Wonder, Jill Scott, Pharrell Williams, and Gorillaz. His performance features new music alongside fan favorites. Opening the show is Portland native Tahirah Memory, a soul and jazz singer-songwriter whose debut album topped the UK Soul Chart. Her warm, honest vocals and heartfelt songwriting complement an evening of soul, R&B, neo-soul, and live musicianship.

Minors ok when accompanied by a parent or guardian

ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

The Rivkah Ross QuintetSun, Nov 01TICKETS $25 | ALL AGESRivkah Ross is a Portland-based drummer, composer, and bandleader. Rivkah’s debut album Dare to Hope (PJCE Records) marks the arrival of an inspiring new voice in modern jazz. Moving effortlessly between beautiful melodies and gritty, angular rhythms, her music embodies defiant triumph and hope. A first-generation American raised by a single mother, Rivkah brings a message of hard-won optimism to every note. Taking a page from her hero, Roy Haynes, and paying homage to giants like Coltrane and Shorter, Rivkah is pushing jazz forward with a sound unapologetically all her own. Rivkah is a native Pacific Northwesterner. She has performed her original compositions at the Montavilla Jazz Festival, PDX Jazz Festival, Mount Hood Jazz Festival, and the Vancouver Jazz & Wine Festival. Her other projects include the Stumptown Sirens, Portland’s first all-female big band, which made their debut appearance on the PDX Jazz Festival in 2026 to a sold-out crowd. Rivkah’s drumming hero is Roy Haynes, and in 2026 she put together The Rivkah Ross Sextet, which played two sold-out Roy Haynes tribute sets at The 1905, Portland’s dedicated jazz club. 05:30 PM SHOW 07:30 PM SHOW

Award-winning composer Todd Marston and Micah Hummel’s Advanced Composers Ensemble performs a live score to Jem Cohen’s Counting, a film in fifteen linked chapters shot from Moscow to New York to Istanbul that blends diary film with personal/political essay. Each chapter is scored by a different A.C.E. composer, sometimes for a single instrument and sometimes for the full eleven-piece ensemble. Music genres will span from modern experimental jazz and rock to electronic music and minimalism.

Jake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Hailed as the “Jimi Hendrix of the ukulele,” Shimabukuro has captivated audiences across the globe with his masterful technique, innovative spirit, and deeply expressive performances that seamlessly blend elements of jazz, rock, classical, blues, folk, and traditional Hawaiian music.

Born and raised in Honolulu, Hawai‘i, Jake began playing the ukulele at age four, quickly developing a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral, introducing millions to the ukulele’s untapped potential.

Over the course of his career, Shimabukuro has released numerous acclaimed albums, collaborated with an array of legendary artists—including Bette Midler, Yo-Yo Ma, Jimmy Buffett, Ziggy Marley, and Mick Fleetwood—and performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music.

Beyond the stage, Jake is a passionate advocate for music education and community outreach, frequently performing at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy, connection, and hope.

In recent years Thundercat, aka Stephen Bruner, has completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a wholly unique voice, transcending genre. He has become a cornerstone of the Brainfeeder label having released 'The Golden Age of Apocalypse' (2011), 'Apocalypse' (2013), 'Drunk' (2017), and his 2020 album 'It Is What It Is' won Best Progressive R&B Album at the 63rd GRAMMY Awards, featuring Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins and Zack Fox. The record was produced by Thundercat and his longtime partner Flying Lotus who was GRAMMY-nominated in 'Producer of the Year, Non-Classical' for his work on the album.

2023 kicked off with a bang, with Thundercat joining Steve Lacy live onstage at the 65th Annual GRAMMY Awards to perform the hit single 'Bad Habit.' He also released his latest single 'No More Lies' with Tame Impala, and announced a slew of tour dates spanning 5 continents.

2022 was a banner year, with highlights including his vocals and bass heavily featuring on Gorillaz single and title track 'Cracker Island' which hit #1 on the Alternative radio charts. He also starred in the official music video and performed onstage with Gorillaz at Coachella and the MTV European Music Awards ceremony. He also joined Red Hot Chilli Peppers as support on their North American and EU stadium tour.

Thundercat made his acting debut in 2022 with a recurring role in Star Wars' 'The Book of Boba Fett' on Disney+. He also covered 'Fly Like An Eagle' for the 'Minions: The Rise of Gru' OST executive produced by Jack Antonooff. Other film and TV work has included collaborating with Flying Lotus on the original score for 'Yasuke' on Netflix, as well as an episode of Emmy & Golden Globe winning series 'Atlanta' created by Donald Glover.

Live highlights include duetting with Ariana Grande at Adult Swim Festival 2020, a US tour alongside his friend Anderson .Paak (2019), an appearance at the Nile Rodgers curated Meltdown Festival held at the Southbank Centre, London (2019); and previous festival highlights for Thundercat include Glastonbury, Coachella, Sónar, Fuji Rock, Newport Jazz Festival, Primavera Sound and Governors Ball. In 2019 Thundercat was invited by legendary jazz institution Blue Note in New York to play a 14 show residency over the space of 6 days. Special guests for the residency included Reggie Watts, Zack Fox and Hannibal Buress. One memorable sold out show at New York's Irving Plaza in 2017 featured Dave Chappelle making an impromptu appearance as his hype man.

In 2015 he was 'at the creative epicenter' of the 21st century's most influential hip-hop album Kendrick Lamar's 'To Pimp A Butterfly', and he won a GRAMMY for his collaboration on the track ‘These Walls'.

Much celebrated for his inimitable style, Thundercat has appeared as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE.

Bruner found his instrument at the age of 4. That made him a late-bloomer in the house of Ronald Bruner, Sr., who drummed with the Temptations among others. His first bass was a black Harmony, and he practiced to the Ninja Turtles soundtrack until pops played him Jaco Pastorius. He joined thrash legends Suicidal Tendencies as a teenager, and has spent road and studio time with everyone from Stanley Clarke and Herbie Hancock to Leon Ware, N.E.R.D., Travis Scott, HAIM, Silk Sonic (Bruno Mars & Anderson .Paak), Kaytranada, Stevie Wonder and Erykah Badu.

The name Thundercat is a reference to the cartoon he's loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named 'Grune the Destroyer' in Cartoon Network's Thundercats Roar animated series

Nashville crooner Stephen Day spans pop, rock, soul, and jazz in his music, recognized for its emotional depth and storytelling. He began to make a name for himself by playing live around the city; his debut full-length studio album, Guess I'm Grown Now, followed in 2019. The record had a fuller, more-produced rock band sound than the EP. Comparisons were immediately drawn to John Mayer, which Day welcomed; he also acknowledged Glen Campbell, D'Angelo, Stevie Wonder, and Frank Sinatra as influences. A second EP, Original Songs and Sound, appeared in 2020, and a second album, The Shapes I'm In, arrived in 2021. Day toured the U.S. as a headliner and as support to the likes of Teddy Swims, Ben Rector, Stephen Sanchez, and Lawrence. He also played abroad in Asia and Europe. Only after his third album, 2024's Gold Mine, did he finally sign a record deal, with Riser House Records. The label released his holiday single "It's Christmas All Over" in October of that year.

Anthony Hudson reads from his new collection of performance works Lamp Black: Plays and Other Grievances at Portland Art Museum in the American Art gallery (Level 2, Room 211), paired with Moses Soyer, Girl with a Cigarette.

Followed by book signing at The Shop at PAM.

A major collection of performance works by artist and agitator Anthony Hudson.

Lamp Back: Plays and Other Grievances collects nearly a decade of work by Anthony Hudson, a queer Indigenous artist and agitator also known as Portland, Oregon’s premier drag clown, Carla Rossi. Whether fumbling with a lamp in a satirical takedown of land acknowledgments or confronting the history of redface in pop culture, Hudson alternates between Rossi’s cackling “ghost of white privilege” and more earnest, vulnerable confessionals as himself—all with a deep commitment to bitter humor and brutal honesty. In these performance works, a mixed-race Native boy plays a pilgrim in his kindergarten Thanksgiving pageant. A young artist recounts the racism in their favorite musical and the larger American theater system. A drag queen storytime goes disastrously wrong and calls for an exorcism with a plunger. Kate Bredeson’s unflinching introduction speaks to Hudson’s work through a cultural and historical lens and illuminates the importance of his project to filet the American Empire.

A special screening of Jem Cohen’s (Museum Hours) 2015 documentary with a live score by award-winning jazz pianist Todd Marston & Micah Hummel’s Advancing Composers Ensemble.

In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen’s films, Counting measures street life, light and time, noting not only surveillance and over development but resistance and its phantoms as manifested in music, animals and everyday magic

• Director: Jem Cohen
• Year: 2015
• Country: United States
• Runtime: 111 minutes

AN EVENING WITH JOHN SCOFIELD’S “ELECTROSPECTIVE”

featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands – each responsible for a few recordings – as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

The Imperfecta Gallery, in collaboration with North Pole Studio, is proud to present The Island of Misfit Toys. This exhibition presents work by Portland-based artist Davis Wohlford. Every year, Davis Wohlford's art practice gives form to an evolving cast of handmade toys. Inspired by the fictional place of The Island of Misfit Toys, its characters occupy the margins of conventional narratives, finding possibility in their differences and agency in their own stories. Hand-sewn, machine-stitched, felted, painted and sculpted from wood and assembled from found objects, Davis's endlessly resourceful approach to materials yields creations that suggest personalities and histories beyond their physical forms. These are not simply objects to be observed; they are created to be played with, loved, and to inspire one's imagination. The toys welcome you to explore an alternate world of their own, an immersive world that Davis builds and shares with his audience. This year, that world expands into performance. Handcrafted puppets take the stage alongside a musical accompaniment, while familiar fairy tales are dismantled, reimagined, and given unexpected trajectories.

Opening Reception: November 5, 5–8 p.m.

Davis Wohlford is a prolific, lifelong artist and the co-founder of North Pole Studio. His work is deeply influenced by characters, stories, and fables that resonate with him and bring narratives to life through diverse media. Davis' works depict a vast array of interconnected characters and fantastical subjects who inhabit North Pole Jr., a self-constructed, multidimensional magical land that Davis has developed over time. His art is a window into this imaginative world, where whimsy and complexity coexist, and every piece is a chapter in an ongoing narrative. Davis is also deeply engaged in re-imagining classic books and movies, exploring playwriting, filmmaking, and animation. This multifaceted creative practice reflects Davis's belief in the power of storytelling as a means of both personal expression and universal connection. Whether through the visual richness of his paintings or the dynamic exploration of narrative in his written and filmed work, Davis Wohlford's art reflects his boundless imagination and his desire to craft worlds that invite others to explore and find meaning in the stories he creates.

CITY POP! Japanese Boogie, J-jazz, & New Wave Night at Holocene, Portland, Thursday, November 12, 2026 · 8PM · 21+ · $25.82. CITY POP!! Returns to Holocene! CITY POP!! Returns to Holocene! Come dance away the dark with Holocene’s own Japanese...

Chuck Israels, revered as one of the preeminent bassists in the world, GRAMMY winner has performed and recorded with Billie Holiday, Benny Goodman, Herbie Hancock, John Coltrane, Bud Powell, Coleman Hawkins, Stan Getz, Bill Evans, J.J. Johnson, Rosemary Clooney, Tony Williams, Eric Dolphy, Jim Hall, Patti Austin, Gary Burton, George Russell, the Kronos String Quartet, and countless others.

Among Chuck's many recordings as a bassist, some outstanding ones include: Coltrane Time, with John Coltrane; My Point of View, with Herbie Hancock; Getz au Go-Go, with Stan Getz; and many recordings with the Bill Evans Trio, including The Town Hall Concert; The Second Trio; Trio '65; Live at the Trident; and Time Remembered. In 2020 Chuck won a GRAMMY for his work with opera star Joyce DiDonato on her recording "Songplay"

As an acclaimed composer and arranger, Chuck has written for Bill Evans, John Coltrane, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Berkshire Music Center, Richard Stoltzman, Eastman Jazz Ensemble, Swedish Radio Jazz Orchestra, West German Radio Jazz Orchestra, North German Radio Jazz Orchestra, Radio Denmark Jazz Orchestra, Hannover Symphony Orchestra, Metropole Orchestra, and others.

JAZZ TITAN THURSDAYS
The Jack London Revue proudly presents Jazz Titan Thursdays, featuring the Mel Brown B3 Organ Group and the Chuck Israels Jazz Orchestra.

Join us at Portland’s top jazz club to honor two of the most influential names in Pacific Northwest jazz music: Mel Brown - drummer for Marvin Gaye, Diana Ross, Stevie Wonder, and the Temptations and Chuck Israels - bassist for Billie Holiday, Benny Goodman, Herbie Hancock, and Bill Evans.

This Thursday, immerse yourself in the speakeasy vibe and rich sound of live soul, jazz, and bebop. Two sets starting at 7pm. Enjoy our full bar and menu. General admission and table packages available.

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Soul'd Out Presents: Lila Forde and Zan Fiskum.
Doors: 7:00pm
Show: 8:00pm
Ages 21+.

Special Note: Ticket holders for this show receive free admission to Jack London's Burly Q Revue Cabaret after the music!

LILA FORDE
With a voice steeped in jazz, soul, folk, and old-school American songcraft, the Seattle-born, Los Angeles-based singer/songwriter has always carried a deep sense of self through her music. But on Life Can Still Be Sweet, her sophomore album, that self comes into fuller focus: A little older, a little wiser, more instinctive, and more firmly in command of the world she’s building. Warm, whimsical, and full of growing pains, the record captures Forde in the thick of her twenties – chasing songs, learning lessons, finding her people, and holding onto beauty even when life gets hard.

“I think I have a really unique voice – not just my literal voice, but my proverbial voice,” Forde says. “In this day and age, and in this industry, there’s a lot of trend following, and there’s a lot of homogeny. I’m just really trying to be my own artist.”

That individuality has been there from the beginning. Raised in a spiritual, music-filled household in Seattle, Forde grew up without a television and with her feet in the dirt – the daughter of a musician and meditation teachers who encouraged her to stay curious, grounded, and creatively free. She sang in choirs, studied jazz in college, and steeped herself in the classics, from Bonnie Raitt and Carole King to Ella Fitzgerald and Nancy Wilson, while developing her soulful California sound that feels unmistakably her own. https://lilaforde.com/

Zan Fiskum is a singer and songwriter from Maple Valley, WA, whose music blends folk, soul, and cinematic pop into emotionally vivid storytelling. Known for her commanding vocal range and a diversean diverse sound rooted in the Pacific Northwest, Zan has built a dedicated following through a series of independent releases that have amassed over a million streams. She has opened for artists including The Avett Brothers, Kingfish, Mon Rovia, and shared the stage with John Legend and Dave Matthews. https://zanmusic.net/

JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission.

1. For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.
2. For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets.
3. Click "Agree & Checkout"

Dmitri Matheny Group Fri, Nov 06 $30 TICKETS | ALL AGES

Dmitri Matheny - flugelhorn

Adam Harris - saxophones

Joe Bagg - piano

Eric Gruber - bass

Michael Raynor - drums

“Dmitri Matheny is a jazz treasure. The lyrical Matheny has impressive chops, but it’s his warmth and soulfulness that win you over.”—All Music Guide Acclaimed for his warm tone, soaring lyricism and masterful technique, American flugelhornist DMITRI MATHENY has been lauded as “one of the most emotionally expressive improvisers of his generation” (International Review of Music). An honors graduate of the Berklee College of Music, Dmitri Matheny vaulted onto the jazz scene in the 1990s as the protégé of jazz legend Art Farmer. Since then he has garnered critical acclaim and a loyal international following, touring extensively throughout the United States, Europe and Asia, traveling to 19 countries. With over 100 recordings to his credit, Dmitri Matheny has released 12 albums as a leader. The San Francisco Chronicle calls Matheny “one of the jazz world’s most talented horn players.”

06:30 PM SHOW 08:30 PM SHOW

Following a string of encounters too strange to be coincidence, Robbie Kingsley, Franco Solari, Dylan McCue and Zach Levy came together to form The Hails. Despite first playing in an insular Miami high school music scene, the band officially formed at the University of Florida in Gainesville, turning the tattered carpeting and beer bottle lined shelves of their shitty college house into a distinct, refined sound that is now synonymous with their name.

After graduation, the group made the pilgrimage back to their home of Miami, the city that directly influenced the sound of their early shimmering singles "Younger" and "Stay," debut EP He Seems Upset (2020), and the subsequent Alive in Strange Ways (2021).

After releasing their debut album What's Your Motive (2023) and gaining international praise, The Hails have created their own unique style of collaboration with band members living in Miami, DC and Brooklyn. Recent highlights of the road include holding court at festivals like Governors Ball, III Points and Okeechobee, interspersed between sold-out headline shows and tour support for The Revivalists, Quarters, The Beaches, flipturn and the moss. This year will see The Hails back out on the road as they ready for the release of their second full-length album later this year.

Meldrop is a five-piece jazzy indie rock group hailing from the Seattle/Tacoma, WA area. The band originally started as a four-piece in the fall of 2022, when River Esqueda, Elijah Tuncap, Kirran Medchill, and Aidan Goodman worked together at a Tacoma restaurant called the Lobster Shop. After a routine night of bussing tables, the boys got to talking and learned that they all shared a passion for playing music. They immediately planned a jam session later that week and what followed was a spark that inspired them to practice and write together over the next 6 months. Meldrop made their live debut at a college house venue called Cush Hill in April 2023, and continued playing shows through the spring and summer. However, tragedy struck in August amidst the recording of their debut project, when a pipe burst in their practice space, flooding the building and destroying their equipment. A week later, Medchill had to step away due to his ongoing struggle with addiction, forcing the band to cancel their upcoming shows. They spent the next 2 months finishing the EP before resuming rehearsals and bringing in a new member, Aidan Maggi, to fill the vacancy. The new lineup took to the live scene in November, just in time to play a show celebrating the release of their self-titled EP around Christmas time.

In the new year, the band continued playing shows and growing their following into the Seattle scene, also taking the time to record new singles "Coyote Country" and "Nude Walter Beach." During this time, they had planned on letting Maggi step out upon Medchill's return, but when the time came to make the switch, the boys realized that they all meshed together too well to let anyone go. It was clear that yet another lineup change was in order. In June 2024, the band returned to Cush Hill to unveil Meldrop's final form, a five-piece consisting of Esqueda and Medchill both on guitar and vocals, Tuncap on drums and vocals, Maggi on bass, and Goodman on keys. The new-look Meldrop's style blends influences of jazz, rock, and the blues into a truly unique and smooth sound that has encapsulated listeners in the Seattle area and all around the world. Driven by a genuine love for their craft, the band continues to experiment with new ideas, pushing their music to new places and chasing their dreams of pursuing music full-time.

Glass. Kill. Bluebeard. Imp. is a collection of four short, surreal plays by acclaimed English playwright Caryl Churchill. Premiering at London's Royal Court Theatre in 2019, these darkly imaginative works weave together myth, fairy tale, and contemporary horror. Moving between collective voices and intimate encounters, Churchill explores violence, power, desire, and the stories we tell to make sense of a fractured world. By turns funny, haunting, and unsettling, the plays invite audiences into a landscape where the familiar becomes strange, and ancient myths reveal modern anxieties without explanation or comfort.

A girl made of glass. Gods and murders. A serial killer's friends. And a secret in a bottle.

Four short plays by Caryl Churchill

Directed by Samantha Van Der Merwe

Centerpiece event of Milagro’s 31st Annual Día de los Muertos Celebration.

Marigolds y Memorias is an original devised production inspired by the traveling carpa tradition, in which humor, music, and storytelling come together in a vibrant theatrical journey. Guided by their ancestors, a younger generation rediscovers the heart of Día de Muertos, the meaning behind each of its elements, from candles and marigolds to ofrendas and cherished recuerdos. Through song, dance, and short theatrical vignettes, an altar gradually takes shape as an act of remembrance and cultural inheritance, inviting audiences to consider how traditions are taught, how memory is kept alive, and what is carried forward when we share rituals across generations.

An Ensemble-Devised Piece
Directed by Juliana Morales Carreño

Age recommendation: All ages
Running time: About 1 hour 30 minutes, including one intermission
Tickets: Adults $32, seniors (50+) $28, and students $24; groups of 10 or more $18 each

Over the decades -- singing, performing, songwriting, collaborating and recording, Gayle Ritt continues to reach listeners with her music and live performances throughout the US and abroad . "The promise of an ongoing love affair with her music will begin the moment you hear the first note." said one friend -- and her live performances are as varied as her styles - from live acoustic at the House of Blues Foundation Room to small club rock shows, hotel residencies, elegant corporate events and picnics. Solo, duo, trio, full rocking band, sweet jazz duo or combo, country, pop, folk, acoustic metal, show tunes, improvisation and freestyles - Ritt sings it all. After 30 years performing, and musical adventures in Chicago, Los Angeles and Miami - she's settled in the NW.

Ritt's National Anthem has been heard over the airwaves and throughout the world for local and National sports teams -- including her standing invitation by the Chicago Cubs. Highlights: Wrigley Field, PGE Park, Dodgers Stadium, The Staples Center, US Cellular Field and the Thomas & Mack Center for the Lakers, Dodgers, White Sox, Timbers and Gladiators. The impact has resulted in millions hearing her voice, news features and national commercials on TV and Radio and her five independent releases have crossed many genres - Acoustic folk, rock, pop, metal, jazz, and improvisation.

Singing throughout the Oregon Countryside with her love and partner, Mike Soto - and their band 23window -- is what she loves best. Having recently released, IN THE RAW, an improvisation project - 13 tracks made up on the spot - she continues to put forward new music. Sweet harmonies on several tracks of the recent Lindsie Feathers release, Neon Renaissance are hers -- and the two perform together in Portland. Releasing from the archives -- live piano and vocals recorded in NYC with Martin Bejerano -- 100% freestyle - a single, "unconditional" Vaut Records 2018. Most importantly -- hearts touched -- souls united and many great times created in the moment.
Endorsements: Levy's Leathers, Dunlop, Gibson Acoustic Guitars, Kyser, Martin Guitar Strings

Come join New Century Players’ Annual Christmas Reader’s Theater!

What:
New Century Players presents old-time radio plays for the winter holidays. We’re looking for six actors who can bring Christmas spirit, energy and enthusiasm from the page to the audience.
Actors will play multiple roles. One actor will be performing as a Foley artist in addition to some roles.
Sides will be available at auditions. Directed by Sara McNaughton.

When:
Saturday, November 7 from 10:30 AM to 1:00 PM
(Actors need not attend the whole session.)

Where:
Samaritan Odd Fellows Lodge
10282 SE Main St
Milwaukie, OR 97222

All auditioners are considered for all characters without regard to race, ethnicity, national origin, sexual orientation, gender assigned at birth, or the presence of a medical condition or handicaps.

If you are unable to attend auditions, please email [email protected] for instructions on how to submit virtually.

Rehearsals will be at the Odd Fellows Lodge beginning on Sunday, November 29 through Thursday, December 3 from 6 to 8:30 PM.

Performances:
December 4, at 7:30 PM
December 5 & 6 at 2 PM

See you at the theater!

New Century Players Community Theatre
http://www.newcenturyplayers.org/
Message phone: 503-367-2620

In this live Dungeons and Dragons show, comedians and performers take to the stage to play some theater games, share some jokes, and play some D&D.

This season of Magic Tea Party, you will join Dungeon Master Juliet Mylan, who will lead:

• Cosmo Reynolds (as Joey, just some guy with a ukulele that frequents Portland open mics)
• Jenna Britann (as Holbrook, a 165,786,084 yr old dilophosaurus),
• Riley McCarthy (as Enoch "Nucky" Fallstar, an apostle of the doomsday cult Threshold of Paradise with some unorthodox powers)

Audience members will take part in controlling the players' fate as they navigate an AU magical Portland in a series of side quests to gather magical artifacts for MOMSI (that's Magical OMSI for the layperson). The show can include strong adult themes and language, so if you bring your 8-year-old, just know they may learn something you were hoping to discuss with them after they hit puberty. Recommended for ages 16+ and parental guidance for those younger.

Small concessions booth with snacks, sodas, seltzers, beer, and wine available at the show. A coffee shop is located in front of the theater, and beverages are welcome in the theater. Tickets are GAYAF (Give As You’re Able Friend) with a suggested donation of $20 to compensate the performers and keep this independent LGBTQ theater running.

Dave Tull Sun, Nov 08 $30 TICKETS | ALL AGES

Dave Tull - drums, vocals

Joe Bagg - piano

Bill Athens - bass

Singing from the drums, Dave brings to the stage a rare combination of joyous songwriting, world-class jazz singing and drumming. Think “Frishberg meets Gershwin”. Dave’s songs have been called both “laugh out loud funny” and inspiring of “soul searching and introspection”. Dave Tull’s latest release, “Texting and Driving” was the #2 most requested new album of 2018 on SiriusXM Real Jazz, and was featured by NPR’s Susan Stamberg on Weekend Edition. “Texting and Driving” rose to #5 on the Billboard Jazz Chart, and #3 on the Billboard Comedy Chart in the same week! Dave’s celebrated first CD, “I Just Want To Get Paid”, continues to get regular airplay many years after its release. When not leading his own trio, Dave is one of the busiest drummers on the scene. In 2016 Dave became the drummer for Barbra Streisand and has played five tours with Streisand including Madison Square Garden in July 2019, and on Barbra’s GRAMMY NOMINATED live Netflix concert video, “Barbra – “The Music..The Mem’ries..The Magic!”. Dave toured from 2000-2010 as drummer and lead vocalist for Chuck Mangione. Dave is the drummer on Pixar’s popular series, “Forky Asks A Question” and Disney’s “Monsters At Work”. Dave has led his trio at the Vail Jazz Festival and Winter Concert Series three times, Catalina Jazz Club in Hollywood, twice at The Los Angeles County Museum of Art (with a two-hour broadcast on KKJZ), San Diego’s KSDS 88.3 FM “Jazz Live” series (a 90-minute live broadcast and interview), the Newport Beach Jazz Party, The Nash in Phoenix, The Arts Garage in Boca Raton FL, The Miami Jazz Coop in Coral Gables, FL, Jazz Showcase in Chicago, the JazzVox house concert series in Seattle, The Strathallan Hotel in Rochester, NY, the “Jazz at Joe’s” concert series in Bend, OR, The California Jazz Arts Society, and countless times at the iconic Lighthouse Café in Hermosa Beach, CA. In May 2022 The Dave Tull Songbook was released by Sher Music, including 21 of Dave’s original compositions available in print for the first time.

05:30 PM SHOW 07:30 PM SHOW

The Breaks

When three modern groove masters of modern funk and soul-jazz converge, sparks are bound to fly. The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades.

Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.

Between them, they’ve logged countless tours, recorded landmark albums, and collaborated with a who’s-who of the modern jam, funk, and jazz worlds. But in The Breaks, the chemistry feels spontaneous—three kindred spirits locking into a groove and letting it ride.

From sweaty club sets to major festival stages, The Breaks deliver a sound that’s both deeply rooted and constantly evolving—a raw, joyful celebration of rhythm and musical conversation.

Behind The Scene with The Christopher Brown QuartetSun, Nov 01++ PLEASE NOTE - THIS IS EVENT IS FOCUSED ON EDUCATION - PLEASE READ DESCRIPTION ++In an effort to create meaningful culture building moments within a Jazz context for teenage musicians (as well as band instructors), drummer/bandleader Christopher Brown will host an ongoing series entitled “Behind the Scene” with his quartet. And what will separate this event from any other like it is that it’ll combine the Jam session, concert, and clinic experience into a collection of transformative moments for all involved.On the 1st Sunday of each month Christopher teams up with Montavilla Jazz to provide our city with an invaluable Jazz workshop that’s designed to adequately prepare young musicians for the most competitive musical environments in the world (namely NYC). So for the cost of a trip to Starbucks, this event provides:• 30 min concert by Christopher’s quartet.• One hour Q & A with the quartet.• 30 min food, beverage, and mingling break.• One hour of interactive music mentoring with members of Christopher’s quartet.• Access to the quartet’s extended network.**THERE IS NO FOOD OR DRINK SERVED AT THIS EVENT (outside food and drinks are permitted)** 01:00 PM SHOW

Guitarist Tracy Kim is best known as one of Portland's foremost gypsy swing guitar enthusiasts and instructors. He is also well-known for his Latin stylings: bossanova, samba, and other Latin jazz forms. Come sip and enjoy!

Beacock Music will celebrate its 50th year in the music business with “76, Trombones: The Beginning,” a musical show with a live band in the recital hall at 1420 S.E. 163rd Ave., Vancouver. Walk down memory lane with songs and stories from Beacock Music’s founding year, 1976. Ticket sales will benefit the Daryle Rustvold MusicForLife Scholarship, which provides music lessons and instruments to those in need. Performances are 7 p.m. Nov. 6, 7, 13 and 14. Matinee shows are 2 p.m. Nov. 8 and 15. Tickets are $25, available at beacockmusic.com.

A concise program of staged readings explores what it means to be lost. The lineup includes Words, Words, Words, which turns the classic idea of monkeys at typewriters into a lively exchange among the primates themselves. Sure Thing follows two people in a café as an offstage bell resets their missteps, clearing the path toward a genuine connection. The Items Forgotten centers on spouses Kira and Travis, locked out yet again on a freezing night, whose search for a spare key prompts doubts about memory and marriage. Alfred and Lily and Their Marvelous Tank in the Forest follows two pond dwellers moved to a strange tank by unseen caretakers. Lily embraces the change, while Alfred notices the water receding and neighbors vanishing, raising unsettling questions. Written by David Ives and Tara Meddaugh and directed by Dylan Sladky, this PG-13 program runs about 30 minutes. The venue is open to the public, and donations are welcome but optional. Presented as part of a First Friday performance series.

Puppet show presented by Venezuelan Americans, Melissa and Carlos Bertran. A bilingual (Spanish/English) story from Venezuela. In this story, the tiny heroine thinks herself much too fine to accept the proposal of a common mouse. Instead, she sets her sights on 'worthier' matches, such as the sun, the wind, and the mountain. Yet, her search for the perfect suitor brings her right back to the romantic little mouse who first proposed. This show was developed with the guidance of Venezuelan Americans and features Venezuelan music. A truly bilingual experience!

Espectáculo de títeres presentado por los venezolano-estadounidenses Melissa y Carlos Bertran. Una historia bilingüe (español/inglés) de Venezuela. En esta historia, la pequeña heroína se cree demasiado fina para aceptar la propuesta de matrimonio de un ratón común. En cambio, fija su atención en pretendientes "más dignos", como el sol, el viento y la montaña. Sin embargo, su búsqueda del pretendiente ideal termina llevándola de vuelta al pequeño ratón romántico que fue el primero en pedirle que se casara con él. Este espectáculo fue desarrollado con la guía de venezolano-estadounidenses y tiene música venezolana. ¡Una verdadera experiencia bilingüe!

Leapin’ Louie: The Upside Down Ocean. Leapin’ Louie’s new show: An ocean animal circus spectacular. It’s science, but you laugh so hard. Gastropod Cousteau (aka Leapin’ Louie Lichtenstein ) is a nudibranch detective trying to figure out what happened to the missing kelp forests. Whales, sea otters, decorator crabs, giant squid and a peacock mantis shrimp help Gastro solve the mystery. And the story is told with circus and comedy. Featuring giant lasso, glow juggling, a 6 foot unicycle, enormous puppets and a slide-show of amazing ocean animals. You know him from White Album Xmas or the Rose Festival. Leapin’ Louie has performed his solo shows in 35 nations around the world, including Japan, Australia, New Zealand, Singapore, Brazil, the UK and a few dozen European tours. He has toured opening for country stars Brooks and Dunn and the rock legend Primus. He makes adults laugh with family-friendly material, and he gets audiences very excited.