Cultural District

This fall, Portland welcomes an extraordinary celebration of classical ballet as PRIMA Ballet Gala brings together artists of the Grand Kyiv Ballet and international guest performers for one unforgettable night.

More than a performance, PRIMA Ballet Gala is a night of elevated artistry – where timeless classics meet contemporary expression, and the stage becomes a space of beauty, power, and emotion.

The program features iconic highlights from world-renowned ballets including Don Quixote, Spartacus, and The Dying Swan, alongside vibrant national dance such as the thrilling Hopak, set to music by legendary composers including Tchaikovsky.

Begin your evening on the red carpet, then step inside for a celebration of artistic excellence and international cultural connection.
Guests are warmly encouraged to attend in the evening attire, helping create an atmosphere of elegance worthy of this special occasion.

Join us for a rare opportunity to experience world-class dancers, timeless choreography, and a night filled with beauty and inspiration.

Seats are limited. Be part of PRIMA Ballet Gala — where ballet speaks from the heart.

Norman Huynh, Conductor
Steiger Butte Drum and Singers, Native American ensemble
Members of Portland State University Chamber Choir, Ethan Sperry, Conductor
Oregon Symphony

STRAVINSKY Symphonies of Wind Instruments
Michael GORDON Natural History
Grace MIEDZIAK New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)
BEETHOVEN Symphony No. 1 in C major, Op. 21

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

What’s Up, Doc? (1972) Directed by Peter Bogdanovich. 1hr 34min. Rated G. 35mm.

Join Film School x PAM CUT @ The Whitsell for What’s Up, Doc (1972) in 35mm. The 1972 screwball comedy, starring Barbra Streisand and Ryan O’Neal, follows a wild and eccentric mix-up of plaid luggage through 70’s San Francisco. This portrait is tailored to showcase Barbra Streisand’s unique and distinct comedic persona and the chaotic magnetism she brings to the screen—echoing the screwball heroines that came before her.

Film School is a community film club hosting monthly screenings, discussions, and a blog. They celebrate cinema, spark conversation, and connect film lovers—on and off the screen.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Join an essential lecture by the acclaimed Dr. Jared Cooney Horvath. Jared Cooney Horvath (PhD, MEd) is a neuroscientist, educator, best-selling author and expert in the field of human learning. His new book, The Digital Delusion: How Classroom Technology Harms Our Kid's Learning - And How to Help Them Thrive Again, pulls back the EdTech curtain and explains the research showing how digital tools in the classroom consistently undermine learning. It also explains how parents, teachers and schools can push back with purpose.

As a leading expert in learning and technology, Jared testified before the US Senate on EdTech and is an internationally sought-after speaker.

Sponsored by the Institute for Families and Technology and OR Unplugged.

Internationally renowned artist Pipilotti Rist presents her major installation 4th Floor to Mildness in a West Coast premiere and only second exhibition in the U.S.

Pipilotti Rist dissolves exhibition spaces through luminous color, moving imagery, and melodic sound. 4th Floor to Mildness immerses the viewer in a soft, aquatically inspired environment, where a film shot underwater plays across two biomorphic-shaped screens hanging from the ceiling. A soundtrack by experimental musician Soap&Skin/Anja Plaschg adds to the ambience with lyrics about dreams, love, and memories as the camera catches glimpses of floating bodies. Two projected light circles move across the room, enlightening it with visceral hues. For Rist, this light represents a “desire to turn yourself inside out.”

Rist creates conditions for visitors to come together in unconventional ways so that they might better understand their relationships to one another, their own bodies, and nature. In the gallery, raft-like beds provide a place or visitors to rest and share social space as they watch the projection overhead. She asks: “What happens to our perceptions when we don’t have to stand or fight gravity?” The sensation of floating may evoke a sense of returning to an elemental state. For the artist, the work “describes the fantasy of [ourselves] being an organic plant . . . and simulates our dissolution into water, mud, slime, molecules and atoms.”

Originally created for the fourth floor of the New Museum of Contemporary Art in New York, PAM adapted the work to the Crumpacker Center with the assistance of the artist’s team at Atelier Rist; production partner Portland Garment Factory, a woman-owned B-corp and zero-waste creative factory, created the curtains, beds, and bed coverings, and Figure Plant engineered and fabricated the hanging screens.

November 4, 2026

Special Concerts

The Philip Glass Ensemble returns to Portland for Powaqqatsi, an artful cinematic experience that speaks to the impact of modernization and industrialization on traditional ways of living. Seen through the lens of communities across the globe, the narrative is amplified by compositions from Philip Glass that feature native, classical, and electronic instruments. Enjoyed alone or as the second in The Qatsi Trilogy, you won’t want to miss this thought-provoking performance from The Philip Glass Ensemble and conductor Michael Riesman.

po.waq.qa.tsi (from the Hopi language, powaq sorcerer + qatsi life) n., an entity, a way of life, that consumes the life forces of other beings in order to further its own life.

• Michael Riesman Conductor
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• The Philip Glass Ensemble
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 40 minutes. No intermission.

Concert begins promptly at the time listed.

Singer, rapper, and author Dessa will join the Oregon Symphony for an evening of soaring ballads, writerly pop songs, and rap anthems. The concert will also include a series of new monologues, crafted in Dessa’s signature style—true stories told with intellectual rigor, tenderness, candor, and wit. Don’t miss this landmark performance, presented in collaboration with Literary Arts as an extension of the Portland Book Festival.

Sarah Hicks, Conductor

Dessa, Vocals

Oregon Symphony

Eight-time Grammy-winner Beck has traveled light years from his emergence as a reluctant generational spokesperson when “Loser” exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, Beck's singular career has seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.

Surfacing just as the mainstream and alternative rock intersected, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave. But the album that first cemented Beck’s place in the pantheon was 1996’s multi-platinum Best Alternative Grammy winner Odelay. Odelay remains a key cultural touchstone from the indelible hooks of "Devil's Haircut” and “The New Pollution" to the irresistible call and response of the Grammy-winning "Where It's At.”

From the world-tripping atmospherics of 1998's Mutations (Beck's second album to win the Best Alternative Grammy) and the fluorescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero, 2006's sprawling The Information, 2008's acclaimed Danger Mouse-produced Modern Guilt, no Beck record would ever sound like its predecessor.

That pattern would be upended in sublime sonic fashion with the 2014 release of Morning Phase. A companion piece of sorts to his 2002 masterpiece Sea Change, Morning Phase conjured the staggering downtempo impact of that record through the lens of an infectious optimism. The chorus of critical acclaim for Morning Phase was instant and unanimous, as Beck rolled into 2015 taking the Album of the Year top honor at the 57th Annual Grammy Awards, as well as the prize for Best Rock Album. Morning Phase also won in the Best Engineered Album (Non-Classical) category.

True to his chameleonic nature, Beck followed up Morning Phase’s subdued beauty with Colors, an intoxicating rainbow of auditory tricks and treats that went on to win Best Alternative Music Album (Beck’s third) and Best Engineered Album, Non-Classical (the second Beck album to do so) at the 61st Annual Grammy Awards in 2019. That same year, Beck would offer a first glimpse into his 14th studio album Hyperspace with the stunning surprise single “Saw Lightning”—written and produced by Beck and Pharrell Williams, who would be credited as co-writer and co-producer on seven of Hyperspace’s 11 tracks.

Beck has spent much of the last few years dazzling live audiences with a grab bag of engaging performances ranging from a handful of freeform one-off shows, to 2023’s massive Summer Odyssey tour with co-headliners Phoenix. Summer Odyssey played to packed houses from the Kia Forum in L.A. to Madison Square Garden and beyond, and was followed by a historic full concert performance with the Royal Philharmonic Orchestra—which inspired a series of orchestral performances at the likes of New York’s Carnegie Hall and London’s Royal Albert Hall. The past few years have seen Beck embark on limited runs of orchestral dates featuring musicians who played on milestones including Mutations, Sea Change and Morning Phase accompanied by native orchestras in each city, delivering uniformly unforgettable evenings of unique symphonic arrangements of classics and deep cuts from his towering catalog and beyond.

Sign up for the poster session here!

The 2026 Pauling Medal will be presented to Professor Wooley at the 2026 Pauling Medal Symposium on November 7, 2026, at Portland State University in Portland, OR, in recognition of her pioneering studies.

Information about the symposium is posted at the Pauling Medal web page. The symposium includes lectures by eminent scientists and the awardee, a student poster session, a reception, and an evening banquet with presentation of the Pauling Medal to Professor Wooley.

The symposium is free and open to the public. The Awards Dinner is open to the public but requires advance purchase of a banquet ticket. Please visit the Pauling Medal web page for event details and banquet tickets.

Schedule:

• 11:00am - 1:00pm: Poster Set-up Time
• 1:00 - 5:30pm: Symposium in Hoffman Hall
  Symposium speakers
  • Prof. Geoff Coates, Cornell University
  • Prof. Craig Hawker, University of California, Santa Barbara
  • Prof. Doug Keszler (emeritus), Oregon State University
  • Pauling Awardee, Prof. Karen Wooley, Texas A&M University
• 5:30 - 7:00pm: Reception and poster session in SRTC lobby
• 7:00 - 10:00pm: Banquet and award lecture in Hoffman Hall

From humble beginnings 50 years ago busking on the streets of Philadelphia, to acclaimed sold–out runs on Broadway and renown as the longest-running and one of the most-beloved resident headline acts in Las Vegas history, magic’s legendary duo — Penn Jillette and Teller — continue to defy labels (and at times physics and good taste), by redefining the genre of magic and inventing their own very distinct niche in comedy.

The current hit series Penn & Teller: Fool Us! for The CW Network, on which up-and-comers and magic veterans try to fool Penn & Teller for a chance to star in the pair’s hit Las Vegas stage show, was nominated for a Critics’ Choice Award and has been renewed for an unprecedented 12th season. The show is the longest continual American magic television series in history, introducing the art to new fans and cultivating new generations of innovators within the craft.

Twice named “Magicians of the Year” by the Academy of Magical Arts, the equivalent of the Oscars in magic, they were named the 2024 Masters Fellowship recipients, the highest honor the Academy bestows. The pair live in Las Vegas, where they are engaged in their community, acting as honorary chairmen for AFAN (Aid for AIDS Nevada), raising and donating nearly $2 million and serving as grand marshals for AFAN’s annual Las Vegas AIDS Walk for the past 23 years. Through their involvement with Opportunity Village, which assists in employment placement and lifestyle betterment for those living with intellectual disabilities, they have raised over $1 million. The annual blood drive, Penn & Teller’s 13 Bloody Days of Christmas, has resulted in over 85,000 donors since its inception. In 2023, they took part in the USO’s annual Christmas tour, entertaining thousands of servicemen and servicewomen in bases across Europe.

In 2025, the pair celebrated 50 years as innovators in combining smart, edgy comedy with their unique magical style.

S. A. Cosby’s All the Sinners Bleed meets Percival Everett’s Erasure in this literary thriller following the grandson of a famous Black actress from the 1920s to the 1940s, now a filmmaker himself, who returns to his grandmother’s cabin retreat in the California mountains only to encounter the legacy of her rage born in Old Hollywood. Interviewed by Kayla Kumari Upadhyaya (Helen House).

Award-winning author Tananarive Due returns with the follow-up to the multi-award-winning The Reformatory in this generational novel of rage. With flashbacks to Johnny’s grandmother—who brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel—this novel explores three generations, beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she kept and nurtured since she was a child, when she had a dark wish come true.

A monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.

Portland Art Museum invites the community to join a Free First Thursday event, offering free admission to the museum for all, plus a Live Wire event as part of the Literary Arts Portland Book Festival. Visitors can take in the afternoon gallery pop-ups, the evening show, or both!

4:30 – 6 p.m. — Free, pre-show, pop-up performances will take place throughout the Museum’s galleries. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free First Thursday tickets can be reserved online one week in advance and are also available at the door.

7 p.m. — Enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide. Performers are poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle. Doors will open at 6:30pm.

GA Tickets are $15. Preferred Seating is $40. Discounts available to Portland Book Festival passholders.

Dessa is a singer, rapper, and writer who fell in love with language as a toddler—and just never got over it. Now, she works in fields that traffic in words: she’s recorded rap bangers as part of the fiercely independent Doomtree collective, released a live album with the Grammy-winning Minnesota Orchestra; contributed to The New York Times and National Geographic Traveler; delivered a TED Talk on the intersection of romance and neuroscience that’s notched more than 4 million views; hosted 2 seasons of behavioral science podcast Deeply Human (BBC/American Public Media); and published a memoir recounting most of the above called My Own Devices (Penguin Random House).

Mac Barnett, the 2025–2026 National Ambassador for Young People’s Literature, is a New York Times bestselling author of stories for children. Mac’s books have won many prizes, including two Caldecott Honors, three New York Times/New York Public Library Best Illustrated Children’s Book Awards, three E. B. White Read Aloud Awards and the Boston Globe–Horn Book Award, as well as several international prizes. He lives in Oakland, California. His latest book, illustrated by X. Fang, is Tom Nancy: The Sheep Who Swapped Brains with a Boy. From two of the most exciting picture book makers today comes a hilarious trickster tale and Freaky Friday switcheroo story: a sneaky, cheeky sheep named Tom Nancy has a brain swap proposal for an innocent farm boy named Felix that will change both of their lives forever. Laugh-out-loud, subversive, and totally unexpected.

Ed Park is the author of the novels Personal Days and Same Bed Different Dreams. He is a founding editor of The Believer, and has worked in newspapers, book publishing, and academia. His writing appears in The New Yorker, The New York Review of Books, Harper’s Magazine, The Atlantic, and elsewhere. Profound, wily, and beautifully wrought, his new book Three Tenses: A Transmission from the Nineties is a meeting of memory and myth, confession and obfuscation, coalescing to offer a singular picture of creativity in action.

The princess of Portland comedy, best known for her breakout performance on the popular Netflix special Hannah Gadsby’s Gender Agenda, Mx. Dahlia Belle has been compared to a Swiss Army knife—different tools to extract sharpness, softness, vulnerability, hope, and wicked wit. She’s been declared one of “11 Trans Comedians… Funnier Than Dave Chappelle” by Out Magazine, repeatedly featured on NPR, and has written for Cosmopolitan Magazine, The Guardian, The Stranger, and Portland Mercury. Her live performances have included NW Black Comedy Festival, Upper Left Comedy Festival, SF Sketchfest, and an awkward conversation with John Waters and Piers Morgan. In the upcoming live taping of her comedy special Affirmed at Polaris Hall on November 22nd, Mx. Dahlia Belle delivers 60 new minutes of stand-up to celebrate and affirm being human in the modern world through a combination of the wholesome and mundane, anecdotes about house cats, liscivious foibles of the LGBT community, and an unapologetic account of her personal journey with gender-affirming care, all delivered with her trademark free form wit.

Free First Thursdays at the Museum and PAM CUT’s Tomorrow Theater aligns with the revitalization of the long-standing Portland art galleries’ tradition of opening their doors for openings, receptions, and events on the first Thursday of each month. In recent months art and culture organizations have joined to bring back this popular activity, including the Pacific Northwest College of Art and the Oregon Jewish Museum and Center for Holocaust Education in the North Park Blocks.

Generous support provided by Art Bridges Foundation’s Access for All program.

Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills. Interviewed by Lucy Feldman (TIME).

An aspiring archivist determined to begin a “serious” life after an undistinguished undergraduate career takes up residence in the Italian countryside. Here, he becomes the all-purpose assistant to the Baronessa, known to her friends as Coco, a defiantly youthful and naturally flamboyant woman of ninety-two. Amid a chaotic and colorful milieu of gin-swilling princesses, incomprehensible handymen, roaming boarhunters, nuns, and other local wildlife, our young man does his best to catalog the villa’s extensive collection of art and antiques—although he notices that things seem to go missing from right under his nose.

Despite himself, he tumbles into an affair with a married man, complicating his future plans considerably. And when the Baronessa loses someone close to her, he becomes an unwitting accomplice in the acceleration of Coco’s great and final plan: to locate the love of her life and be reunited before it’s too late. Told with the signature wit, charm, and humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself, a meditation on how seriously we ought to take ourselves, and a bawdy Mediterranean ballad about becoming who we’ve always wanted to be.

Wildwood is the first book in the New York Times best-selling fantasy series full of magic, wonder, and danger from Colin Meloy, lead singer of the highly celebrated band the Decemberists, and Carson Ellis, the award-winning illustrator of Du Iz Tak and Home. Soon to be a major motion picture from LAIKA, the studio behind Coraline. Moderated by Andrew Proctor.

Prue McKeel’s life is ordinary. She lives in Portland, Oregon, where it rains a lot. She has a mother and a father and a baby brother. Ordinary. At least until her brother is abducted by a flock of crows. And then things get really weird. You see, on every map of Portland there is a big splotch of green in the center of the city labeled “I.W.” This stands for “Impassable Wilderness.” No one’s ever gone in — or at least returned to tell of it.

And this is where the crows take her brother.

So begins an adventure that will take Prue and her friend Curtis deep into the Impassable Wilderness. There they uncover a secret world in the midst of violent upheaval, a world full of warring creatures, peaceable mystics and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much bigger as the two friends find themselves entwined in a struggle for the very freedom of this wilderness. A wilderness the locals call Wildwood.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments, and Beethoven’s vivacious and dramatic Symphony No. 1. Native Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

Norman Huynh, Conductor

Steiger Butte Drum and Singers, Native American ensemble

Members of Portland State University Chamber Choir, Ethan Sperry, Conductor

Oregon Symphony

Stravinsky Symphonies of Wind Instruments

Michael Gordon Natural History

Grace Meidziak New work (Fear No Music Emerging Composers Fellow, Oregon Symphony commission)

Beethover Symphony No. 1 in C major, Op. 21

Derek Hough Dance for the Holidays is a joyous celebration of the most festive time of the year! With jingle bells and sleigh bells, holiday carols and cheer, Hough’s latest dance spectacular is a show stopping event for the whole family. Fans will be thrilled and delighted as Hough and his cast of phenomenal dancers bring your favorite holiday tunes to life through dance, from the well sung classics to modern pop hits with all of the incredible choreography, exciting stage production and dance mastery that audiences have come to expect. Creative team and EMMY® winners, Napoleon and Tabitha Dumo, also known as NappyTabs (Jennifer Lopez’s ‘All I Have’, Michael Jackson: The Immortal World Tour, GRAMMYs®), co-create, direct and supervise choreography for the tour.

Emmy Award-winning and New York Times Best-Selling author Derek Hough started dancing in his hometown of Salt Lake City, UT, at age 11. Just one year later, he moved to London to live and train with the top dance coaches in the world and attend the prestigious Italia Conti performing arts school where he studied theatre, music, and dance. He is a four-time Emmy Award winner and 13-time nominee, his four Emmys tie him for most in Television Academy history.

Hough is the current host of the long-running television program Extra. He has also appeared in film, television, and stage projects as an actor. He made his feature film debut for director Duane Adler and producer Robert Cort in the feature film Make Your Move and had a recurring role on the ABC series Nashville and in High School Musical The Musical for Disney+. His stage performances include Radio City Music Hall’s Spring Spectacular costarring alongside the Tony Award-winning Laura Benanti and the critically acclaimed production of Footloose in which he starred as the male lead in London's West End. In December 2016, Hough starred with Jennifer Hudson, Ariana Grande, Martin Short and Harvey Fierstein in NBC’s Hairspray Live!

As a cast member of the ABC series Dancing with the Stars, Hough is part of the judging panel alongside Carrie Ann Inaba and Bruno. A multi-talented entertainer and the only six-time champion in franchise history, Hough had previously performed on the show as a pro-dancer. His mirror ball wins came with celebrity partners that included Brooke Burke, Jennie Garth, Ricki Lake, Nicole Scherzinger, Jennifer Grey, Kellie Pickler, Amber Riley, Amy Purdy and Bindi Irwin.

In May of 2017, Hough joined Jennifer Lopez and Ne-Yo at the judges table for the NBC series World of Dance. The show, which he was part of for 4 seasons, launched as the highest rated summer show in over ten years and was unparalleled dance competition that featured solo artists competing against duos and crews in all genres of dance, including hip hop, tap, ballet, break dancing, ballroom, and more competing for a million-dollar prize.

Hough can also add best-selling author to his list of credits. His memoir Taking the Lead; Lessons from a Life in Motion hit stands in August 2014 and rapidly was named to the prestigious New York Times Best-Seller list during two non-consecutive time periods, a rare feat.

In 2021 and 2022, Hough headlined his residency Derek Hough: No Limit in the entertainment capital of the world, Las Vegas, Nevada. The critically acclaimed dance-centric show at the Venetian Resort takes Fans on a journey through a true fusion of dance and music, as Hough explores styles ranging from ballroom and tap to salsa, hip-hop and everything in between.

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This is a virtual program held via Zoom Webinar. The webinar will also be screened inside the new building for the Jordan Schnitzer School for Art + Art History + Design on 1981 SW Broadway, Portland, OR 97201. Attendees can also join remotely.

November 11 & 12, 2026

Special Concerts

Portugal. The Man takes the stage at the Schnitz for the first time with the Oregon Symphony, delivering amped-up orchestral rock to close out their U.S. tour. Celebrate the 15th anniversary of In the Mountain in the Cloud alongside their newest album, SHISH, with live performances featuring music from both albums. They’ll be joined by artists Quinn Christopherson, May Arden, Onry, Redray Frazier, and Sarah Clarke for a one-of-a-kind performance created just for Portland.

• Raúl Gómez-Rojas Conductor
• Portugal. The Man
• Oregon Symphony

This concert is part of the Special Concerts series, and is eligible for the Choose Your Own Series (Portland only).

Concert begins promptly at the time listed.

Mary Oliver: Saved by the Beauty of the World (2026) Directed by Sasha Waters Freyer. 1hr 31min. Not Rated.

If poetry had a pop icon, Mary Oliver would be it. Best-selling poet and Pulitzer Prize-winner, lover of dogs and long walks in the woods, queer and out but intensely private—Oliver’s poems inspire liberals and conservatives, atheists and believers, naturalists and urbanites. She was America’s unlikely, contemporary mystic, stalking the ponds and forests of Cape Cod for nearly fifty years in order to open herself—and us, her readers—to the known and unknowable world. Sasha Waters’ beguiling portrait features poems read by Helena Bonham Carter, Steve Buscemi, Stephen Colbert, Lucy Dacus, Jesse Welles, and Oprah Winfrey.

This film is featured as part of Portland Book Festival’s Cover to Cover.

We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT or the Portland Art Museum. In addition to the synopses, trailers, and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb, and DoesTheDogDie.com.

Have you ever seen a group of acclaimed illustrators face off to showcase their art? Now is your chance! Join Steph Littlebird (You Are the Land), Scott Campbell (Feeling Good!), Vashti Harrison (That You Are Here is No Small Thing), Julia Kuo (Bing’s Cherries), Pedro Martín (Mexikid Dreams), Huda Fahmy (Huda F Would Love You?), for an exciting draw-off experience. Moderated by Breena Bard and Jonathan Hill.

About You Are the Land:

A joyful exploration of a child’s loving relationship with the land that supports and nurtures her as she grows. You Are the Land is a vivid ode to belonging within a family, within a community, and within the natural world.

From the day she’s born, a child feels the love and power that come with being part of something bigger. She’s a new spring leaf, alive and growing, as strong as the ancient cedars and as radiant as the glittering night sky. She is one with the amazing forces of nature that surround and nurture her, and that she nurtures in return.

Through inspiring words and sweeping illustrations, Littlebird’s stunning author-illustrator debut celebrates our connection to the land and shows how we perfectly mirror its beauty and resilience.

About Feeling Good!:

Cabin Head and Tree Head are BACK in this second volume of the lovable, laugh-out-loud graphic novel series about a best friend duo like no other! Book 2 includes 6 hilarious adventures in a wonderfully off-the-wall universe where everyone has something on their head! Includes bonus content: Storytime with Library Head, Notable Spots with Tour Bus Head and Sandcastle Building with Sandcastle Head. Cabin Head and Tree Head return for some “sunny day relaxing” and are ready to experience the joys of the beach, alone time, getting in strong shape, rewarding their accomplishments (like breathing) and other important activities (like posing and lying down). Check out the series School Library Journal called, “Not just one of the most unconventional books of the year, but one of the best as well.”

About That You Are Here is No Small Thing:

A stunning exploration of the history of Black Americans by award-winning picture book team Traci N. Todd and Vashti Harrison.

The world is forever changed because you are here.

At once honest and empowering, That You Are Here Is No Small Thing is a story about resilience. In these stunning pages, young descendants of enslaved Africans are guided through the history that led them to exist and thrive today. Through their eyes, we see how Black Americans have relied on one another to fight against oppression and the ways in which the strength of their ancestors is always with them.

Sibert Honor winner Traci N. Todd and Caldecott Medalist Vashti Harrison have created an unforgettable exploration of culture and history that records the important survival story Black children carry and celebrates their hope for a radiant future.

About Bing’s Cherries:

A modern American tall tale woven by a girl and her father about Ah Bing, the Chinese immigrant behind the Pacific Northwest’s most delicious cherries.

You’ve heard of a Bing cherry, but did you know the story of the Chinese American immigrant for whom the dark, luscious cherry is named?

Long ago, Ah Bing was a father who travelled across the sea from China looking for work. It was in Oregon where he met a man who hired him to work in his orchards, where eventually, Bing cultivated the delicious cherries we know of today.

But what was it that made this man and the cherries he made so special? a young girl wonders as she sits together with her father, enjoying cherries from their backyard. Weaving together cultural memory, historical fact, and her own imagination, the young girl imagines a narrative of Ah Bing that is as larger than life and as sweet as his namesake.

With touching text and lush illustrations, Livia Blackburne and Julia Kuo forge an unforgettable Chinese American folktale that has largely been untold. The backmatter includes a letter from the author and illustrator, as well as a recipe!

About Mexikid Dreams:

In this extraordinary graphic memoir companion to Newbery Honor winner Mexikid, hilarious family hijinks, immigration patrols, and musical daydreams shape a year of growth and change for a Mexican-American boy and his family.

Pedro Martín is sick of strawberries. Since he was seven, he’s spent every weekend and summer picking berries with his family under the hot sun. Sometimes it’s not so bad—Pedro’s an ace at “strawberry wars” with his siblings, and when a good song comes on the radio, the fields can come alive with music. But mostly, Pedro wishes he could just stay home watching Saturday cartoons, head to the beach like other kids, and not worry about immigration patrols. When his older brother gets a job away from the farm, freedom suddenly seems within arm’s reach: Pedro just has to prove to his dad that he’s ready to follow a different path! Maybe he can be a trombone player, or a cartoonist—if that’s even a real job. But as Pedro learns more about his parents’ and abuelito’s past, and the choices they made in order to open up more choices for him, he starts to understand that freedom isn’t just about leaving the fields—it’s about knowing where you came from and having the courage to draw your own life.

About Huda F Would Love You?:

In this funny and tender finale to the Huda F series, Huda has a plan to find love—but she might need to find herself first!

It’s the summer after Huda’s high school graduation, and love is in the air! Or it’s about to be, anyway. Because Huda has the ingredients for a perfect love story: a butt-kicking girl power squad of new friends, and a plan to woo all the aunties into setting her up with their eligible sons. But when she finds herself caught between her friends and her heart, gender roles and ambitions, and her fears and dreams, Huda begins to realize that finding her own “happily ever after” might require changing herself—or her expectations.

Novelists Emiko Jean (Before You Were Anne) and T Kira Māhealani Madden (Whidbey) join moderator and author Marisa Siegel for a conversation on their most recent novels and the secrets and lies that chase their protagonists. Told through multiple perspectives, both authors create page-turning stories about webs of violence, and the fragile lies that threaten survival.

After a woman is killed and her daughter vanishes, detective Chelsey Calhoun uncovers a legacy of violence and survival that spans from Japan to Seattle in the new novel by the author of The Return of Ellie Black.

A murdered woman. A missing daughter. A truth buried across two continents.

Married, pregnant, and thriving in her career, Detective Chelsey Calhoun’s life finally feels whole, until an explosive new case shatters everything. A mother is dead. Her sixteen-year-old daughter, Naomi, has disappeared. And the search will awaken questions about Chelsey’s own origins—questions she’s spent a lifetime afraid to ask.

The victim called herself Anne Walker. But she was born Rika Takahashi, and her journey from a remote Japanese farm to suburban Seattle conceals decades of deception. Across Tokyo’s shadowed underworld, an isolated Idaho town, and years of carefully constructed lies, Rika reinvented herself at every turn. But she was always running—from someone, or something.

Now, Chelsey must find Naomi before she becomes the next victim. But the deeper she delves into Rika’s hidden life, the more she discovers: some secrets are worth killing for. And the most dangerous truths may be the ones closest to home.

Told in three interwoven voices, Before You Were Anne is a gripping suspense novel about the lies that bind families and the sins that echo across generations.

A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

Experience the music of John Denver through the artistry of Rick Schuler, the nation's premier tribute to the legendary singer-songwriter. Rick's story began at 13, when a pair of round glasses revealed a striking resemblance to Denver—and sparked a lifelong passion. That shy kid who taught himself guitar has spent nearly four decades bringing Denver's timeless songs to stages across the country, becoming the most celebrated interpreter of the beloved icon's catalog.

Rocky Mountain High Experience offers more than nostalgia—it's an authentic celebration of the music that defined a generation. Rick's heartfelt performances transport audiences through Denver's greatest hits: the sun-soaked warmth of "Sunshine on My Shoulders," the foot-stomping joy of "Thank God I'm a Country Boy," the soaring beauty of "Rocky Mountain High," and beloved classics like "Take Me Home, Country Roads," "Annie's Song," "Calypso," and "Leaving on a Jet Plane."

Each year, thousands of fans discover why Rick Schuler's tribute resonates so deeply—his genuine connection to the music, his remarkable vocal and visual resemblance, and his dedication to honoring an artist whose songs offered hope, healing, and harmony to millions.

Join an unforgettable evening celebrating the life, legacy, and enduring spirit of John Denver.

From humble beginnings 50 years ago busking on the streets of Philadelphia, to acclaimed sold–out runs on Broadway and renown as the longest-running and one of the most-beloved resident headline acts in Las Vegas history, magic’s legendary duo — Penn Jillette and Teller — continue to defy labels (and at times physics and good taste), by redefining the genre of magic and inventing their own very distinct niche in comedy.

Their Off-Broadway debut in 1985 electrified New York with a stage show the likes of which had never been seen. Combining magic, comedy, and social commentary in a theatrical event the New York Times said was a “A witheringly funny…Brazen assault on the temple of magic,” the show moved to Broadway in 1987, the first of three eponymously titled Broadway runs. Their efforts in New York have been awarded an Obie and a Lucille Lortel Award. Their most recent return to Broadway, hailed as “Deliciously Demented” by USA Today, was the highest-grossing non-musical for the entirety of its run, even out-grossing Hamilton for one week.

Performing nearly 300 live shows every year from the stages of America’s greatest performing arts venues as well as the Sydney Opera House and London’s Apollo Theatre, their record-breaking Las Vegas show at The Rio Hotel & Casino has an amazing 10 wins, including 2025, as “Las Vegas Magicians of the Year” and was called “The single best show in Vegas,” by the Los Angeles Times.

The current hit series Penn & Teller: Fool Us! for The CW Network, on which up-and-comers and magic veterans try to fool Penn & Teller for a chance to star in the pair’s hit Las Vegas stage show, was nominated for a Critic’s Choice Award and has been renewed for an unprecedented 12th season. The show is the longest continual American magic television series in history, introducing the art to new fans and cultivating new generations of innovators within the craft.

Hundreds of outrageous appearances on everything from Fallon to Friends, The Simpsons to Colbert, Modern Family to Big Bang Theory, Dancing With The Stars to The Masked Singer, plus their own specials for NBC, ABC, PBS and Comedy Central have garnered them an Emmy, a Writers Guild Award, and their own star on the Hollywood Walk of Fame. The controversial Showtime series, Penn & Teller: BS! was nominated for 13 Emmys and was the longest-running series in the history of the network. The show highlighted the pair’s ardent skepticism by tackling the fakes and frauds behind such topics as alien abduction, psychics, and bottled water.

In recent years they have become acclaimed documentarians with the BAFTA-nominated Sony Pictures Classic release, Tim’s Vermeer, which follows Texas-based inventor Tim Jenison on his quest to discover the methods used by Dutch Master painter Johannes Vermeer. Their other films, the critically-lauded feature The Aristocrats and the Showtime short The Gambler’s Ballad, were met with wide praise.

The Olivier-nominated Magic Goes Wrong, written and created in collaboration with Mischief Theatre (creators of the Tony-nominated The Play That Goes Wrong), played at London’s West End Vaudeville Theatre, setting a box office pre-sale record. The Daily Mail hailed it as a “Spellbinding romp,” while The Sun theater critic raved, “I’ll be laughing into next week.” In 2024, they had two shows running Off-Broadway as creators and producers: the Magic Goes Wrong spin-off The Mind Mangler, which returned to London’s West End in
March, and the technology/magic/thriller Stalker.

As individuals, they are just as prolific. Teller directed versions of Macbeth and The Tempest which toured to raves from The New York Times and The Wall Street Journal, co-wrote and directed the Off-Broadway thriller Play Dead and has written two books. Penn has written five books, including the New York Times Best Sellers “God No!” and “Presto”. For his role in this year’s critically acclaimed Oscar-nominated film, Marty Supreme, he was nominated for an Actor Award (formerly the SAG Awards), alongside co-stars Timothee Chalamet and Gwyneth Paltrow.

Twice named “Magicians of the Year” by the Academy of Magical Arts, the equivalent of the Oscars in magic, they were named the 2024 Masters Fellowship recipients, the highest honor the Academy bestows. The pair live in Las Vegas where they are engaged in their community, acting as honorary chairmen for AFAN (Aid for AIDS Nevada), raising and donating nearly $2 million and serving as grand marshals for AFAN’s annual Las Vegas AIDS Walk for the past 23 years. Through their involvement with Opportunity Village, which assists in employment placement and lifestyle betterment for those living with intellectual disabilities, they have raised over $1 million. The annual blood drive, Penn & Teller’s 13 Bloody Days of Christmas, has resulted in over 85,000 donors since its inception. In 2023, they took part in the USO’s annual Christmas tour, entertaining thousands of servicemen and servicewomen in bases across Europe.

In 2025, the pair celebrated 50 years as innovators in combining smart, edgy comedy with their unique magical style.

Hailing from Germany, the three Schumann brothers have been playing together since childhood. Together with their violist colleague they communicate with an openness and curiosity that has gained them a reputation as one of the most exciting string quartets performing today.

Mon, Nov 9:
Wolf - Italian Serenade
Mozart - Quartet in G Major, K. 73f
Ives - Quartet No. 2
Brahms - Quartet in A minor, Op. 51, No. 2
Tue, Nov 10:
Haydn - Quartet No. 67 in F Major, Op. 77, No. 2
Samuel Barber - Quartet in B minor, Op. 11
Tchaikovsky - Quartet No. 1 in D Major, Op. 11

Join Dr. Mas Subramanian, the inventor of YInMn Blue—the first new blue pigment discovered in more than 200 years—for a fascinating lecture on the science, history, and future of color. Dr. Subramanian will share the story behind this accidental discovery and explore the role of pigments in art, design, technology, and everyday life, offering a unique perspective at the intersection of scientific innovation and creative practice.

This lecture is now a virutal event.

This program is offered as part of the programming for Anish Kapoor: Dissolving Margins, From the Collections of Jordan D. Schnitzer and His Family Foundation. This exhibition will be on view at the JSMA at PSU through December 5, 2026.

Julián Delgado Lopera reads from his new novel Pretend You’re Dead and I Carry You at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with V. Maldonado, Sala Roja. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

It is a known fact that the queens who refuse their destiny are haunted. Rejection turns itself inward, a bullet to the heart of said queen, and unleashes, per Travesti Lore, a river of curses.

Cloistered in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter, Valentina, to raise herself in the wake of her mother Alma’s death. Lonely and love-starved, Valentina aches to discover the details of her mother’s drowning, and for her father to snap out of his depression. But Ignacio can’t. He spends listless afternoons smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted not only by matrimonial guilt, but by memories of a young man he once loved and betrayed.

From Ignacio’s tragic past emerges the luminous queen of Bogotá’s queer underground, Mamadora Eléctrica, the wise travesti who he first met under the silvery lights of Club Aquario when he was just a shy country boy. With Alma gone, Mamadora steps in as a mother figure to Valentina the way she once did for the girl’s father. But as an expert in Travesti Lore, she fears the worst: that Ignacio’s self-destruction may have unleashed a curse on them all.

From “a writer who is grinding their own colors” (Dwight Garner, New York Times), Pretend You’re Dead and I Carry You is a profound and richly imagined story about coming undone.

Join us for an afternoon with Grammy Award-winning soprano and PSU alum Audrey Luna! Audrey will give a masterclass with L&C and PSU students and present a lecture titled "The Business of Singing."

Learn more about the School of Music & Theater Voice Area.

Join us for an evening of conversation, laughter, and stories of the human spirit featuring The Omnibus Project with John Roderick and Special Guest. Presented by Papertrees Creative in partnership with the 2026 Portland Book Festival and Literary Arts. This event will be recorded.

The Omnibus Project

The Omnibus Project is a podcast founded in 2017 by Ken Jennings and John Roderick as a repository for the lesser-known stories of our collected human experience that, in the event of a cataclysm, may not survive to be retold. It is an effort to save our own Library of Alexandria to disk, a project to preserve not just what made us great but what made us human.

The show has diligently researched and compiled the knowledge AROUND the knowledge, building a compendium not of obvious and commonly cited data—the Roman Empire and World War II are widely reported elsewhere—but of the esoteric and sublime wonders that might otherwise be lost.

The Omnibus Project weathered many upheavals: leaving iHeart Media to become an independent, listener-supported program; switching formats from biweekly to weekly; enduring storms, controversies and multiple breathless articles in the Hollywood Reporter. Both hosts were the subject of controversy, but in all the years never missed an episode. Throughout it all, the show grew into a thriving archive of wonder, with millions of annual listeners and a vast community of devoted fans who gather under the banner of “Futurelings.”

In 2025, due to his duties hosting Jeopardy!, Ken stepped back into an emeritus role as executive producer, occasional contributor, and spiritual lodestar, entrusting the continued production of The Omnibus Project to his colleague and partner, storyteller John Roderick. Unencumbered by fame or fortune, John carries on their good works with a weekly rotating cast of friends, authors, comedians and, most importantly, the Futurelings community.

As the show marches toward its first decade, the archive continues to expand, escaping the confines of the podcast feed for live appearances at such venerable institutions of knowledge as the Library of Congress and beyond. And with each new week, each new entry, each new show, we’re granted a blessed postponement of the apocalypse—one we hope will never come—as another overlooked, forgotten, or improbable tale is added to … the Omnibus.

John Roderick is a Seattle-based musician, writer, and podcaster celebrated for his sharp wit and distinctive voice. Beyond co-creating The Omnibus Project, he also co-hosts Roderick on the Line. His essays have appeared in Rolling Stone, Esquire, and Seattle Weekly, alongside his published book of short prose, Electric Aphorisms. Best known as the frontman of The Long Winters, Roderick will return with a highly anticipated new album soon.

Wildwood is the first book in the New York Times best-selling fantasy series full of magic, wonder, and danger from Colin Meloy, lead singer of the highly celebrated band the Decemberists, and Carson Ellis, the award-winning illustrator of Du Iz Tak and Home. Soon to be a major motion picture from LAIKA, the studio behind Coraline. Look for it on October 23, 2026! Moderated by Andrew Proctor.

Prue McKeel’s life is ordinary. She lives in Portland, Oregon, where it rains a lot. She has a mother and a father and a baby brother. Ordinary. At least until her brother is abducted by a flock of crows. And then things get really weird.

You see, on every map of Portland there is a big splotch of green in the center of the city labeled “I.W.” This stands for “Impassable Wilderness.” No one’s ever gone in — or at least returned to tell of it.

And this is where the crows take her brother.

So begins an adventure that will take Prue and her friend Curtis deep into the Impassable Wilderness. There they uncover a secret world in the midst of violent upheaval, a world full of warring creatures, peaceable mystics and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much bigger as the two friends find themselves entwined in a struggle for the very freedom of this wilderness.

A wilderness the locals call Wildwood.

WILDWOOD is a spellbinding tale full of wonder, danger, and magic that juxtaposes the thrill of a secret world and modern city life. Original and fresh yet steeped in classic fantasy, this is a novel that could have only come from the imagination of Colin Meloy, celebrated for his inventive and fantastic storytelling as the lead singer of the Decemberists. With dozens of intricate and beautiful illustrations by award-winning artist Carson Ellis, WILDWOOD is truly a new classic for the twenty-first century.

Inspired by Crater Lake National Park, Michael Gordon’s Natural History weaves Native and symphonic music in this paean to the natural landscape. Plus, hear works by two of classical music’s most intrepid pioneers: Stravinsky’s experimental musical essay on wind and brass sounds, Symphonies of Wind Instruments,and Beethoven’s vivacious and dramatic Symphony No. 1. Oregonian Grace Miedziak enhances the program with a new work that celebrates the Pacific Northwest.

• Norman Huynh Conductor
• Steiger Butte Drum and Singers Native American ensemble
• Members of Portland State University Chamber Choir Ethan Sperry, Conductor
• Oregon Symphony

• STRAVINSKY Symphonies of Wind Instruments
• Michael GORDON Natural History
• Grace MIEDZIAK Cascadence (Rizzo-Cummings Emerging Composer Fellow at the Oregon Symphony, Oregon Symphony commission)
• BEETHOVEN Symphony No. 1 in C Major, Op. 21

This concert is part of Classical Series A, and is eligible for the Choose Your Own Series (Portland only). Concert length is approximately 1 hour 33 minutes, with one intermission.

This pre-concert talk takes place one hour before the Sunday matinee performance.

SUN, NOV 1, 1PM: Conductor Norman Huynh and Rizzo-Cummings Emerging Composer Fellow Grace Miedziak with All Classical Radio host Warren Black.

Hannah Lillith Assadi reads from her new novel Paradiso 17 at Portland Art Museum in the Northwest Art gallery (Level 4, Room 402), paired with Esther Podemski, In the Desert. Presented by the National Book Foundation.

FINALIST FOR THE NATIONAL BOOK AWARD
THE NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE
LONGLISTED FOR THE WOMEN’S PRIZE

The intimate, sweeping tale of one Palestinian man’s restless search for home the world over, as the pendulum of fate swings between loss and life, grief and euphoria, regret and hope.

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

“With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Suffused with tenderness.” —The New York Times

Join us for an intimate evening featuring a pre-show discussion and Q&A with Soccer Mommy and special Guest Interviewer, followed by a local opener and solo performance by Soccer Mommy. This event is hosted by Papertrees Creative, in partnership with Literary Arts and the Portland Book Festival 2026.

Soccer Mommy

Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.

Poets Victoria Chang (Tree of Knowledge) and Beth Piatote (distant waters) sit down for a conversation on their recent publications andtheir evocative use of nature throughout their poems. Moderated by writer and editor Alyssa Ogi, this discussion promises a rumination on our shared home, oppressive efforts of erasure, and the art and language that we use to understand our world and ourselves.

FINALIST FOR THE NATIONAL BOOK AWARD

A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.

Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.

Men assess the eucalyptus tree growing on the poet’s street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem “Eureka” examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang’s crystalline voice and generous, probing gaze, and by certain images —trees, a hanging figure, a branch, fingertips, a briefcase—that resurface like apparitions.

As a scholar of Native American literature and law, Beth Piatote focuses on the endangerment of Indigenous languages. As an activist, she moves against the current of English-language colonization, working to rescue and revitalize the language of her people. Language, she posits, is an expression of land, a means through which we can travel great distances.

distant water brings the reader into the language of our shared home, North America, revealing a sonic world and grammar governed by rivers, kinship, and ancestral knowledge. “In our homes and homelands,” she writes, “we share the language with the plants and animals and waters and rocks and sky.” Inventive and playful, these poems explore the sounds, structure, and wisdom of the Nez Perce language, illuminating its vitality and capacity to organize relationships to time and place. Braiding aural, linguistic, and spiritual ecologies, distant water conveys an understanding that to be in language is to be in place. To be at home.

Todd McGrain’s original bust of York, the enslaved man who was the only African American member of the Lewis and Clark expedition, was secretly installed on Mount Tabor Park in 2021. It was placed on the vacant pedestal where a statue of Oregonian editor Harvey Scott (1830-1910), a known racist, once stood. The surprising appearance of York, with no artist name attached to the work, is a local example of the protest art being created in the wake of political and social unrest. The unsanctioned installation of the original bust made a significant contribution to the spirited dialogues on American history, systemic inequality, and public monuments happening across the nation.

Made of mere plaster and paint, the original bust sustained damage from several acts of vandalism, inspiring McGrain to come forward and offer a bronze version of the bust to the city. This Spring, the Portland Art Museum debuted the bronze bust of York, temporarily, as a part of the 2026 Oregon Contemporary Artists’ Biennial: The Price of the Ticket. In collaboration with Oregon Contemporary and the City of Portland’s Office of Arts & Culture, Portland State University, a community survey was offered to give Portlanders the opportunity to share their thoughts on where the monument should be placed for the long term.

Join us for a thoughtful discussion around McGrain’s act of protest and York as a historical figure significant to the history of Portland and the wider nation. Led by biennial curator and historian TK Smith, the panelists will include: Todd McGrain, artist of the York portrait; Intisar Abioto, artist and curator who recently curated Black Artists of Oregon at the Portland Art Museum; Eric Fredericksen, the public art administrator of the City of Portland; and Zachary Stocks, historian and executive director of Oregon Black Pioneers.

TK Smith is an award-winning writer, curator, and cultural historian. He has over ten years of experience as an independent curator. Most recently, he served as Curator, Arts of Africa and the African Diaspora, Michael C. Carlos Museum at Emory University. Previously, Smith served as Assistant Curator: Art of the African Diaspora at the Barnes Foundation. Smith’s writing has been published in exhibition catalogues, academic journals, and periodicals, including Art Papers where he is a contributing editor. He has been a visiting lecturer at numerous academic and cultural institutions, including Cornell University. Smith is a doctoral candidate in the History of American Civilization program at the University of Delaware, where he is completing his dissertation entitled, “Granite, Power, and Piss: The Transformation of a Confederate Symbol.”

Intisar Abioto, born in Memphis, TN, is an explorer-artist working in dance, writing, photography, and curation. In long-form projects encompassing the visual, folkloric, documentary, and performing arts, her works consider the breath/ breadth of people of African descent against the expanse of their storied, imaginative, and geographic landscapes. She has produced The People Could Fly Project and The Black Portlanders, among others. In 2017 she began original research on the history and presence of Black artists in Oregon which led to the curation of the 2023 Black Artists of Oregon exhibition at the Portland Art Museum. Black Artists of Oregon: Continuum, an accompanying exhibition catalogue is forthcoming in 2026.

Eric Fredericksen is the public art administrator of the City of Portland, where he oversees the management of the City’s 1,700-piece collection and guides the Percent for Art program. From 2017 to 2025 he led the public art program at the City of Vancouver, BC, with a focus on artist-led approaches to public art: extending open invitations for artists to propose ideas outside the limits of a predetermined site, theme, or medium. He also worked with public and private partners to dramatically increase the visibility and voice of the Musqueam, Squamish, and Tsleil-Waututh First Nations on their unceded territories through art commissions in traditional and contemporary forms. He was previously the Waterfront Art Program Manager for the City of Seattle, where he commissioned significant public artworks by Ann Hamilton, Qwalsius – Shaun Peterson, Norie Sato, Buster Simpson, Oscar Tuazon, and Stephen Vitiello. As the founding director of Western Bridge, Seattle, he organized exhibitions and commissions from 2004 to 2012, and he began his career as a writer and editor at Architecture magazine and The Stranger. As an independent curator, he has curated exhibitions at the Contemporary Art Gallery, Or Gallery, and Artspeak, all in Vancouver; the Noorderzon Festival, Groningen, the Netherlands; and Open Satellite, Bellevue, Washington.

Born in 1961, artist Todd McGrain’s early career as a sculptor involved apprenticing in bronze casting facilities, where he gained hands-on experience assisting prominent sculptors of the previous generation. In 1996, McGrain received a Guggenheim Fellowship, enabling him to study major art collections across the United States and Europe, with a focus on Italian Renaissance art. In 2000, his focus shifted to creating public memorials for bird species that have become extinct in the modern era, permanently installed at sites of historical significance to each species. This ongoing project has been widely exhibited at art centers, galleries, and public gardens, including the Smithsonian Institution, Cornell University, and Stanford University.

Zachary Stocks is a public historian, interpreter, and the Executive Director of Oregon Black Pioneers. Zachary previously served as Program Director of Historical Seaport and Visitor Services Manager of Northwest African American Museum. He is a former intern of Colonial Williamsburg and Smithsonian’s National Museum of Natural History, and a former seasonal Park Ranger at Lewis & Clark National Historical Park. He holds a BA in History from the College of William & Mary with a certificate in Public History from the National Institute for American History and Democracy, and an MA in Museology from the University of Washington. Zachary is a 2025 graduate of the prestigious History Leadership Institute, sponsored by the American Association of State and Local History. Zachary lives in Astoria.

• Exhibitions Todd McGrain: Debut of York General accessibility

  Mar 31, 2026 – Jan 31, 2027

  1219 SW Park Ave

Fred Armisen is a comedian, writer, producer, and musician. He is the co-writer and co-star of IFC’s Emmy-nominated series Portlandia. He is in the hit Netflix series Wednesday as Uncle Fester. He stars in HBO’s Los Espookys, which he co-wrote and executive produced. He can also be heard in the hit animated Super Mario Bros movie. Armisen stars in, writes, and produces IFC’s hit show Documentary Now. He has also appeared in HBO’s Our Flag Means Death, Judd Apatow’s The Bubble, andAmazon’s series Forever. He voices characters in Big Mouth and The Mitchells vs. The Machines. He is currently starring in the Broadway play All In. Armisen is an 11-season veteran of Saturday Night Live. From 2014-2024, Armisen was band leader of the 8G Band on Late Night With Seth Meyers.

Panel discussion featuring MacArthur Fellows Sterlin Harjo and Reginald Dwayne Betts.

What is more shapeshifting than the truth? Sterlin Harjo & Reginald Dwayne Betts join PAM CUT for a MacArthur Fellows Panel. Presented as part of PAM CUT’s PLUS PLUS Festival, join us for a FREE hosted discussion exploring questions like: What are truths? What makes them true? In this moderated conversation, we ask multidisciplinary artists Sterlin Harjo and Reginald Dwayne Betts to consider truth and truthiness.

Sterlin Harjo (Seminole/Mvskoke) is a MacArthur Fellow, award-winner, writer, director, and showrunner from Holdenville, Oklahoma. Most recently, Sterlin created, wrote, directed and is the executive producer of THE LOWDOWN, currently airing on FX and Hulu, starring Ethan Hawke. Previously, he was the showrunner, co-creator with Taika Waititi and director of the Emmy-nominated RESERVATION DOGS for FX. The series ran for three seasons and received numerous awards including a Gotham Award, a Peabody Award, two Independent Spirit Awards and honors from the Television Academy.

Reginald Dwayne Betts is a poet, lawyer, and founder and CEO of Freedom Reads. At sixteen, he was sentenced to nine years in adult prison for an armed carjacking, where he discovered poetry and the law. His work since then has been one long inquiry into how a child ends up in prison and what it takes to come home, pursued through poetry, memoir, theater, photography, and film. A MacArthur Fellow, Betts has authored six books, including A Question of Freedom and Doggerel (W.W. Norton, 2025). His solo theater work Felon: An American Washi Tale has been performed at San Quentin and the Perelman Performing Arts Center. He earned his J.D. from Yale Law School, where he is an Associate Research Scholar. Freedom Reads is the only organization in the country dedicated to building libraries inside prison cell blocks. Each Freedom Library is handcrafted, often by people who have served time themselves, and placed within arm’s reach of the people it serves. Betts founded it on a simple conviction: freedom begins with a book.

Defying Boundaries: MacArthur Fellows at 45: This moment calls for creative courage. For 45 years, MacArthur Fellows have expanded the boundaries of possibility by questioning conventions, crossing disciplines, and driving collective progress. Throughout 2026, the Foundation is celebrating the ground- breaking work of the Fellows and inspiring public dialogue through a series of nationwide events and conversations. Learn more at macfound.org/fellows-45.

The MacArthur Foundation boldly invests in creative solutions to urgent challenges, sparking hope for our future. We strive toward transformative change on some of the world’s most pressing social issues, including the existential threats of climate change, criminal justice reform, revitalizing local news in the U.S., expanding who creates, uses, and benefits from artificial intelligence, and strengthening the well-being of Native communities. In addition, we maintain enduring commitments in our hometown Chicago, where we invest in people, places, and partnerships to build a more inclusive Chicago and in journalism and media, where we invest in more just and inclusive news and narratives. We also make awards to extraordinarily creative individuals through the MacArthur Fellows program and for solutions to critical problems of our time through 100&Change.

Join us for Harvest Celebration, a one-of-a-kind evening where the worlds of art and wine come together in the heart of Portland.

Presented by the Portland Art Museum and the Willamette Valley Wineries Association, this immersive tasting experience celebrates the creativity, craftsmanship, and intersection between artists and winemakers. Enjoy wines from 54 Willamette Valley wineries alongside engaging artistic experiences, seasonal culinary offerings, and opportunities for discovery throughout the evening.

Each artist will be paired with a collection of participating wineries, creating unique intersections between visual art and winemaking. Meet the artists, learn about their creative process, and discover how artistic expression and winegrowing share a common foundation.

The evening will also feature a live artist creating work in real time, offering guests a firsthand look at the creative process. Interactive experiences invite attendees to become creators themselves, including opportunities to participate in creative activities. Guests can further extend their experience by exploring works available through the Portland Art Museum's Rental Sales Gallery, offering an opportunity to bring a piece of local art home and continue the experience long after the event concludes.

Guests Will Enjoy

• Tastings from 54 premier Willamette Valley wineries
• Pinot-friendly grazing boards and seasonal bites
• Six featured artist and winery pairing experiences
• Live art demonstrations
• Hands-on interactive experiences throughout the event
• Opportunities to connect with featured artists and winemakers
• Access to artwork from the Portland Art Museum’s Rental Sales Gallery, with opportunities to purchase or rent pieces for your home

Raise a glass, discover something new, and experience the harvest season through a fresh lens—where every bottle tells a story, and every work of art sparks a connection.

Ticket Options

VIP Admission – $135

5:00 - 9:00pm

Includes one hour of exclusive early access, premium tasting opportunities, passed hors d’oeuvres, and more intimate opportunities to connect with featured artists and winery representatives before general admission begins.

General Admission – $105

6:00 - 9:00pm

Includes event entry, wine tastings, seasonal culinary offerings, access to artist experiences, live demonstrations, and interactive activations throughout the evening.

Alcohol-Free General Admission (No Wine Tasting) – $55

5:00 - 9:00pm

Includes event entry, access to artist experiences and interactive activations, non-alcoholic beverage offerings, and seasonal culinary selections.

*Please note: this event will take place in Portland Art Museum's Grand Ballroom, and does not include access to the Museum galleries.

Participating Wineries

1. Adelsheim Vineyard
2. Alexana Estate
3. Amaterra
4. Ambar Estate
5. Approachment Wine Company
6. Balsall Creek
7. Bellingar Estates
8. Bergström Wines
9. Boedecker Cellars
10. Burton Bittman Wines
11. Brick House Vineyards
12. Chehalem Winery
13. Chosen Family Wines
14. Cooper Mountain Vineyards
15. Cristom Vineyards
16. Dobbes Family Winery
17. Domaine Divio
18. Domaine Serene
19. Dominio IV
20. Durant Vineyards
21. Dusky Goose
22. Erath
23. Evesham Wood & Haden Fig
24. Eyrie Vineyards
25. Gran Moraine
26. Holocene Wines
27. J. Christopher & Appassionata Estate
28. Jachter Family Wines
29. Knudsen Vineyards
30. La Biblioteca
31. Lachini Vineyards
32. Lange Estate Winery
33. Left Coast Estate
34. Lingua Franca
35. Lundeen Wines
36. Lytle-Barnett & Aubaine
37. Matzinger Davies
38. Nicolas-Jay
39. Nysa Vineyard
40. Olive Hamilton Russell
41. Open Claim Vineyard
42. Raptor Ridge Winery
43. Résonance
44. REX HILL
45. Ridgecrest
46. ROCO
47. Roots Wine Co
48. Saffron Fields Vineyard
49. Stoller Family Estate
50. Terra Vina Wines
51. Trout Lily Ranch
52. White Rose Estate
53. Willamette Valley Vineyards
54. Winderlea

Authors and acclaimed chefs Molly Irani(Service Ready: A Story of Love, Restaurants, and the Power of Hospitality) and Meherwan Irani(No. 1 Best Indian Cookbook in the World) sit down with renowned chefs and coauthors Sara Mardanbigi and Edgar Rico (Nixta Taqueria Presents: From Tacos to Tahdig) to discuss their recent publications and experiences building community through food. Joined by moderator and fellow chef, Farideh Sadeghin (The Hot Dog Cookbook and Cheesy), both pairs move beyond their recipes to share the cultures, upbringings, and people that inspired their successful businesses.

Molly Irani, the visionary cofounder of the James Beard Award–winning restaurant Chai Pani, shares her passion for hospitality and story of building a thriving business that puts people first.

Growing up with parents who owned a restaurant, Molly understood the power of service but also had a keen understanding of the industry’s challenges. When her husband Meherwan wanted to open a restaurant that would serve the Indian street food of his childhood, Molly thought he was nuts. And yet, the couple turned this unlikely dream into a vibrant reality. Chai Pani would eventually win the James Beard Award for Most Outstanding Restaurant in America, and be named one of 50 Favorite Restaurants in America by The New York Times, and one of Southern Living’s 20 Friendliest Places in the South.

In Service Ready, Molly takes readers on their inspiring journey to the heights of culinary and professional success. While she and her husband learned their way into running a restaurant, Molly created a groundbreaking work culture with industry-leading retention rates. They have fostered a loyal team and legions of fans, and have since launched multiple Chai Pani locations, the fast-growing spin-off, Botiwalla, and the popular spice business, Spicewalla.

Molly shares the ten core principles that have shaped their path, offering essential lessons for any industry. She opens up about the challenges and rewards of being business partners with your life partner and shares how she and Meherwan learned to merge their strengths in order to thrive. Her story celebrates the power of female leadership in a traditionally male-dominated field and is a testament to the essential impact these strengths bring to businesses. As she reflects on navigating a recession, a global pandemic, and the devastating floods in Asheville, she explores resilience, innovation, and how to create a strong culture in any workplace.

People of the earth! James Beard Award–winning chef Meherwan Irani is here to tell you that Indian street food is the best food on the planet—and that with more than 100 of his recipes you can have it at home any time you want.

“If you love Indian food, Irani decodes the entire canon for the home cook without oversimplifying or diluting the most delicious of global cuisines.”—Andrew Zimmern

Entering Meherwan Irani’s restaurants feels like walking into a party—and opening his cookbook is no different. With warmth, affection, and a bit of swagger, Irani makes a compelling, delicious case for adding Indian food to your weekly rotation, providing you with clear instruction on how to build layers of flavor and texture, putting beloved favorites like bhel puri, vada pav, kathi rolls, and more within your grasp.

In the No. 1 Best Indian Cookbook in the World, Irani takes you through the depths of this (liberally defined) subgenre of Indian cuisine that’s filled with delicious snacks, flavorful sandwiches, and curries and chutneys galore. He covers classics like pakoras and chaats as well as stews from roadside cantinas and Chinese-Indian stir fries. Through more than 100 recipes, Irani shares his tips for making street food with minimal time and effort, like sweet, bright, and crunchy Corn Bhel and a Mumbai Toastie, which provides one of the best uses you’ll get out of white sandwich bread. From Dhansak, the triple lentil stew his mom used to make, to the golden-crisp Dosa that’s now found itself in the lexicon of street food, these recipes are rooted in childhood memories, travels through India, and deeply conducted research on the cultures that have contributed to Indian cuisine. Essays throughout dig into areas of Indian cuisine that Irani loves to talk about, like why naan isn’t eaten with every single Indian dish and why chai should be made with substandard tea leaves.

With more than 100 recipes for sandwiches, chaats, fried goodies, and more, you’ll quickly see why this is the No. 1 Best Indian Cookbook in the World.

“The future of American food is found at Nixta, where Edgar Rico and Sara Mardanbigi combine Mexican, Persian, and American flavors to create one of the country’s most essential restaurants.”—Brian McGinn, director and executive producer of Chef’s Table

Sara Mardanbigi and Edgar Rico are proud hyphenated Americans: Iranian and Mexican, respectively. It’s their superpower and what they’ve built their award-winning restaurant Nixta Taqueria on. Pulling from their rich culinary heritages, they’ve done what first-genners do best—created delightful twists on Mexican, Iranian, and American classics. In Nixta Taqueria Presents: From Tacos to Tahdig, they sling tacos and tostadas, alongside platters of golden, fluffy rice; rich stewed meats; and so, so, so many herbs.

Nixta Taqueria Presents: From Tacos to Tahdig takes you through recipes from Edgar’s childhood in Visalia, California, with family dishes like Tortas de Milanesa de Pollo and Chicharrones en Salsa Verde. Then it’s Sara’s turn, sharing recipes from the Ozarks in Arkansas and family trips to Iran for Maman’s Fish with Kuku Sabzi and Ash Reshteh. Lastly, they bring it all together, showing the full-force beauty and surprising connection between the two cuisines with recipes like Smashburgers Al Pastor and Saffron Tres Leches.

More recipes include:

• Nixta Taqueria’s legendary Duck Carnitas Tacos
• Barbacoa Empanadas
• Fesenjoon
• Beet “Tartare” Tostada
• And their famous cross-cultural recipe for rice pudding, Sholeh Zard

With over 100 recipes and stunning photography, Nixta Taqueria Presents: From Tacos to Tahdig is a celebration of where Edgar and Sara have come from and where they are now. Come along for the ride!

November 15, 2026

Family Series

Alice McLerran’s classic children’s book The Mountain that Loved a Bird tells a heartwarming story of unlikely friendship between a barren mountain and a visiting bird named Joy. Experience Portland-based composer Caroline Shaw’s musical interpretation of the story as the book is narrated live in this celebration of friendship that teaches us the transformative power of kindness and care.

• Su-Han Yang Harold & Arlene Schnitzer Associate Conductor
• Pam Mahon Narrator
• Dance West Jason Davis, Artistic & Technical Director
• Pacific Youth Choir Chris Maunu, Artistic Director; Amber Schroeder, Associate Conductor
• Oregon Symphony

This concert is part of the Family Series, and is eligible for the Choose Your Own Series (Portland only).

This concert is part of the 2026/27 Sounds Like Portland festival.

Meet people who like doing the things you like to do!

Come meet some new people while exploring Frybread Fest at Director Park, a celebration of Native American culture, food, and music. Enjoy the festivities, discover something new, and maybe make a connection along the way! The festival is free to attend with food available to purchase.

We'll start on the corner of Yamhill and Park across from Nordstroms. If you're late, check in on the app and use our selfies to find us. Meetsies at 11am, festival runs until 7pm.

All generations of singles welcome who want to meet some new people, hear some tunes, and maybe find a spark.

How it works:

The app is your guide to the event.

Download the Meetsies app to register for the event. Your Meetup RSVP does not register you and more people register than RSVP. Check your app store or find the download link at meetsies.com.

Create a profile and use the app to check in with a selfie when you arrive.

When you've met someone, exchange QR codes to unlock their profile. At the end of the night, you'll have a chance to connect safely in the app.

The Meetsies app is free for your first 30 days, then $4.99/month. Meetsies events are included with your subscription. Any food, drinks, or costs associated with the venue are on you.

Already have the app? Make sure you've downloaded our latest update. We've made lots of amazing changes to make the event more fun!! More info at meetsies.com

As the trailblazers of progressive Irish dance, Trinity Irish Dance Company has spent 35 years redefining the art form through the vision of Founding Artistic Director Mark Howard. This family-friendly program, featuring live music from the company’s own folk-rock band, draws from new and classic Trinity repertoire. Highlights will include the Portland/Northwest premieres of “Pasture Bedtime, Bleating Hearts,” a whimsical work by Portland’s own Ashley Roland and Jamey Hampton of BodyVox; “Séseacht,” choreographed by renowned tap dancer Michelle Dorrance in collaboration with the company; and “The Sash,” choreographed by Mark Howard, Chelsea Hoy, and Stephanie Martinez. Trinity has sold out stages across Europe, Asia, and North America—a tradition kept restlessly alive through their distinct artistry.

Dwight Yoakam is a legendary artist whose influence has reshaped the landscape of country music and beyond. With over 25 million albums sold worldwide, he is a 21-time GRAMMY® nominee and multiple GRAMMY® Award winner. His catalog includes 12 gold albums and 9 platinum or multi-platinum releases, with five topping Billboard Country Albums chart and 14 landing in the Top 10. Nearly 40 of his singles have charted on Billboard, including 14 Top 10 hits.

A recipient of the Americana Music Association’s Artist of the Year award and BMI Country Music’s President’s Award, the highest honors bestowed by each organization, Yoakam was also inducted into the Nashville Songwriters Hall of Fame in 2019.

His latest release, Brighter Days (Via Records/Thirty Tigers), marks his first new album in nine years. Released in November 2024, the album was written and recorded over a three-year period and features twelve brand-new songs written or co-written by Yoakam. It also includes three seemingly disparate covers: “Keep On the Sunny Side” by the Carter Family, “Bound Away” by Cake, and “Time Between” by Chris Hillman of The Byrds, artfully woven into the same body of work in the unmistakable style that could only be Dwight Yoakam.

A passionate curator of musical heritage, Yoakam launched his SiriusXM channel Dwight Yoakam and The Bakersfield Beat: Where Country Went Mod in 2018, spotlighting the Bakersfield sound and its far-reaching influence. The channel celebrates the Bakersfield sound and those whom it has inspired. Guests have included Post Malone, Lukas Nelson, Beck, Chris Hillman, Jakob Dylan, and Jackie DeShannon.

In 2016, Yoakam released Swimmin’ Pools, Movie Stars..., on Sugar Hill Records. Featuring a band of bluegrass luminaries, this album boasts a collection of reinterpreted favorites from his catalogue, as well as a cover of Prince’s “Purple Rain”. Produced by nine-time GRAMMY® winner Gary Paczosa (Alison Krauss, Dolly Parton), Jon Randall (songwriter of “Whiskey Lullaby”), and Yoakam himself, and mixed by Chris Lord-Alge, this album reflects the love for bluegrass music that Yoakam developed at an early age in Kentucky and that has inspired him for many years thereafter. In 2018, Yoakam released two songs, “Pretty Horses” and “Then Came Monday” (the latter written with Chris Stapleton).

Yoakam is a multifaceted artist, seamlessly blending his musical talents with a robust acting career. He has appeared in over 40 feature films, including notable roles in Sling Blade (1996) and Panic Room (2002). He later reunited with Billy Bob Thornton for David E. Kelley’s Amazon series Goliath. Yoakam portrayed Warden Burns in Steven Soderbergh's Logan Lucky (2017) alongside Channing Tatum and Daniel Craig and took on the role of Howard Polk in Clint Eastwood's Cry Macho (2021). Throughout his career, he has demonstrated his acting range alongside acclaimed actors such as Jodie Foster, Tommy Lee Jones, Jared Leto, Forest Whitaker, and Matthew McConaughey.

Whether on stage, in the studio, or on screen, Yoakam continues to evolve as one of the most compelling and culturally significant artists of our time.

Live Wire joins forces with the Portland Art Museum for an afternoon of roving performances ahead of an evening recording of the program. The event coincides with PAM's monthly Free First Thursday and the Portland Book Festival's expanded programming. Performers will include poet and rapper Dessa, bestselling children’s author Mac Barnett, Pulitzer Prize Finalist Ed Park, and Portland comedian Mx. Dahlia Belle.

Free pop-up performances will take place throughout the Museum’s galleries, giving visitors a chance to catch live performances and storytelling while moving through the PAM spaces. Completely free through PAM’s Free First Thursday general admission. Also, enjoy a fully seated, ticketed Live Wire taping hosted by Luke Burbank with announcer Elena Passarello, featuring a blend of interviews, comedy, and music performed live for the audience, then edited into an episode for broadcast to over 200 public radio stations nationwide.

Visitors can take in the afternoon gallery pop-ups, the evening show, or both.

What do you get when Don Lemon, award-winning journalist, and DL Hughley, one of the original Kings of Comedy, and highly recognized stand-up comedians come together for a night of conversation?

Expect the unexpected from these two brilliant minds doing their public service while taking you on a journey exploring topics spanning everything from social issues, race, pop-culture and current events. Nothing is off limits!

Doors open at 6:15 pm

A Proclamation for Peace joins poetry, global languages, and music to produce a short film advancing cultural exchange, education and global peace. The project draws on a poem by Oregon Poet Laureate 2018-2020, Kim Stafford, adapted into a vocal score by Theresa Koon and realized in a lyrical film by Ron Bourke.

The film is a gift from Oregon to the world that will inspire individual commitment to peacefulness everywhere. On this special evening we’ll present the first public preview of the film. Please join us in a toast to the many musicians, crew members, and supporters who’ve helped to turn our passion for poetry, music, film and peace into a reality. Poet Kim Stafford, composer Theresa Koon and filmmaker Ron Bourke will join a post film conversation. Many of the principal artists and performers will be in attendance. Tickets are free but very limited and must be procured in advance.

Poets Victoria Chang and Beth Piatote sit down for a conversation on their recent publications and their evocative use of nature throughout their poems. Moderated by writer and editor Alyssa Ogi, this discussion promises a rumination on our shared home, oppressive efforts of erasure, and the art and language that we use to understand our world and ourselves.

In Kara LaReau’s novel Licorice, Kitty the cat is adopted from Mount Charles Animal Shelter and brought to her new home. While Max’s house is certainly better than the shelter, a lingering presence haunts her new home. In this novel, our feline protagonist shares her experience facing the looming character of the old family cat. Like La’Reau, Rosanne Parry writes from a nonhuman perspective. In A Raven of the Rainforest, Parry writes about Westerly the raven and the prophecy that binds her to leadership, bravery, and hopefully glory. Both novels explore the pressure stand up to the reputation thrust upon them and overcoming the fear of fitting in. Moderated by Emily Chenoweth.

About Licorice:

A young and frightened kitten is brought starry-eyed into a new household. A boy named Max is trying desperately to get over the loss of his former beloved pet. But ghosts don’t always enjoy being forgotten. Sometimes they have to make their presence known.

Both spine-chilling and heartwarming, funny and charming, Theodor Seuss Geisel Honor winning author Kara LaReau has written a story about fitting in, standing out, overcoming fear, and finding a place called home.

In her cage at the Mount Charles Animal Shelter, Kitty has no other choice but to be the captive audience of the opinionated Bunny Van Hopper. But it’s better than the woods. Kitty can still remember the rain that came and swept everything… everyone… away. Here, at least she has food and company, even if Bunny’s words scare her. And then Max appears at the shelter. Max has adopted all sorts of pets over the years. Rumor has it that he treats all of his pets with care and kindness. And of all the animals at the shelter, he actually chooses her—a scrawny and scared kitten. Kitty is going to be home at last. But she can’t seem to get Bunny’s words out of her head as Max takes her away in her carrier…

“You’re going to regret this! I just know it!” Bunny Van Hopper cries. And perhaps Bunny is right…

There is a scent lingering in the house on 5 Manderley Lane. The scent rises from every chair leg, every carpet fiber, every throw pillow, even inside the bathtub. Everything smells like Licorice. It is the strongest upstairs in Max’s room, almost overpowering. If the smell isn’t enough, Duchess, the family’s old parrot, won’t let Kitty forget that she is a replacement. And soon, Kitty finds herself trapped in the long shadow of the cat that came before her. But is it just a shadow? Or is there something really there on the other side of it…haunting her…

About A Raven of the Rainforest:

A stand-alone addition to the New York Times and Indie bestselling Voice of the Wilderness Novels by Rosanne Parry. Westerly the raven fears she won’t survive the prophecy she was born to fulfill in this enthralling animal survival story about destiny, leadership, and bravery.

On Westerly the raven’s otherwise ink-black tail, one bright white feather stands out. Westerly stands out, too. She isn’t like her brother and sister—she’s different. Everyone knows it, including the roost’s storykeeper, who proclaims that Westerly alone is destined to save her fellow ravens from a terrible fate. Questioning her destiny, isolated from her family, and full of doubt, Westerly takes to the sky, vowing never to return. But when a once-in-a-lifetime volcanic eruption finds her, she has no choice but to flee in the direction of home.

A Raven of the Rainforest is a stand-alone companion to Rosanne Parry’s bestselling Voice of the Wilderness novels, A Wolf Called Wander, A Whale of the Wild, A Horse Named Sky, and A Wolf Called Fire. Set in the temperate rainforests of the Pacific Northwest, A Raven of the Rainforest tells a gripping animal survival story about family, courage, faith, leadership, and hope. Illustrated in black-and-white throughout and impeccably researched, A Raven of the Rainforest is an excellent read-aloud for parents and teachers.